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  1. Modalizing in musical performance.Giulia Lorenzi & Felipe Morales Carbonell - 2025 - Mind and Language 40 (1):21-39.
    This article aims to connect issues in the epistemology of modality with issues in the philosophy of music, exploring how modalizing takes place in the context of musical performance. On the basis of studies of jazz improvisation and of classical music, it is shown that considerations about what is sonically, musically, and agentively possible play an important role for performers in the Western tonal tradition. We give a more systematic sketch of how a modal epistemology for musical performance could be (...)
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  2. Kitsch as Experience of the World.Darío Hernández Guerra - 2025 - Espes. The Slovak Journal of Aesthetics 13 (2):37-51.
    The term ‘kitsch’, widely laden with negative connotations, has often been used to designate worthless art, synonymous with artistic failure. However, there is something in kitsch that, beyond its apparent poor quality, distinguishes it from other art forms as something novel, peculiar, and even profoundly interesting. Kitsch art generates an irresistible force of attraction towards its spectators that greatly captures attention. This allure belongs to a rarefied nature that brings to light the pleasures and delight of purely aesthetic appeal. Its (...)
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  3. Aesthetics in Kitsch art: the aesthetic ideology and teleological purpose behind the charged sentimentality.Yasmine Gamal Abdrabbo & Cherine Gamal Abdrabbo - 2025 - Espes. The Slovak Journal of Aesthetics 13 (2):13-23.
    This article addresses the problem of perceiving Kitsch art and elaborates on the philosophical approaches taken to better understand all intellectual contexts surrounding the term, aiming to endorse its aesthetic aspect and assert its rightness to be subsumed under the notion of high art, the researchers sought to argue that besides the claim that the main issue of reading Kitsch was laid on miss-perceiving it, by means it was a problem of perception, we add to this assertion that it was (...)
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  4. Thinking about Art as an Imaginative Reinterpretation of the Sensory World.Slávka Kopčáková - 2025 - Espes. The Slovak Journal of Aesthetics 13 (2):147-150.
    A book review of Sallis, John (2024) Premeny. O pravom zmysle umenia. Bratislava: Vydavateľstvo Minor, Kapucíni na Slovensku. ISBN 978-80-89888-38-2.
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  5. Replies to Critics of Immaterial: Rules in Contemporary Art.Sherri Irvin - 2024 - Studi di Estetica 30 (3):310-320.
    In this article I reply to commentary on Immaterial: Rules in Contemporary Art (Oxford, 2022) by Shelby Moser, Darren Hudson Hick, and Guy Rohrbaugh.
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  6. Précis of Immaterial: Rules in contemporary art.Sherri Irvin - 2024 - Studi di Estetica 30 (3):291-295.
    This is a précis of Immaterial: Rules in Contemporary Art (Oxford, 2022). Contemporary art can seem like a wilderness of unwieldy installations, decaying materials, immersive environments, and audience participation. It can be hard to know what to focus on and how to assess the value or meaning of what we encounter, since so many artworks use non-art materials and techniques and defy familiar conventions. In Immaterial: Rules in Contemporary Art, I argue that these developments, disparate as they may seem, can (...)
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  7. Fiction versus Pretence.Jerrold Levinson - 2025 - British Journal of Aesthetics 65 (1):1-6.
    This paper argues for a distinction between pretending and imagining. Pretending has a public and observable aspect, which imagining does not. The paper then uses this distinction to argue that various forms of fiction, including literature and the theater, do not essentially involve pretence.
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  8. Motivational Internalism and Disinterestedness.Ryan P. Doran - 2024 - British Journal of Aesthetics 65 (1):61-80.
    According to the most important objection to the existence of moral beauty, true judgements of moral beauty are not possible as moral judgements require being motivated to act in line with the moral judgement made, and judgements of beauty require not being motivated to act in any way. Here, I clarify the argument underlying the objection and demonstrate that it does not show that moral beauty does not exist. I present two responses: namely, that the beauty of moral beauty does (...)
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  9. Composing Thoughts: Free Speech and the Importance of Thinking Aloud in Music and Images.Léa Salje & Robert Mark Simpson - 2024 - Legal Theory 30 (2).
    Why should musical compositions and artistic images be included among the types of expression covered by free speech principles? One way to answer this question is to show how expression in nonverbal media can be functionally similar to other types of verbal expression. But this leaves us with an intuitively unsatisfying explanation of why free speech principles cover nonverbal creative expression that does not functionally emulate literal speech. In this article, as an alternative justification, we develop and defend the idea (...)
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  10. Chinese and Western Selves: A Historical Struggle for Centrality.Enrique Martinez Esteve - 1994 - 10Th Annual Conference of the Mythopoeic Society of Australia 1 (July).
  11. Yapay Zekâ Görüntü Üretme Modelleri ile Film Yapımı.Doga Col - 2024 - In Ali Büyükaslan & Başak Gezmen, Edebiyat, Sinema ve İletişim. İstanbul: Çizgi Kitabevi. pp. 217 -233.
    Filmmaking with Artificial Intelligence Image Generation Models In just about one year, OpenAI’s release of ChatGPT 4 has caused panic in our daily lives. After a year, OpenAI introduced Sora, a moving image-generating model from text, similar to DALL-E for still images. Even though Sora is not yet available to the public, the very potential itself has raised issues in film production from the perspectives of producers and studios, as well as directors, actors, writers, and editors. In this chapter, the (...)
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  12. Design and Rationalism: A Visualist Critique of Instrumental Rationalism.Michalle Gal - 2025 - Journal of Comparative Literature and Aesthetics 48 (1):75-85.
    This article presents a visualist theory of design that contrasts with the instrumental rationalism that dominates the philosophy of design. My critique of rationalism is based on two omnipresent and paradigmatic phenomena in design: the variety of forms for one single function and the variety of uses of one form. Instrumental rationalism defines design as a coherent line that runs from a rational goal to the proper means and proper use of an object. Therefore, this philosophy values design according to (...)
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  13. Design and its Relations.Michalle Gal (ed.) - 2025 - Journal of Comparative Literature and Aesthetics.
    Design is an omnipresent, aesthetic-functional phenomenon, one that is culturally loaded and broadly influential. Since ancient times, design has played a crucial role in shaping both our intimate daily experiences and broader societal structures. It influences behavior, preferences, cultural norms and movements, political or personal identities, and economic systems. Today, design is not only a thriving field of practice but also an evolving area of academic inquiry, one that is becoming a self-standing discipline. It is, of course, important to define (...)
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  14. Aesthetic Peerhood and the Significance of Aesthetic Peer Disagreement.Quentin Pharr & Clotilde Torregrossa - 2024 - Southern Journal of Philosophy:1-20.
    Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result. This article aims to address this gap. Taking cues from both the aesthetics and social epistemological literature, it develops several conceptions of aesthetic peerhood that are not only constituted by various forms of cognitive peerhood and (...)
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  15. Franz Boas and the Primacy of Form.Bence Nanay - 2024 - British Journal of Aesthetics 64 (3):381-395.
    There is systematic epistemic asymmetry between different centers of art production: we know far more about some (e.g. fifteenth-century Italian paintings) than about others (e.g. fifteenth-century Inca textiles). As long as we are focusing on the social context of the artworks or the artist’s intention, this epistemic asymmetry remains, given that we have vastly more information about the social context of the artworks or the artist’s intention when it comes to ‘Western’ art—again, because of the historically contingent differences in record-keeping (...)
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  16. Non-standard Emotions and Aesthetic Understanding.Irene Martínez Marín - forthcoming - Estetika: The European Journal of Aesthetics 57 (2):135-149.
    Winner of the Fabian Dorsch ESA Essay Prize.For cognitivist accounts of aesthetic appreciation, appreciation requires an agent (1) to perceptually respond to the relevant aesthetic features of an object o on good evidential grounds, (2) to have an autonomous grasp of the reasons that make the claim about the aesthetic features of o true by pointing out the connection between non-aesthetic features and the aesthetic features of o, (3) to be able to provide an explanation of why those features contribute (...)
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  17. Kandinsky on colors and the objectless vibrations.Dragos Grusea - 2024 - The Annals of the University of Bucharest - Philosophy Series (1):51-66.
    If we accept that Kandinsky developed a systematic theory of the fundamentals of painting, we must ask what is the central concept underlying this attempt. This paper argues for the thesis that objectless vibration plays a central role in the reconstruction proposed Kandinsky’s first book, ”Concerning the Spiritual in Art”. This kind of vibration includes as a virtual field both shapes, sounds and colors. All these “fall” in an organized way from the virtual vibrations, and the purpose of abstract painting (...)
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  18. (1 other version)The genius decision: the extraordinary and the postmodern condition.Klaus Ottmann - 2015 - Thompson, Conn.: Spring Publications.
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  19. Ästhetik und Ethik.Íngrid Vendrell-Ferran - forthcoming - In Jochen Briesen, Christoph Demmerling & Lisa Katharin Schmalzried, Handbuch Philosophische Ästhetik. Schwabe.
    Seit ungefähr Mitte der 90er-Jahre und bis heute wird der Frage nach dem Zusammenhang zwischen Ästhetik und Ethik hauptsächlich in der angloamerikanischen und der angelsächsischen analytischen Ästhetik besondere Aufmerksamkeit geschenkt. In der Einleitung des Bandes Aesthetics and Ethics. Essays at the Intersection (1998), der eine der ersten Publikationen über das Thema ist, macht Levinson deutlich, dass das Buch das Ziel hat, Debatten der Ästhetik und Ethik zu verbinden, die während der vergangenen 30 Jahre isoliert behandelt worden sind (Levinson 1998, 1). (...)
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  20. Virtual Simultaneity in Lessing's Aesthetics.Dragos Grusea - 2023 - Revue Roumaine de Philosophie 67 (2):386-400.
    This paper aims to show that Lessing develops in his aesthetics a pre-Kantian philosophy of consciousness. The concept of virtuality that the german writer puts forward in his essay Laocoon implies an interweaving of temporal dimensions similar to the threefold temporal synthesis described by Kant in the transcendental deduction of the Critique of Pure Reason. But whereas Kant thematizes an a priori of consciousness, Lessing is in search of an a priori of plastic art. It will be seen that perfect (...)
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  21. Exploration of neuroplasticity: changes in aesthetic cognition and enhancement of aesthetic experiences.Ranran Wei, Xin Lyu, Zhiqi Liang & Yang You - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    Aesthetic experiences play an important role in human culture and spiritual life and are closely related to aesthetic perception and appreciation of art, music, literature and natural landscapes. With the development of neuroscience and cognitive psychology, our understanding of aesthetic experiences continues to deepen; in this context, the study of neuroplasticity has attracted widespread attention. This study explores in detail how this process affects the perception of aesthetic cognition, thereby enhancing the aesthetic experience in several key ways. The study finds (...)
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  22. Becoming an artwork.Boris Groĭs - 2023 - Hoboken: Polity Press.
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  23. For pleasure: race, experimentalism, and aesthetics.Rachel Jane Carroll - 2023 - New York, New York: New York University Press.
    For Pleasure argues that aesthetic pleasure and formal experimentalism hold the twinned capacity to maintain a global racial order and also to undo it.
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  24. Visualism and Illustrations: Visual Philosophy beyond Language.Michalle Gal - 2024 - Analysis (XX 2024):1-13.
    Contemporary philosophy can be characterized along the lines of a profound and vigorous debate between the prevalent ideas of 20th century philosophy’s linguistic–conceptualist age, on the one hand, and the re-emergent field of what we might call ‘visualist’ philosophy on the other hand, which is experiencing a revival within the framework of the current visual turn in philosophy. Thoughtful Images: Illustrating Philosophy through Art by Thomas E. Wartenberg stands at the intersection of these two camps. The philosophical visual turn foregrounds (...)
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  25. Understanding as Transformative Activity: Radicalizing Neo-Cognitivism for Literary Narratives.Ingrid Vendrell Ferran - 2024 - Philosophia 52 (1):29-36.
    Mikkonen’s new book and his emphasis on understanding should be regarded as an important contribution to the contemporary debate on the cognitive value of literary narratives. As I shall argue, his notion of understanding can also help explain how literature is existentially valuable. In so doing, his account can support a radicalized contemporary neo-cognitivism according to which literature can affect us existentially and lead to a personal transformation.
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  26. Truly, Madly, Deeply: Moral Beauty & the Self.Ryan P. Doran - forthcoming - Ergo: An Open Access Journal of Philosophy.
    When are morally good actions beautiful, when indeed they are? In this paper, it is argued that morally good actions are beautiful when they appear to express the deep or true self, and in turn tend to give rise to an emotion which is characterised by feelings of being moved, unity, inspiration, and meaningfulness, inter alia. In advancing the case for this claim, it is revealed that there are additional sources of well-formedness in play in the context of moral beauty (...)
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  27. Interpreting AI-Generated Art: Arthur Danto’s Perspective on Intention, Authorship, and Creative Traditions in the Age of Artificial Intelligence.Raquel Cascales - 2023 - Polish Journal of Aesthetics 71 (4):17-29.
    Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of AI into (...)
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  28. Metaphor in Eco Architecture (8th edition).Klodjan Xhexhi - 2020 - IJournals: International Journal of Software and Hardware Research in Engineering 8 (8):23-30.
    Metaphor plays a central role in changing the architectural process. In order to better appreciate the nature of architectural creativity, generating more positive forms and volumes is required. Exists many conclusions which demonstrate that metaphors plays an important role shaping the design creativity. The aim of this paper is about understanding the exact role of the metaphor in architecture design from the concept of Aristotle to nowadays. Essentially it is the process by which most of the ideas come into being. (...)
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  29. Tanrı, Estetik ve Estetik Kanıt/God, Aesthetic and Aesthetic Proof.Büşra Nur Tutuk - 2023 - Dissertation, Ankara University
    The subject of the thesis is the relationship between aesthetic and God. It aims to discuss whether the sense of beauty is proof of the existence of God and to determine the plausibility of aesthetic proof. As a matter of fact that reality and the perception of beauty point to two-way consciousness. In this context, it will be inevitable to mention God's relation with consciousness in the emergence of beauty. In the first part, the concepts of aesthetics will be analyzed, (...)
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  30. Art, Affectivity, and Aesthetic Value: Geiger on the Role of Emotions in Aesthetic Appreciation.Íngrid Vendrell Ferran - 2023 - Journal of Aesthetics and Phenomenology 10 (2):143 - 159.
    This paper explores Moritz Geiger’s work on the role of emotions in aesthetic appreciation and shows its potential for contemporary research. Drawing on the main tenets of Geiger’s phenomenological aesthetics as an aesthetics of value, the paper begins by elaborating his model of aesthetic appreciation. I argue that, placed in the contemporary debate, his model is close to affective models which make affective states responsible for the apprehension of the aesthetic value of an artwork, though Geiger also makes important concessions (...)
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  31. Introduction to Design Theory Philosophy, Critique, History and Practice.Michalle Gal - 2023 - London: Routledge.
    ntroduction to Design Theory introduces a comprehensive, systematic, and didactic outline of the discourse of design. Designed both as a course book and a source for research, this textbook methodically covers the central concepts of design theory, definitions of design, its historical milestones, and its relations to culture, industry, body, ecology, language, society, gender and ideology. -/- Demonstrated by a shift towards the importance of the sociocultural context in which products are manufactured and embedded, this book showcases design theory as (...)
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  32. "O que emergiu pode afundar": recuperando o mundo perdido.Anderson Bogéa - 2023 - Viso: Cadernos de Estética Aplicada 17 (32):317-345.
    Este é um diálogo com o texto de Guilherme Foscolo, “Fábrica de hiperstição: ou sobre como perdemos o mundo”. Tanto o texto de Foscolo quanto este comentário foram apresentados, originalmente, no XI Encontro do GT de Estética, que ocorreu no Museu de Arte da Bahia (Salvador – BA), entre os dias 13, 14 e 15 de junho de 2022. Em uma tentativa de decifrar os caminhos teóricos trilhados por Foscolo, este ensaio busca ao mesmo tempo atualizar a situação tensa de (...)
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  33. Enhancing Artistic Presence through Contemplative Contextual Criticism.Peg Brand Weiser - 2006 - In Julien Robson, Presence. The Speed Art Museum. pp. 180-193.
    "Presence" is a word that can function both as a descriptor of the uniqueness, identity, and strength of an(y) identifiable, individual work of art (as used in the phrase, its "artistic presence") and, more specifically, and with a capital P, the name of a year-long exhibit consisting of a series of artworks in a uniquely created architectural environment with the Speed Art Museum in Louisville, Kentucky. In addition, as well-known art theorist Donald Preziosi points out in his 2004 essay ["Art (...)
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  34. Image/Images: A Debate Between Philosophy and Visual Studies.Alessandro Cavazzana & Francesco Ragazzi (eds.) - 2021 - Venice: Edizioni Ca' Foscari.
    The third issue of the Journal for the Philosophy of Language, Mind and the Arts is centered on a series of questions related to the nature of images. What properties characterize them? Do they exist also in our minds? What relationship do they have with phenomena such as perception, memory, language and interpretation? The authors participating in this issue have been asked to answer these and other questions starting from and in dialogue with the two philosophical perspectives that have most (...)
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  35. Kratkiĭ slovarʹ po e̊stetike.Mikhail Fedotovich Ovsiannikov & Vladimir Aleksandrovich Razumnyi (eds.) - 1963 - Moskva,: Izd-vo polit. lit-ry.
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  36. Adalékok az esztétika történetéhez.György Lukács - 1972 - Budapest,: Magveto Kiadó.
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  37. Sadness as Beauty.David C. Drake - 2011-12-09 - In Fritz Allhoff, Jesse R. Steinberg & Abrol Fairweather, Blues–Philosophy for Everyone. Wiley‐Blackwell. pp. 66–74.
    This chapter contains sections titled: The Nature of Beauty Truth, Goodness, and Beauty Beauty and the Blues Notes.
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  38. Art as a Shelter from Science.C. Thi Nguyen - 2023 - Aristotelian Society Supplementary Volume 97 (1):172-201.
    In our life with science, we trust experts; we form judgements by inference from past evidence. We conduct ourselves very differently in the aesthetic domain. We avoid deferring to aesthetic experts. We form our judgements through direct perception of particulars rather than through inference. Why the difference? I suggest that we avoid aesthetic testimony and aesthetic inference, not because they’re unusable, but because we have adopted social norms to avoid them. Aesthetic appreciation turns out to be something like a game. (...)
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  39. Aesthetic Appreciation without Inversion.Stacie Friend - 2023 - Aristotelian Society Supplementary Volume 97 (1):202-220.
    C. Thi Nguyen claims that although we can make aesthetic judgements based on testimony or inference, we resist doing so owing to a contingent norm of our social practice. For Nguyen, aesthetic engagement involves a ‘motivational inversion’ similar to games in which we adopt inefficient means of winning so that we can enjoy the process of playing. Similarly, he says, adopting the norm enables us to engage in the autonomous activity of appreciation. I argue that Nguyen is right that the (...)
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  40. Komplexität und Wohlgefallen: e. theoret. u. empir. Beitr. zur experimentellen Ästhetik.Hansgeorg Schwarz - 1977 - Frankfurt/Main: Haag und Herchen.
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  41. Intérêt perceptif et préférence esthétique: éléments d'esthétique formelle comparative.Robert Francès - 1977 - Paris: Éditions du Centre national de la recherche scientifique.
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  42. Shen mei xin li miao shu.Shouyao Teng - 1985 - [Peking]: Xin hua shu dian Beijing fa xing suo fa xing.
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  43. Aesthetic alienation.Jay M. Bernstein - 1987 - In John Fekete, Life after postmodernism: essays on value and culture. Houndmills, Basingstoke, Hampshire: Macmillan Education.
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  44. The physiological and morphological benefits of shadowboxing.Adam M. Croom - 2023 - International Journal of Physical Education, Fitness and Sports 12 (2):8-29.
    Is shadowboxing an effective form of functional exercise? What physiological and morphological changes result from an exercise program based exclusively on shadowboxing for 3 weeks? To date, no empirical research has focused specifically on addressing these questions. Since mixed martial arts (MMA) is the fastest growing sport in the world, and since boxing and kickboxing fitness classes are among the most popular in gyms and fitness clubs worldwide, the lack of research on shadowboxing and martial arts-based fitness programs in the (...)
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  45. Shen mei xin tai.Zhaowen Wang - 1989 - Beijing: Xin hua shu dian jing xiao.
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  46. Qing nian shen mei xin li.Nan Gao - 1989 - Shenyang Shi: Liaoning sheng xin hua shu dian fa xing.
    本书包括青年与审美:审美的心理条件;爱情与审美;生活与审美;自然与审美;艺术与审美等内容。.
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  47. Dirāsāt nafsīyah fī al-tadhawwuq al-fannī.Shākir ʻAbd al-Ḥamīd - 1989 - [Cairo]: Maktabat Gharīb. Edited by ʻAbd Allāh, Muʻtazz Sayyid & Jumʻah Sayyid Yūsuf.
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  48. Aesthetic Cognitivism and Serialized Television Fiction.Iris Vidmar Jovanović - 2023 - Journal of Aesthetics and Art Criticism 81 (1):69-79.
    In this article, I defend the cognitive value of certain generic television series. Unlike media and television scholars, who have been appreciative of the informative capacity of television fiction, philosophers have been less willing to acknowledge the way in which these works contribute to our understanding of our social reality. My aim here is to provide one such account, grounded in aesthetic cognitivism, that is, the view that fiction is a source of knowledge. Focusing on crime and courtroom dramas, I (...)
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  49. Le leggi del cielo: arte, estetica, passioni.Elio Franzini - 1990 - Milano: Guerini.
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  50. Mei di ling gan shen ci hu: xin li mei xue yi lan.Zhi Shen - 1991 - [Wuhan shi]: Xin hua shu dian Hubei fa xing suo jing xiao.
    本书通过事例告诉人们美的灵感究竟是怎样产生的,怎样了解审美意识的心理过程和心理结构等。.
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