Payne Quotes
Quotes tagged as "payne"
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“Never did the world make a queen of a girl who hides in houses and dreams without traveling.”
― The Wanderess
― The Wanderess
“I wandered everywhere, through cities and countries wide. And everywhere I went, the world was on my side.”
― Rooftop Soliloquy
― Rooftop Soliloquy
“This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart’s affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.”
― Cities & Countries
― Cities & Countries
“The ‘Muse’ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.”
―
―
“Ô, Wanderess, Wanderess
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?”
―
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?”
―
“Payne looked back through the glass at the human on the bed. "Yes. I am in love with him. And if you try to dissuade me by the fact that I have not lived yet enough to judge, I say unto you...fuck off.”
― Lover Unleashed
― Lover Unleashed
“I like the posture, but not the yoga.
I like the inebriated morning, but not the opium. I like the flower but not the garden, the moment but not the dream. Quiet, my love. Be still. I am sleeping.”
―
I like the inebriated morning, but not the opium. I like the flower but not the garden, the moment but not the dream. Quiet, my love. Be still. I am sleeping.”
―
“I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.”
― Rooftop Soliloquy
― Rooftop Soliloquy
“You are perfect for a female."
"Not where I come from."
"Then they're using the wrong standard.”
― Lover Unleashed
"Not where I come from."
"Then they're using the wrong standard.”
― Lover Unleashed
“It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.”
―
―
“The male's diamond eyes locked on Payne, and though she hadn't seen him in forever, she knew who he was. Sure as if she was staring at her own reflection. Tears sprang unbidden to her eyes for last she had known, he breathed no longer. "Vishous," she whispered desperately. "Oh, brother mine...”
― Lover Mine
― Lover Mine
“From all that I saw, and everywhere I wandered, I learned that time cannot be spent. It can only be squandered.”
―
―
“If I got to you once, I can do it again. And maybe next time I won’t waste my breath trying to prove the fact that I’m your equal.”
“I am the King, you realize.”
“And I’m the daughter of a deity, motherfucker.”
― The King
“I am the King, you realize.”
“And I’m the daughter of a deity, motherfucker.”
― The King
“Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.”
―
―
“Sister," he murmured, not as an inquiry, but a statement of fact. "Brother mine," she groaned... before her consciousness slipped from her grasp and she drifted away. But she would come back to him. One way or the other, she would not leave her twin ever again.”
― Lover Mine
― Lover Mine
“She wakes in a puddle of sunlight.
Her hands asleep beside her.
Her hair draped on the lawn
like a mantle of cloth.”
― Hope and Despair
Her hands asleep beside her.
Her hair draped on the lawn
like a mantle of cloth.”
― Hope and Despair
“The season was waning fast
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I won’t be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams you’ll fulfill...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill.”
―
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I won’t be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams you’ll fulfill...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill.”
―
“The lot of the bride
to be wed before bed
desired until rotten.
The lot of the author
to be read before bed
admired then forgotten.”
―
to be wed before bed
desired until rotten.
The lot of the author
to be read before bed
admired then forgotten.”
―
“SAUL: 'We made love outdoors, my favorite place to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with sweat.”
―
―
“Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.”
― Rooftop Soliloquy
― Rooftop Soliloquy
“I’ve decided the act that cannot wait / is the important will to create / But, ah, if my belly is ignored / the pantry door I shall implore / But I’ve been known to reach the bed / ideas still famished in my head.”
― Cities & Countries
― Cities & Countries
“It was a time I slept in many rooms, called myself by many names. I wandered through the quarters of the city like alluvium wanders the river banks. I knew every kind of joy, ascents of every hue. Mine was the twilight and the morning. Mine was a world of rooftops and love songs.”
― Rooftop Soliloquy
― Rooftop Soliloquy
“The youthful body untouched decays the fastest, for no living hands record its splendor; and here youth and time are wasted.”
― Hope and Despair
― Hope and Despair
“When Vishous pushed open the door to the exam room, he got a gander at the kind of seating arrangement that made him think fondly of castration.”
― Lover Unleashed
― Lover Unleashed
“I care not that this moment’s lot was thin and sparsely dealt; all pleasures sweet can be forgot the instant they are felt.”
―
―
“When he nodded, the physician disappeared into thin air, and then a moment later, Payne felt a warm palm encompass hers. It was Vishous's un-gloved hand against her own and the connection between them eased her in ways she couldn't name. Verily, she had lost her mother . . . but if she lived through this, she still had family. On this side.”
― Lover Mine
― Lover Mine
“I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!”
―
―
“Favoring 'resolution' the way we do, it is hard for us men to write great love stories. Why?, because we want to tell too much. We aren’t satisfied unless at the end of the story the characters are lying there, panting.”
―
―
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