Перейти на страницу файла на Викискладе

Файл:Paul Newman and Joanne Woodward 1958.jpg

Материал из Википедии — свободной энциклопедии
Перейти к навигации Перейти к поиску

Исходный файл (1356 × 1600 пкс, размер файла: 343 КБ, MIME-тип: image/jpeg)

Краткое описание

Описание
English: Publicity portrait of the movie The Long, Hot Summer, depicting Paul Newman and Joanne Woodward
Дата
Источник http://rolexblog.blogspot.de/2002_07_01_archive.html
Автор 20th Century Fox
Права
(Повторное использование этого файла)
  • The photo has no copyright markings on it.
  • It was created for publicity purposes-distribution to the media. The image was meant to bring attention and publicity to the actors. (Examples of the picture on press articles 1, 2)
  • This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."[1]

Creative Clearance offers similar advice for older publicity stills but distinguishes "Publicity Photos (star headshots)" from "Production Stills (photos taken on the set of the film or TV show during the shooting)". It says newer publicity stills may contain a copyright, and production stills "must be cleared with the studio."[2]

Nancy Wolff, includes a similar explanation:

Legal expert on the use of photographic images, Nancy Wolff, includes a similar explanation:

There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them. . .(The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

These photographs came from a photo archive of entertainment industry publicity pictures, historic still images widely distributed by the studios to advertise and promote their then new releases. While not considered valuable at the time, avid collectors have created complete archives by salvaging and cataloging movie and television photographs, preserving a significant facet of American culture. These archives are a valuable cache for publishers who rely on these archives as a resource for entertainment material."[3]

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

Film industry expert Gerald Mast explains how the new 1989 copyright revisions only protected publicity works that complied with all earlier requirements in addition to filing a copyright registration within 5 years of first publication:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."[4]
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[5]

References

  1. Honathaner, Eve Light. The Complete Film Production Handbook, Focal Press, (2001) p. 211
  2. Creative Clearance. Photography Clearance. Clearance Guidelines for Producers. Archived from the original on 2013-02-12. Retrieved on 4 May 2011.
  3. Wolff, Nancy E. The Professional Photographer's Legal Handbook, Allworth Communications, 2007 p. 55
  4. Mast, Gerald. "Film Study and the Copyright Law", from Cinema Journal, Winter 2007, pp. 120-127
  5. Thompson, Kristin. [1] "Report of the Ad Hoc Committee of the Society For Cinema Studies, "Fair Usage Publication of Film Stills" "Society for Cinema and Media Studies", 1993 conference

Лицензирование

Это произведение находится в общественном достоянии, поскольку оно было опубликовано в США между 1929 и 1977 годами без уведомления об авторских правах. Если автор не умер определённое количество лет назад, то это произведение защищено авторским правом в юрисдикциях, не применяющих правило более короткого срока для произведений из США, например, в Канаде (70 p.m.a.), Континентальном Китае (50 p.m.a., не в Гонконге и Макао), Германии (70 p.m.a.), Мексике (100 p.m.a.), Швейцарии (70 p.m.a.), а также в других странах в соответствии с индивидуальными соглашениями. См. эту страницу для дополнительных пояснений.

العربية  беларуская (тарашкевіца)  čeština  Deutsch  Ελληνικά  English  español  français  Bahasa Indonesia  italiano  日本語  한국어  македонски  Nederlands  português  русский  sicilianu  slovenščina  ไทย  Tiếng Việt  中文(简体)  中文(繁體)  +/−

Flag of the United States
Flag of the United States

Краткие подписи

Добавьте однострочное описание того, что собой представляет этот файл

Элементы, изображённые на этом файле

изображённый объект

История файла

Нажмите на дату/время, чтобы посмотреть файл, который был загружен в тот момент.

Дата/времяМиниатюраРазмерыУчастникПримечание
текущий17:47, 16 февраля 2013Миниатюра для версии от 17:47, 16 февраля 20131356 × 1600 (343 КБ)GDuwenUser created page with UploadWizard

Следующая страница использует этот файл:

Глобальное использование файла

Данный файл используется в следующих вики: