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Nikolai Dmitriev-Orenburgsky

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In this name that follows Eastern Slavic naming customs, the patronymic is Dmitrievich and the family name is Dmitriev.

Nikolai Dmitriev-Orenburgsky
Николай Дмитриев-Оренбургский
Ivan Kramskoi, Nikolai Dmitriev-Orenburgsky, 1866, sauce and black chalk on paper, Russian Museum, Saint Petersburg[1]
Born(1837-04-01)1 April 1837
Nizhny Novgorod
Died21 April 1898(1898-04-21) (aged 61)
Saint Petersburg
Resting placeSmolensky Cemetery, Saint Petersburg
NationalityRussian
EducationMember Academy of Arts (1868)
Professor by rank (1883)
Alma materImperial Academy of Arts (1863)
Known forPainting

Nikolai Dmitrievich Dmitriev-Orenburgsky (Russian: Николай Дмитриевич Дмитриев-Оренбургский; 1 November 1838 or 1 April 1837 in Nizhny Novgorod – 21 April 1898 in Saint Petersburg) was a battle and genre painter from the Russian Empire who added to his surname, to distinguish him from other artists Dmitrievs, epithet: Orenburgsky.[2] He spent 1875–1885 living and working in Paris.

Biography

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Orenburgsky was one of the fourteen students who decided in 1863 to leave the Imperial Academy of Arts as part of the Revolt of the Fourteen and to form an independent artistic society, the Petersburg Cooperative of Artists (Artel), which preceded the Association of Travelling Art Exhibits, the basis of the peredvizhniki circle.

Orenburgsky is known for the military themes that predominated his work after he participated in the Russo-Turkish War of 1877-78,[3] and for paintings depicting Russian village life (the lives of simple people, the peasants, in specific). In the project documenting The World's Columbian Exposition of 1893,[4] in which some of his Russian village life paintings were exhibited, it is so commented of Dmitriev-Orenburgsky's work: "A noticeable feature is the air of sadness depicted in scenes of Russian life, even in those which portray its more cheerful phases. Thus in "Sunday in a Village", by Dmitrieff-Orenbursky, where peasants are trying to make merry, we can see that they are only trying, and with indifferent success",[5] and it is commented furthermore: "To stand before this canvas is to have very much the sensation of being set down in a Russian village on a Sunday afternoon".[6]

Dmitriev-Orenburgsky's work is collected and exhibited, inter alia, in the Hermitage Museum,[7] The Russian Museum,[8] the Military Historical Museum and The Museum of Russian Art.[9]

Works

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  • Drowned in a Village (1868, in the State Russian Museum, Saint Petersburg)
    Drowned in a Village (1868, in the State Russian Museum, Saint Petersburg)
  • Siege of Plevna: Artillery Battle (1880, in the Artillery Museum, Saint Petersburg)
    Siege of Plevna: Artillery Battle (1880, in the Artillery Museum, Saint Petersburg)
  • General M. D. Skobelev on his horse in the Russo-Turkish war 1877/78 (1883, in the Irkutsk Regional Art Museum)
    General M. D. Skobelev on his horse in the Russo-Turkish war 1877/78 (1883, in the Irkutsk Regional Art Museum)
  • Crossing of the Russian army across the Danube (1883, in the Artillery Museum, Saint Petersburg)
    Crossing of the Russian army across the Danube (1883, in the Artillery Museum, Saint Petersburg)
  • Delivery of the fortress Nikopol (1883, in the Artillery Museum, Saint Petersburg)
    Delivery of the fortress Nikopol (1883, in the Artillery Museum, Saint Petersburg)
  • Sunday in a Village (1884)
    Sunday in a Village (1884)
  • Fire in a Village (1885, in the State Russian Museum)
    Fire in a Village (1885, in the State Russian Museum)
  • Siege of Plevna: Capture Redoubt (1885, in the Artillery Museum, Saint Petersburg)
    Siege of Plevna: Capture Redoubt (1885, in the Artillery Museum, Saint Petersburg)
  • The last battle at Plevna November 28, 1877 (1889, in the Artillery Museum, Saint Petersburg)
    The last battle at Plevna November 28, 1877 (1889, in the Artillery Museum, Saint Petersburg)
  • Siege of Plevna: Presentation of the captive Osman Pasha to Alexander II (1898, in the Hermitage Museum, Saint Petersburg)
    Siege of Plevna: Presentation of the captive Osman Pasha to Alexander II (1898, in the Hermitage Museum, Saint Petersburg)

References

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  1. ^ Described and reproduced in Goldstein, Sofya N. [in Russian] (1965). Иван Николаевич Крамской (in Russian). Moscow: Iskusstvo. pp. 67, 379; ill. p. 54. OCLC 7262671.
  2. ^ Arsenyev & Petrushevsky 1893.
  3. ^ one of his notable works of that era,"General Mikhail Skobelev on the Horse" was imprinted on a stamp issued to mark the 135th anniversary of the termination of the Russo-Turkish War of 1877–1878, as a joint issue of Russia and Bulgaria
  4. ^ "World's Columbian Exposition of 1893". Archived from the original on 10 November 2012. Retrieved 7 May 2017.
  5. ^ "THE BOOK OF THE FAIR p.758". Retrieved 9 May 2024.
  6. ^ ART & ARCHITECTURE p.70. Archived from the original on 2017-08-24. Retrieved 2022-12-22.
  7. ^ Orenburgskij hermitagemuseum.org
  8. ^ "EMINENT FOLK ART COLLECTORS. From the "Not for personal gain:" series. "Collections and Collectors from the Russian Museum" - The Benois Wing - Русский музей". en.rusmuseum.ru. Retrieved 9 May 2024.
  9. ^ In 2009 "Sunday in a Village" was exhibited (on loan from a private collection) at The Museum of Russian Art. http://tmora.org/2009/02/02/russkiy-salon-select-favorites-and-newly-revealed-works/

Sources

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