An unexpected pleasure. I chose this thriller, which was on the sale table, in large part because the action takes place in Venice. There is a map on the inside covers. I have loved Venice since I visited it in 1974 and I have read several popular mysteries that are based there. But I did not know much about Venice during WWII or shortly after. That is the time period of this novel.

Venice managed to come through undamaged. That is, the buildings did. The beautiful city attracted widow Grace Miller, who leased a home for several months. Perhaps she would stay, live there. Her son Adam, released from military service, comes to stay with her, and meets the man she is currently seeing, Gianni Maglione. Gianni is charming, well-mannered, and from an old Venetian family. But Adam does not like him.

Adam meets Claudia at a party. Claudia is Jewish and survived a camp. Her scars are more than physical, as she had been made to be essentially a sex slave to one of the Nazis running the camp. The two hit it off. But then there is an incident that pits Claudia against Gianni, and Adam calls on his military intelligence buddies to find out more. And then one fateful night everything changes.

The story really kept me in suspense. A different type of suspense than one might expect from a thriller. And it revealed a part of Venice - and Italy - that we may tend to gloss over in our daily lives. I suspect that Kanon's representation of the general feelings after the war are pretty nearly accurate. They make sense while they make one think. What does it mean when a country is occupied and its inhabitants become used to following orders of its occupiers? What happens after and how do the citizens feel and act?

Not what I'd call a "nice" story. But fascinating, absorbing, thought-provoking. ( )

Another solid outing from Kanon, who has yet to disappoint me. The Venice setting is so perfectly described throughout that I really feel as if my passport should have another entry stamped on it at this point. The plot and its resolution were terrific and the pacing was rarely off. Major and minor characters were all well developed and believable, and the only real nit I have about the whole package would involve the female lead, given that I felt sorry for her but I didn't feel a whole lot of sympathy for her by the end. But Kanon puts everyone through the wringer and no one comes out unscathed. And justice? Well, you could say that justice was a fluid thing in postwar Venice... ( )

Not the best Kanon, but ok for a doctor's office visit. A long one. He writes as though he knows Venice. And the Italians fascists. ( )

Lots and lots of dialog which could have been shortened. Interesting story, one I have not read before or even thought about. ( )

This is a case of the whole being more than the sum of the parts. The two main characters are frequently unbelievable to the point of being archetypes. The two main plot twists are so silly as to be near absurd. Anyone who had read enough crime novels will be pretty sure of the outline of the ending halfway through. However the writing and pace are SO good that you won't care. His sense of place is more than good enough for an Anglosphere reader [I did a lot of business in the region over several decades and can nitpick]. His sense of period will again suffice for those not really fluent on Italian politics and history. All in all it was extremely good fun to the point that I read it every moment I could get free till I finished it, then went back to immediately reread a few choice scenes. It is really a pity that this wasn't made into the Hollywood movie instead of his 'the Good German' as this one would be much easier to shoot. ( )

I may be done with Joseph Kanon. I liked Los Alamos, didn't like his latest one and thought this was OK...a tad too long.

It's post WW II Venice and Adam, an American soldier, just released from service is in Venice to visit his mother. She has met an Italian doctor, Gianni Maglione, and plans to marry him.

Adam, at a party, meets Claudia, a Jewess who was in an Italian prisoner camp and, in order to stay alive, became a consort to a Nazi officer. Claudia tells Adam that during the war, Maglione ID'd her father to the Nazis who took him to a camp, where he perished. When confronted, Maglione says he did it because the man was ill and he saved a partisan in the process.

Adam, goaded on by Claudia, doesn't want to hear (or believe) this and presses his Army friends to investigate Maglione. He also doesn't want his mother to marry him. One night before a party, Adam confronts Maglione and in a tussle, he and Claudia kill Maglione. Much of the book is the cover-up and Adam's interaction with supposedly a bumbling (but not so) Italian police officer Cavellini.

Although, I liked the ending, getting to the end was challenging. I could not visualize Venice, even though I've been there. I couldn't understand, many times, who was talking and about whom. There was a lot of repetition..."we must get our stories straight", etc. If you're not familiar with the differences between Fascists, Nazis, etc., you lose much of the political atmosphere.

So, in conclusion, Alibi was OK, not stellar. ( )

Excellent mystery thriller about a mother and son who live in Venice and a murder. Don't miss it. Kanon is a very good writer and his other books are quite good as well. ( )

It was worth reading through the entire book, which at times seemed to be going nowhere, to get to the final chapters that were so full of twists and surprises. ( )

Thriller about post WWII Venice. The killer gets involved in the investigation of the crimen, as the story is told from this point of view the reading is stressful. The plot is fine and the story is well told, but to read this book is not an enjoyable experience. ( )

Venice 1946 -- started out well, got too far into it to put it down, but couldn't wait for the end. Protagonist was not likable and story dragged on. ( )

Very convoluted, very confusing repetitious story of Venice politics, involvement with Germans in WW2 and Jewish prejudice, leading to a murder and an elaborate cover up. Only redeeming feature was the descriptions of Venice. ( )

A simple murder in post WWII Venice opens up a complex web of inter-related killings during the German occupancy. The protagonist kills his mother's suitor believing he was a Nazi collaborator. Subsequently, he begins to doubt whether his assumptions were correct. A number of the other characters have dark secrets from the war that play into the unraveling of events that occurred during the war. Well done beach read for fans of Kanon's earlier works. ( )

Disappointing. I've been to places in Venice that are mentioned in the book, so the recognition was enjoyable. However there's a plot twist half-way through that makes the second half quite unbelievable and the characters remained two-dimensional.

His previous book The Prodigal Spy was much more convincing. ( )

While I enjoyed this book as I usually enjoy Kanon's work, it doesn't stand up to his earlier work. The characters and places are flatter and less engaging, and the story leaves something to be desire--it wasn't bad, just not great. If you're new to Kanon, I'd start with a different book, and then try not to be too disappointed when you get to this one. If you're more of a traditional mystery reader than suspense, and don't mind a slow-to-casual pace, this might be more up your alley. ( )

A brooding novel set in post wwii venice ( )

Very dark mystery, somewhat disturbing. I didn't particularly care for it. ( )

I'm not sure where to put this book.
Did I like it? Yes I did. However, there's also a big 'but' to that. I liked the book but somewhere half way I got tired of the ways Claudia and Adam were trying (Adam more than she) to minimize the consequences of their deed.
I understand partly, but it got on my nerves. If you are so adamant no one sjould be blamed for what you did, then why not turn yourself in?

And the end... Well it is a bitter one for Adam. Not at all turning out the way he had thought it would. No justice served and being caught in 'the Italian way'. For him not a nice way to end things. ( )