Richard Chew
Richard Chew | |
---|---|
![]() Photo by Liv Torgerson | |
Born | Richard Franklin Chew June 28, 1940 Los Angeles, California, U.S. |
Occupation | Film editor |
Years active | 1967–present |
Spouse | Liv Torgerson |
Awards | Best Film Editing 1977 Star Wars Saturn Award for Outstanding Editing 1977 Star Wars |
Richard Franklin Chew (born June 28, 1940) is an American film editor, best known for his Academy Award-winning work on Star Wars (1977),[1] alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
Early life and career
[edit]Born of Chinese immigrant parents in Los Angeles, Chew attended its inner-city schools, served in the U.S. Navy, and graduated from UCLA with a B.A. in Philosophy. After a stint at Harvard Law School, Chew, inspired by the independent cinema of the 1960s, left school to pursue a film career.[2]
Starting with camera and editing work on documentaries, such as The Redwoods, an Oscar winner for Best Short Documentary in 1967, he eventually transitioned to editing feature films as co-editor on Francis Ford Coppola's The Conversation, Miloš Forman's One Flew Over the Cuckoo’s Nest, and George Lucas's Star Wars.
During his varied career, he has edited films for actor-directors such as Jack Nicholson, Tom Hanks, and Forest Whitaker. Other writer-directors with whom Chew has worked include: Cameron Crowe, Paul Brickman, Bruce Joel Rubin, and Emilio Estevez.[2]
Chew was Oscar-nominated for One Flew Over the Cuckoo’s Nest. He also won British Oscars (BAFTA) as co-editor on both The Conversation and One Flew Over the Cuckoo’s Nest. His work on Shanghai Noon was nominated for Best Feature Comedy by American Cinema Editors.[3]
At various times throughout his editing career, Chew has taught and lectured with the goal of enhancing audience appreciation for the cinema arts. For over thirty years, he has appeared at art schools and colleges, churches, and community groups.
On January 27, 2011, he was honored at the Detroit Institute of Arts with “An Evening with Richard Chew,” a program featuring clips of some of his extensive work plus an interview conducted by DIA film curator Elliot Wilhelm.[4] Additionally, Chew was named Allessee Visiting Professor of Media at Wayne State University for the 2011 Spring semester.[5] In September 2013, Chew was selected as a Duncan Littlefair Great Speaker in the Creation Talks Series (http://www.creationtalks.org/about-us/duncan-littlefair-great-speakers/), joining the ranks of renowned speakers from the worlds of politics and arts. He spoke about the power of music in film at the legendary Fountain Street Church in Grand Rapids, Michigan. [1]. In November, 2016, Chew received the Third Annual Andrew V. McLaglen Lifetime Achievement Award from Friday Harbor Film Festival (Washington).
For his body of work, American Cinema Editors, an honorary society of film editors, presented to Chew the ACE Career Achievement Award during its annual Eddies Award show in March, 2022.[6][7] In closing his acceptance speech, Chew said, “I’m thinking maybe we (filmmakers) could make movies to entertain and send a message. Maybe we could use movies to encourage the better angels of our nature.”[8]
He is a member of the Academy of Motion Picture Arts & Sciences, Motion Picture Editors Guild, and American Cinema Editors.
Selected filmography
[edit]Year | Film | Director | Notes |
---|---|---|---|
1974 | The Conversation | Francis Ford Coppola | |
1977 | Star Wars | George Lucas | |
1978 | Goin' South | Jack Nicholson | |
1979 | When You Comin' Back, Red Ryder? | Milton Katselas | |
1982 | My Favorite Year | Richard Benjamin | |
1983 | Risky Business | Paul Brickman | First collaboration with Paul Brickman |
1985 | Real Genius | Martha Coolidge | First collaboration with Martha Coolidge |
Creator | Ivan Passer | ||
1986 | Where the River Runs Black | Christopher Cain | |
Streets of Gold | Joe Roth | First collaboration with Joe Roth | |
1987 | Revenge of the Nerds II: Nerds in Paradise | Second collaboration with Joe Roth | |
1988 | Clean and Sober | Glenn Gordon Caron | |
1990 | Men Don't Leave | Paul Brickman | Second collaboration with Paul Brickman |
1991 | Late for Dinner | W. D. Richter | |
1992 | Singles | Cameron Crowe | |
1993 | Mi Vida Loca | Allison Anders | |
My Life | Bruce Joel Rubin | ||
1995 | Tall Tale | Jeremiah S. Chechik | |
Waiting to Exhale | Forest Whitaker | First collaboration with Forest Whitaker | |
1996 | That Thing You Do! | Tom Hanks | |
1998 | Hope Floats | Forest Whitaker | Second collaboration with Forest Whitaker |
2000 | Shanghai Noon | Tom Dey | |
2001 | I Am Sam | Jessie Nelson | |
2004 | First Daughter | Forest Whitaker | Third collaboration with Forest Whitaker |
2005 | The New World | Terrence Malick | |
2006 | Bobby | Emilio Estevez | First collaboration with Emilio Estevez |
2010 | The Runaways | Floria Sigismondi | |
Louis | Daniel Pritzker | ||
The Way | Emilio Estevez | Second collaboration with Emilio Estevez | |
2018 | The Public | Third collaboration with Emilio Estevez | |
2019 | I'll Find You | Martha Coolidge | Second collaboration with Martha Coolidge |
Year | Film | Director | Role |
---|---|---|---|
1975 | One Flew Over the Cuckoo's Nest | Miloš Forman | Supervising film editor |
2003 | Shanghai Knights | David Dobkin | Additional editor |
2013 | Sugar | Rotimi Rainwater | Consulting editor |
Year | Film | Director | Role |
---|---|---|---|
1992 | Singles | Cameron Crowe | Title supervisor |
Year | Film | Director | Credit |
---|---|---|---|
1987 | Revenge of the Nerds II: Nerds in Paradise | Joe Roth | Associate producer |
1992 | Singles | Cameron Crowe | Co-producer |
Year | Film | Director | Role |
---|---|---|---|
1992 | Singles | Cameron Crowe | Second unit director |
Year | Film | Director | Role |
---|---|---|---|
1975 | Smile | Michael Ritchie | Sound editor |
Year | Film | Director | Role |
---|---|---|---|
2001 | Monkeybone | Henry Selick | The producers wish to thank |
2009 | The Red Machine |
|
Special thanks |
- Documentaries
Year | Film | Director |
---|---|---|
1967 | The Redwoods | Trevor Greenwood |
1968 | Have You Heard of the San Francisco Mime Troupe? |
|
1969 | The Medium Is the Massage, You Know | Trevor Greenwood |
1970 | Imogen Cunningham, Photographer | John Korty |
Year | Film | Director | Role |
---|---|---|---|
1970 | Woodstock | Michael Wadleigh | Additional photographer |
1974 | Janis | Howard Alk | Additional photography |
Year | Film | Director |
---|---|---|
1967 | The Redwoods | Trevor Greenwood |
1969 | The Medium Is the Massage, You Know |
- Shorts
Year | Film | Director | Role |
---|---|---|---|
2012 | Lil Tokyo Reporter | Jeffrey Gee Chin | Editing consultant |
Year | Film | Director | Role |
---|---|---|---|
2011 | Pass the Salt, Please | Tatjana Najdanovic | Very special thanks |
- TV movies
Year | Film | Director | Role |
---|---|---|---|
1972 | The People | John Korty | Associate film editor |
Year | Film | Director | Role |
---|---|---|---|
1984 | The Ratings Game | Danny DeVito | Special thanks |
- TV series
Year | Title | Role | Notes |
---|---|---|---|
1982 | American Playhouse | Editorial consultant | 1 episode |
- TV shorts
Year | Film | Director |
---|---|---|
1974 | The Music School | John Korty |
1976 | The Other Side of Victory | Bill Jersey |
- TV specials
Year | Film | Director | Role |
---|---|---|---|
1976 | TVTV Looks at the Academy Awards | Wendy Apple | Thanks |
Awards
[edit]- Film
Year | Film | Role |
---|---|---|
1975 | The Conversation | BAFTA Film Award - Best Film Editing |
1976 | One Flew Over the Cuckoo's Nest | BAFTA Film Award - Best Film Editing Nominated - Academy Award for Best Film Editing Nominated - Eddie Award for Best Edited Feature Film |
1978 | Star Wars | Academy Award for Best Film Editing Saturn Award for Outstanding Editing Nominated - BAFTA Film Award for Best Film Editing Nominated - Eddie Award for Best Edited Feature Film |
2001 | Shanghai Noon | Nominated - Eddie Award for Best Edited Feature Film - Comedy or Musical |
- Shorts
Year | Film | Role |
---|---|---|
1968 | The Redwoods | Academy Award for Best Documentary (Short Subject) |
References
[edit]- ^ King, Susan (April 20, 2007). "Long ago and far away: 'Star Wars' vets reminisce". The Los Angeles Times. Retrieved July 29, 2012.
- ^ a b Kunkes, Michael. "Cutting with a Conscience: Richard Chew is an Ambassador for the Under-represented". Editors Guild Magazine. Archived from the original on October 21, 2012. Retrieved July 29, 2012.
- ^ "Awards for Shangai Noon (2000)". IMDB. Retrieved July 29, 2012.
- ^ "Film Editing, The Invisible Art: An Evening With Richard Chew". Detroit Institute of Arts. Archived from the original on February 22, 2014. Retrieved July 29, 2012.
- ^ "News and Announcements: Richard Chew presents four DFT Double Features in June". Wayne State University CFPCA. Retrieved July 29, 2012.
- ^ Beatrice Verhoven, [article_link "American Cinema Editors to Give Career Achievement Awards to…"], "The Hollywood Reporter, January 25, 2022. Retrieved March 20, 2022.
- ^ Carolyn Giardina, [article_link "ACE Eddies Lifetime Achievement Honoree Richard Chew: ‘We Are Essential…"], "The Hollywood Reporter, March 4, 2022. Retrieved March 20, 2022.
- ^ Denise Petski, Fred Topel, [article_link "ACE Eddie Awards… Full Winners List"],"The Hollywood Reporter, publication date. Retrieved March 5, 2022.
External links
[edit]- Richard Chew at IMDb
- Kunkes, Michael (November–December 2006). "Cutting with a Conscience: Richard Chew is an Ambassador for the Under-represented". Editors Guild Magazine. 27 (6).
- "Interview with Richard Chew", Editors Guild Magazine, July 25, 2010