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Craig Werner
Author of A Change Is Gonna Come: Music, Race & the Soul of America
About the Author
Craig Werner is Professor of Afro-American Studies at the University of Wisconsin
Works by Craig Werner
Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul (1905) 43 copies
For the Record 7: Up around the Bend: The Oral History Of Creedence Clearwater Revival (For the Record Series Number 7) (1999) 19 copies
Tagged
Common Knowledge
- Other names
- Werner, Craig Hansen
- Birthdate
- 1952
- Gender
- male
- Nationality
- USA
- Places of residence
- Madison, Wisconsin, USA
- Education
- Colorado College (BA, summa cum laude|1973)
University of Illinois (Ph.D|English|1979) - Occupations
- professor
historian - Organizations
- University of Wisconsin-Madison
Nominating Committee, Rock and Roll Hall of Fame
Members
Reviews
Books of "Twayne's Masterwork Studies" offer literary analyses, designed to help give students deep insight into works of fiction. Having read nine of them, I find that they vary greatly in quality, utility, and comprehensibility.
Werner's analysis of James Joyce's famous collection of short stories Dubliners is not one of the more accessible choices of the Twayne series -- at least for the general reader. I found it to be impenetrably dense and jargon-ridden, and frankly, got little out of show more having read it.
Here's a quote from page 98: Invoked by critics in the manner of the Hebrews addressing their refractory, uncooperative and nameless Lord, the Joycean "self" leaves traces of its finally unimaginable being throughout the text, which represents, in this allegory, the world created by the divine breath. But this "self" assumes meaning in relation to its very absence, its coexistence with a "real" "self" that, worst of all, is "somewhere else."
In the author's view, "What has been made of James Joyce is nearly as important as what Joyce made." In other words, Craig Werner believes that works of critics such as himself rank with James Joyce's literature in their importance. No; "I" don't "think" so. show less
Werner's analysis of James Joyce's famous collection of short stories Dubliners is not one of the more accessible choices of the Twayne series -- at least for the general reader. I found it to be impenetrably dense and jargon-ridden, and frankly, got little out of show more having read it.
Here's a quote from page 98: Invoked by critics in the manner of the Hebrews addressing their refractory, uncooperative and nameless Lord, the Joycean "self" leaves traces of its finally unimaginable being throughout the text, which represents, in this allegory, the world created by the divine breath. But this "self" assumes meaning in relation to its very absence, its coexistence with a "real" "self" that, worst of all, is "somewhere else."
In the author's view, "What has been made of James Joyce is nearly as important as what Joyce made." In other words, Craig Werner believes that works of critics such as himself rank with James Joyce's literature in their importance. No; "I" don't "think" so. show less
Very insightful book that fuses the culture, history, and influence of the soul music era.
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Statistics
- Works
- 9
- Members
- 234
- Popularity
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- Rating
- 3.9
- Reviews
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- ISBNs
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