In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. They are almost always also the protagonist of the story; however, in cases where the "focal character" and "protagonist" are separate, the focal character's emotions and ambitions are not meant to be empathized with by the audience to as high an extent as the protagonist (this is the main difference between the two character terms). The focal character is mostly created to simply be the "excitement" of the story, though not necessarily the main character about whom the audience is emotionally concerned. The focal character is, more than anyone else, "the person on whom the spotlight focuses; the center of attention; the man whose reactions dominate the screen."[1]
For example, in Gaston Leroux's The Phantom of the Opera, the protagonist is Christine Daaé (the audience is concerned mostly with her emotions, aims, and well-being), while the focal character is the "Phantom" (the audience is concerned mostly with the allure of his actions and reactions—though to some degree, later on, his emotions as well). In another example, in "The Fall of the House of Usher" by Edgar Allan Poe, the protagonist of the story is unnamed and does not have a great effect on the story, though he is present. He does not show much emotion throughout the story, and the reader is not as interested in him. The focal character of the story is Roderick Usher, whom the reader cares for more greatly and follows his condition and emotions more.
The focal character is also not necessarily the same thing as the viewpoint character, through whose perspective the story is seen. In Sir Arthur Conan Doyle's works of Sherlock Holmes, Watson is the viewpoint character, but the story revolves around Holmes, making him the focal character.
Examples
edit| Film / Series | Protagonist | Focal character | Information |
|---|---|---|---|
| El Chavo del Ocho | Chavo | Don Ramón | Don Ramón was the common thread that united all the characters of the neighborhood. Carlos Villagrán argument and mention: "If we take away Don Ramón, La Chilindrina is left without a father, no one pinches Quico, Doña Florinda is left with no one to hit. The Witch of '71, her reason for living in the neighborhood was Don Ramón. For Mr. Barriga, the only one who didn't pay the rent was him and El Chavo is left without a protector."[2] |
| Pretty Little Liars | Spencer Hastings | Alison DiLaurentis | Alison is the one who starts the plot of the series. His mysterious disappearance in the first episode of the series sets the tone of intrigue and suspense that drives the plot, so his presence and story are central to the series, keeping viewers hooked as secrets are unraveled and mysteries are solved.[3] |
| 13 Reasons Why | Clay Jensen | Hannah Baker | |
| Riverdale (American TV series) | Archie Andrews | Betty Cooper |
Betty is the character who is always involved in the main plots and mysteries of each season, and even as the series progresses, her family becomes the central focus of the show. Even the series finale features her as the last living character and leaves us with the feeling that Betty has always been the true protagonist of the series. |
References
edit- ^ Swain, Dwight V. (1965). Techniques of the Selling Writer. Norman: University of Oklahoma Press. pp. 320–323. ISBN 0-8061-1191-7.
- ^ "Carlos Villagrán considera que Don Ramón era el verdadero protagonista de "El Chavo del 8"". 15 November 2022.
- ^ "Descubre quién es el personaje principal en Pretty Little Liars". 17 November 2023.