Bill Ashcroft
Author of The Post-Colonial Studies Reader
About the Author
Bill Ashcroft teaches English at the University of New South Wales.
Works by Bill Ashcroft
The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (New Accents) (1989) 262 copies, 1 review
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1946
- Gender
- male
- Nationality
- Australia
- Country (for map)
- Australia
- Occupations
- English professor, University of New South Wales
- Organizations
- Australasian Universities Language and Literature Association
Association for the Study of Australian Literature
European Australian Studies Association
Indian Australian Studies Association
Asian Association for the Study of Australasia
American Association for Australian LiteraryStudies (show all 11)
Association for Commonwealth Literary and LanguageStudies
European Association for Commonwealth Literary and Language Studies
Indian Association for Commonwealth Literary and Language Studies
South Pacific Association for Commonwealth Literary and Language Studies
UnitedStates Association for Commonwealth Literary and Language Studies - Awards and honors
- Fellow, Australian Humanities Academy
Members
Reviews
Lists
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Associated Authors
Statistics
- Works
- 12
- Also by
- 1
- Members
- 874
- Popularity
- #29,294
- Rating
- 3.9
- Reviews
- 3
- ISBNs
- 74
- Languages
- 3
Like many famous books, it turns out to be much thinner than you expect - just over 220 pages of text (plus bibliography, index and notes) in the 2002 second edition. After setting out what post-colonial literature is and going through the main issues it has to deal with, the authors look in more detail at the ways post-colonial writers in English have tackled the tricky problem of their relationship with the language of the former colonial power. Then we get a chapter of case-studies of half a dozen very different post-colonial works, and two chapters on theory, one dealing with the ways post-colonial critics have applied indigenous theoretical models (old, e.g. the Indian tradition of Sanskrit scholarship; and new, e.g. Fanon's négritude) to post-colonial writing, the other with ways post-colonial writing fits into - or undermines - western literary theory (marxism, poststructuralism, feminism, ...).
The second edition concludes with a new chapter responding to problems readers raised about the original book in 1989, and also bringing us up to date on some of the new ways post-colonial theory has been applied since then, e.g. to environmental problems in the developing world (Arundhati Roy, Ken Saro-Wiwa).
The Australian authors insist on a very wide definition of "post-colonial": "all the culture affected by the imperial process from the moment of colonisation to the present day". And they spend a good page and a half defending that hyphen - these things matter (to the sort of people who earn their living writing books about literary theory, if not to the rest of us...). But it is important to know that they think of that "post" as being rather different from the "post" in postmodern. As far as they are concerned, colonialism has started to exert its effect the moment someone plants a flag on your beach and says "we are more important than you are", and it keeps on doing it indefinitely. As long as the experience of having been colonised is relevant to the work we're discussing, we are free to discuss it as a post-colonial work, even if it's from one of the famous borderline cases, like Ireland or the USA or Mexico. Slavery is definitely on-topic, and so is oppression of indigenous peoples or minorities within (post-)colonial places. But obviously, we're most likely to be applying the lessons of The empire writes back to writing from Africa, South Asia, or the Caribbean (the explicit coverage of the book is limited to writings in English, but they acknowledge that writings in non-European languages and in the languages of other colonial powers, especially Spanish, would be very relevant).
Because of its concise and sometimes rather dense format and its focus on sometimes quite abstract theoretical issues, this is more likely to be a book you turn to when writing essays than something you would choose to read for pleasure. But it is clearly a very influential book in its field. If you haven't heard of it, you probably don't need it, and if you have heard of it then you know what you're getting into...… (more)