Showing posts with label on the lake. Show all posts
Showing posts with label on the lake. Show all posts

Sunday, September 22, 2019

number twenty

On The Lake

Made in 1989 when we lived in Kenora and would take the kids boat camping on Lake of the Woods.  Lake of the Woods is a deep lake, full of islands.  I was always looking between the islands for an open, uninterupted view.

It's a quilt of stitched photographs.
Film photos - digital cameras were not invented yet.

In the boat, motor going, long trips, fresh air, the four kids eating boat candy,  I would take photo after photo of the sky and the water.  I'd take another roll, more sky, more water.  We went camping with them in that open boat that we would pull up on crown land.  I took photos of the kids too of course, and more photos of the sky and the water.

Once settled at home again, I would drop the rolls of film at the drug store to have them processed - or maybe it was the grocery store.  It would take two or three days to have that done.

Once I got the envelopes of photos, I felt as if I was a painter with a new palette.  Or a quilter with dyed fabric.  I cut the photos into one and a half inch squares and arranged them, stitched them to cotton with white thread.

With no islands.
Just horizon.

In 1992 I think, I was invited to bring some actual work to a gallery in Winnipeg - Ace Art I think.  It was an artist run space and the purchasing committee of the Canada Council Art Bank was planning a visit to make selections from our area of the country.  I didn't think I had a chance as my work would be viewed along with many well known Winnipeg artists, but I took this piece and I think three others. It was a two hour drive from my house into the city.

So now this piece is still in the Canada Council Art Bank collection, and they have updated their web site so that it is possible to view online.  This photo is much better than any I have ever been able to present online - since I was having to work from film photos and scan them.  Anyway - it's nice when you come across these kinds of things and I thought I'd share with you.

It's number 20 on one hundred quilts


Friday, November 07, 2014

canada council art bank collection

On The Lake  Photographs, cotton, thread, satin, stitched, 40" x 20" 1989
I read about this panel discussion and exhibition in the newest Slate Magazine and it made me wonder about the status of my piece (shown above).  On The Lake was acquired by the Canada Council art bank when we still lived in Kenora, North western Ontario in 1990.

Being part of this important collection of Canadian contemporary art is something I have always been proud of, and it was quite interesting to visit the art bank's new website.   I found out that there are 3.000 artists represented in the Canada Council Art Bank and 17,000 pieces! New to the site is an excellent way to search the collection (here).  What it says about my piece - here.

Because this search says that On The Lake is 'unavailable' I emailed the art bank and found out that my art work has been rented out for several years to a client in Ottawa.  It's nice to know that.  The exhibition Art Bank Expose: A Selection of Artworks from the Canada Council Art Bank continues in Toronto until January 16 at First Canadian Place Gallery.

Wednesday, February 07, 2007

Canada Council Art Bank

I just remembered that the ART BANK is having a book/launch 35th birthday party tonight and we were invited. Pictured is the piece of mine that is in the Canada Council art bank's collection. I am so proud to be part of this collection as it is very select. I mention it whenever possible. I'm mentioning it right now!
Title of piece: On the Lake
Medium: stitched photographs.
Collection of the Canada Council Art Bank.
Happy Birthday Art Bank. So sorry that I couldn't get to Ottawa for the party.

Saturday, October 28, 2006

It rained, I read

In 1947 Matisse made 'Jazz', a book of painted papers cut into organic shapes and fixed to coloured backgrounds. He was inspired to continue the method in a larger format. He discovered that it was so simple to place the shapes correctly because he could move them around until he found the balance he was seeking. "This simplification guarantees precision" he said.