Shelley Parker-Chan

To say that this was one of my most anticipated books of this year is an understatement. Since an year ago when I first got to know about and added it to my TBR, this book comped as Mulan meets The Song of Achilles has been making me excited, which only increased as my fascination with Chinese costume dramas grew during the pandemic. So, when it was ultimately time for me to start reading (or listening in this case), I had such high expectations that it took even me by surprise, but I was show more also confident that it would live up to everything. And wow how it did.

I have no words to describe how I feel after finishing this book. The author’s prose is exquisite and lyrical and how they managed to tell such a ruthless and expansive story in such a poetic manner will always keep me wondering. The pace is also relentless, not just because we are covering more than a decade’s worth of story, but also because the circumstances are always dangerous and every chapter feels like the characters are on a precipice and any decision they make will alter their path in significant ways. The audiobook by Natalie Naudus is also perfectly narrated, evoking the right feelings in me at the apt moments.

The major strength of this book though, comes from the characters. Zhu Chongba starts off as a starving peasant who loses her family to bandits and famine, but if there’s one thing she isn’t lacking, it’s the will to survive and defy the fate that’s written for her. Her determination to want and desire and then act to get what she wants, unfolds beautifully across these pages, but at no point does this tale of ambition and power put us off from rooting for her success.

Ouyang on the other hand is the eunuch general for the empire which decimated his entire family and mutilated his body, and his conflict between wanting to get revenge for his ancestors while trying to stay loyal to the man who has been his master and best friend and commander is utterly heartbreaking. He is no less ruthless in achieving his goals but the yearning and angst the author infuses in his internal monologues makes him someone we feel very sympathetic towards.

There are also a whole host of side characters, some whose POVs we do get to read, and we see how the powerplays of Zhu and Ouyang are affecting the lives of the ones closest to them. Xu Da starts off as an irreverent playboy monk but his undying loyalty to Zhu is endearing, while at the same time, seeing the empathetic and compassionate Ma Xiuying navigate the grief of losing one person after another whom she cares about to the incessant betrayals of her own people, makes us want to cry alongwith her and give her a hug. There are many others who leave an indelible impression on us while reading but getting attached to anyone is such a scary prospect because we never know who will die at the sword point of whose schemes.

While the characters are the flesh and blood of this book, it’s the themes the author explores that form it’s backbone. As this is a reimagining of the founding of the Ming dynasty, it is interesting to retell this story from the perspective of a character who is not born a man and eschews any female characteristics in her lived experience, deciding to topple the very patriarchal empire of her time. I loved how the author shows us Zhu’s relationship with her gender - she takes up the life and fate of her brother but slowly comes to realize that she can’t be him completely but nor can she ever be a woman. The fear that she feels about the exposure of her truth felt so real that I was petrified during some of the scenes, and I can only wait with bated breath to see how any revelations will affect her plans in the future books.

Ouyang on the other hand is full of self hatred because while born a man, he is treated as less than because of what was done to his body, and he hates himself for having made that impossible choice. He also hates women with a passion because he is frequently treated like them. This contempt that he feels for his body as well as those men who he considers whole, while also envying them for their ability to have desires and families, is a duality that the author perfectly captures. And it’s the idea of these characters who are outside of the gender binary existing and fighting and winning in a sexist patriarchal empire is what makes this book special.

I also loved how the author depicts ambition in the story. When characters become hungry for power and grow ruthless in their ambitions, it’s easy to hate them but I admire how the author deftly navigated these themes without ever making us feel like the characters were wholly wrong in their choices. Yes, they are ambitious and they are relentless and heartless in the pursuit of their goals, but they are also doing it for honor and family and survival, and how can we judge that. And the whole idea of a person’s fate being defined and the possibility of humans either defying their fate or succumbing to it forms the core of this story and I can only wait and see what fate awaits these characters.

In conclusion, this book was everything that I thought it would be and more. An unrelenting tale of survival and aspiration of characters who otherwise would have no power in this world, this book is evocative and bold and ambitious and will leave you breathless with anticipation at the end of most chapters, and especially towards the end. It’s also beautifully Asian and queer and if you enjoy genderbent and queer retellings of historical events, you cannot miss this book. It is totally shooting towards the top of my favorite books of 2021 list and joining the other two of the sapphic trifecta. While everything is going horribly in the real world, I feel I’ve gotten to read some of the best books ever this year and I’m glad for authors like Shelley who are keeping me and many readers like me sane during bad times. All I can do now is wait for the next book in The Radiant Emperor series and maybe listen to the spectacular audiobook again and again in the meantime. show less

I found [b:He Who Drowned the World|63132362|He Who Drowned the World (The Radiant Emperor, #2)|Shelley Parker-Chan|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1675980231l/63132362._SY75_.jpg|93477937] exceedingly addictive to read. It was a struggle to put it down in order to meet a (much less interesting) work deadline. Compared with the previous book it was easier to get into, as the protagonists were already well-established and deep in their machinations. The show more plot started fast and accelerated. Indeed, I think it could have been stretched out over two books. I have no complaints about how intense and compelling it was within just one, however. I was hooked by the outstandingly unhinged protagonists, Machiavellian scheming, and emotional intensity. Shelley Parker-Chan is very good at writing characters who behave in an unreasonable-to-deranged manner, as all have motivations and prior experiences that contextualise what could otherwise seem cartoonish behaviour.

All four main protagonists also have really interesting relationships with gender and sexuality, which defy expectations and shape the plot in clever ways. Sex is used as a political tool at several points. Lady Zhang's use of her power within the palace is ingenious. I was delighted when Ouyang and Zhu teamed up, as their dynamic is incendiary. A hyper-ambitious female warlord disguised as a man and a deadly eunuch desperate for revenge make a brilliant team, as they discover. Their alliance is broken apart by Wang Baoxiang's scheming, then Ouyang's eventual vengeance turns to ashes. His ending is spectacularly tragic, almost worthy of Sophocles. The final confrontation between Zhu, Wang Baoxiang, and Ouyang's ghost is excellent and concludes the duology very satisfyingly. The pace of events does not occur at the expense of characterisation; it is the characters that make you care about the plot. I particularly enjoyed seeing Zhu's gradual growth beyond utter ruthlessness, Wang Baoxiang's reaction to his success, and Ouyang's inklings of a life beyond revenge. [b:He Who Drowned the World|63132362|He Who Drowned the World (The Radiant Emperor, #2)|Shelley Parker-Chan|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1675980231l/63132362._SY75_.jpg|93477937] succeeds brilliantly as a high-octane ensemble historical drama with fantasy elements. It's a sequel that I preferred to its predecessor and would highly recommend. show less

He Who Drowned the World completes Shelley Parker-Chan's Radiant Emperor duology, a fantasy-tinged, gender-queered alternate history take on the foundation of the Ming dynasty. In many ways this is a stronger book than the first one—Parker-Chan had a much surer grasp on pacing this time around—with all the vicious politicking and psychosexual drama you could hope for.

(And perhaps a little more. There's an awful lot of trauma here and every single character needs therapy and a show more nap.)

Ultimately, I think this is a series I find myself respecting more than loving. Parker-Chan's worldview is assured and complex, and they make some interesting points about gender and power. Yet there were points where events were so bleakly tragic, the characters so determined to make bad and amoral choices over and over, and consciously so, that I found the book teetering on the verge of camp. Parker-Chan clearly understands the constraints within which women have to operate in a patriarchal system, but I found their portrait of Madam Zhang to be unconvincing—oddly endorsing of certain misogynist stereotypes rather than unpacking them.

I can't say that I'll continue on with further works by Parker-Chan—if their future books are as brutal as these twos, I think it will be too much for me—but I don't regret having read these two. show less

First up, while I enjoyed this story, I probably wouldn't had picked it up unless it had been short-listed for a "Hugo." I was certainly more intrigued when Chinese authorities criticized the story for engaging in "historical nihilism." That is, writing history in a fashion that the Chinese Communist Party disagrees with! Otherwise, one is promised a gender-bent "silk punk" epic and that is what one gets.

The real test is going to be how Parker-Chan wraps up this story in a convincing show more fashion; they have noted that "She Who Almost Became the Sun" is not going to cut it! Though it might be more honest, as the more the main character temps fate the more she risks losing the destiny she acquired. show less