Titus Groan Quotes

“And now, my poor old woman, why are you crying so bitterly? It is autumn. The leaves are falling from the trees like burning tears- the wind howls. Why must you mimic them?”
― Mervyn Peake, Titus Groan

“Lingering is so very lonely when one lingers all alone.”
― Mervyn Peake, Titus Groan

“This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.”
― Mervyn Peake, Titus Groan

“We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect.”
― Mervyn Peake, Titus Groan

“Why break the heart that never beat from love?”
― Mervyn Peake, Titus Groan

“There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.

The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.

The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.

The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.”
― Mervyn Peake, Titus Groan

“I am clever enough to know that I am clever.”
― Mervyn Peake, Titus Groan

“Oh how I hate people!”
― Mervyn Peake, Titus Groan

“For death is life. It is only living that is lifeless.”
― Mervyn Peake, Titus Groan

“In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question.”
― Mervyn Peake, Titus Groan

“He saw in happiness the seeds of independence, and in independence the seeds of revolt.”
― Mervyn Peake, Titus Groan

“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.”
― Mervyn Peake, Titus Groan

“Life is too fleet for onomatopoeia.”
― Mervyn Peake, Titus Groan

“Something to remember, that: cats for missiles.”
― Mervyn Peake, Titus Groan

“His was not the hatred that arises suddenly like a storm and as suddenly abates. It was, once the initial shock of anger and pain was over, a calculated thing that grew in a bloodless way.”
― Mervyn Peake, Titus Groan

“Linger now with me, thou Beauty,
On the sharp archaic shore.
Surely 'tis a wastrel's duty
And the gods could ask no more.
If thou lingerest when I linger,
If thou tread'st the stones I tread,
Thou wilt stay my spirit's hunger
And dispel the dreams I dread.

Come thou, love, my own, my only,
Through the battlements of Groan;
Lingering becomes so lonely
When one lingers on one's own.

I have lingered in the cloisters
Of the Northern Wing at night,
As the sky unclasped its oysters
On the midnight pearls of light;
For the long remorseless shadows
Chilled me with exquisite fear.
I have lingered in cold meadows
Through a month of rain, my dear.

Come, my Love, my sweet, my Only,
Through the parapets of Groan.
Lingering can be very lonely
When one lingers on one's own.

In dark alcoves I have lingered
Conscious of dead dynasties;
I have lingered in blue cellars
And in hollow trunks of trees.
Many a traveler through moonlight
Passing by a winding stair
Or a cold and crumbling archway
Has been shocked to see me there.

I have longed for thee, my Only,
Hark! the footsteps of the Groan!
Lingering is so very lonely
When one lingers all alone.

Will thou come with me, and linger?
And discourse with me of those
Secret things the mystic finger
Points to, but will not disclose?
When I'm all alone, my glory
Always fades, because I find
Being lonely drives the splendour
Of my vision from my mind.

Come, oh, come, my own! my Only!
Through the Gormenghast of Groan.
Lingering has become so lonely
As I linger all alone!”
― Mervyn Peake, Titus Groan

“It was not certain what significance the ceremony held... but the formality was no less sacred for it being unintelligible”
― Mervyn Peake, Titus Groan

“Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.”
― Mervyn Peake, Titus Groan

“When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.”
― Mervyn Peake, Titus Groan

“The moon slid inexorably into its zenith, the shadows shrivelling to the feet of all that cast them, and as Rantel approached the hollow at the hem of the Twisted Woods he was treading in a pool of his own midnight.”
― Mervyn Peake, Titus Groan

“Seeing an Earl as an owl on a mantelpiece, and having part of one's face removed by a cat, both on the same morning, can temporarily undermine the self-control of any man.”
― Mervyn Peake, Titus Groan

“And there shall be a flame-green daybreak soon. And love itself will cry for insurrection! For tomorrow is also a day - and Titus has entered his stronghold.”
― Mervyn Peake, Titus Groan

“I shall live alone. Always alone. In a house or a tree.'

Fuchsia started to chew at a fresh grass blade.

'Someone will come then, if I live alone. Someone from another kind of world - a new world - not from this world, but someone who is different, and he will fall in love with me at once because I live alone and aren't like the other beastly things in this world, and he'll enjoy having me because of my pride.”
― Mervyn Peake, Titus Groan

“She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars.

Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky.”
― Mervyn Peake, Titus Groan

“The crumbling castle, looming among the mists, exhaled the season, and every cold stone breathed it out. The tortured trees by the dark lake burned and dripped, their leaves snatched by the wind were whirled in wild circles through the towers. The clouds mouldered as they lay coiled, or shifted themselves uneasily upon the stone skyfield, sending up wreathes that drifted through the turrets and swarmed up hidden walls.”
― Mervyn Peake, Titus Groan

“Are you lishening, my pretty vermin, are you lishening?”
― Mervyn Peake, Titus Groan

“She could feel the blood flowing within her and she felt that she must die or break forth into leaves and flowers. It was not passion she felt: not the passion of the body, though that was there, but rather an exultation, a reaching for life, for the whole of the life which she was capable, and in that life which she but dimly divined was centered love, the love for a man. She was not in love with Rantel: she was in love with what he meant to her as someone she could love.”
― Mervyn Peake, Titus Groan

“But Fuchsia might as well have been carved from dark marble. Only her tears moved.”
― Mervyn Peake, Titus Groan

“She tossed her long hair and it flapped down her back like a pirate's flag. She stood in about as awkward a manner as could be concieved. Utterly un-feminine – no man couldd have invented it.”
― Mervyn Peake, Titus Groan

“Irma, my dear sister,' said Prunesquallor, 'I have two things to say. Firstly, why in the name of discomfort are we hanging around in the hall and probably dying of a draught that as far as I'm concerned runs up my right trouser leg and sets my gluteous maximus twtiching; and secondly, what is wrong, when you boil the matter down - with feet? I have always found mine singularly useful, especially for walking with. In fact, ha, ha, ha, one might almost imagine that they have been designed for that very purpose.”
― Mervyn Peake, Titus Groan