Anti-Jacobin

The Anti-Jacobin consisted of 36 issues printed from 20 November 1797 until 9 July 1798. These 36 issues amounted to only 288 pages; however, the Anti-Jacobin is considered one of the most influential and effective periodicals published for both literature and politics.^[9] There are two significant stylistic features of the Anti-Jacobin that contributes to these positive remarks: the mass amount of factual material and the straightforward, brief nature that the material was presented in.^[9]

The Anti-Jacobin is believed to have originated from George Canning's involvement in peace negotiations with France in 1797 when he was the undersecretary of state for foreign affairs.^[10] The coup d'état caused these negotiations to end abruptly on 4 September 1797. This led Canning to revert his attention towards his home, England, where he decided to write a letter to George Ellis on 19 October 1797. This letter contained Canning's proposal to write a periodical that was to include humour, good principles, and frank reasoning that would influence the public to side with the anti-Jacobins.^[9] With the help of fellow Tory Parliament members John Hookham Frere (Canning's school friend) and George Ellis, Canning was able to commission the publication of the Anti-Jacobin to Wright.^[11] The anti-Jacobins established their headquarters in a vacated, secret house nearby Wright where they would congregate every Sunday before each new issue was released.^[12]

William Gifford, the editor of the periodical, had established his style by writing poems like the Baviad (1794) and Maeviad (1795), which satirized Robert Merry, a Jacobin writer, and the Della Cruscans.^[13] Pitt, Jenkinson, Hammond, Baron Macdonald, and Marquis Wellesley were also contributors to the periodical.

The Anti-Jacobin satirized many famous poets, scientists, philosophers, politicians, explorers, pedagogues, and demagogues.^[14] "It was to its satire that it owed both its influence and its fame, and of this satire much was in verse, some of the most telling poems being from Canning’s pen", (Marshall 179). These groups and individuals included: the French and their British allies, radicals, William Wordsworth, Samuel Taylor Coleridge, Robert Southey, Erasmus Darwin, Thomas Paine, William Godwin, and Mary Wollstonecraft.^[15] Styles of poetry that were commonly mocked in the Anti-Jacobin were Orientalism, Gothic, Darwinian didactic couplets, German drama, and sentimentalism.^[16]

In 1799, William Gifford compiled the most memorable and innovative parts from the Anti-Jacobin: the poems.^[17] The Poetry of the Anti-Jacobin resembles another great work written at the time: Samuel Taylor Coleridge's Poems of Political Recantation. Though a great many poems in the Poetry of the Anti-Jacobin are humorous, some patriotic poems are written in dull Latin and are therefore more serious and tedious. “The political targets of the Poetry of the Anti-Jacobin are manifold: the villainy of the French, the treachery of the Irish, the hypocrisy of the Whigs, the philanthropic cant of the radical”.^[16]

Many poets and intellectuals were attacked by the Anti-Jacobin because of their pro-French position.

Also, the Anti-Jacobin satirized individuals who were considered to have disturbed the Popean didactic poem. The following works were satirized by the Anti Jacobin: The Botanic Garden (1792) written by Erasmus Darwin, The Progress of Civil Society, a Didactic Poem in Six Books (1796) by Richard Payne Knight.

The Anti-Jacobin depicts William Godwin, philosopher and novelist (though not a poet), as “Mr. Higgins of St. Mary Axe", and “Mr. Higgins, poet and dramatist, supposedly writes some of the major parodies of the Poetry of the Anti-Jacobin: (The Progress of Man, The Loves of the Triangles, The Rovers).^[18] This figure is used to represent an individual who utilizes literature (didactic poetry) to enhance the Jacobin's cause.

According to David A. Kent and D. R. Ewin's book, Romantic Parodies' 1797-1831, “The Anti-Jacobin is now remembered for its parodies of Robert Southey more than for its journalism, patriotic verse, or Latin imitations”.^[19] Southey was the victim to four parodies written in the Anti-Jacobin because of his usage of experimental meters in poetry and sympathies in politics towards the republicans.^[19] Three poems that were made into parodies by the Anti-Jacobin were, Southey's “Inscription”, “The Widow”, and “The Soldier’s Wife”. Canning wrote “For the Door of the Cell in Newgate, where Mrs. Brownrigg, the Prentice-cide, was confined previous to her Execution”—a response to Southey's lines from “For the Apartment in Chepstow Castle where Henry Marten the Regicide was imprisoned for thirty years”.^[20] This piece had been considered an idealistic, republican, and well-written Jacobin piece. Canning replaces the main character, Marten, with the character Elizabeth Brownrigg, who was popularized by the work the Newgate Calendar. In this piece of literature, Brownrigg is depicted as a villain who awaits screams, curses, and demands for a strong drink before her execution.

For instance, Southey wrote:

For thirty years secluded from mankind
Here Marten linger’d. Often have these walls
Echoed his footsteps, as with even tread
He pac’d around his prison: not to him
Did Nature’s fair varieties exist;
He never saw the sun’s delightful beams;
Save when through you high bars he pour’d a sad
And broken splendour. Dost thou ask his crime?
He had rebelled against a King, and sat
In judgment on him: for his ardent mind
Shap’d goodliest plans of happiness on earth,
And peace and liberty. Wild dreams! but such
As Plato lov’d; such as with holy zeal
Our Milton worshipp’d. Blessed hopes! A while
From man with-held, e'en to the latter days
When Christ shall come, and all things be fulfilled.

Canning wrote:

For one long Term, or e’er her trial came,
Here BROWNRIGG linger’d. Often have these cells
Echoed her blasphemies, as with shirll voice
She screamed for fresh Geneva. No to her
Did the blithe fields of Tothill, or thy street,
St. Giles, its fair varieties expand;
Till at the last in slow-drawn cart she went
To execution. Dost thou ask her crime?
SHE WHIPP’D TWO FEMALE ‘PRENTICES TO DEATH,
AND HID THEM IN THE COAL-HOLE. For her mind
Shap’d strictest plans of discipline. Sage schemes!
Such as LYCURGUS taught, when at the shrine
Of the Orthyan Goddess he bade flog
The little Spartans; such as erst chastised
Our MILTON, when at College. For this act
Did BROWNRIGG swing. Harsh Laws! But time shall
Come
When France shall reign, and Laws be all repealed!
^[21]

Through parodies such as “For the Door of the Cell in Newgate, where Mrs. Brownrigg, the Prentice-cide, was confined previous to her Execution,” Canning and other contributors felt that they were exposing the French revolutionaries' principles and motifs.^[22]

Another Southey work was satirized by Canning, Frere, Gifford and Ellis in "Poetry of the New Morality". This piece, in the style of Pope's "Dunciad", appeared in the last issue of the Anti-Jacobin. “Like that of Byron after them, the parody and satire of the contributors to the Anti-Jacobin is the voice of a vibrant neo-classicism, engaging in debate with the new spirit of age”.^[23]

Although the Anti-Jacobin satirized many poetic works well-known at the time, some of them benefited from the attention. According to Dorothy Marshall, Erasmus Darwin's “Love of the Vegetables” and Payne Knight's “Progress of Civil Society” would probably have been lost to history if the Anti-Jacobin's witty satire had not been written. Similarly, Erasmus Darwin's “The Botanic Garden” is principally remembered because of the satire “The Love of the Triangles”.

The Anti-Leveller of 1793 is considered an “elder relative” to the Anti-Jacobin. Alexander Watson's The Anti-Jacobin, a Hudibrastic Poem in Twenty-one Cantos (1794) had a similar motif and also contained stanzas filled with heavy sarcasm and rhymed couplets. Historians consider both of these works less interesting than the Anti-Jacobin.^[24]

Since the Anti-Jacobin was a wide success, it was reprinted in its entirety several times during 1799. Two of these were in quarto and also an octavo fourth edition that was edited. The Beauties of the Anti-Jacobin was also published that year, and was similar to the Poetry of the Anti-Jacobin.^[25]

The Anti-Jacobin’s final publication was immediately followed by the publication of the Anti-Jacobin Review, a Monthly Political and Literary Censor, which was considered a weaker, clumsier periodical compared to its parent.^[25] It was started by John Gifford and ran until 1821.

• Emily Lorraine de Montluzin, The Anti-Jacobins, 1798–1800: The Early Contributors to the Anti-Jacobin Review (Palgrave Macmillan, 1987).
• Strachan, John. "Poetry of the Anti-Jacobin," in Duncan Wu, ed. A Companion to Romanticism (1999) pp 191–98