Persian Cuisine Quotes
Quotes tagged as "persian-cuisine"
Showing 1-27 of 27
“Marjan Aminpour slowly sipped at her hot tea and studied the changing horizon. Mornings in Ireland were so different from those of her Persian childhood, she thought, not for the first time. Were she still in the land of her birth, Marjan mused, daybreak would be marked by the crisp sounds of a 'sofreh', the embroidered cloth upon which all meals were enjoyed, flapping over a richly carpeted floor. Once spread, the 'sofreh' would be covered by jars of homemade preserves- rose petal, quince-lime, and sour cherry- as well as pots of orange blossom honey and creamy butter. The jams and honey would sit alongside freshly baked rounds of 'sangak' bread, golden and redolent with crunchy sesame seeds. Piled and teetering like a tower, the 'sangak' was a perfect accompaniment to the platters of garden mint, sweet basil, and feta cheese placed on the 'sofreh', bought fresh from the local bazaar.”
― Rosewater and Soda Bread
― Rosewater and Soda Bread
“The chicken kebab is moist and fragrant; the chicken chunks fall apart when I bite into them, and the aromas of turmeric and parsley flood my senses. I have to close my eyes to take in all the flavors- spicy, salty, meaty. The doogh is equally delicious; I swear I've never drunk something so creamy, so minty, so refreshing.”
― Hungry Hearts: 13 Tales of Food & Love
― Hungry Hearts: 13 Tales of Food & Love
“Don't wait for that special occasion. Today, tomorrow, and every day are special occasions. Use your saffron. She's worth it, and you're worth it.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“Not only was the four-poster- a lofty structure that would have put princesses and peas to shame- a place of rest and relaxation but it was, and had been for quite some time now, a portal for her magic carpet escapades. It was there that Estelle first began to practice what Marjan had called "eating at the edge of a ready 'sofreh'."
Estelle always followed the same routine when assembling her dinner 'sofreh' on her bed. First, she would spread the paisley blanket Marjan had given her, tucking the fringed ends in tight around the sides of her mattress. Then, having already wetted a pot of jasmine tea, she would dig a trivet into the blanket's left corner and place the piping pot on top of it.
Following the Persian etiquette of placing the main dishes at the center of the 'sofreh', Estelle would position the plate of saffron 'chelow' (with crunchy 'tadig'), the bowl of stew or soup that was the day's special, and the 'lavash' or 'barbari' bread accordingly. She would frame the main dishes with a small plate of 'torshi', pickled carrots and cucumbers, as well as a yogurt dip and some feta cheese with her favorite herb: balmy lemon mint.
Taking off her pink pom-pom house slippers, Estelle would then hoist herself onto her high bed and begin her ecstatic epicurean adventure. She savored every morsel of her nightly meal, breathing in the tingle of sumac powder and nutmeg while speaking to a framed photograph of Luigi she propped up on its own trivet next to the tea.
Dinner was usually Persian, but her dessert was always Italian: a peppermint cannoli or marzipan cherry, after which she would turn on the radio, always set to the 'Mid-West Ceili Hour', and dream of the time when a young Luigi made her do things impossible, like when he convinced her to enter the Maharajah sideshow and stand on the tallest elephant's trunk during carnival season in her seaside Neapolitan town.”
― Rosewater and Soda Bread
Estelle always followed the same routine when assembling her dinner 'sofreh' on her bed. First, she would spread the paisley blanket Marjan had given her, tucking the fringed ends in tight around the sides of her mattress. Then, having already wetted a pot of jasmine tea, she would dig a trivet into the blanket's left corner and place the piping pot on top of it.
Following the Persian etiquette of placing the main dishes at the center of the 'sofreh', Estelle would position the plate of saffron 'chelow' (with crunchy 'tadig'), the bowl of stew or soup that was the day's special, and the 'lavash' or 'barbari' bread accordingly. She would frame the main dishes with a small plate of 'torshi', pickled carrots and cucumbers, as well as a yogurt dip and some feta cheese with her favorite herb: balmy lemon mint.
Taking off her pink pom-pom house slippers, Estelle would then hoist herself onto her high bed and begin her ecstatic epicurean adventure. She savored every morsel of her nightly meal, breathing in the tingle of sumac powder and nutmeg while speaking to a framed photograph of Luigi she propped up on its own trivet next to the tea.
Dinner was usually Persian, but her dessert was always Italian: a peppermint cannoli or marzipan cherry, after which she would turn on the radio, always set to the 'Mid-West Ceili Hour', and dream of the time when a young Luigi made her do things impossible, like when he convinced her to enter the Maharajah sideshow and stand on the tallest elephant's trunk during carnival season in her seaside Neapolitan town.”
― Rosewater and Soda Bread
“The cuisine of Northern Iran, overlooked and underrated, is unlike most Persian food in that it's unfussy and lighthearted as the people from that region. The fertile seaside villages of Mazandaran and Rasht, where Soli grew up before moving to the congested capital, were lush with orchards and rice fields. His father had cultivated citrus trees and the family was raised on the fruits and grains they harvested.
Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.”
― The Last Days of Café Leila
Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.”
― The Last Days of Café Leila
“Scatter the herbs across the table, sit together, and pick off the tender stems and leaves. There is a meditative rhythm and ritual to it all. It's one of those rare times we are asked to slow down, and we are able to converse, to commiserate, to gossip, to air out grievances, to share secrets and dreams. Life happens in these spaces, amid a field of greens.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“When I first moved out on my own, whenever my mom visited she would fill my freezer with individual containers of various stews, kookoo [Persian frittatas], aash [soups], and rice dishes.... These days when I visit my mom, I try to fill her freezer with some of these same favorites. The cycle always comes full circle. Hopefully with a packed freezer ready to serve, feed, and comfort.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“. . . there we pause. Mother and daughter at the rice pot. Tradition, culture, and the meaning of life contained in this one critical moment.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“These are the kinds of stews that bring us running to the family table. Whether the table is firmly planted in its destined place or lingering somewhere in between. The kind of stew that bridges the path to a new continent, a new country, a new life, a new kitchen with its own stories to tell.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“Naan (the Persian word for "bread") at the table is not only a constant companion but a revered guest. Wheat is considered sacred, a symbol of life and the beginnings of civilization. Not a single crumb is ever to be wasted and should always be repurposed.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“Tacheen is a domed medley of baked saffron rice and chicken, forming the shape of a cathedral ceiling. On first glance, the dish looks curiously like 'chelow', plain steamed rice; it is only after slicing through its center that the layers of fortitude are exposed; first buttered rice and almonds, then fried chicken and sautéed spinach, the yogurt binding them into a brotherhood of delicious play. 'Tacheen.”
― Rosewater and Soda Bread
― Rosewater and Soda Bread
“Most of her recipes came from her father, but Noor learned how to make the luscious potato cake from Nelson's mother. The recipe her mother-in-law had whispered into Noor's ear was the authentic one used by Nelson's great-grandmother. In its own unpresumptuous way, the Spanish Tortilla is an honest love omelet, and every bite must be suffused with fragrant olive oil- in this case, too much of a good thing is not a sin. Even when Noor was an amateur and the potatoes were sometimes raw, Nelson would say, "Oh my God! That was the best tortilla of my whole life!" Which of course wasn't true, but he was acknowledging the effort of peeling and slicing immense quantities of potatoes.
What she loved most about Spanish food was its lusty simplicity, so unlike the gastronomical somersaults of French cuisine or the complexity of the Persian food she grew up with. When she was little she could eat pyramids of saffron rice and rich meat stews, but she now associated the colors and perfumes of her husband's native cuisine with their courtship, with paddleboats and honeymoons and champagne in silver buckets, with flamenco and candlelight and little fried sardines with sea salt by the water. Her postcards were menus, smudged and wine-stained, saved from their meals, addressed to herself and read carefully like romance manuals.”
― The Last Days of Café Leila
What she loved most about Spanish food was its lusty simplicity, so unlike the gastronomical somersaults of French cuisine or the complexity of the Persian food she grew up with. When she was little she could eat pyramids of saffron rice and rich meat stews, but she now associated the colors and perfumes of her husband's native cuisine with their courtship, with paddleboats and honeymoons and champagne in silver buckets, with flamenco and candlelight and little fried sardines with sea salt by the water. Her postcards were menus, smudged and wine-stained, saved from their meals, addressed to herself and read carefully like romance manuals.”
― The Last Days of Café Leila
“In the 1930's Yanik brought blinis and apple charlottes, beef stroganoff and kulich to Tehran, opening the first confectionary with a garden café. He came with his wife, Nina, who spooned cinnamon-scented ground beef and onions into delicate piroshkies and learned to cook Persian food by trial and error, nourishing her family and customers with a generous spirit, mingling delicately with neighbors, and learning to speak Farsi. To steady their leap across borders, Yanik changed his surname from Yedemsky to Yadegar, and planted a small orchard of pomegranate, almond, and mulberry trees that would shade the terrace tables.”
― The Last Days of Café Leila
― The Last Days of Café Leila
“In preparation for a feast to welcome the newlyweds, crates of melons, eggplants, tomatoes, basil, apricots, and figs were stacked in the shade. Naneh Goli sat at a table set outside the kitchen, stringing green beans to cook with minced beef in a bright tomato sauce for lubia polo- a favorite dish of Zod's boyhood. Forty game hens already lay in their saffron yogurt marinade, and tomorrow they would roast them over an open fire to serve with mounds of jeweled rice.
All morning Yanik shaped lamb koofteh (meatballs) mixed with allspice and thyme, browning them in small batches and infringing on Nina's burners, which she needed to simmer mulberry preserves for parfait.”
― The Last Days of Café Leila
All morning Yanik shaped lamb koofteh (meatballs) mixed with allspice and thyme, browning them in small batches and infringing on Nina's burners, which she needed to simmer mulberry preserves for parfait.”
― The Last Days of Café Leila
“In the thirty years sine Yanik had tied an apron around her belly and shown Nina how to separate eggs, she had explored countless recipes, decoded the subtleties of Persian food, its ancient alchemy of sweet and sour, hot and cold, its deference to plants and herbs, soliciting Naneh Goli's palate to measure and fine-tune. What triumph to turn out a pot of rice with a golden potato tadig- that magical crust beneath the steamed rice.”
― The Last Days of Café Leila
― The Last Days of Café Leila
“The eternal tracing and patching took weeks: walnut and caraway strudel, apricots in syrup, chicken necks with turnips and prunes, ponchik (fried dough balls filled with custard), rice porridge, vatrushki (savory tarts), beef pelmeni, kulich, each one translated by a family friend in exchange for meals. His mother had salvaged these formulas from the hands of Bolshevik barbarians, learned what she could from them, and stowed them away until fate brought another round of fanatics to their door.”
― The Last Days of Café Leila
― The Last Days of Café Leila
“It wasn't that Nina didn't make equally tasty buns, but Zod, her rogue apprentice, had refined the dough to a featherlight brioche with a subtle tang. He filled the pockets not just with beef and onions, but peach jam, saffron rice pudding, smoked sturgeon, potatoes and dill, cabbage and caraway apples, duck confit and chopped orange peel, and, once, even a pearl that fell into the lemon custard when Nina's necklace snapped, beads hitting the counter like hailstones.”
― The Last Days of Café Leila
― The Last Days of Café Leila
“Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of java beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.”
― The Last Days of Café Leila
― The Last Days of Café Leila
“The smell of khoresht e gheihmeh immediately hit my nostrils: The combination of tomato paste, dried limes, cubes of lamb, turmeric, cumin, cinnamon, and split yellow lentils all hung sweetly in the air.”
― Hungry Hearts: 13 Tales of Food & Love
― Hungry Hearts: 13 Tales of Food & Love
“What is it?" Her interest piqued by the heavenly aroma.
"Delicious," I said. I could have told her it was soup made up of parsley, spinach, dill, sautéed onions, thin noodles, chickpeas, kidney beans, dried yogurt, dried mint, garlic, oil, and salt, but why spoil the surprise?”
― Hungry Hearts: 13 Tales of Food & Love
"Delicious," I said. I could have told her it was soup made up of parsley, spinach, dill, sautéed onions, thin noodles, chickpeas, kidney beans, dried yogurt, dried mint, garlic, oil, and salt, but why spoil the surprise?”
― Hungry Hearts: 13 Tales of Food & Love
“Growing up it seemed like all Iranians naturally knew which foods fell into which category, and meals were subconsciously, or at times consciously, due to illness or the weather, designed around this hot and cold concept. Out of respect to the scientists and doctors in our family I will say that none of this is based on hard science, but even the doctors in the family agree that if it brings comfort (like a warm bowl of. . . soup), then that is all the more reason to embrace it.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“No matter what, there will always be tahdig. It's who we are. It's where we come from.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“Come dinnertime, we could always rely on the permanent fixture of two pots, standing at attention, prepared for their marching orders.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“. . . Baba filled the void the only way he could think of: a faceoff with the two-burner stove, the two pots, and a heaping bag of sabzi--fresh herbs. The permanent lumps lodged in our throats were temporarily soothed by a steaming pot of khoresh ghormeh sabzi--fresh herb stew. The royalty of all Persian stews.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“So we improvised and made do, substituting where possible, always with an eye out for the postman and packages from Iran. Packages bursting with dried herbs and spices, well-traveled scents and secrets from home. Envelopes with a few perfunctory words from family (lest officials be monitoring them) and a photograph or two pulled from all the picture albums that were left behind. Substitutes for all the loved ones that were left behind.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
“Iranians love nothing more than an excuse to gather outdoors, preferably next to a body of water, be it a fountain, river, lake, or sea, with plenty of food, drink, and slices of kookoo--Iranian-style frittatas--nestled in warm pieces of bread.”
― Bottom of the Pot: Persian Recipes and Stories
― Bottom of the Pot: Persian Recipes and Stories
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