| image
|
instance of
|
label
|
collection
|
inventory number
|
catalog code
|
inception
|
made from material
|
genre
|
movement
|
depicts
|
|
painting
|
Cinderella
|
Andrew Lloyd Webber Collection
|
|
|
No/unknown value
1881
|
|
|
|
|
|
painting
|
Spring (Apple Blossoms)
|
Lady Lever Art Gallery
|
|
|
No/unknown value
1850s
|
oil paint
canvas
|
|
|
|
|
painting
|
The Pet Bird
|
No/unknown value
|
|
31
|
1800
|
oil paint
|
portrait
|
|
child
bird
|
|
painting
|
Three Swordhilts
|
Birmingham Museums Trust
|
1946P4
|
|
1830s
|
oil paint
canvas
|
|
|
|
|
drawing
|
Lovers under a Tree
|
National Gallery of Art
Drawings in the National Gallery of Art
|
1995.52.119
|
|
1840
|
graphite
wove paper
|
|
|
|
|
drawing
|
Study of a Pottery Jug [recto]
|
National Gallery of Art
Drawings in the National Gallery of Art
|
1995.52.120.a
|
|
1842
|
watercolor paint
graphite
wove paper
|
|
|
|
|
|
drawing
|
Study of a Man with a Top Hat [verso]
|
National Gallery of Art
Drawings in the National Gallery of Art
|
1995.52.120.b
|
|
1842
|
graphite
wove paper
|
|
|
|
|
painting
|
A Spanish Gentleman (after John Jackson’s ‘Shylock’)
|
Tate
|
T00177
|
|
1843
|
oil paint
canvas
|
|
|
|
|
painting
|
Othello and Desdemona
|
National Trust
|
1288935
|
|
1843
|
oil paint
panel
|
|
|
|
|
|
painting
|
Hurdy Gurdy Boy
|
Haden Hill House Museum
|
1910.1, P.17
|
|
1843
|
oil paint
canvas
|
|
|
|
|
painting
|
Elgiva seized by order of Archbishop Odo
|
Birmingham Museums Trust
|
1980P127
|
|
1840s
|
|
|
|
|
|
painting
|
The Gipsy
|
Birmingham Museums Trust
|
1906P660
|
|
1846
|
|
|
|
|
|
drawing
|
An Evening Party
|
Yale Center for British Art
|
B1977.14.5077
|
|
1846
|
graphite
wove paper
|
|
|
|
|
|
painting
|
Specimen drawing 'Cain fleeing from the body of Abel'
|
Royal Society of Arts
|
RSA/PR/AR/103/14/985
|
|
1846
|
|
|
|
|
|
painting
|
Pizarro Seizing the Inca of Peru
|
Victoria and Albert Museum
|
121-1897
|
|
1846
|
oil paint
canvas
|
|
|
|
|
painting
|
The Artist Attending the Mourning of a Young Girl
|
Tate
|
T07135
|
|
1847
|
|
|
|
|
|
painting
|
Cimon and Iphigenia
|
Fitzwilliam Museum
|
PD.39-2007
|
|
1840s
|
oil paint
panel
|
mythological painting
|
|
|
|
|
painting
|
Self Portrait
|
Walker Art Gallery
|
WAG 9240
|
|
1847
|
|
self-portrait
|
|
|
|
|
painting
|
Cymon and Iphigenia
|
Lady Lever Art Gallery
|
LL 10336
|
|
1840s
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Youth
|
Temple Newsam
|
LEEAG.PA.1897.0130.B
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Conjuror
|
Norfolk Museums Collections
|
NWHCM : 1938.132.21 : F
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Music
|
Leeds Art Gallery
|
LEEAG.PA.1897.0130.F
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Manhood
|
Leeds Art Gallery
|
LEEAG.PA.1897.0130.C
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Infancy
|
Leeds Art Gallery
|
LEEAG.PA.1897.0130.A
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Old Age
|
Leeds Art Gallery
|
LEEAG.PA.1897.0130.D
|
|
1847
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Poetry
|
Temple Newsam
|
LEEAG.PA.1897.0130.E
|
|
1847
|
oil paint
canvas
|
|
|
|
|
painting
|
Serjeant Ralph Thomas
|
Tate
National Gallery
|
N03159
NG3159
|
|
1848
|
oil paint
panel
|
|
|
|
|
|
painting
|
Landscape, Hampstead
|
Sudley House
|
WAG 271
|
|
1848
|
oil paint
panel
|
|
|
|
|
|
painting
|
The Death of Romeo and Juliet
|
Manchester Art Gallery
|
1947.89
|
|
1848
|
|
|
|
|
|
painting
|
Isabella
|
Walker Art Gallery
|
WAG 1637
|
|
1849
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
dog
banquet
|
|
painting
|
Christ in the House of His Parents
|
Tate
National Gallery
|
N03584
NG3584
|
|
1849
|
oil paint
canvas
|
religious art
|
Pre-Raphaelite Brotherhood
|
Jesus
Mary
stigmata
Joseph
carpenter
woodworking workbench
John the Baptist
Saint Anne
sheep
door
|
|
painting
|
Charles I and his Son in the Studio of Van Dyck
|
Tate
National Gallery
|
N01808
NG1808
|
|
1849
|
|
|
|
|
|
painting
|
A Maid Offering a Basket of Fruit to a Cavalier
|
Tate
National Gallery
|
N01807
NG1807
|
|
1849
|
|
|
|
Cavalier
Cavalier King Charles Spaniel
woman
fruit basket
|
|
drawing
|
Study for The Woodman's Daughter
|
Yale Center for British Art
|
B1979.23
|
|
1849
|
ink
graphite
wash technique
wove paper
|
|
|
|
|
drawing
|
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
|
Yale Center for British Art
|
B1980.25.2
|
|
1849
|
graphite
wove paper
|
|
|
|
|
painting
|
Ferdinand Lured by Ariel
|
No/unknown value
|
|
|
1850
|
oil paint
canvas
|
|
Pre-Raphaelite Brotherhood
|
The Tempest
Ferdinand
Ariel
|
|
painting
|
Mrs James Wyatt Jr and her Daughter Sarah
|
Tate
|
T03858
|
|
1850s
|
oil paint
panel
|
|
|
|
|
painting
|
Wilkie Collins
|
National Portrait Gallery
|
NPG 967
|
|
1850
|
oil paint
panel
|
portrait
|
|
Wilkie Collins
|
|
|
painting
|
Thomas Combe (1796–1872)
|
Ashmolean Museum
|
WA1894.9
|
|
1850
|
oil paint
panel
|
portrait
|
|
Thomas Combe
|
|
painting
|
Ophelia
|
Tate
National Gallery
Tate Britain
|
N01506
NG1506
|
|
1851
No/unknown value
|
oil paint
canvas
|
history painting
|
Pre-Raphaelite Brotherhood
|
Ophelia
drowning
dress
watercourse
waist-length hair
red hair
windthrow
Urtica dioica
bouquet
shore
willow
floating
suicide
Elizabeth Siddal
Rosa rubiginosa
Lythrum salicaria
Dipsacus fullonum
Ranunculus penicillatus
Papaver rhoeas
daisy
Myosotis scorpioides
Carex riparia
rose
Viola × wittrockiana
Viola
|
|
painting
|
The Woodman's Daughter
|
Guildhall Art Gallery
|
1015
|
|
1851
|
oil paint
canvas
|
landscape painting
|
|
|
|
painting
|
The Bridesmaid
|
Fitzwilliam Museum
|
499*
|
|
1851
|
oil paint
panel
|
|
|
|
|
painting
|
The Return of the Dove to the Ark
|
Ashmolean Museum
|
WA1894.8
|
|
1851
|
oil paint
canvas
|
religious art
|
Pre-Raphaelite Brotherhood
|
Noah's Ark
woman
standing
dress
blond hair
waist-length hair
ponytail
dove
olive branch
kiss
turtledove
straw
doves as symbols
|
|
painting
|
Mariana
|
Tate
|
T07553
|
|
1851
|
oil paint
mahogany wood
|
portrait
|
Pre-Raphaelite Brotherhood
|
woman
dress
standing
seat
table
parquetry
embroidery
window
stained glass
bay window
leaf
autumn
blazonry
Galanthus nivalis
flower
credenza
vase
bouquet
triptych
oil lamp
house mouse
stool
angel
|
|
painting
|
Mrs Coventry Patmore
|
Fitzwilliam Museum
|
1010
|
|
1851
|
oil paint
panel
|
|
|
|
|
painting
|
A Huguenot
|
No/unknown value
|
|
|
1852
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
Huguenots
standing
man
woman
couple
St. Bartholomew's Day massacre
armband
Capuchin
Galanthus nivalis
bindweed
Hedera helix
wall
brown hair
blond hair
garden
eye contact
|
|
painting
|
The Order of Release
|
Tate
National Gallery
|
N01657
NG1657
|
|
1852
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
Jacobite rising of 1745
Scotland
family
dog
|
|
drawing
|
The Funeral of the Duke of Wellington
|
Yale Center for British Art
|
B1975.4.1663
|
|
1852
|
brown ink
graphite
wove paper
|
|
|
|
|
painting
|
Euphemia 'Effie' Chalmers Gray, Mrs John Ruskin (1828-1898), later Lady Millais, with Foxgloves in her Hair (The Foxglove)
|
National Trust
|
1288934
|
|
1853
|
oil paint
millboard
|
portrait
|
|
Effie Gray
|
|
|
drawing
|
Kirk
|
Tate
|
N04278
|
|
1853
|
ink
paper
watercolor paint
|
|
|
|
|
painting
|
Effie Gray
|
|
|
|
1853
|
|
|
|
|
|
painting
|
The Proscribed Royalist, 1651
|
No/unknown value
|
|
|
1853
|
|
|
Pre-Raphaelite Brotherhood
|
Royalist
Puritan
|
|
painting
|
John Ruskin
|
Ashmolean Museum
|
WA2013.67
|
|
1853
|
oil paint
canvas
|
portrait
|
Pre-Raphaelite Brotherhood
|
John Ruskin
standing
man
|
|
painting
|
Studies of a Grasshopper - Body, Head and Leg Verso: A Sketch Of A Figure And Head In Sepia Ink.
|
Birmingham Museums Trust
|
1906P663
|
|
1853
|
|
|
|
|
|
drawing
|
Accepted
|
Yale Center for British Art
|
B1975.4.849
|
|
1853
|
brown ink
graphite
wove paper
|
|
|
|
|
drawing
|
Rejected
|
Yale Center for British Art
|
B1975.4.850
|
|
1853
|
brown ink
wove paper
|
|
|
|
|
drawing
|
The Dying Man
|
Yale Center for British Art
|
B1979.24
|
|
1853
|
brown ink
wash technique
wove paper
|
|
|
|
|
drawing
|
The Blind Man
|
Yale Center for British Art
|
B1980.12
|
|
1853
|
brown ink
graphite
wove paper
|
|
|
|
|
drawing
|
Awful Protection Against Midges
|
Yale Center for British Art
|
B1996.9.2
|
|
1853
|
brown ink
laid paper
|
|
|
|
|
painting
|
L'Enfant du Regiment
|
Yale Center for British Art
|
B1981.4
|
|
1850s
|
|
|
|
|
|
painting
|
Waiting
|
Birmingham Museums Trust
|
1909P62
|
|
1854
|
oil paint
panel
|
|
|
|
|
painting
|
The Rescue
|
National Gallery of Victoria
|
1302-3
|
|
1855
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
firefighter
hero
rescue
fire
|
|
|
painting
|
Wandering Thoughts
|
Manchester Art Gallery
|
1913.28
|
|
1855
|
oil paint
canvas
|
|
|
|
|
painting
|
News from Home
|
Walters Art Museum
|
37.85
|
|
1850s
|
oil paint
panel
|
|
|
|
|
painting
|
Apple Blossoms (also known as Spring)
|
Lady Lever Art Gallery
|
|
|
1850s
|
oil paint
canvas
|
|
|
|
|
painting
|
Peace Concluded
|
Minneapolis Institute of Art
|
69.48
|
|
1856
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
father
man
woman
girl
mother
daughter
medallion
Noah's Ark
lion
bear
Meleagris
rooster
pigeon
olive branch
soldier
Irish wolfhound
couch
|
|
painting
|
The Blind Girl
|
Birmingham Museums Trust
|
1892P3
|
|
1856
|
oil paint
canvas
|
allegory
|
Pre-Raphaelite Brotherhood
|
blindness
rainbow
poverty
Winchelsea
|
|
painting
|
Autumn Leaves
|
Manchester Art Gallery
|
1892.4
|
|
1856
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
leaf
autumn
twilight
girl
|
|
painting
|
A Dream of the Past: Sir Isumbras at the Ford
|
Lady Lever Art Gallery
|
LL 3625
|
|
1857
|
oil paint
canvas
|
landscape painting
|
Pre-Raphaelite Brotherhood
|
horse
knight
body armor
child
boy
girl
|
|
painting
|
A Dream of the Past: Sir Isumbras at the Ford
|
No/unknown value
|
|
|
1857
|
oil paint
panel
|
landscape painting
|
Pre-Raphaelite Brotherhood
|
horse
|
|
drawing
|
A Woman Bowed in Grief
|
Yale Center for British Art
|
B1977.14.5079
|
|
1857
|
brown ink
graphite
wove paper
|
|
|
|
|
|
painting
|
Only a Lock of Hair
|
Manchester Art Gallery
|
1917.268
|
|
1850s
|
oil paint
panel
|
|
|
|
|
|
painting
|
The Departure of the Crusaders
|
Gallery Oldham
|
6.70/1
|
|
1850s
|
oil paint
canvas
|
|
|
|
|
painting
|
The Vale of Rest
|
Tate
National Gallery
|
N01507
NG1507
|
|
1850s
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
nun
gravedigger
churchyard
convent
burial
funeral
|
|
|
painting
|
Spring (Apple Blossoms)
|
Lady Lever Art Gallery
|
LL 3624
|
|
1859
|
oil paint
canvas
|
|
|
|
|
painting
|
The Ransom
|
J. Paul Getty Museum
|
72.PA.13
|
|
1860s
|
oil paint
canvas
|
|
|
|
|
watercolor painting
|
Parable - The Hidden Treasure - Sir John Everett Millais
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004395
|
|
1860
|
watercolor paint
paper
|
|
|
|
|
watercolor painting
|
Parable - The Leaven - Sir John Everett Millais
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004396
|
|
1860
|
watercolor paint
paper
|
|
|
|
|
watercolor painting
|
Parable - The Pharisee and the Publican - Sir John Everett Millais
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004397
|
|
1860
|
watercolor paint
paper
|
|
|
|
|
painting
|
The Black Brunswicker
|
Lady Lever Art Gallery
|
LL 3643
|
|
1860
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
couple
man
Black Brunswickers
military personnel
military uniform
moustache
brown hair
woman
Kate Perugini
dress
ball gown
chestnut hair
chignon
earring
dog
standing
door
door handle
wall
engraving
|
|
painting
|
Stewart Harrison's The Iceberg - The Seamstress
|
Birmingham Museums Trust
|
1906P655
|
|
1860
|
|
|
|
|
|
painting
|
A Wife - Face in Both Hands She Knelt on the Carpet
|
Birmingham Museums Trust
|
1906P656
|
|
1860s
|
watercolor paint
paper
|
|
|
|
|
painting
|
Sister Anna's Probation
|
Birmingham Museums Trust
|
1927P901
|
|
1862
|
|
|
|
|
|
painting
|
The Anglers of the Dove by Harriet Martineau - Farmer Chell's Kitchen
|
Birmingham Museums Trust
|
1931P42
|
|
1862
|
|
|
|
|
|
gouache painting
|
Study of a Girl
|
Yale Center for British Art
|
B1979.12.807
|
|
1862
|
gouache paint
graphite
wove paper
|
|
|
|
|
wood engraving print
print
|
Sister Anna's Probation
|
Yale Center for British Art
|
B1994.4.1274
|
|
1862
|
engraving
wood
|
|
|
|
|
painting
|
Eve of St Agnes
|
Royal Collection
|
|
|
1863
|
oil paint
canvas
|
religious art
|
|
woman
|
|
painting
|
My First Sermon
|
Guildhall Art Gallery
|
701
|
|
1863
|
oil paint
canvas
|
|
|
|
|
|
wood engraving print
print
|
The Unjust Judge
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
wood engraving print
print
|
The Unmerciful Servant
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
wood engraving print
print
|
The Pearl of Great Price
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
wood engraving print
print
|
The Labourers in the vineyard
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
wood engraving print
print
|
The Parable of the Sower
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
wood engraving print
print
|
The Parable of the Leaven
|
Hunterian Museum and Art Gallery
|
|
|
1863
|
ink
|
|
|
|
|
|
painting
|
The Marquess of Granby
|
|
|
|
1863
|
oil paint
canvas
|
|
|
|
|
painting
|
Leisure Hours
|
Detroit Institute of Arts
|
78.59
|
|
1864
|
oil paint
canvas
|
|
|
|
|
painting
|
My Second Sermon
|
Birmingham Museums Trust
|
1909P61
|
|
1864
|
|
|
|
|
|
illustration
|
Pharisee and the Publican
|
|
|
|
1864
|
|
|
|
|
|
print
|
The Marriage Feast
|
|
|
|
1864
|
|
|
|
|
|
|
painting
|
Girl's Head
|
Walker Art Gallery
|
WAG 6327
|
|
1864
|
oil paint
canvas
panel
|
|
|
|
|
|
painting
|
My Second Sermon
|
Guildhall Art Gallery
|
702
|
|
1864
|
oil paint
canvas
|
|
|
|
|
painting
|
Juana of Arco
|
No/unknown value
|
|
|
1865
|
oil paint
canvas
|
religious art
|
|
Joan of Arc
|
|
painting
|
Esther
|
No/unknown value
|
|
|
1865
|
oil paint
canvas
|
religious art
|
Pre-Raphaelite Brotherhood
|
Esther
woman
gown
red hair
pearl
crown
|
|
painting
|
The Parable of the Tares
|
Birmingham Museums Trust
|
1925P103
|
|
1865
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Waking
|
Perth Art Gallery
|
1/149
|
|
1860s
|
oil paint
canvas
|
|
|
|
|
painting
|
Sacrifice of Jephthah’s Daughter
|
Amgueddfa Cymru – Museum Wales
|
|
|
1867
|
|
religious art
|
|
Jephthah
Daughter of Jephthah
|
|
|
painting
|
Jephthah
|
National Museum Cardiff
|
NMW A 180
|
|
1867
|
oil paint
canvas
|
|
|
|
|
painting
|
Vanessa
|
Sudley House
|
|
|
1868
|
oil paint
canvas
|
portrait
|
Pre-Raphaelite Brotherhood
|
Esther Vanhomrigh
woman
brown hair
|
|
|
painting
|
Vanessa
|
Sudley House
|
WAG 272
|
|
1868
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Souvenir of Velázquez
|
Royal Academy of Arts
|
03/721
|
|
1868
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Stella
|
Manchester Art Gallery
|
1908.12
|
|
1868
|
oil paint
canvas
|
|
|
|
|
painting
|
Portrait of Nina Lehmann
|
|
|
|
1869
|
|
portrait
|
|
|
|
painting
|
Chill October
|
Andrew Lloyd Webber Collection
|
|
|
1870
|
oil paint
canvas
|
|
|
|
|
painting
|
The Boyhood of Raleigh
|
Tate
National Gallery
|
N01691
NG1691
|
|
1870
|
oil paint
canvas
|
|
Pre-Raphaelite Brotherhood
|
Walter Raleigh
Devon
sailor
Budleigh Salterton
Raleigh's Wall (Wall Opposite No 5)
|
|
painting
|
The Knight Errant
|
Tate
National Gallery
|
N01508
NG1508
|
|
1870
|
oil paint
canvas
|
|
|
knight
nude
knight-errant
damsel in distress
|
|
painting
|
A Widow's Mite
|
Birmingham Museums Trust
|
1891P26
|
|
1870
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Rosalind in the Forest
|
Walker Art Gallery
|
WAG 730
|
|
1870
|
|
|
|
|
|
|
painting
|
A Flood
|
Manchester Art Gallery
|
1891.7
|
|
1870
|
oil paint
canvas
|
|
|
|
|
painting
|
The Martyr of the Solway
|
Walker Art Gallery
|
WAG 2123
|
|
1871
|
oil paint
canvas
|
portrait
|
|
Margaret Wilson
Solway Firth
red hair
chain
woman
|
|
painting
|
Victory O Lord!
|
Manchester Art Gallery
|
1894.1
|
|
1871
|
oil paint
canvas
|
religious art
|
Pre-Raphaelite Brotherhood
|
Battle of Refidim
Moses
Aaron
Hur
|
|
painting
|
Yes or No?
|
Yale University Art Gallery
|
1975.32
|
|
1871
|
oil paint
canvas
|
|
|
|
|
|
painting
|
George Grote (1794–1871) (classical historian, University of London Vice-Chancellor of the University, 1862–1871)
|
|
|
|
1871
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Martyr of the Solway
|
Walker Art Gallery
|
WAG 2123
|
|
1871
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Flowing to the Sea
|
Southampton City Art Gallery
|
403
|
|
1871
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Mrs Heugh
|
Musée d'Orsay
|
RF 1977 431
|
|
1872
|
oil paint
canvas
|
portrait
|
|
cage
fauteuil
parrot
curtain
sitting
old age
|
|
painting
|
Hearts are Trumps
|
Tate
National Gallery
|
N05770
NG5770
|
|
1872
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Sir James Paget (1814–1899), Bt, Lecturer and Surgeon at St Bartholomew's Hospital
|
Barts Health Archives
|
SBHX7/37
|
|
1872
|
oil paint
canvas
|
|
|
|
|
painting
|
Portrait of Mrs Bischoffsheim
|
Tate
National Gallery
|
N05572
NG5572
|
|
1873
|
oil paint
canvas
|
portrait
|
|
Clarissa Bischoffsheim
|
|
|
painting
|
Reflection
|
Calderdale Metropolitan Borough Council
|
1974.634
|
|
1873
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Winter Fuel
|
Manchester Art Gallery
|
1897.4
|
|
1873
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Effie Millais, née Gray (1828–1897)
|
Perth Art Gallery
|
3/149
|
|
1873
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Thomas Hyde Hills (1815–1891), President of the Pharmaceutical Society (1873–1876)
|
|
|
|
1873
|
oil paint
canvas
|
|
|
|
|
painting
|
The North-West Passage
|
Tate
National Gallery
|
N01509
NG1509
|
|
1874
|
oil paint
canvas
|
genre art
|
|
|
|
painting
|
Miss Eveleen Tennant
|
Tate
National Gallery
|
N05260
NG5260
|
|
1874
|
oil paint
canvas
|
portrait
|
|
Eveleen Myers
|
|
|
painting
|
Picture of Health, Alice, the Artist's Daughter
|
Jersey Museum and Art Gallery
|
SJA/0000/00072
|
|
1874
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Day Dreams
|
The Dick Institute
|
FA/A177
|
|
1874
|
oil paint
canvas
|
|
|
|
|
painting
|
The Convalescent
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004393
|
|
1875
|
oil paint
canvas
|
|
|
|
|
|
painting
|
James Wyatt Junior (b.1812), Aged 65
|
Oxford Town Hall
|
32
|
|
1875
|
oil paint
canvas
|
|
|
|
|
painting
|
The Yeoman of the Guard
|
Tate
National Gallery
|
N01494
NG1494
|
|
1876
|
oil paint
canvas
|
|
|
|
|
painting
|
The Twins, Kate and Grace Hoare
|
Fitzwilliam Museum
|
PD.36-2005
|
|
1876
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Lord Ronald Sutherland Gower (1845–1916), Sculptor and Writer
|
Royal Shakespeare Theatre
|
STRPG:A: 1993.73
|
|
1876
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Sound of Many Waters
|
|
|
|
1876
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Mrs Leopold Reiss
|
Manchester Art Gallery
|
1932.1
|
|
1876
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Edward Robert Bulwer Lytton (1831–1891), 1st Earl Lytton
|
Victoria and Albert Museum
|
F.146
|
|
1876
|
oil paint
canvas
|
|
|
|
|
painting
|
Bright Eyes
|
Aberdeen Archives, Gallery and Museums
|
ABDAG003135
|
|
1877
|
oil paint
canvas
|
|
|
|
|
painting
|
Effie Deans
|
|
|
|
1877
|
|
|
|
|
|
painting
|
Thomas Carlyle
|
National Portrait Gallery
|
NPG 968
|
|
1877
|
oil paint
canvas
|
portrait
|
|
Thomas Carlyle
|
|
|
painting
|
Puss in Boots
|
Dundee Art Galleries and Museums
|
3-1923
|
|
1877
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Good Resolve
|
Walker Art Gallery
|
WAG 2829
|
|
1877
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Anthony Ashley-Cooper (1801–1885), 7th Earl of Shaftesbury, President of the Bible Society
|
Cambridge University Library
|
8
|
|
1877
|
oil paint
canvas
|
|
|
|
|
painting
|
Self-portrait
|
National Trust
|
1288937
|
|
1878
|
oil paint
panel
|
self-portrait
|
|
John Everett Millais
|
|
painting
|
The Princes in the Tower
|
Royal Holloway, University of London
|
THC0044
|
|
1878
|
oil paint
canvas
|
history painting
|
|
Princes in the Tower
|
|
painting
|
Saint Martin's Summer
|
Montreal Museum of Fine Arts
|
1927.325
|
|
1878
|
oil paint
canvas
|
landscape painting
|
|
|
|
|
painting
|
The Bride of Lammermoor
|
Bristol City Museum and Art Gallery
|
K864
|
|
1878
|
oil paint
canvas
|
|
|
|
|
|
painting
|
A Jersey Lily
|
Jersey Museum and Art Gallery
|
PW/0000/00108
|
|
1878
|
oil paint
canvas
|
|
|
|
|
painting
|
Cherry Ripe
|
No/unknown value
|
|
|
1879
|
|
|
|
girl
cherry
|
|
painting
|
William Ewart Gladstone
|
National Portrait Gallery
|
NPG 3637
|
|
1879
|
oil paint
canvas
|
portrait
|
|
William Ewart Gladstone
|
|
painting
|
Louise Jane Jopling (née Goode, later Rowe)
|
National Portrait Gallery
|
NPG 6612
|
|
1879
|
oil paint
canvas
|
portrait
|
|
Louise Jopling
|
|
|
painting
|
Meditation
|
Shipley Art Gallery
|
TWCMS : B3210
|
|
1879
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Princess Elizabeth in Prison at St James’s
|
Royal Holloway, University of London
|
THC0045
|
|
1879
|
oil paint
canvas
|
|
|
|
|
|
painting
|
William Ewart Gladstone (1809–1898)
|
Glasgow Museums Resource Centre
|
2848
|
|
1879
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Diana Vernon
|
National Gallery of Victoria
|
587-2
|
|
1880
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Principal John Caird (1820-1898)
|
Hunterian Museum and Art Gallery
|
|
|
1880
|
oil paint
|
|
|
|
|
|
painting
|
Luther Holden (1815–1905)
|
|
|
|
1880
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Reverend John Caird (1820–1898), Principal of Glasgow University (1873–1898)
|
Glasgow Museums Resource Centre
|
1340
|
|
1880
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Principal John Caird (1820–1898)
|
Hunterian Museum and Art Gallery
|
GLAHA_44179
|
|
1880
|
oil paint
canvas
|
|
|
|
|
|
painting
|
James Fraser
|
Manchester Art Gallery
|
1979.134
|
|
1880
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Luther Holden (1815–1905), Surgeon at St Bartholomew's Hospital (1865–1881)
|
Barts Health Archives
|
SBHX7/39
|
|
1880
|
oil paint
canvas
|
|
|
|
|
painting
|
Self-portrait
|
Uffizi Gallery
|
|
|
1881
|
oil paint
canvas
|
self-portrait
|
|
John Everett Millais
|
|
painting
|
'Sweetest eyes were ever seen'
|
National Galleries Scotland
|
NG 2067
|
|
1881
|
oil paint
canvas
|
|
|
|
|
painting
|
Benjamin Disraeli, 1st Earl of Beaconsfield (1804-1881)
|
Royal Collection
|
RCIN 401519
|
|
1881
|
|
portrait
|
|
Benjamin Disraeli
|
|
|
painting
|
Benjamin Disraeli, Earl of Beaconsfield
|
National Portrait Gallery
|
NPG 3241
|
|
1881
|
oil paint
canvas
|
portrait
|
|
Benjamin Disraeli
|
|
painting
|
John Newman
|
National Portrait Gallery
|
NPG 5295
|
|
1881
|
oil paint
canvas
|
portrait
|
|
John Henry Newman
|
|
painting
|
Sir Henry Thompson, Bt
|
Tate
National Gallery
|
N01941
NG1941
|
|
1881
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Sir Henry Thompson (1820–1904), Bt
|
UCL Art Museum
|
LDUCS: PC5502
|
|
1881
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Alfred Tennyson (1809–1892), 1st Baron Tennyson, FRS
|
Lady Lever Art Gallery
|
LL 3613
|
|
1881
|
oil paint
canvas
|
|
|
|
|
painting
|
Benjamin Disraeli, Earl of Beaconsfield
|
National Portrait Gallery
|
3241
|
|
1881
|
oil paint
canvas
|
portrait
|
|
Benjamin Disraeli
|
|
|
painting
|
The Barrett Children
|
Eton College
|
FDA-P.501-2013
|
|
1881
|
oil paint
canvas
|
|
|
|
|
painting
|
George du Maurier
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004394
|
|
1882
|
oil paint
canvas
|
|
|
George du Maurier
|
|
painting
|
The captive
|
Art Gallery of New South Wales
|
918
|
|
1882
|
oil paint
canvas
|
|
|
|
|
painting
|
Princess Marie of Edinburgh (1875-1938)
|
Royal Collection
|
RCIN 400920
|
Vol. II, plate 142
|
1882
|
oil paint
canvas
|
portrait
|
|
Marie of Romania
|
|
|
painting
|
Equestrian Portrait (begun by Sir Edwin Landseer)
|
Tate
National Gallery
|
N01503
NG1503
|
|
1882
|
oil paint
canvas
|
equestrian portrait
|
|
|
|
painting
|
Self Portrait
|
Aberdeen Archives, Gallery and Museums
|
ABDAG004392
|
|
1883
|
oil paint
canvas
|
self-portrait
|
|
John Everett Millais
|
|
painting
|
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury
|
National Portrait Gallery
|
NPG 3242
|
|
1883
|
oil paint
canvas
|
portrait
|
|
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury
|
|
|
painting
|
Portrait of the Marquis of Lorne
|
National Gallery of Canada
|
82
|
|
1884
|
oil paint
canvas
|
portrait
|
|
|
|
|
painting
|
An Idyll of 1745
|
Lady Lever Art Gallery
|
LL 3618
|
|
1884
|
oil paint
canvas
|
|
|
|
|
painting
|
The Ruling Passion
|
Kelvingrove Art Gallery and Museum
|
1207
|
|
1885
|
oil paint
canvas
|
genre art
|
Pre-Raphaelite Brotherhood
|
|
|
|
painting
|
William Ewart Gladstone (1809–1898)
|
Christ Church
|
LP 288
|
|
1885
|
oil paint
canvas
|
|
|
|
|
painting
|
Caller Herrin'
|
No/unknown value
|
|
|
1886
|
oil paint
canvas
|
|
|
|
|
painting
|
Bubbles
|
Lady Lever Art Gallery
|
|
|
1886
|
|
|
Pre-Raphaelite Brotherhood
|
|
|
painting
|
Portia
|
Metropolitan Museum of Art
|
06.1328
|
|
1886
|
oil paint
canvas
|
portrait
|
academic art
|
woman
Portia
portrait
|
|
painting
|
Mercy: St Bartholomew’s Day, 1572
|
Tate
National Gallery
|
N01510
NG1510
|
|
1886
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Isabella Elder, née Ure (1828–1905)
|
Glasgow Museums Resource Centre
|
1414
|
|
1886
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Cecil Webb
|
National Gallery of Victoria
|
2009.413
|
|
1887
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Nest
|
Lady Lever Art Gallery
|
LL 3141
|
|
1887
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Charles J. Wertheimer Esquire
|
Musée d'Orsay
|
RF 1980 140
|
|
1888
|
oil paint
canvas
|
portrait
|
|
glasses
man
|
|
painting
|
Sir Arthur Seymour Sullivan
|
National Portrait Gallery
|
NPG 1325
|
|
1888
|
oil paint
canvas
|
portrait
|
|
Arthur Sullivan
|
|
painting
|
Afternoon tea or The Gossips
|
Winnipeg Art Gallery
|
2009-334
|
|
1889
|
canvas
|
|
|
|
|
painting
|
Dew-Drenched Furze
|
Tate
|
T12865
|
|
1880s
|
oil paint
canvas
|
|
|
|
|
painting
|
Ducklings
|
National Museum of Western Art
|
P.1975-0004
|
|
1889
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Robert Rankin
|
Leighton House
|
LH0036
|
|
1889
|
oil paint
canvas
|
|
|
|
|
painting
|
‘The Moon is Up, and Yet it is not Night’
|
Tate
National Gallery
|
N05632
NG5632
|
|
1890
|
oil paint
canvas
|
|
|
|
|
painting
|
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain
|
Birmingham Museums Trust
|
1989P60
|
|
1890s
|
oil paint
canvas
|
portrait
|
|
Mary Crowninshield Endicott Chamberlain
|
|
|
painting
|
Lingering Autumn
|
Lady Lever Art Gallery
|
LL 3137
|
|
1890
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Rt Hon. William Ewart Gladstone (1809–1898)
|
Eton College
|
FDA-P.182-2010
|
|
1890
|
oil paint
canvas
|
|
|
|
|
painting
|
Grace
|
Auckland Art Gallery Toi o Tāmaki
|
M1925/1
|
|
1891
|
oil paint
canvas
|
portrait
|
|
|
|
|
painting
|
Glen Birnam
|
Manchester Art Gallery
|
1908.15
|
|
1891
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Mary Chamberlain, née Endicott (1864–1957)
|
Birmingham Museums Trust
|
1989P60
|
|
1891
|
oil paint
canvas
|
|
|
|
|
painting
|
Blow Blow Thou Winter Wind
|
Auckland Art Gallery Toi o Tāmaki
|
1933/1/3
|
|
1892
|
oil paint
canvas
|
landscape painting
|
|
wind
tree
woman
|
|
|
painting
|
Little Speedwell's Darling Blue
|
Lady Lever Art Gallery
|
LL 3620
|
|
1892
|
oil paint
canvas
|
|
|
|
|
painting
|
Speak! Speak!
|
Tate
National Gallery
|
N01584
NG1584
|
|
1895
|
oil paint
canvas
|
|
|
|
|
painting
|
A Disciple
|
Tate
National Gallery
|
N01564
NG1564
|
|
1895
|
oil paint
canvas
|
|
|
|
|
painting
|
Saint Stephen
|
Tate
National Gallery
|
N01563
NG1563
|
|
1895
|
oil paint
canvas
|
religious art
|
|
|
|
|
painting
|
Sir Richard Quain (1816–1898), Bt
|
Royal College of Physicians
|
X120
|
|
1896
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Sir Robert Pullar (1828–1912), MP for Perth (1907–1910)
|
Perth Art Gallery
|
2/149
|
|
1896
|
oil paint
canvas
|
|
|
|
|
|
painting
|
A Forerunner
|
Glasgow Museums Resource Centre
|
1032
|
|
1896
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Margaret Wilson, Martyr of the Solway
|
|
|
|
21st century
|
|
|
|
|
|
painting
|
Miss Anne Ryan
|
Tate
National Gallery
|
N04536
NG4536
|
|
|
oil paint
canvas
|
|
|
|
|
print
|
The Doll House
|
National Gallery of Art
Prints in the National Gallery of Art
|
1983.36.1
|
|
|
|
|
|
|
|
painting
|
The Proscribed Royalist, 1651
|
Birmingham Museums Trust
|
2010.0128
|
|
|
|
|
|
|
|
drawing
|
Study of a Youth
|
Yale Center for British Art
|
B1977.14.5078
|
|
|
graphite
wove paper
|
|
|
|
|
drawing
|
Stained Glass Study, Water Plant with Grasshoper, Fish and Newt
|
Yale Center for British Art
|
B1977.14.5080
|
|
|
graphite
wove paper
|
|
|
|
|
drawing
|
Stained Glass Study, An Otter and Two Fish
|
Yale Center for British Art
|
B1977.14.5081
|
|
|
graphite
wove paper
|
|
|
|
|
drawing
|
Two Gentlemen Talking to a Seated Lady
|
Yale Center for British Art
|
B1981.25.2650
|
|
|
ink
wove paper
|
|
|
|
|
etching print
print
|
St. Agnes of Intercession
|
Yale Center for British Art
|
B1986.6
|
|
|
etching technique
wove paper
|
|
|
|
|
print
|
Happy Spring Time. Woman and Child Looking at Bird in Nest.
|
Yale Center for British Art
|
B1977.14.11965
|
|
|
|
|
|
|
|
|
painting
|
Ferdinand Lured by Ariel
|
Sudley House
|
WAG 273
|
|
|
|
|
|
|
|
|
painting
|
Portrait of a young Girl
|
Ashmolean Museum
|
WA1937.81
|
|
|
oil paint
canvas
|
portrait
|
|
|
|
|
painting
|
Non angli sed angeli
|
Brighton Museum & Art Gallery
|
FAH1945.47
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Marquess of Salisbury (1830–1903), Lord Warden of the Cinque Ports
|
Dover Collections
|
Dovrm 0.11011 DTH
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
John Joseph Jones (1830–1888)
|
Gallery Oldham
|
8.82/34
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Black Brunswicker
|
Royal Scottish Academy
|
1993.471
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
William Carr Standish
|
Astley Hall
|
1960:3
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Boys Rabbiting
|
Gallery Oldham
|
10.27/1
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Benjamin Disraeli, Earl of Beaconsfield (1804–1881), Prime Minister
|
Government Art Collection
|
14589
|
|
|
oil paint
canvas
|
portrait
|
|
Benjamin Disraeli
|
|
|
painting
|
William Ewart Gladstone (1809–98), Prime Minister
|
Government Art Collection
|
0/34
|
|
|
oil paint
canvas
|
portrait
|
|
William Ewart Gladstone
|
|
|
painting
|
Sir James Paget (1814–1899), Bt
|
|
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
The Yeoman of the Guard
|
Victoria Art Gallery
|
BATVG : P : 1905.4
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Portrait of a Girl
|
Sheffield Galleries and Museums Trust
|
VIS.3151
|
|
|
oil paint
panel
|
portrait
|
|
|
|
|
painting
|
The Proposal
|
Sheffield Galleries and Museums Trust
|
VIS.1532
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Thomas Oldham Barlow (1824–1889)
|
Gallery Oldham
|
13.88
|
|
|
oil paint
canvas
|
|
|
|
|
|
painting
|
Thomas Carlyle
|
|
|
|
|
oil paint
canvas
|
|
|
|
|
painting
|
A Somnambulist
|
|
|
|
|
oil paint
canvas
|
|
|
|
|
painting
|
The Minuet
|
|
|
|
|
watercolor paint
|
|
|
|
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