Showing posts with label islands. Show all posts
Showing posts with label islands. Show all posts

Friday, September 17, 2021

Box Two for In The Middle of the World

I've loved the rock cuts of northern Ontario my whole life.

Now I'm sending textiles that are inspired by them to our exhibition next month.  

Penny Berens from Nova Scotia and I are working with a young freelance curator, Miranda Bouchard.  

Miranda supports us.  
She reminds us to create our true work.  
My work is grounded in phenomenology and the huge inner world. 
For me, phenomenology is the idea that just through living,
just through moving our bodies through time and space,
just through breathing and touching and hearing and tasting and seeing,
we learn.  

Our bodies retain knowledge.
Our bodies never forget. 
Penny and I have been told that we make drawings with stitch, 
but drawing occupies a single plane, 
embroidery also marks the reverse side. 
The rugged beauty of northern Ontario is held in my work.  

The quiet.  The strength.
The birdsongs.  The wind.
The Norah Rosamond Hughes gallery is a large heritage site within the MVTM museum.
The walls are thick, rough and natural.  There will be a lot to experience.    
There will be a lot of movement required.  
Moving releases people from the rational mind, into a creative trance.
A place of insight. 

No matter what comes along, we are always standing in the middle of a sacred space.  

Everything that comes into our circle has come to teach us what we need to know.  

                                                                                                    Pema Chodron

link for artist talk on September 29 is here

Sunday, May 12, 2013

a simple poem for Virginia Woolf

This started out as a simple poem
for Virginia Woolf you know the kind
we women writers write these days
in our own rooms
in our own time
a salute a gesture of friendship
a psychological debt
paid off
I wanted it simple
and perfect round
hard as an
egg I thought
only once I'd said egg
I thought of the smell
of bacon grease and dirty frying pans
and whether there were enough for breakfast
I couldn't help it
I wanted the poem to be carefree and easy
like children playing in the snow
I didn't mean to mention
the price of snowsuits or
how even on the most expensive ones
the zippers always snag
just when you're late for work
and trying to get the children
off to school on time
a straightforward poem
for Virginia Woolf that's all
I wanted really
not something tangled in
domestic life the way
Jane Austen's novels tangled
with her knitting her embroidery
whatever it was she hid them under
I didn't mean to go into all that
didn't intend to get confessional
and tell you how
every time I read a good poem
by a woman writer I'm always peeking
behind it trying to see
if she's still married
or has a lover at least
wanted to know what she did
with her kids while she wrote it
or whether she had any
and if she didn't if she'd chosen
not to or if she did did she
choose and why I didn't mean
to bother with that

And I certainly wasn't going
to tell you about the time
my best friend was sick in intensive care
and I went down to see her
but they wouldn't let me in
because I wasn't her husband
or her father her mother
I wasn't family
I was just her friend
and the friendship of women
wasn't mentioned in hospital policy
or how I went out and kicked
a dent in the fender of my car
and sat there crying because
if she died I wouldn't be able
to tell her how much I loved her
(though she didn't and we laugh
about it now) but that's what got me
started I suppose wanting to write
a gesture of friendship
for a woman for a woman writer
for Virginia Woolf
and thinking I could do it
easily separating the words
from the lives they come from
that's what a good poem should do
after all and I wasn't going to make excuses
for being a woman blaming years of silence
for leaving us
so much to say
This started out as a simple poem
for Virginia Woolf
it wasn't going to mention history
or choices or women's lives
the complexities of women's friendships
or the countless gritty details
of an ordinary woman's life
that never appear in poems at all
yet even as I write these words
those ordinary details intervene
between the poem I meant to write
and this one where the delicate faces
of my children faces of friends
of women I have never even seen
glow on the blank pages
and deeper than any silence
press around me
waiting their turn

Poem by Kingston Ontario poet Bronwen Wallace  (1945-1989)
Paintings of the island she looked at in Lake of the Woods near Morson Northwestern Ontario by Pauline Johnson (1927-2007) (my mother)