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Julie Taymor

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Julie Taymor(amụrụ 15 Disemba 1952) bụ onye ntụzi ihe nkiri America, opera na ihe nkiri. A maara ya nke ọma maka iduzi egwu egwu egwu The Lion King, nke ọ ghọrọ nwanyị mbụ meriri Tony Award maka iduzi egwu. Ọ na-arụ ọrụ ugbu a na Broadway-musical na-abịa, Spider-Man: Gbanyụọ Ọchịchịrị.

Okwu okwuru

[dezie]
Ọ dịtụbeghị mgbe m bụ nwa nkịta, m tụrụ ime na m dee na m chepụta na m na-eduzi. … Abụ m onye na-eme ihe nkiri, mana ọ nweghị okwu maka nke ahụ.
Ihe mbụ m na-eme mgbe m na-eke, ma ọ bụ maka ogbo ma ọ bụ maka sinima, bụ ịchọta ideograph nke akụkọ ahụ. Nke bụ; otu, okwu dị mfe nke nwere ike ịkọ ihe niile.
  • Enweghị m ike ịmepụta ihe nkpuchi wee sị onye ọzọ, "Naanị mee ya." 'Ọ bụ akụkụ ụfọdụ n'ihi na abụ m onye na-ese ihe karịa ka m bụ drawer. N'ịtụle oge ọ ga-ewe m ịbịaru kpọmkwem ihe m chọrọ, enwere m ike ịkpụ ya. Ana m agba ọtụtụ n'ime ya. Ọ bụ incredibly na-ewe oge otú ahụ ka m na-ejedebe na-atụgharị ala ọtụtụ ọrụ m chọrọ ịrụ.
    • Dịka ekwuru na "The Lively Arts" na Connoisseur Nke 219 (1989), p. 72
  • Anyị nwere ụzọ isi banye n'ịghọta ike nke nwa nkịta… Nsogbu anyị bụ ogologo oge, anyị echeworị maka ụmụaka. … Ihe na-amasị m nke nwa nkịta bụ na ọ na-atọpụ onye na-ese ihe … Puppetry bụ ụzọ a na-achịkwa kpamkpam iji wakpo ndị agwa gị n'ụzọ ọ bụla enwere ike. Onye na-ese ihe nwere ike ịmepụta mbara ala buru ibu na ihe nwa nkịta. Mmadụ na-aghọwanye mmadụ n'echiche ahụ. Ihe ọzọ dị egwu banyere nwa nkịta bụ ikike ịgbanwe.
  • Agaghị m eji naanị nwa bebi eme ihe. . . Mana enwere m mmasị na ihe ndị nkịta na-ekwe ka ị mee. Enwere m nwa nkịta a bụ Dinah Donewell, ma o nwere aka a aha ya bụ Mr. Pleaser. Ọ bụ nkịta n'apata ya bụ onye nọ n'okpuru uwe mwụda ya mgbe niile. Ugbu a ọ bụrụ na i mee nke ahụ na ndị na-eme ihe nkiri, ndị mmadụ ga-ewe iwe. Ma na nke a, gịnị? Ọ bụ nwa bebi nwere nwa nkịta.
    • Dị ka e hotara na "New York na Ọrụ; Puppeteer Na-emepụta ihe ngosi maka ndị toro eto" nke NR Kleinfield "The New York Times" (2 July 1991)
  • Ọ dịtụbeghị mgbe m bụ nwa nkịta, m na-atụrụ ime, m na-ede ihe, m na-emepụta ma na-eduzi. Ọ bụghịkwa naanị ụmụ nkịta. Ana m eduzi ndị na-eme ihe nkiri, m na-eduzi ndị na-agba egwú, m na-eduzi ndị na-agụ egwú, na-eduzi ihe nkiri. M na-eduzikwa ndị na-egwu egwuregwu. Abụ m onye na-eme ihe nkiri n'ezie, mana ọ nweghị okwu maka ya.
    • Dị ka e hotara na "Onye isi ihe nkiri Probes Humanism" nke Christopher Reardon dere na The Christian Science Monitor (13 November 1992), p. 10
  • Ihe mbụ m na-eme mgbe m na-emepụta, ma ọ bụ maka ogbo ma ọ bụ maka sinima, bụ ịchọta ideograph nke akụkọ ahụ. Nke bụ; otu, okwu dị mfe nke nwere ike ịgwa ihe niile. Ma n'otu oge ahụ bụrụ ndị a na-amata maka ndị na-ege ntị. Ọ dị ka na eserese ndị Japan ochie - ọ bụrụ na ị ga-ese ọhịa achara, ị ga-enwe ike ịchọta isi ya na naanị strok atọ.
  • Mgbochi na-amanye gị ịchọta isi ihe ịchọrọ ikwu, nke bụ otu n'ime ihe kachasị mkpa ịmara maka onye na-ese ihe
    • Dịka ekwuru na "Oh, nwa agbọghọ: Mkparịta ụka na Julie Taymor" na Ndepụta Okwu na Cinema (2 Septemba 2008)
  • Ududo-Man bụ ezigbo akụkọ ifo America nwere ike gbara ọchịchịrị, mana ọ nwetakwara nnukwu dike a, na - hey! - ọ nwere ike ifefe site na ụlọ ihe nkiri na 40 kilomita n'otu awa. Ọ nwere ndị ọjọọ, ọ nwere skyscrapers, ọ mara mma, ọ bụ Manhattan. Amaara m na ọ ga-abụ ihe ịma aka, ma ahụrụ m ihe ngosi ihe nkiri dị na ya, enweghị m ike iguzogide.
  • 'Nye m, ebe ihe nkiri nwere ihe nkiri niile bụ na ọ dị n'oge a, ọ na-emetụ aka, ị na-eche na ị na-emikpu kpamkpam na ya - ebe a na ugbu a.
    • Dị ka e kwuru na "KA-POW! Spider-Man: Gbanyụọ Ọchịchịrị" nke Adam Green na Vogue.com

Mkparịta ụka Bill Moyers (2002) ===

"Bill Moyers Interviews Julie Taymor" na PBS (25 October 2002)
Frida sere eziokwu nke ya, ndụ ya. Abụ m onye nduzi na m na-ese ọtụtụ ndị ọzọ ... Ndị ọzọ eziokwu. Mana m ga-etinye ego na ya.
  • O na-ese ihe o sere n'ihi na o kwesịrị ime, n'ihi na ọ na-agụsi ya agụụ ike. Ọ chọghị ịma ma ndị mmadụ zụtara ya ihe osise. Dị ka o kwuru, ọ na-ese eziokwu ya.
    Achọpụtara m na m na-eme dị ka onye na-ese ihe ụdị nhọrọ nke na-agaghị amasị m. Ọ dị m ka m nwere ike itinye onwe m n'ime ya. Nke ahụ apụtaghị na ọ ga-abụrịrị gbasara onwe m. Nke ahụ bụ ihe dị iche. Frida na-ese ihe eziokwu nke ya, ndụ ya. A bụ m onye nduzi na m na-ese ọtụtụ ndị ọzọ ... Eziokwu ndị ọzọ. Mana a ga m etinye ego na ya.
    • Na ọrụ [Frida Kahlo]] na nke ya
  • Anyị na-ede akụkọ gbasara ọdachi mgbe niile n'ihi na otu a ka anyị si erute omimi mmadụ. Otu anyị si aga n'akụkụ nke ọzọ.' Anyị na-ele anya obi ọjọọ, ọchịchịrị na ihe omume jọgburu onwe ya mere ná ndụ anyị ma ọ̀ bụ ime ime ma ọ bụ di na-ekwesịghị ntụkwasị obi. Mgbe ahụ ị ga-ahụ ike a gafere. Ma nke ahụ ka a na-akpọ agụụ, dị ka anụ ahụ nke Kraịst. Ị nwere ike ịkpọ nke a agụụ Frida Kahlo, n'otu ụzọ.
    Mgbe m na-ekwu maka agụụ, na abụghị m onye okpukpere chi, mana ike nka okpukpe na-amasị m nke ukwuu n'ihi na ọ na-enweta mmetụta dị oke egwu nke ahụmịhe mmadụ.
  • Aghọtara m n'ezie ike nka nwere ịgbanwe. Echere m na mgbanwe ghọrọ okwu bụ isi na ndụ m.
    Mgbanwe n'ihi na ị chọghị naanị itinye enyo n'ihu ndị mmadụ wee sị, ebe a, lee onwe gị anya. Kedu ihe ị na-ahụ? Ị chọrọ inwe mirror gbagọrọ agbagọ. Ị chọrọ enyo nke na-ekwu na ị maghị na ị nwere ike ịhụ azụ isi gị. Ị maghị na ị nwere ike ịhụ ihe fọrọ nke nta ka ọ bụrụ otu akụkụ niile n'otu oge.
    Ọ na-enye ohere ka ụmụ mmadụ pụọ na ndụ ha wee laghachi na ya ma eleghị anya ịchọta ihe dị iche na ya.
  • M na-ekwubu na a na-ekwu banyere nka n’ihe osise na ihe ntụrụndụ. Ugbu a, gịnị kpatara ọ ga-eji bụrụ nka na ntụrụndụ? Gịnị kpatara anyị ji eche na nka bụ ihe ntụrụndụ? Gịnị mere na ọ bụghị nkà na sayensị ma ọ bụ nkà na ihe kacha mkpa ná ndụ gị? Echere m na nkà aghọwo nnukwu akwụkwọ ozi na-acha uhie uhie na omenala anyị.
    Ọ bụ nnukwu "A." Ma ọ na-ekwu, ị bụ onye elitist, you're effete, ma ọ bụ ihe ọ bụla ihe ndị ahụ ... ị maara ihe m na-ekwu? Ọ pụtara na ị naghị ejikọta. Ekwetaghịkwa m nke ahụ. Echere m na anyị akwadola ndị na-ege anyị ntị ogologo oge.
    Ị nwere ike ime ihe ga-eme ka ndị mmadụ bata n'ebe ọzọ ma ka na-enweta mmadụ n'ọkwa na-akpụ akpụ kwa ụbọchị mana ịkwesighi ikewapụ nka na ọha mmadụ

Academy of Achievement interview (2006)

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I put myself into situations where I'm forced to do something, to create, to respond, to see differently.
"Transforming the World through Art" (3 June 2006)
Puppets really are the origin of theater. Even the shadow on the wall of Plato's cave was a puppet. The very first actor was some kind of hand creating some kind of animal.
We are able to be incredibly creative or to be incredibly destructive. We have that decision to make…
The concrete world isn't necessarily the most powerful world. The world of the mind … has the power to do a lot of good and a lot of damage.
  • I think that there's an unfortunate thing right now that children are in front of computers as opposed to going outside and taking a bit of string and a bit of fabric and a stick and making a kite, and understanding that this kite could be a bird because you imagine it to be a bird, not because you push a button and "bird" comes up in your Google. I feel like the computers are a tool, but they've become a monster, and will really cut down on the creativity and imagination of people, period, that it's a going backwards in certain ways. -->
  • When I was 14 or 13 or 15 I went to Sri Lanka on the Experiment in International Living for a summer. I wanted to travel. And going outside of my own culture and traveling and seeing my own world from a foreign perspective is a big part of my life and who I am. That's what I was talking about earlier, is stepping outside of yourself and examining yourself with a different perspective is very important, and it's important to do as an artist for others.
  • I read a lot of books that are, for lack of a better word, cross-cultural. I find movies and books that take me — transport me to another culture are the things that I'm most interested in, and always have been.
  • Where I live is not necessarily in New York City. That's where my apartment is, but I live in Mexico, or I live in Indonesia. I live in Japan. I feel as comfortable in those other cultures, because, in a way, I'm always uncomfortable. I can't explain that, exactly, but I put myself into situations where I'm forced to do something, to create, to respond, to see differently.
  • You know, we still hear the word "puppet" and we get this nauseating image of some kind of Muppet or something. Puppets really are the origin of theater. Even the shadow on the wall of Plato's cave was a puppet. The very first actor was some kind of hand creating some kind of animal.
  • We can either be monsters or angels. We are able to be demons and angels, as that book says. We are able to be incredibly creative or to be incredibly destructive. We have that decision to make, to create something. It could be grotesque and ugly, but it is monstrously beautiful, so it inspires people.
  • Enwetara m site na ahụmahụ m na Japan mmetụta nkwanye ùgwù dị egwu maka nkà nke ịmepụta, ọ bụghị naanị ngwaahịa okike. Anyị niile gbasara ngwaahịa ahụ. Nye m, usoro a bụkwa akụkụ dị oke mkpa nke ụdị mkpokọta ahụ.
  • 'Ekwenyere m n'ezie na ọ bụrụ na ị naghị ama onwe gị aka ma mee ka ị daa, na ọ bụghị ihe na-adọrọ mmasị.
  • Ụlọ ihe nkiri dị nnọọ elu karịa ihe nkiri na abụ uri, na uri nkịtị. … Ọtụtụ ihe m na-eme na ihe nkiri bụ cinematic, ọtụtụ ihe m na-eme na fim bụ ihe nkiri, mana e nwere iwu dị iche iche na ya. gbalịa webata usoro ndị ahụ na echiche ndị ahụ ma tinye ha n'ụzọ dị iche nke iji ha.
  • Abụghị m okpukpere chi, mana ekwere m na obi ụtọ nka na okpukperechi nwere ike ime mmadụ, obi ụtọ ma ọ bụ egwu - dịka m masịrị ịkpọ ya, ị mara, "a-w-e" - na ọ na-eme ka ndị mmadụ nwee mmetụta na a. ụzọ nke ahụ abụghị banal ha, mmetụta kwa ụbọchị. Na ha na-aga, "Chineke m, ọ gbanwere m. Ndụ m gbanwere."
  • Ụwa siri ike abụghị ụwa kachasị ike. Ụwa nke uche - ma ị na-ekiri The Matrix | Matrix" ma ọ bụ ihe ọ bụla - ụwa nke dị n'ime ebe a nwere ike ime ọtụtụ ihe ọma na ọtụtụ mmebi.
  • Onwere ihe mmadu nwere ike ime. "The adrenaline rush," anyị na-akpọ ya. Egwu, nnukwu ịhụnanya. Mgbe ndị mmadụ na-egbu onwe ha, na-egbu onwe ha n'ihi ịhụnanya, ụdị mmasị ahụ ga-akpali ugwu.
  • Abụghị m otu n'ime ndị a na-aga, "Oh ọma, m ga-eme nka m na anaghị m enye ihe onye ọ bụla chere." Ọ naghị adị m otú ahụ. Ọ na-amasị m n'ezie ka ndị mmadụ kpalie n'eziokwu na mmụọ nsọ.' Ma ọ bụ naanị ebe a ma ọ bụ naanị ebe a - ọ na-aka mma mgbe niile ma ọ bụrụ na ọ bụ ha abụọ. Ọ bụ ya mere William Shakespeare . Shakespeare ji dị ukwuu, n'ihi na ọ na-esi na eriri afọ ruo n'obi ruo n'isi, na nke ahụ bụ ihe m na-achọ ime, karịa ihe ọ bụla.
  • N'omenala anyị, anyị na-eche na obi ụtọ na agba bụ ihe na-adịghị mkpa, na oji na ọchịchịrị dị omimi karị. Ma Friedrich Nietzsche. Nietzsche kwuru - nke bụ ahịrị m kwenyesiri ike - " 'Ọṅụ dị omimi karịa iru uju, n'ihi na ọṅụ niile na-achọ mgbe ebighị ebi." Ma ọ bụrụ na ị hụ Grendel , ị ga-ahụ, dị ka ọ nọ na nsọtụ nke abis, dị njikere. ka ọ wụliri ọnwụ ya, ọ na-abụ, "Ọ bụ ọṅụ m na-enwe? Ọ bụ ọṅụ m na-enwe?" Ma ọ bụ ya, na-akpali akpali. Ị nwere ike inwe ọtụtụ nkọwa dị iche iche maka njedebe nke opera ahụ, ma e nwere ihe na-emetụ n'ahụ nke na ị ga-enwe mmetụta mgbe ọ na-abụ ahịrị ndị ahụ.

Nkeji 60 Ajụjụ ọnụ (2010)

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"A Peek At Spider-Man, The Musical" (28 November 2010)
  • M hụrụ ya n'anya mgbe ndị mmadụ na-ekwu "Gịnị a jọgburu onwe ya, lousy echiche." Echere m na nke ahụ dị mma ... Akpọrọ m mpaghara nkasi obi asị ... Echeghị m na ihe ọ bụla nwere ike ịmepụta ihe n'ezie na-enweghị ihe ize ndụ na ihe ize ndụ
  • Ana m agbalị ime ka ahụmahụ ihe nkiri ahụ bụrụ ahụmahụ gburugburu ebe obibi. Anyị chọrọ inwe ihe nkiri ya nke ọma n'apata ndị na-ege ntị ... Ị maghị ruo ọkara nke abụọ ikpeazụ na ọ ga-aga. bụrụ nso.
  • Ee, ee, ụjọ na-atụ m. Ọ bụrụ na ị naghị atụ egwu mgbe ahụ ị naghị ewere ohere.' Mana ihe m nwere bụ otu. Ọ bụrụ na ndị gị na ha na-arụkọ ọrụ nọ ebe ahụ, nke na-aza ajụjụ egwu ahụ, ma ha niile na-enwe mmetụta dị ka gị, ma kwere na ya, mgbe ahụ, a na-ebelata egwu gị.

Njiko Mpuga

[dezie]
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