David Anfam (1955–2024)
Author of Abstract Expressionism
About the Author
Image credit: Portrait of David Anfam. Pencil on paper by Phong Bui.
Works by David Anfam
Abstract expressionism and other modern works : the Muriel Kallis Steinberg Newman collection in the Metropolitan… (2007) 11 copies
Jack Tworkov against extremes : five decades of painting ; October 13 - August 27, 2009 (2010) 4 copies
Kienholz: Berlin/Hope 2 copies
David Smith: Voltri XVII 1962: Property of the Georges and Lois De Menil Charitable Remainder Trust (2006) 2 copies
Wayne Thiebaud 1 copy
Dialogue 1 copy
Associated Works
American Art in the 20th Century: Painting and Sculpture 1913-1993 (Art & Design) (1993) — Contributor — 54 copies
Tagged
Common Knowledge
- Birthdate
- 1955-05-12
- Date of death
- 2024-08-21
- Gender
- male
- Nationality
- UK
- Birthplace
- London, England, UK
- Place of death
- London, England, UK
- Education
- Courtauld Institute of Art, University of London (PhD|Art History|1984)
- Occupations
- art historian
university professor
museum curator - Relationships
- Golding, John (teacher)
Bearman, Frederick A. (partner) - Organizations
- Clyfford Still Museum, Denver, Colorado, USA
University College London
Members
Reviews
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 41
- Also by
- 3
- Members
- 598
- Popularity
- #42,016
- Rating
- 4.3
- Reviews
- 1
- ISBNs
- 46
- Languages
- 4
The great disappointment is the pictures. Only 28 of 169 illustrations are in color, and frankly, some of the reproductions are so poor that they were better left out. Economics is an important factor here, of course. Ideally, every piece referred to in the text would be illustrated in color. They are handled well in the text: when an illustration is referred to, it's number (rather than page number) is listed in the margin next to the text.
In the end, the author failed to convince me that most of the pieces have any meaning. He quotes David Smith as saying "a work of art of an object s always completed by the viewer," and I don't connect to most of these pieces. Some I find quite visually pleasing: Pollock's Tondo and Eyes in the Heat; Lee Krasner's Noon; Clifford Still's 1948-D, but they don't convey any meaning to me. I was most charmed by some of David Smith's sculptures like The Letter and Oculus, but War Spectre is the only work in the entire book that conveyed meaning and feeling to me, especially since it appears that the artists were not generally trying to convey amusement. Widow's Lament, in Anfam's description "reads as a droll creature with ears and feet," which seems at odds with its intended meaning.
I remain a devotee of Tom Wolfe's The Painted Word.… (more)