Make Me (novel)

Make Me

Kindle edition cover
Author	Lee Child
Language	English
Series	Jack Reacher
Release number	20
Genre	Thriller novel
Publisher	Bantam Press (UK) Delacorte Press (US)
Publication date	8 September 2015
Publication place	United Kingdom
Media type	Print (hardcover and paperback), audio, eBook
Pages	402
ISBN	978-0-8041-7877-8
Preceded by	Personal
Followed by	Night School

Make Me is the twentieth book in the Jack Reacher series written by Lee Child.^[1][2] The novel was published on 8 September 2015 in the United States by Delacorte Press and on 10 September 2015 in the United Kingdom, New Zealand, Australia and Ireland by Bantam Press.^[3] It is written in the third person.

Somewhere in the sprawling, flat, desolate Midwestern United States, Reacher arrives by train at a small town named Mother's Rest, curious as to the story behind the name. He meets a Chinese American woman named Michelle Chang who is searching for a lost associate. Thinking that the town may have once been a young mother's childbirth site or perhaps the final resting place of an old woman, Reacher wanders the town asking the locals about the name, but he does not learn anything. He decides to befriend Chang, who reveals she is an ex-FBI agent turned private investigator who is looking for her colleague Keever. Reacher's suspicions are aroused by the aloofness of the locals and he decides to stay in the town to help with Chang's investigations.

Chang explains that she was only recently called in by Keever and does not know the identity of his client or any of the details of his case. Searching Keever's house, Reacher finds a crumpled up note with the name "Maloney" and a phone number. It belongs to a journalist from Los Angeles named Westwood, the Science Editor for the LA Times, who has been handling calls from conspiracy theorists, which he eventually blocks after they become too numerous. He turns out to be a dead end. Reacher and Chang then turn their search to Maloney, believing him to be Keever's contact and a resident of Mother's Rest. As they investigate the town, they are confronted by hostile locals whom Reacher quickly defeats while stealing their handguns.

Reacher and Chang then visit Keever's home, finding it to be ransacked with all of his investigative notes missing. Reacher becomes convinced that Keever had stumbled onto something big and been killed for it, and the two decide to go to Los Angeles to meet with Westwood. Convincing the journalist that Keever had been onto something newsworthy, they agree to give Westwood exclusive rights to the story in exchange for his help. Westwood reluctantly agrees and gives Reacher the phone numbers of unknown people who had recently called him and been blocked, thus fitting the profile of Keever's mystery client. They learn that their man Maloney is actually a Chicago resident named Peter McCann.

Arriving at McCann's home, they find he has gone missing. They are then attacked by a hitman named Hackett, who is incapacitated by Reacher, who sustains moderate head injuries in the process. The two then question McCann's neighbor and learn that Peter had a sister. At her home in Phoenix, they are attacked by more hired assassins. With the help of Chang's FBI contacts, they learn the men are all employed by a Ukrainian crime lord named Merchenko. Reacher deduces that Merchenko is outside security in the mastermind's employ. The puppet master is apparently someone indigenous to the town of Mother's Rest. By an amazing coincidence, Reacher and Chang happen across Merchenko sitting in the sunlight outside of his huge nightclub. Reacher righteously executes the criminal in broad daylight.

Traveling back to Los Angeles, Reacher and Chang reunite with Westwood. Going over all that they learned from McCann's neighbor and sister, Reacher posits that Peter was investigating the disappearance of his son, Michael. Michael had suffered from anhedonia and was a recluse who spent the majority of his time on the Internet. As the call from "Maloney" had been about the Deep Web, Reacher, Chang and Westwood meet with an associate of Westwood's, a computer hacker in Palo Alto. Westwood's contact is able to discover that Mother's Rest has a Deep Web site providing assisted euthanasia services. They further find that Michael had been speaking with potential suicides over the Deep Web and arranged to meet one of them at Mother's Rest to undergo euthanasia together.

Reacher, Chang and Westwood come up with a plan to assault the euthanasia site, a big farm outside Mother's Rest, which is both highly remote and well-defended. After a mildly challenging job of killing all of the armed employees, Reacher and his team discover that someone had converted the farmhouse into a film production facility. The entrepreneurs had lured in suicidal people over the Deep Web with promises of painlessly and luxurious euthanasia services. Once the clients had arrived however, they were actually made the stars of expensive and brutal snuff films tailored to the viewer's specifications and sold over the Deep Web. Over two hundred such victims had been horribly murdered prior to Keever stumbling onto the business in the course of his investigating Michael's disappearance. Reacher and Chang avenge Keever, Peter, and Michael by killing the last members of the conspiracy. In the aftermath of all that dirty work Reacher and Chang decide to spend a little downtime in Milwaukee together.

• Jack Reacher - The main protagonist, a former military policeman, known for his resourcefulness and capacity for justice.
• Michelle Chang - Private Investigator, Retired FBI Agent.
• Ashley Westwood - Science Editor for the L.A. Times Sunday Magazine
• Keith Hackett - Hired to kill Reacher and Chang.
• Lydia Lair - Sister of Peter McCann.
• Evan Lair - Lydia's Husband.
• Emily Lair - Lydia and Evan's daughter.
• Merchenko - Ukrainian mob boss.
• The Guy from Palo Alto - Computer Coder who helped Reacher and Chang search the Deep Web.

Bear that in mind next time someone tells you that Mr. Child, whose cerebral tough-guy thrillers all follow the same basic rules, is just one more genre type repeating himself in a mechanical way. “Make Me” is a hot one. So was “Never Go Back” two years ago, but the tepid “Personal” (2014) came between them. Mr. Child does his best work when he ventures into gutsy new challenges, and “Personal” didn’t present any. “Make Me” presents a huge one, but it takes its sweet time in revealing what, exactly, is underfoot in the vaguely sinister hick town that tempts Reacher.

— Janet Maslin, The New York Times^[4]

• Official website