The Devil in the White City Quotes

“It was so easy to disappear, so easy to deny knowledge, so very easy in the smoke and din to mask that something dark had taken root. This was Chicago, on the eve of the greatest fair in history.”
― Erik Larson, The Devil in the White City

“Make no little plans; they have no magic to stir men's blood.

Daniel H. Burnham”
― Erik Larson, The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America

“I must confess a shameful secret: I love Chicago best in the cold.”
― Erik Larson, The Devil in the White City

“I was born with the devil in me,' [Holmes] wrote. 'I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.”
― Erik Larson, The Devil in the White City

“His weakness was his belief that evil had boundaries.”
― Erik Larson, The Devil in the White City

“Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black.”
― Erik Larson, The Devil in the White City

“Beside his own person and his own interests, nothing is sacred to the psychopath.”
― Erik Larson, The Devil in the White City

“. . . why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow.”
― Erik Larson, The Devil in the White City

“Great murderers, like great men in other walks of activity, have blue eyes.”
― Erik Larson, The Devil in the White City

“Place has always been important to me, and one thing today's Chicago exudes, as it did in 1893, is a sense of place. I fell in love with the city, the people I encountered, and above all the lake and its moods, which shift so readily from season to season, day to day, even hour to hour.”
― Erik Larson, The Devil in the White City

“The intermittent depression that had shadowed him throughout his adult life was about to envelop him once again. ”
― Erik Larson, The Devil in the White City

“Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing.”
― Erik Larson, The Devil in the White City

“Beneath the stars the lake lay dark and sombre," Stead wrote, "but on its shores gleamed and glowed in golden radiance the ivory city, beautiful as a poet's dream, silent as a city of the dead.”
― Erik Larson, The Devil in the White City

“Chicago has disappointed her enemies and astonished the world”
― Erik Larson, The Devil in the White City

“No one could bear the idea of the White City lying empty and desolate. A Cosmopolitan writer said, "Better to have it vanish suddenly, in a blaze of glory, than fall into gradual disrepair and dilapidation. There is no more melancholy spectacle than a festal hall, the morning after the banquet, when the guests have departed and the lights are extinguished.”
― Erik Larson, The Devil in the White City

“I will be on the look out for you, my dear girl," he wrote. "You must expect to give yourself up when you come." For this buttoned-up age, for Burnham, it was a letter that could have steamed itself open.”
― Erik Larson, The Devil in the White City

“For now, the tension was subtle, a vibration, like the inaudible cry of overstressed steel.”
― Erik Larson, The Devil in the White City

“But one thing was quite clear...." [Sol Bloom, chief of the Midway] wrote. "[B]eing broke didn't disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.”
― Erik Larson, The Devil in the White City

“They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.”
― Erik Larson, The Devil in the White City

“No one cared what St. Louis thought, although the city got a wink for pluck.”
― Erik Larson, The Devil in the White City

“Only Poe could have dreamed the rest.”
― Erik Larson, The Devil in the White City

“I find it all infinitely sad, but at the same time so entrancing, that I often feel as if it would be the part of wisdom to fly at once to the woods or mountains where one can always find peace. - Dora Root in a letter to Daniel Burnham”
― Erik Larson, The Devil in the White City

“I do not employ researchers, nor did I conduct any primary research using the Internet. I need physical contact with my sources, and there's only one way to get it. To me every trip to a library or archive is like a small detective story. There are always little moments on such trips when the past flares to life, like a match in the darkness. On one such visit to the Chicago Historical Society, I found the actual notes that Prendergast sent to Alfred Trude. I saw how deeply the pencil dug into the paper.”
― Erik Larson, The Devil in the White City

“Between the lights and the ever-present blue ghosts of the Columbian Guard, the fair achieved another milestone: For the first time Chicagoans could stroll at night in perfect safety. This alone began to draw an increased number of visitors, especially young couples locked in the rictus of Victorian courtship and needful of quiet dark places.”
― Erik Larson, The Devil in the White City

“Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing. At first alienists described this condition as “moral insanity” and those who exhibited the disorder as “moral imbeciles.” They later adopted the term “psychopath,” used in the lay press as early as 1885 in William Stead’s Pall Mall Gazette, which described it as a “new malady” and stated, “Beside his own person and his own interests, nothing is sacred to the psychopath.” Half a century later, in his path-breaking book The Mask of Sanity, Dr. Hervey Cleckley described the prototypical psychopath as “a subtly constructed reflex machine which can mimic the human personality perfectly. … So perfect is his reproduction of a whole and normal man that no one who examines him in a clinical setting can point out in scientific or objective terms why, or how, he is not real.”
― Erik Larson, The Devil in the White City

“[B]eing broke didn’t disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.”
― Erik Larson, The Devil in the White City

“Why had Holmes taken the children? Why had he engineered that contorted journey from city to city? What power did Holmes possess that gave him such control? There was something about Holmes that Geyer just did not understand. Every crime had a motive. But the force that propelled Holmes seemed to exist outside the world of Geyer’s experience. He kept coming back to the same conclusion: Holmes was enjoying himself. He had arranged the insurance fraud for the money, but the rest of it was for fun. Holmes was testing his power to bend the lives of people.”
― Erik Larson, The Devil in the White City

“THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.”
― Erik Larson, The Devil in the White City

“At present," he said, "I am responsible for conveying my associates to a place called Chicago. I understand it is somewhere in the hinterland.”
― Erik Larson, The Devil in the White City

“How easy it was to disappear: A thousand trains a day entered or left Chicago.”
― Erik Larson, The Devil in the White City