DurgaWP (ドゥルガーWP, Durugā?), Class Name Archer (アーチャー, Āchā?), is an Archer-class Pseudo-Servant summoned by Rani XII in the System Grail War in the Inner World of Paper Moon in Fate/Grand Order. She is later summoned by Ritsuka Fujimaru under Chaldea's FATE system, comprising the First Ascension and Second Ascension of the Saint Graph, while Kali comprises the Third Ascension.
Profile[]
Identity[]
This article or section contains information fully or partially copied from an official source. This information should be rewritten or removed.
Durga is the Hindu goddess of war. She is another facet of Parvati.[1][3][4][5] She is Shiva's divine consort.[1][4][5] She is depicted as a beautiful goddess with a third eye and several arms in modern times.[1][3]
It is said that Durga was born from the converging of the light of the gods' wrath when a powerful demonic deity assaulted the heavens. The gods gave her each of their symbolic armaments like a trident, a chakram, a spear, etc. With those god-given armaments, she attacked the demonic deity and at the end of their fight she successfully vanquished him.[1][3]
History[]
This article or section contains information fully or partially copied from an official source. This information should be rewritten or removed.
Using a certain young woman as her host, she became the Pseudo-Servant Durga. The goddess of war born from the wrath of the gods.[1]
Durga is a being born from the light of many gods' wrath, starting from Shiva and Vishnu. Since she came into being for the sake of killing the demonic deity Mahisha who attacked the heavenly realm, for that purpose, she naturally received numerous armaments from the gods. Since the powers of many gods were concentrated towards the single objective of "creating something that can slay a demon god", one can surmise just what kind of being was born through that process.[1]
Existing as an opposite to the gentle goddess of grace, Parvati, she is the goddess of slaughter and battle who focuses solely on destroying and slaying demonic beings. That is Durga. Her existence is akin to that of a weapon of slaughter created by combining the powers of the Indian gods.[1]
Appearance[]
 Archer Stage 1 in Fate/Grand Order, illustrated by STAR Shadow Magician.  Archer Stage 2 in Fate/Grand Order, illustrated by STAR Shadow Magician.  Archer Stage 4 in Fate/Grand Order, illustrated by STAR Shadow Magician.  .jpg "Durga (Twitter).jpg (760 KB)") Archer, illustrated by STAR Shadow Magician.  Archer, illustrated by STAR Shadow Magician. |
Personality[]
This article or section contains information fully or partially copied from an official source. This information should be rewritten or removed.
She is always clad in a quiet anger and serene air of intimidation, giving off an atmosphere that she would snap at fly at any evil being that approaches her.[1]
Although her tone and behavior are polite, she acts as a "system that kills demons" and rarely shows her personal desires. Loving mortals is Parvati's job, in her opinion. (It's not that she is incapable of love, on the contrary, she likes mortals, but she tries to not let that show since her and Parvati's roles are different)[1]
"Divine duty" is used with the meaning of "task/mission".[1]
Relationships[]
- Parvati
- "You are the Goddess of Grace. Originally, fighting should be my role. You have no need to possess Shiva's spear, but...I guess I can't say that in the current situation."[2]
- Passionlip
- "Those ten claws are...I see, you might be like a relative to me."[2]
- Ganesha
- "While I may not be your mother herself, I surely have the right to scold you for your slovenly lifestyle. ───Sit right there, Ganesha. (metallic sound)."[2]
- Vritra
- "The Wicked Serpent and King of the Asura. I'll overlook you for now, but if something were to happen, I will kill you as Indra's representative. Make sure you don't do anything funny."[2]
- Senji Muramasa
- "Gh...When I get close to him, my heart aches for some reason... While the cause may be unknown, I will withdraw for now. Afterwards, I will observe every single move of his from a hiding place and determine the cause. For the time being, please don't let him talk to me."[2]
- Galatea
- "Aphrodite Unit...is she a god-gifted armament from the West, I wonder. While I am interested, she probably won't be up to standard with this goddess."[2]
Role[]
Fate/EXTRA CCC[]
Durga is the second component of Passionlip. Passionlip's gigantic nails are the incarnation of Durga's ten divine blades.[3]
Fate/Grand Order[]
Paper Moon: Imaginary Compass Inner World[]
- Main article: DX
In order to hide her identity, Durga initially works within the Inner World of the Paper Moon under the guise of a R.A.N.I Series AI known as DX and claims to be a Public Security Type AI created to maintain the peace.[6]
Rani XII reveals it was only possible to begin the System Grail War thanks to Durga’s summoning. The Grail War was also not for the Paper Moon’s maintenance, but an experimental ritual. The Paper Moon’s functions ceased as a result of the ritual commencing. Once the ritual is finalized, though, the Paper Moon will resume operations, albeit different from before.[6]
Rani XII refusing any objections to her plan requests the others resume the Grail War. She insists she is only an overseer while Durga is a member of the system unrelated to the “war” part of the Grail War.[7]
Kama calls it bold for her to say that when Durga attacked Medusa and Lainur. Durga states she was only fulfilling her divine duties. Lainur had the potential to be an obstacle for his analysis, contact, and intervention with the system’s core pillars while Medusa acted on visible intent to harm Rani XII. Both were valid targets for extermination, so Durga eliminated them.[7]
Kama suspects Durga is more fundamental to the Grail War than she lets on. Otherwise, she wouldn’t have bothered disguising herself an AI. Rani XII mentions the X in “DX” is for an unknown variable while D is Durga. Regardless, she confirms the Grail War wouldn’t be possible without Durga.[7]
Durga request Dust of Osiris concentrate all of her resources on her mission. Dust of Osiris agrees to stop holding back and concludes the issue is Durga is a goddess representing the results of extermination, not the process of battle. She starts charging something to rectify that.[7]
At Cerjeira’s behest, Bhima charges at Dust of Osiris to stop her. But it is too late as she uses a Command Spell to reconnect Durga as the Prime Defend AI and her own authority as the supervisor to forcibly drain Raniment from all Defend AIs. Now Durga is powered by Raniment in addition to her own magical energy and that of the Grail.[7]
Ayus is horrified Dust of Osiris is no different from Makiri. She thinks as the general supervisor she should see all AIs as family, but they’re only resources to her. Dust of Osiris tells Ayus the source of her disagreement is her Alter Ego personality. She tries to say what AIs are by definition, but Ayus angrily cuts her off.[7]
Durga requests her Master give her more power, asserting she only needs 7% more resources to realize her objective. Dust of Osiris complies and uses the final reserve Command Spell to create a Raniment pathway between Durga and herself. The bulk of the Raniment under her control has now gone to Durga. Durga concludes it’s now possible to complete her mission.[7]
Both Dust of Osiris and Durga have similar yet dissimilar inner monologues. Dust of Osiris’s is that all exists for the perpetual production of Alter Egos for averting the world’s destruction. Durga’s meanwhile is that all exists for the sake of her love.[7]
Durga tells Dust of Osiris if she committed one error it would be that she never considered the possibility that she is an Alter Ego. Dust of Osiris is confused by what she means. Durga declares she has the power necessary to realize her goal—to reunite with her husband Shiva.[7]
She suddenly transforms into a woman with blue skin and ten arms wearing a cloak over her face. Dust of Osiris feels herself severely weaken, realizing this was Durga’s aim all along as the latter drains her of her Raniment.[7]
Durga removes her cloak and proclaims she is Kali——the goddess born from Durga’s wrath. She asserts she exists solely to be reunited with Shiva, threatening to kill all those who get in her way.[7]
Abilities[]
To be a deity is to contain multitudes. In Durga's case, Kali, the god of fury, and Parvati, the god of Beauty, are different sides of Durga. Their Saint Graphs may be different, but they all share the same Divine Core. It is said that the greater a Divine Spirit is, the more difficult it is for them to restrain their own nature. Due to Parvati not using Kali's or Durga's Spirit Origins, she isn't suited for fighting.[8] Due to being a pure Divine Spirit, she is able to easily nullify the effects of Medusa's Cybele and repel them back at her attacker.[6] As a result of having been born from the rage of the Gods and gaining power and Gifted Armaments from each of them, she is an "all-rounder" that displays qualifications corresponding to all seven classes and is capable switching between any of her ten divine weapons in response to the current situation.[7]
Combat[]
In combat, Durga fights using the ten divine weapons gifted to her,[1][3] such as Shiva's trident, Vishnu's chakram, and Indra's lightning.[1] She additionally summons her mount Gdon and a white Naga snake to fight alongside her.
Skills[]
Class Skills[]
- Magic Resistance (A Rank)
- Riding (A Rank)
- Independent Action (C Rank)
- Divine Core of the Goddess (B Rank)
- Divinely-Bestowed Arms (EX Rank)
Personal Skills[]
- Mahamaya (EX Rank): Great phantasmal power. The large phantasmal power serving as the root of magical power was deified as a goddess and even equated with Durga. In other words, Mahamaya is also another name for Durga.[1]
- The Hard To Approach One (A Rank): This is what the name "Durga" means. It is said that this was also the name of a demonic deity and myths like the one below are told about it. Once there existed a demonic deity powerful enough to banish the gods. Begged for help by the gods, Shiva entrusted his wife with taking care of the problem. She fought the demonic deity's army by creating a thousand arms and even smashes a mountain thrown at her into seven pieces before finally killing the demonic deity by firing an arrow into his chest. For this achievement, she was said to have usurped the demonic deity's name and called herself Durga.[1]
- The Third Eye (EX Rank)
Noble Phantasm[]
Durga's Noble Phantasm is Mahisasuramardini, a sublimation of the episode where she killed the demon Mahisha.[1]
Kali's Noble Phantasm is Samhara Kali. An apocalyptic dance performed by Kali drunk on victory and blood. After slaying all the demon god, the blood-drunk Kali began a furious dance that cracked the earth and shattered the world. The gods asked Shiva to stop it, and though Shiva called out to her, she didn't hear. Shiva then lay down at her feet and used his body to absorb the impact. Kali finally regained her sanity after stepping on Shiva.[1]
Other Capabilities[]
- Durga has a super voluminous conceptual hole, presumably a storage space to safely utilize the powers she received from numerous gods. Rani XII used the Grail to summon the first five Servants and stored their still unawakened Spirit Origins inside Durga’s pit. Then she used the remaining power for the first rotation, producing five Alter Ego Servants. The purpose of the Grail War is for Servants to fight one another so the energy generated by their dismissal can be absorbed into Durga’s pit, which is connected the Paper Moon’s world. Once the Grail War is over, Durga will use the energy of four dismissed Servants to rotate the world. The five Servants stored inside her pit will thus generate new Alter Egos, who are collected to join the forces to avoid the end of the world. Next, the second rotation is performed, and the Servants produced by it will become the participants of the next Grail War. This process will repeat for the theoretically infinite production of Alter Egos.[7]
Development[]
Creation and Conception[]
Durga was designed by STAR Shadow Magician in Fate/Grand Order.[9]
References[]
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20 1.21 1.22 1.23 1.24 1.25 1.26 1.27 1.28 1.29 Fate/Grand Order - Durga/Kali Profile - Translated by Reddit user Konchew
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 Fate/Grand Order Lines Translated by Reddit user Konchew
- ↑ 3.0 3.1 3.2 3.3 3.4 3.5
[] Fate/EXTRA CCC - Passionlip (Alter Ego) Matrix Class: Alter Ego
Name: Passionlip
Master: BB
Noble Phantasm: Brynhild Romantia (Until Death Do Us Part)
Keyword: Breast Valley, composite divinity
Strength: A+, Endurance: A, Agility: C, Magic: B, Luck: E
Presence Concealment: A+, Constitution of an Abuse Victim: A, Trash & Crash: EXKewords 01 - Brynhild Romantia (Until Death Do Us Part)'
The Noble Phantasm that BB granted to this Alter Ego.
This Noble Phantasm strikes with more accuracy and does more damage the deeper her love toward the target is. Even if it's utterly one-sided, she will never let her loved one escape.
The Servant this Noble Phantasm was made from is the valkyrie, Brynhild, who appears in "The Völsunga Saga." The spear of love and hatred that she wielded in order to get revenge on her husband, Sigurd who betrayed her and wounded her honor. Strictly speaking, not the spear itself, but the deep love and hatred Brynhild felt for Sigurd that has taken the shape of a spear.
In "The Völsunga Saga," the fearless hero Sigurd (Siegfried) takes Brynhild, who was sleeping encircled by flame, as his wife. But afterwards, Sigurd betrays her, presenting her as his brother-in-law's wife. At first, Brynhild believed that this was due to Sigurd drinking alcohol which caused him to lose his memories and accepted these events as her immutable fate.
However, she came to know that, in reality, Sigurd had already regained his memories by that time. In the end, Brynhild killed the man she loved most in the entire world via a conspiracy and then freely took her own life in order to follow after him.
02 - Breast Valley
A simple trash box. Has the function of storing away and safeguarding unneeded data files. It's a garbage can. In Passionlip's case, the icon is set right in the middle of her chest for some reason.
To put it frankly, an imaginary space pocket into which you can put anything as long as it's as trash. If it is dust data that Passionlip has crushed, she can stow away an infinite amount, regardless of capacity.
Though it seems contradictory, it seems even objects that exceed Passionlip's own memory storage can be thrown into this valley.
At first glance, this appears to be a convenient function, but because dust data cannot be returned to its original form, it's an utterly useless function. It appears that Passionlip acquired this unique structure because she is of the type of girl who bottles her feelings up inside, leading to self-destruction and self-harm.
03 - Composite Divinity
Alter Egos are High Servants created as complexes of Heroic Spirits.
BB accessed the Moon Cell's Servant Archives, chose goddesses compatible with the Ego from them, and reproduced the data. Alter Egos came into existence as complexes of goddesses.
Passionlip is made of three goddesses.
The first is the goddess of beauty from Hindu mythology, Parvati. A goddess who loves her husband, the god of destruction Shiva, with blind devotion.
The second is the goddess of war, Durga. Considered a facet of Parvati, Durga possess ten weapons given to her as divine gifts. Passionlip's giant claws are an incarnation of those ten swords.
The third is a goddess of war from Scandinavia, Brynhildr. Unable to be tied to the hero she loved, this queen called destruction to her though her grief. In Wagner's opera, she was rendered as Brünnhilde, who appears as a valkyrie (war maiden) who escorts the souls of the departed to Valhalla. It goes without saying that the circumstances of this work led to a tragedy where she despaired over love and raised her hands against her beloved.０１ - 死がふたりを分断つまで
BBがアルターエゴに与えた宝具。
対象への愛情が深ければ深いほど、命中精度とダメージ数値を増していく宝具。
たとえそれが一方通行のものであったとしても、愛した相手は決して逃さない。
◆
材料になったサーヴァントは『ヴォルスンガ・サガ』に登場するワルキューレ、ブリュンヒルデ。
自分を裏��り、その名誉を傷つけた夫シグルズへの復讐のために振るわれた愛憎の槍。
厳密には、槍そのものではなく、ブリュンヒルデのシグルズに対する深い愛情と憎悪が槍の形を取ったもの。
『ヴォルスンガ・サガ』において恐れを知らぬ英雄シグルズ（ジークフリート）は、炎に囲まれて眠るブリュンヒルデを妻とする。
しかしそのあと、シグルズは彼女を裏切り、義兄弟の妻として差し出してしまった。
ブリュンヒルデは当初、シグルズが記憶を失う酒を飲まされたためと考え、運命だから仕方がないとそれを受け入れた。
だが、後に実際にはその時、シグルズはすでに記憶を取り戻していた事を彼女は知ってしまう。
結果としてブリュンヒルデは、この世で最愛の夫を陰謀の末に殺害し、自らもまた己の命を絶ってその後を追ったという。
０２ - ブレストバレー
単なるトラッシュボックス。
不必要なデータファイルを一時的に収納し、保管する機能。
ごみ箱とも。
パッションリップの場合、そのアイコンがなぜか胸の中心に設定されている。
端的に言ってしまえば、ゴミならいくらでもため込める虚数空間ポケット。
パッソンリップが遺したダストデータであるなら、どんな容量であろうと無限に収納できる。
矛盾しているが、リップ本人のメモリ量を越えるモノすらこの谷に棄てる事ができるようだ。
一見すると便利な機能に見えるが、ダストデータは元のカタチには戻らないため、まったくもって無意味な機能。
パッソンリップは感情を内に溜め込み、自壊／自傷するタイプの少女像である事から、このような特殊構造を獲得したと思われる。
０３ - 複合神性
アルターエゴは英霊複合体として創造されたハイ・サーヴァントである。
ＢＢはムーンセルのサーヴァントアーカイブにアクセスし、その中からエゴと適合する女神を選び、データを再現。
アルターエゴを女神の複合体として成立させた。
パッソンリップに組みこまれた女神は三体。
一神目はインドにおける美の女神パールヴァティー。
盲目的に、そして献身的に夫である破壊神��ヴァを愛した女神である。
二神目は戦いの女神ドゥルガー。
パールヴァティーの側面とされるドゥルガーは、十本の神授の武器を持っている。パッソンリップの巨大な爪はその十の剣を具現化したもの。
三神目は北欧の戦いの女神ブリュンヒルト。
愛した勇者と結ばれず、哀しみから破滅を呼んだ女王。
ワーグナーの楽劇においてはブリュンヒルデとされ、死者の魂を天界に送る戦乙女として登場する。
言うまでもなく、こちらの顛末も愛に絶望し、愛する者をその手にかける悲劇だった。Skills 01 - Presence Concealment [A]
A skill that allows one to take action while hiding themselves. It's a skill that those of the Assassin class possess as it's their most basis ability, but Passionlip has acquired it as well, possibly due to her personality.
Due to her timidness and cautiousness, she manifests excellent Presence Concealment, but her giant claws act as a hindrance and she is quickly discovered. If she didn't have those claws, she would be an excellent stalker.
Though this is a digression, she has been following [the PC] from early on, though no one noticed, observing and watching over them from the shadows, or something like that.
02 - Constitution of an Abuse Victim [A]
A skill that increases the chances of being targeted by enemies in group battles. It appears to be a minus skill, but for a Servant with strong defensive capabilities, possessing this skills allows them to function as an excellent escort.
A slight bonus to defense is included. Once it reaches rank A, an even more unique effect is added: The more the attacking party attacks, the more they will lose their composure until the holder of this skill is all they can think of.
03 - Trash & Crash [EX]
A unique power, called id_es, that the Alter Egos possess from their creation.
A cheat skill that evolved from "Monstrous Strength." No matter how large the capacity of the item, as long as it is "something that can be enveloped by her hands," she can crush and and compress it, whatever it may be.
What that she compresses become a 5 cm by 5 cm by 5 cm cube but its mass can only be reduced to 1/10th of its mass before it was compressed. After it's been compressed, it is treated as dust data.
The only things Passionlip can crush are garments that are smaller than her hands--not. As long as it is something that can be "placed within her hands" based on her vantage point, she can treat it as a target.
For example, in the case of her target being a mega-structure such as the Arena, as long as she is in a place where she has an unimpeded view of the Arena, the requirements will have been met.
She can hold her hands out to the faraway Arena which has become so small and once the entirety of the Arena has completely settled on her hand, it is recognized as Lip "grabbing" it and crushing it becomes possible.
It's planar physical interference which ignores perspective, but as you would expect crushing large objects requires time.０１ - 気配遮断 [A+]
姿を隠して行動するスキル。
アサシンのクラスが基本能力として持つスキルだが、その性格からか、パッソンリップんも取得しているようだ。
その臆病さ、慎重さから優れた気配遮断を発揮するが、巨大な爪が邪魔をしてすぐに発見されてしまう。
爪さえなければ優れたストーカーになっただろう。
余談ではあるが、誰も気づかなかっただけで早い階段から岸波白野を尾行し、陰から監視・見守っていたとかなんとか。
０２ - 被虐待質 [A]
集団戦闘において、敵の標的になる確率が増すスキル。
マイナススキルのように思われがちだが、強固な守りを持つサーヴァントがこのスキルを持っていると優れた護衛役として機能する。
若干の防御値プラスも含まれる。
Ａランクともなると更なる特殊効力がつき、攻撃側は攻めれば攻めるほど冷静さを欠き、ついにはこのスキルを持つ者の事しか考えられなくなるという。
０３ - トラッシュ＆クラッシュ [EX]
id_esと呼ばれる、アルターエゴたちが生まれながらに持つ特殊能力。
スキル『怪力』から進化したチートスキル。
どれほど巨大な容量であろうと“手に包んでしまえるもの”なら何であれその爪で潰し、圧縮する事ができる。
圧縮されたものは五センチ四方のキューブとなるが、その質量は圧縮前の十分の一ほどしか軽量化できない。
圧縮したものは、以降ダストデータとして扱われる。
圧縮できるものはリップの手により小さいものだけ————ではなく、彼女の視点上において“手に収まるもの”なら対象として扱われてしまう。
たとえば、対象が『アリーナ』といった巨大構造体であった場合、アリーナを一望できる場所にいれば条件は成立してしまう。
遥か遠方の、小さく一望できるアリーナに手をかざし、その手の上にアリーナの全体像がすっぽりと収まった時点でリップは『捉えた』と認識し、圧縮を可能とする。
遠近法を無視した平面的な物理干渉だが、さすがに大きなものほど圧縮には時間がかかるようだ。Setting 01 - Barrier Against Cognizance
Barrier against cognizance: Most humans cannot look at themselves from an objective point of view. This is not limited to the heart but also occurs with the physical body.
Humans cannot see themselves. No, more correctly, the impartiality to look upon "oneself without falsehoods" and accept it is rare.
Because humans possess wisdom, they are able to turn only the convenient aspects of the reality in front of their eyes into the truth. It's not just being selective about what information they accept; there is also unconsciously fabricating or modifying information.
Passionlip's barrier against cognizance is of the highest order. She does not comprehend the form of her own two hands. Her "brain" averts its eyes from her own ugly appearance, and within her mind, she is converted into an exceedingly normal girl. To her, her claws only appear as "normal."
Because of this, Lip does not understand the reason "why everyone is afraid of me." Without realizing the reason is her own body's ugliness, she would simply tilt her head if you were to point it out to her.
"Why are you telling such a lie?" "Are you lying to bully me again?"
In relation to her barrier against cognizance regarding her giant claws, Passionlip is a perfect victim. Though a barrier to cognizance is something born from trying to escape, there is neither deceit nor lies in her heart.
Everyone finds it difficult to face their ugly qualities. When one looks in the mirror, is the brain properly observing the image of oneself reflected there?
02 - The End of Love and Hate
The end of love and hate: the Ego born from BB's "desire to court" and "hate and love." The kind of alluring and innocent girl that men cannot help but feel lust for. The claws of her hands are an incarnation of her desire to protect her "easy for men to aim for" self.
She held affection for [the PC] for a certain reason, but after they spoke with each other within the labyrinth, she came to embrace even deeper affection.
She wished: I want to be close to them, I want to touch them, I want to talk to them, but due to her personality, those wishes were never granted, not even once.
I want to talk to them (but for some reason, they're afraid of me), so I can't talk to them. I want to approach them (but for some reason, they run away) so I can't approach them. I want them to love them (but I seem to be hated by them, no matter what) so I won't receive get their love.
From that dilemma, her love grew deeper, but in the face of [the PC's] rejection, that love turns into grief. Unable to withstand the burden of her feelings, by viewing the source of them as an enemy, as someone she hates, she was just barely able to keep her heart from collapsing.
The work of a heart faced with a reality that it could not withstand while sane--in other words, a rampage that resembles insanity.
The only person she loved in the entire world gave her a single gentle word.
Passionlip with continue to embrace that miracle for all eternity.
...Yes, even if despair heavy enough to crush her heart is waiting for her afterward.０１ - 認識障害
多くの人間は自分を客観視する事ができない。
それは精神的なものだけでなく、肉体においても起こりえる事だ。
人間は自分を見る事ができない。
いや、正しくは“偽りのない自分の姿”を直視し、受け入れる公平さに乏しい。
人間は知恵あるが故に、目の前の現実から都合のいい情報だけを真実とする。
情報の取捨選択ばかりでなく、情報のねつ造、改変まで無意識のうちに行う事もある。
パッションリップの認識障害はその最たるものだ。
彼女は自らの両手のカタチを認識できない。
醜い自分の姿から“脳”が目をそらし、いたって普通の少女の腕として脳内変換している。
彼女には自分の爪は「普通のもの」にしか見えていないのだ。
このため、リップは“自分がなぜ怖がられるのか？”の理由が分からない。
自分の体が醜いから、という理由が分からず、それを指摘されても首をかしげるばかりだ。
「どうしてそんな嘘を言うんですか？」
「嘘をついてまだわたしをいじめたいんですか？」
◆
巨大な爪と認識障害に関しては、パッションリップは完全な被害者だ。
認識障害が逃避から生まれたものだとしても、彼女の心には欺瞞も嘘もないのだから。
誰しも、自分の醜い部分と向き合うのは難しい。
鏡を見た時、そこに映った自身の姿を本当に正しく、脳は観測してくれているだろうか？
０２ - 愛憎の果て
ＢＢの「求愛欲求」「愛憎」から作られたエゴ。
男性が劣情をもよおさずにはいられない、蠱惑的で清純な少女像。
両手の爪は“男性に狙われやすい”自分を守るための心が具現化したものと思われる。
◆
ある理由で岸波白野に好意を持っていたが、迷宮内での対話をきっかけにより深い好意を抱く事になった。
近くにいたい、触れあいたい、話したい、と願っていたが、彼女の性格的にそれは一度もかなわなかった。
話しかけたいけど（なぜか怖がられるので）
話しかけられない、
近寄りたいけど（なぜか逃げられるので）
近寄れない、
愛してほしいけど（どうしても嫌われるので）
愛してもらえない。
そんなジレンマから愛情はより深化していくが、岸波白野の拒絶によって愛情は哀しみに転化。
感情の負荷に耐えられず、その原因を敵視・憎む事で、かろうじて精神の崩壊を防ぐ事になった。
正気では耐えられない現実に向き合う心の働き―――
即ち、狂気による暴走である。
◆
この世界でただひとり好きだった相手が、ただひとり優しい言葉を投げかけてくれた。
その奇蹟を、パッションリップは永遠に抱き続ける。
……たとえその後に、心を砕くほどの絶望が待っていたとしても。 - ↑ 4.0 4.1
[] Fate/Grand Order - Parvati (Lancer) Profile [T] Parvati - Lancer
Illustrator and Voice actor
Illustrator: Takao Aotsuki
Voice Actor: Noriko Shitaya
Parameters
Strength: D
Endurance: C
Agility: D
Mana: B
Luck: B
Noble Phantasm: EX
Personal Skills
Imaginary Around: EX
Ashes of Kama: EX
Blessings of the Goddess: A+
Class Skills
Magic Resistance: A
Divine Core of a Goddess: B
Noble Phantasm
Trishula Shakti - To Look Away from Love is To Be Loveless
Rank: EX
Type: Anti-Army Noble Phantasm
Profile
The spouse of Shiva, a supreme deity from Hindu Mythology... that being said, she is a compassionate goddess unrelated to combat.
Although she is a divine spirit, at this occasion she manifested by borrowing the body of a possessed girl whose wavelength matched hers.
Chaste, gentle and capable of all sorts of domestic chores - truly the ideal young wife-type heroine, and yet her true identity is---?
Level 1 Bond
Height/Weight: 156cm・46kg
Source: Hindu Mythology
Region: India
Alignment: Lawful Good Gender: Female
If pressed to say, the kouhai of light.
Level 2 Bond
Parvati is the wife of Shiva, the god of destruction and creation from Hindu Mythology.
Parvati has no Authority as a deity, and is often treated as a goddess who merely is Shiva’s wife.
However, among Shiva’s wives there are also those who are described as “war deities”. They are Durga and Kali.
These goddesses have a different Saint Graph than Parvati, but supposedly their divine core is the same.
Also capable of manifesting in the Rider Class, and she will borrow the Holy Bull Nandi from Shiva in that case. Since it is originally a bull that presides over good harvests, it boasts a low attack power that is unbecoming for divine beasts.
Level 3 Bond
"To Look Away from Love is To Be Loveless"
Rank: EX Type: Anti-Army
Range: 5~10 Maximum Targets: 30 people
Trishula Shakti.
A limited release of the Trishula, the trident she borrowed from Shiva.
Parvati’s Class is determined by which weapon Shiva bestows her. Thanks to the Trishula, Parvati acquired the qualifications for the Lancer Class.
Of course, she cannot display the true worth of this weapon like Shiva, but that is conversely helping maintain her framework as a Servant.
Level 4 Bond
- Ashes of Kama: EX
Parvati is a gentle goddess who is weak in battle.
That being said, it is not like even her heart is weak.
Her heart which regards her beloved person is stronger, and deeper, than that of any other deity.
For the sake of her beloved, she will burn her divinity even at the cost of destroying her own body, turning it into power to fight.
Though a momentary flame, it is comparable to that of the Goddess of Destruction Kali - one of Shiva’s wives.
Worthy of special mention is that Shiva's own feelings are irrelevant.
Parvati has the special trait of rearing love for the sake of her beloved, even if she is ignored by him.
Although earnest, that love is a little... no, it is mythologically heavy.
- Blessings of the Goddess: A+
A present from a (good) goddess.
Derived from the episode in which she cut off her own head and bestowed her blood to a follower who could no longer endure starvation.
- Divine Core of a Goddess: B
A skill that denotes being a perfected goddess from birth. It is endowed with an effect that preserves the absoluteness from the mind and the body. Mental interferences are mostly mitigated, the body does not grow and the figure does not change no matter how much calories are absorbed.
Since she is a Pseudo-Servant, it goes no further than B Rank. But that is inconsequential.
The figure! Does not! Change!
Level 5 Bond
A goddess that received the light portion of the disposition of the girl who became her vessel.
A gentle and tolerant personality. Without self-assertion and chaste, a talented woman who supports the Master from the sidelines.
... yet, despite having ideal heroine-power and high specs, due being someone far from extravagant who tends to chose a reliable・straightforward path, she appears to be vaguely stupid.
Also, while she has a midl personality, that does not mean that she is fainthearted, and her core is very strong.
Her heart does not break regardless of which kind of tortures she receive - in a sense, the embodiment of obstinacy and guts.
Thanks to that, she is scary once angered for real. Parvati will never forget a received grudge until she is satisfied.
Level 5 Bond
A Pseudo-Servant composed only by good attributes of the “possessed girl”.
However, even if she is light, that does not mean that there are no “evil attributes”. Just like there is impurity even within justice, the yandere-vibes of the “possessed girl” - turning into dangerous goods if handled poorly - remain even if just a little.
That being said, she will only get a little angry and by no means will fall to wickedness. To not deviate from order even while bearing worries is exactly what makes a “light attribute”.
Since Parvati is a divinity that “has no faults on herself”, the introvertedness and shyness disappeared, and her sociability increased.
Despite getting angry and sulking at petty things, she is a beauty who properly reflects over things - be them misunderstandings or disagreements - and takes the initiative to pardon and apologize to the other person.パールヴァティー - ランサー
イラストレーター・声優
ILLUST：蒼月タカオ
CV：下屋則子
パラメータ
筋力：Ｄ
耐力：Ｃ
敏捷：Ｄ
魔力：Ｂ
幸運：Ｂ
宝具：ＥＸ
保有スキル
イマジナリ・アラウンド ＥＸ
カーマの灰 ＥＸ
女神の恩恵 Ａ＋
クラス別能力
対魔力 Ａ
女神の神核 Ｂ
宝具
恋見てせざるは愛無きなり
ランク：ＥＸ
種別：対軍宝具
キャラクター詳細
インド神話における最高神シヴァの伴侶……
ではあるが、戦闘には縁の無い心優しい女神。
神霊ではあるが、今回は波長の合う依代の少女の体を借りて現界した。
貞淑、穏やか、家事全般なんでもござれのまさに理想的なおさな妻系ヒロインだが、果たしてその正体は───?
アンロック条件：絆レベルを１にすると開放
身長/体重：１５６ｃｍ・４６ｋｇ
出典：インド神話
地域：インド
属性：秩序・善 性別：女性
しいていうなら光の後輩。
アンロック条件：絆レベルを２にすると開放
パールヴァティーはインド神話における破壊と創造の神シヴァの妻である。
パールヴァティーには神としての権威が存在せず、あくまでシヴァの妻である女神として扱われる事が多い。
しかし、シヴァの妻には「戦神」として語られるものもいる。ドゥルガーやカーリーである。
これらの女神とパールヴァティーは別の霊基だが神核は同じものとされる。
ライダークラスとしても現界可能で、その場合はシヴァから聖牛ナンディンを借り受けることになる。本来は豊穣などを司る牛のため、神獣にあるまじき攻撃力の低さを誇る。
アンロック条件：絆レベルを３にすると開放
『恋見てせざるは愛無きなり』
ランク：ＥＸ 種別：対軍宝具
レンジ：５～１０ 最大補足：３０人
トリシューラ・シャクティ。
パールヴァティーがシヴァより借り受けた三叉戟、トリシューラの限定解放。
シヴァが彼女に与える武器によって、パールヴァティーのクラスが決定される。トリシューラにより、パールヴァティーはランサーとしてのクラス資格を得ている。
無論、シヴァほどにこの武器の真価を発揮することはできないが、かえってそれがサーヴァントとしての枠組みを守る助けになっている。
アンロック条件：絆レベルを４にすると開放
○カーマの灰：ＥＸ
パールヴァティーは穏やかな、戦いにおいては弱い女神である。
��かし、だからと言ってその心まで弱いわけではない。
愛する者を想う心はどの神より強く、また、底が深い。
彼女は愛する者の為ならばたとえ自らの体が壊れようとその神性を燃やし、戦いの力とする。
わずか一瞬の炎ではあるが、それはシヴァの妻の一柱、破壊の女神カーリーに匹敵するほどのものだ。
特筆すべきはシヴァからの気持ちは関係ない、という事。
パールヴァティーは愛する者に無視されようが、その者の為に愛情を育める特性を持っている。
その愛は一途ではあるが、ちょっと……いや、神話級に重い。
○女神の恩恵：Ａ＋
女神（善）からの贈り物。
従者が餓えに耐えかねた時、自らの首を刎ねて血を与えたエピソードより。
○女神の神核：Ｂ
生まれながらに完成した女神である事を現すスキル。
精神と肉体の絶対性を維持する効果を有する。精神系の干渉をほとんど緩和し肉体の成長もなく、どれだけカロリーを摂取しても体型が変化しない。
擬似サーヴァントであるためランクはB止まりとなる。
でもそんなことどうでもいい。
体型が！ 変化！ しない！
アンロック条件：絆レベルを５にすると開放
依代になった少女の性質、その光の部分を受け入れた女神。
和やかで包容力のある性格。自己主張をせず、貞淑で、マスターを横から支える才女。
……と、理想的なヒロイン力かつスペックは高いのだが、派手好きではなく堅実・地味な道を選ぶため、どことなく鈍くさい。
また温和な性格ではあるが、だからといって気弱ではなく、芯がとても強い。
どんな責め苦を受けても心の折れない、ある意味、意地と根性の塊でもある。
そのため。本気で怒らせるととても怖い。このパールヴァティー、受けた恨みは自分の気が済むまでは決して忘れないのである。
アンロック条件：絆レベルを５にすると開放
『依代の少女』の善性だけで構成された疑似サーヴァント。
しかし、光とはいえ『悪性』がないわけではない。正義の中にも濁りがあるように、『依代の少女』が持つヤンデレ感……扱いを間違えると危険物になる、という点はわずかながら残っている。とはいえ、ちょっと怒るだけで悪に落ちることは絶対にない。悩みながらも秩序を外れないからこその『光の属性』なのだから。
パールヴァティーが『自分に非がない』神格なので、引っ込み思案さ、人見知りはなくなり、社交性が上がっている。
ちょっとしたことで怒ったり拗ねたりするが、誤解であれスレ違いであれきちんと物事を考え、自分から相手を許し、謝る麗人。 - Ashes of Kama: EX
- ↑ 5.0 5.1 Fate/Grand Order material V - Parvati, p.340-349 translated by castor212
- ↑ 6.0 6.1 6.2 Fate/Grand Order: Ordeal Call - Paper Moon: Inner World of the Imaginary Number Compass, Section 13: The Eye's Prospects/centrifuge
- ↑ 7.00 7.01 7.02 7.03 7.04 7.05 7.06 7.07 7.08 7.09 7.10 7.11 7.12 Fate/Grand Order: Ordeal Call - Paper Moon: Inner World of the Imaginary Number Compass, Section 14: Extermination Goddess/how to avoid destruction
- ↑ Fate/Grand Order: Cosmos in the Lostbelt - Ooku: Tokugawa's World-Changing Labyrinth - Act 2: The Audience
- ↑ STAR Shadow Magician Twitter 8:01 PM JST · Jun 25, 2023
