Picture of author.

Shane W. Evans

Author of We March

6+ Works 1,380 Members 155 Reviews

About the Author

Includes the names: Shane Evans, Shane W. Evans

Image credit: Publicity photo

Works by Shane W. Evans

We March (2012) 788 copies, 52 reviews
Underground: Finding the Light to Freedom (2011) 355 copies, 83 reviews
My Cold Plum Lemon Pie Bluesy Mood (2013) — Illustrator — 118 copies, 6 reviews
Black Jack: The Ballad of Jack Johnson (2010) — Illustrator — 92 copies, 13 reviews
Olu's Dream (2009) 22 copies, 1 review
Hands Up! 5 copies

Associated Works

The Red Pencil (2014) — Illustrator — 721 copies, 31 reviews
Chocolate Me! (2011) — Illustrator — 270 copies, 45 reviews
Mixed Me! (2015) — Illustrator — 267 copies, 57 reviews
28 Days: Moments in Black History that Changed the World (2015) — Illustrator, some editions — 219 copies, 8 reviews
Homemade Love: Picture Book (2002) — Illustrator — 191 copies, 21 reviews
Nobody Gonna Turn Me 'Round: Stories and Songs of the Civil Rights Movement (2006) — Illustrator — 167 copies, 2 reviews
Bintou's Braids (2001) — Illustrator — 151 copies, 11 reviews
Hold the Flag High (2005) — Illustrator — 94 copies, 11 reviews
The Banana-Leaf Ball: How Play Can Change the World (2017) — Illustrator — 94 copies, 7 reviews
Fishing Day (2003) — Illustrator — 82 copies, 15 reviews
I Love You More Than . . . (2018) — Illustrator — 73 copies, 4 reviews
Big Papa and the Time Machine (2020) — Illustrator — 54 copies, 5 reviews
Shaq and the Beanstalk and Other Very Tall Tales (1999) — Illustrator — 32 copies, 2 reviews

Tagged

Common Knowledge

Gender
male

Members

Reviews

154 reviews
An African-American family awakens before dawn to prepare for the historic March on Washington in August, 1963.

In this stirring companion to Underground (2011), Evans captures a pivotal event in the struggle for equality and civil rights in America. The family joins neighbors to pray at their church, paint signs and travel by bus to Washington. They walk and sing and grow tired but “are filled with hope” as they stand together at the Washington Monument to listen to Dr. King speak of show more dreams and freedom. With just one line per page, Evans’ text is spare but forceful. The March has become synonymous with Dr. King’s grandiloquent speech, but Evans reminds readers that ordinary folk were his determined and courageous audience. The full-page paintings depict a rainbow of people holding hands and striding purposefully. One illustration in particular, of the father holding his son high on his shoulders, echoes a painting in Underground, in which a father holds his newborn child high up toward the sky. The strong vertical lines used for the arms of the marchers mirror the intensity of the day.

Share with readers of all ages as a beautiful message about peaceful protest and purposeful action. (author’s note) (Picture book. 4-8)

-Kirkus Review
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"Powerfully expressive imagery will sweep young viewers into this suspenseful journey along the Underground Railroad. Accompanied by a commentary of, usually, just two or three words per spread, the scenes track a small group of escapees stealing through darkness beneath a thin crescent moon. They are seen running, crawling, resting tensely, taking brief shelter with “new friends,” then wearily keeping on until sunrise at last brings them to their goal: “I am free. He is free. She is show more free. We are free.” Underscoring the sense of fear and urgency with broad, slanted strokes of thinly applied paint, Evans limns his hunched, indistinct figures in dark lines and adds weight with scribbled fill and jagged bits of paper or cloth. His palette of midnight-dark blue lit only by the occasional yellow torch- or lantern light and white stars draws attention to the whites of the frightened escapees’ eyes and makes sunlit Freedom all the more precious when attained. Lengthier accounts of travel on the Underground Railroad abound, but few if any portray the experience with such compelling immediacy. (afterword) (Picture book. 5-9)" www.kirkusreviews.com, A Kirkus Starred Review show less
This book was amazing. Shane Evans is a minimalist when it comes to using words, but the words he does choose to use have a very strong impact on readers. I like that Evans uses night time to symbolize the oppression of the slaves, and uses the sun to symbolize happiness and freedom for the slaves. I really enjoyed the story, and the illustrations. I think this would be a good book to try to let kids guess what is happening in the book, before you read it. Evans really taps in to the show more readers' emotions with his word choice, and the pictures. It made me feel as if I was there too, hoping for freedom and safety. This was one of the best children's books I have read in a long time. show less
Jamie, the young boy who narrates this book, tells us about all of the moods he might experience in a day. Irresistibly spirited, Jamie summons images of colors and tastes and sounds to help us know exactly how he is feeling.

Playing basketball with his friends, he is all about orange happiness, which turns to red when he has to rush home because he promised to get back before dark:

"RED!
Run!
Gotta get home!
Fire-engine-roaring-down-
the-street-hot-flames-
shooting-from-my-feet-
don’t show more stop-to-take-a-
breath-till-I-make-it-
through-the-door RED!
Whew!"

Even when he’s taking his turn washing dishes after dinner, he finds a way to turn it into rhythm and moods:

"Cool, blue okay
Time with myself
In my own space
hands swirling ‘round
In liquid peace
Sailing on waves
In the sky of my mind
A bluesy kind of mood
That’s what I’m in"

Evaluation: My Cold Plum Lemon Pie Bluesy Mood is another winning addition to the subcategory of books that helps kids describe and understand their changing feelings. The text has the right amount of humor and warmth, even with “bad” moods, and illustrator Shane Evans employs digital collage enhanced with oil paints and graphite to capture the emotions of kids perfectly.
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Statistics

Works
6
Also by
14
Members
1,380
Popularity
#18,638
Rating
4.1
Reviews
155
ISBNs
33

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