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Lagoon Quotes

Quotes tagged as "lagoon" Showing 1-9 of 9
Michelle Cuevas
“Where mermaids live looks a bit like your pool.' said Bernard. 'Except they build houses out of whale bones and the wreckage of sunken ships. They play chess with seahorses. They wear capes of fish scales and sleep on beds made from seaweed.'

As we listened, I thought I heard a slight splashing from the far end of the pool.

'At night,' Bernard continued, 'they turn on an electric eel for a night-light, and they light a fire, and the smoke goes up a chimney made from coral.'

'Wait a minute,' interupted Zoe, clearly immersed in Bernard's description. 'If they live underwater, how could they have a fire?'

'You should ask them,' said Bernard.

Zoe and I open our eyes.

Now, look, I know the light was just playing tricks on us. And I know we'd all probably inhaled too much sequin glue. But for the briefest moment, the blue of Zoe's pool gave way to deeper, darker aqua-colored water. The few plants and rocks were replaced with a lagoon and a waterfall where several mermaids lounged half in the water, half in the sun. They splashed and dove, their laughter making the same sound as the water.”
Michelle Cuevas, Confessions of an Imaginary Friend

Liz Braswell
“A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant.
And on these were the mermaids.
Wendy gasped at their beauty.
Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive.
The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers.
Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared.
They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did.
"Oh!" Wendy whispered. "They're-" And then she stopped.
Tinker Bell was giving her a funny look. An unhappy funny look.
The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.”
Liz Braswell, Straight On Till Morning

Martine Bailey
“The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away.
Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks.
"We should go back," he said. "Something drinks here."
She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto.
"Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back."
But Jack was still peering at the tracks around the water's edge.
"Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago.
"It's the end of the rainbow," she laughed. "Let's find our crock of gold.”
Martine Bailey, A Taste for Nightshade

William Golding
“Wave after wave, Ralph followed the rise and fall until something of the remoteness of the sea numbed his brain. Then gradually the almost infinite size of this water forced itself oh his attention. This was the divider, the barrier. On the other side of the island, swathed at midday with mirage, defended by the shield of the quiet lagoon, one might dream of rescue; but here, faced by the brute obtuseness of the ocean, the miles of division, one was clamped down, one was helpless, one was condemned, one was-”
William Golding, Lord of the Flies

Delia Owens
“Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell.
Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.”
Delia Owens, Where the Crawdads Sing

Delia Owens
“When her lagoon opened before them, the delicate details of every mossy branch and brilliant leaf reflected in the clear dark water. Dragonflies and snowy egrets lifted briefly at his strange boat, then resettled gracefully on silent wings.”
Delia Owens, Where the Crawdads Sing

Erica Bauermeister
“Perhaps the best place to forage was our lagoon, an oval of protected water, ringed by rocks and fed by a narrow channel that churned with the tide. You could spend your whole day harvesting there. Along the shore were wild onions and sea asparagus and the grassy stalks of sea plantains; under the beach rocks were tiny black crabs no bigger than my thumbnail. The boulders that lined the shores were packed with barnacles and mussels, and the seaweed came in infinite varieties. My favorite was bladderwrack, with its little balloons that popped in your mouth and left the smell of salt behind.”
Erica Bauermeister, The Scent Keeper

Louisa Morgan
“We ate all our meals in the kitchen nook, with its banquette seating around a small table. We liked it because it nestled against a window and gave us an eastward view of Kah Tai Lagoon, down the hill from our house. We both loved watching the light of different seasons play across the still water, gleaming in summer, shimmering in autumn, as gray and dull as old pewter in wintertime.”
Louisa Morgan, The Witch's Kind

Sarah Jio
“I burrowed through the small opening that Jack had created for me and emerged before an inlet enclosed by rocky hillside. The water was the color of emeralds, and I wondered how this was possible, given that the sound was so decidedly gray. A small plume of water--- a waterfall, but not a loud, forceful one, just a trickle--- was winding down one side of the cliff, making its descent into the pool below. Birds chirped in stereo.
There was a small patch of sand free of barnacle-covered rocks, like the beach in front of Bee's, and that's where Jack spread a blanket out. "What do you think?" he asked proudly.
"It's unbelievable," I said, shaking my head. "How in the world does water get that color?"
"It's the minerals in the rock," he replied.”
Sarah Jio, The Violets of March