Søren Kierkegaard

Søren Kierkegaard
Unfinished sketch of Kierkegaard by his cousin Niels Christian Kierkegaard, Royal Library, Copenhagen, c. 1840
Born	Søren Aabye Kierkegaard (1813-05-05)5 May 1813 Copenhagen, Denmark, Denmark–Norway
Died	11 November 1855(1855-11-11) (aged 42) Copenhagen, Denmark
Education	University of Copenhagen
Partner	Regine Olsen (1840–1841)
Era	19th-century philosophy
Region	Western philosophy
School	Existentialism Continental philosophy Christian existentialism Existential psychology
Thesis	Om Begrebet Ironi med stadigt Hensyn til Socrates (On the Concept of Irony with Continual Reference to Socrates) (1841)
Main interests	Aesthetics Epistemology Ethics Metaphysics Philosophy of Christianity Poetry Psychology
Notable ideas	The Absurd Angst Authenticity Existential despair Existential philosophy Infinite qualitative distinction Knight of faith Leap of faith Present age
Signature

Søren Aabye Kierkegaard (/ˈsɒrən ˈkɪərkəɡɑːrd/ SORR-ən KEER-kə-gard, US also /-ɡɔːr/ -⁠gor; Danish: [ˈsɶːɐn ˈɔˀˌpyˀ ˈkʰiɐ̯kəˌkɒˀ] ^ⓘ;^[1] 5 May 1813 – 11 November 1855^[2]) was a Danish theologian, philosopher, poet, social critic, and religious author who is widely considered to be the first Christian existentialist philosopher.^[3][4] He wrote critical texts on organized religion, Christianity, morality, ethics, psychology, and the philosophy of religion, displaying a fondness for metaphor, irony, and parables. Much of his philosophical work deals with the issues of how one lives as a "single individual", giving priority to concrete human reality over abstract thinking and highlighting the importance of personal choice and commitment.^[5] He was against literary critics who defined idealist intellectuals and philosophers of his time, and thought that Swedenborg,^[6][7] Hegel,^[8] Fichte, Schelling, Schlegel, and Hans Christian Andersen were all "understood" far too quickly by "scholars".^[9]

Kierkegaard's theological work focuses on Christian ethics, the institution of the Church, the differences between purely objective proofs of Christianity, the infinite qualitative distinction between man and God, and the individual's subjective relationship to the God-Man Jesus the Christ,^[10] which came through faith.^[11][12] Much of his work deals with Christian love. He was extremely critical of the doctrine and practice of Christianity as a state-controlled religion (Caesaropapism) like the Church of Denmark. His psychological work explored the emotions and feelings of individuals when faced with life choices.^[13] Opposite Jean-Paul Sartre and the atheistic existentialism paradigm, Kierkegaard focused on Christian existentialism.

Kierkegaard's early work was written using pseudonyms to present distinctive viewpoints interacting in complex dialogue.^[14] He explored particularly complex problems from different viewpoints, each under a different pseudonym. He wrote Upbuilding Discourses under his own name and dedicated them to the "single individual" who might want to discover the meaning of his works. He wrote: "Science and scholarship want to teach that becoming objective is the way. Christianity teaches that the way is to become subjective, to become a subject."^[15][16] While scientists learn about the world by observation, Kierkegaard emphatically denied that observation alone could reveal the inner workings of the world of the spirit.^[17]

Some of Kierkegaard's key ideas include the concept of "subjective and objective truths", the knight of faith, the recollection and repetition dichotomy, angst, the infinite qualitative distinction, faith as a passion, and the three stages on life's way. Kierkegaard wrote in Danish and the reception of his work was initially limited to Scandinavia, but by the turn of the 20th century his writings were translated into French, German, and other major European languages. By the mid-20th century, his thought exerted a substantial influence on philosophy,^[18] theology,^[19] and Western culture in general.^[20]

Kierkegaard was born to an affluent family in Copenhagen. His mother, Ane Sørensdatter Lund Kierkegaard (1768–1834), had served as a maid in the household before marrying his father, Michael Pedersen Kierkegaard (1756–1838). She was an unassuming figure: quiet, and not formally educated. They had seven children. Her granddaughter, Henriette Lund, wrote that she "wielded the sceptre with joy and protected [Søren and Peter] like a hen protecting her chicks".^[22] She also wielded influence on her children so that later Peter said that his brother preserved many of their mother's words in his writings.^[23] His father, on the other hand, was a well-to-do wool merchant from Jutland.^[23] He was a "very stern man, to all appearances dry and prosaic, but under his 'rustic cloak' demeanor he concealed an active imagination which not even his great age could blunt".^[24] He was also interested in philosophy and often hosted intellectuals at his home.^[25] He was devoted to the rationalist philosophy of Christian Wolff,^[26] and he eventually retired partly to pursue more of Wolff's writings.^[27] Kierkegaard, who followed his father's beliefs as a child, was heavily influenced by Michael's devotion to Wolffian rationalism. He also enjoyed the comedies of Ludvig Holberg,^[28] the writings of Johann Georg Hamann,^[29] Gotthold Ephraim Lessing,^[30] Edward Young,^[31] and Plato. The figure of Socrates, whom Kierkegaard encountered in Plato's dialogues, would prove to be a phenomenal influence on the philosopher's later interest in irony, as well as his frequent deployment of indirect communication.

Kierkegaard loved to walk along the crooked streets of 19th century Copenhagen, where carriages rarely went. In 1848, Kierkegaard wrote, "I had real Christian satisfaction in the thought that, if there were no other, there was definitely one man in Copenhagen whom every poor person could freely accost and converse with on the street; that, if there were no other, there was one man who, whatever the society he most commonly frequented, did not shun contact with the poor, but greeted every maidservant he was acquainted with, every manservant, every common laborer."^[32] Our Lady's Church was at one end of the city, where Bishop Mynster preached the Gospel. At the other end was the Royal Theatre where Fru Heiberg performed.^[33]

Based on a speculative interpretation of anecdotes in Kierkegaard's unpublished journals, especially a rough draft of a story called "The Great Earthquake", some early Kierkegaard scholars argued that Michael believed he had earned God's wrath and that none of his children would outlive him. He is said to have believed that his personal sins, perhaps indiscretions such as cursing the name of God in his youth or impregnating Ane out of wedlock, necessitated this punishment.^[34] Though five of his seven children died before he did, both Søren and his brother Peter Christian Kierkegaard outlived him.^[35] Peter, who was seven years older, later became bishop in Aalborg.^[36] Julia Watkin thought Michael's early interest in the Moravian Church could have led him to a deep sense of the devastating effects of sin.^[37]

Søren Kierkegaard came to hope that no one would retain their sins once they had been forgiven. And by the same token that no one who truly believed in the forgiveness of sin would live their own life as an objection against the existence of forgiveness.^[38] He made the point that Cato committed suicide before Caesar had a chance to forgive him. This fear of not finding forgiveness is devastating.^[39][40] Edna H. Hong quoted Kierkegaard in her 1984 book, Forgiveness is a Work As Well As a Grace and Kierkegaard wrote about forgiveness in 1847.^[41][42][43] In 1954, Samuel Barber set to music Kierkegaard's prayer, "Father in Heaven! Hold not our sins up against us but hold us up against our sins so that the thought of You when it wakens in our soul, and each time it wakens, should not remind us of what we have committed but of what You did forgive, not of how we went astray but of how You did save us!"

From 1821 to 1830, Kierkegaard attended the School of Civic Virtue, Østre Borgerdyd Gymnasium when the school was situated in Klarebodeme, where Kierkegaard studied and learned Latin, Greek^[44] and history among other subjects.^[45] During his time there he was described as "very conservative"; someone who would "honour the King, love the church and respect the police".^[46] He frequently got into altercations with fellow students and was ambivalent towards his teachers.^[46] He went on to study theology at the University of Copenhagen. He had little interest in historical works, philosophy dissatisfied him, and he couldn't see "dedicating himself to Speculation".^[47] He said, "What I really need to do is to get clear about "what am I to do", not what I must know." He wanted to "lead a completely human life and not merely one of knowledge".^[48] Kierkegaard didn't want to be a philosopher in the traditional or Hegelian sense^[49] and he didn't want to preach a Christianity that was an illusion.^[50] "But he had learned from his father that one can do what one wills, and his father's life had not discredited this theory."^[51]

One of the first physical descriptions of Kierkegaard comes from an attendee, Hans Brøchner, at his brother Peter's wedding party in 1836: "I found [his appearance] almost comical. He was then twenty-three years old; he had something quite irregular in his entire form and had a strange coiffure. His hair rose almost six inches above his forehead into a tousled crest that gave him a strange, bewildered look."^[52][53] Another comes from Kierkegaard's niece, Henriette Lund (1829–1909). When Søren Kierkegaard was a little boy he "was of slender and delicate appearance, and ran about in a little coat of red-cabbage color. He used to be called 'fork' by his father, because of his tendency, developed quite early, toward satirical remarks. Although a serious, almost austere tone pervaded the Kierkegaards' house, I have the firm impression that there was a place for youthful vivacity too, even though of a more sedate and home-made kind than one is used to nowadays. The house was open for an 'old-fashioned hospitality'" he was also described "quaintly attired, slight and small".^[54][46]

Kierkegaard's mother "was a nice little woman with an even and happy disposition," according to a grandchild's description. She was never mentioned in Kierkegaard's works. Ane died on 31 July 1834, age 66, possibly from typhus.^[55] His father died on 8 August 1838, age 82. On 11 August, Kierkegaard wrote: "My father died on Wednesday (the 8th) at 2:00 a.m. I so deeply desired that he might have lived a few years more... Right now I feel there is only one person (E. Boesen) with whom I can really talk about him. He was a 'faithful friend.'"^[56] Troels Frederik Lund, his nephew, was instrumental in providing biographers with much information regarding Søren Kierkegaard. Lund was a good friend of Georg Brandes and Julius Lange.^[57] Here is an anecdote about his father from Kierkegaard's journals.

At lunch one day I overturned a salt-shaker. Passionate as he was and intense as he easily could become, he began to scold so severely that he even said that I was a prodigal and things like that. Then I made an objection, reminding him of an old episode in the family when my sister Nicoline had dropped a very expensive tureen and Father had not said a word but pretended it was nothing at all. He replied: Well, you see, it was such an expensive thing that no scolding was needed; she realized quite well that it was wrong, but precisely when it is a trifle there must be a scolding. Journals X3A78

According to Samuel Hugo Bergmann, "Kierkegaard's journals are one of the most important sources for an understanding of his philosophy".^[58] Kierkegaard wrote over 7,000 pages in his journals on events, musings, thoughts about his works and everyday remarks.^[59] The entire collection of Danish journals (Journalen) was edited and published in 13 volumes consisting of 25 separate bindings including indices. The first English edition of the journals was edited by Alexander Dru in 1938.^[60] The style is "literary and poetic [in] manner".^[61]

Kierkegaard wanted to have Regine, his fiancée (see below), as his confidant but considered it an impossibility for that to happen so he left it to "my reader, that single individual" to become his confidant. His question was whether or not one can have a spiritual confidant. He wrote the following in his Concluding Postscript: "With regard to the essential truth, a direct relation between spirit and spirit is unthinkable. If such a relation is assumed, it actually means that the party has ceased to be spirit."^[62]

Kierkegaard's journals were the source of many aphorisms credited to the philosopher. The following passage, from 1 August 1835, is perhaps his most oft-quoted aphorism and a key quote for existentialist studies:

What I really need is to get clear about what I must do, not what I must know, except insofar as knowledge must precede every act. What matters is to find a purpose, to see what it really is that God wills that I shall do; the crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die.

He wrote this way about indirect communication in the same journal entry:

One must first learn to know himself before knowing anything else (γνῶθι σεαυτόν). Not until a man has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning; only then is he free of that irksome, sinister traveling companion—that irony of life, which manifests itself in the sphere of knowledge and invites true knowing to begin with a not-knowing (Socrates) just as God created the world from nothing. But in the waters of morality it is especially at home to those who still have not entered the tradewinds of virtue. Here it tumbles a person about in a horrible way, for a time lets him feel happy and content in his resolve to go ahead along the right path, then hurls him into the abyss of despair. Often it lulls a man to sleep with the thought, "After all, things cannot be otherwise," only to awaken him suddenly to a rigorous interrogation. Frequently it seems to let a veil of forgetfulness fall over the past, only to make every single trifle appear in a strong light again. When he struggles along the right path, rejoicing in having overcome temptation's power, there may come at almost the same time, right on the heels of perfect victory, an apparently insignificant external circumstance which pushes him down, like Sisyphus, from the height of the crag. Often when a person has concentrated on something, a minor external circumstance arises which destroys everything. (As in the case of a man who, weary of life, is about to throw himself into the Thames and at the crucial moment is halted by the sting of a mosquito.) Frequently a person feels his very best when the illness is the worst, as in tuberculosis. In vain he tries to resist it but he has not sufficient strength, and it is no help to him that he has gone through the same thing many times; the kind of practice acquired in this way does not apply here.

• (Søren Kierkegaard's Journals & Papers IA Gilleleie, 1 August 1835)

Although his journals clarify some aspects of his work and life, Kierkegaard took care not to reveal too much. Abrupt changes in thought, repetitive writing, and unusual turns of phrase are some among the many tactics he used to throw readers off track. Consequently, there are many varying interpretations of his journals. Kierkegaard did not doubt the importance his journals would have in the future. In December 1849, he wrote: "Were I to die now the effect of my life would be exceptional; much of what I have simply jotted down carelessly in the Journals would become of great importance and have a great effect; for then people would have grown reconciled to me and would be able to grant me what was, and is, my right."^[63]

An important aspect of Kierkegaard's life – generally considered to have had a major influence on his work — was his broken engagement to Regine Olsen (1822–1904).

Kierkegaard and Olsen met on 8 May 1837 and were instantly attracted to each other.^[64][65] In his journals, Kierkegaard wrote idealistically about his love for her.^[66] After passing his theological examinations in July 1840, Kierkegaard formally proposed to Olsen on 8 September.^[67] He soon felt disillusioned about his prospects. He broke off the engagement on 11 August 1841, though it is generally believed that the two were deeply in love. In his journals, Kierkegaard mentions his belief that his "melancholy" made him unsuitable for marriage, but his precise motive for ending the engagement remains unclear.^[68][69]

It was also during this period that Kierkegaard dedicated himself to authoring a dissertation. Upon submitting it in June 1841, a panel of faculty judged that his work demonstrated considerable intellect while criticizing its informal tone; however, Kierkegaard was granted permission to proceed with its defense.^[70][71] He defended On the Concept of Irony with Continual Reference to Socrates over seven and half hours on 29 September 1841.^[72][73] As the title suggests, the thesis dealt with irony and Socrates; the influence of Kierkegaard's friend Poul Martin Møller, who had died in 1838, is evident in the subject matter.^[74][75] Kierkegaard graduated from the University of Copenhagen on 20 October 1841 with a Magister degree in philosophy.^[76][77] His inheritance of approximately 31,000 rigsdaler enabled him to fund his work and living expenses.^[78]

Kierkegaard published some of his works using pseudonyms and for others he signed his own name as author. Whether being published under pseudonym or not, Kierkegaard's central writing on religion was Fear and Trembling, and Either/Or is considered to be his magnum opus. Pseudonyms were used often in the early 19th century as a means of representing viewpoints other than the author's own. Kierkegaard employed the same technique as a way to provide examples of indirect communication. In writing under various pseudonyms to express sometimes contradictory positions, Kierkegaard is sometimes criticized for playing with various viewpoints without ever committing to one in particular. He has been described by those opposing his writings as indeterminate in his standpoint as a writer, though he himself has testified to all his work deriving from a service to Christianity.^[79] After On the Concept of Irony with Continual Reference to Socrates, his 1841 PhD dissertation under Frederik Christian Sibbern [da],^[80] he wrote his first book under the pseudonym "Johannes Climacus" (after John Climacus) between 1841 and 1842. De omnibus dubitandum est (Latin: "Everything must be doubted") was not published until after his death.^[81]

Kierkegaard's magnum opus Either/Or was published 20 February 1843; it was mostly written during Kierkegaard's stay in Berlin, where he took notes on Schelling's Philosophy of Revelation. Either/Or includes essays of literary and music criticism and a set of romantic-like aphorisms, as part of his larger theme of examining the reflective and philosophical structure of faith.^[82][83] Edited by "Victor Eremita", the book contained the papers of an unknown "A" and "B" which the pseudonymous author claimed to have discovered in a secret drawer of his secretary.^[84] Eremita had a hard time putting the papers of "A" in order because they were not straightforward. "B"'s papers were arranged in an orderly fashion.^[85][86] Both of these characters are trying to become religious individuals.^[87] Each approached the idea of first love from an aesthetic and an ethical point of view. The book is basically an argument about faith and marriage with a short discourse at the end telling them they should stop arguing. Eremita thinks "B", a judge, makes the most sense. Kierkegaard stressed the "how" of Christianity as well as the "how" of book reading in his works rather than the "what".^[88]

Three months after the publication of Either/Or, 16 May 1843, he published Two Upbuilding Discourses, 1843 and continued to publish discourses along with his pseudonymous books. These discourses were published under Kierkegaard's own name and are available as Eighteen Upbuilding Discourses today. David F. Swenson first translated the works in the 1940s and titled them the Edifying Discourses; however, in 1990, Howard V. and Edna H. Hong translated the works again but called them the Upbuilding Discourses. The word "upbuilding" was more in line with Kierkegaard's thought after 1846, when he wrote Christian deliberations^[89] about Works of Love.^[90] An upbuilding discourse or edifying discourse isn't the same as a sermon because a sermon is preached to a congregation while a discourse can be carried on between several people or even with oneself. The discourse or conversation should be "upbuilding", which means one would build up the other person, or oneself, rather than tear down to build up. Kierkegaard said: "Although this little book (which is called 'discourses', not sermons, because its author does not have authority to preach, 'upbuilding discourses', not discourses for upbuilding, because the speaker by no means claims to be a teacher) wishes to be only what it is, a superfluity, and desires only to remain in hiding".^[91]

On 16 October 1843, Kierkegaard published three more books about love and faith and several more discourses. Fear and Trembling was published under the pseudonym Johannes de Silentio. Repetition is about a Young Man (Søren Kierkegaard) who has anxiety and depression because he feels he has to sacrifice his love for a girl (Regine Olsen) to God. He tries to see if the new science of psychology can help him understand himself. Constantin Constantius, who is the pseudonymous author of that book, is the psychologist. At the same time, he published Three Upbuilding Discourses, 1843 under his own name, which dealt specifically with how love can be used to hide things from yourself or others.^[92] These three books, all published on the same day, are an example of Kierkegaard's method of indirect communication.

Kierkegaard questioned whether an individual can know if something is a good gift from God or not and concludes by saying, "it does not depend, then, merely upon what one sees, but what one sees depends upon how one sees; all observation is not just a receiving, a discovering, but also a bringing forth, and insofar as it is that, how the observer himself is constituted is indeed decisive."^[93] God's love is imparted indirectly just as our own sometimes is.^[94]

During 1844, he published two, three, and four more upbuilding discourses just as he did in 1843, but here he discussed how an individual might come to know God. Theologians, philosophers and historians were all engaged in debating about the existence of God. This is direct communication and Kierkegaard thinks this might be useful for theologians, philosophers, and historians (associations) but not at all useful for the "single individual" who is interested in becoming a Christian. Kierkegaard always wrote for "that single individual whom I with joy and gratitude call my reader";^[95] the single individual must put what is understood to use or it will be lost. Reflection can take an individual only so far before the imagination begins to change the whole content of what was being thought about. Love is won by being exercised just as much as faith and patience are.

He also wrote several more pseudonymous books in 1844: Philosophical Fragments, Prefaces and The Concept of Anxiety and finished the year up with Four Upbuilding Discourses, 1844. He used indirect communication in the first book and direct communication in the rest of them. He doesn't believe the question about God's existence should be an opinion held by one group and differently by another no matter how many demonstrations are made. He says it's up to the single individual to make the fruit of the Holy Spirit real because love and joy are always just possibilities. Christendom wanted to define God's attributes once and for all but Kierkegaard was against this. His love for Regine was a disaster but it helped him because of his point of view.^[96]

Kierkegaard believed "each generation has its own task and need not trouble itself unduly by being everything to previous and succeeding generations".^[97] In an earlier book he had said, "to a certain degree every generation and every individual begins his life from the beginning",^[98] and in another, "no generation has learned to love from another, no generation is able to begin at any other point than the beginning", "no generation learns the essentially human from a previous one."^[99] And, finally, in 1850 he wrote, "those true Christians who in every generation live a life contemporaneous with that of Christ have nothing whatsoever to do with Christians of the preceding generation, but all the more with their contemporary, Christ. His life here on earth attends every generation, and every generation severally, as Sacred History..."^[100] But in 1848, "The whole generation and every individual in the generation is a participant in one's having faith."^[101]

He was against the Hegelian idea of mediation^[102][103] because it introduces a "third term"^[104] that comes between the single individual and the object of desire. Kierkegaard wrote in 1844, 'If a person can be assured of the grace of God without needing temporal evidence as a middleman or as the dispensation advantageous to him as interpreter, then it is indeed obvious to him that the grace of God is the most glorious of all."^[105] He was against mediation and settled instead on the choice to be content with the grace of God or not. It's the choice between the possibility of the "temporal and the eternal", "mistrust and belief, and deception and truth",^[106] "subjective and objective".^[107] These are the "magnitudes" of choice. He always stressed deliberation and choice in his writings and wrote against comparison.^[108] This is how Kant put it in 1786 and Kierkegaard put it in 1847:

Thinking for one's self is to seek the chief touchstone of truth in one's self (id est, in one's own reason); and the maxim, to think for one's self at all times is Enlightening. Thereto belongs not just so much, as those may imagine who take knowledge, to be enlightening; as it is rather a negative principle in the use of one's cognoscitive faculty, and he, who is very rich in knowledge, is often the least enlightened in the use of it. To exercise one's own reason, means nothing more, than, relatively to every thing which one is to suppose, to question one's self.

— Immanuel Kant, What it Means to Orient One's Self in Thinking

Worldly worry always seeks to lead a human being into the small-minded unrest of comparisons, away from the lofty calmness of simple thoughts. To be clothed, then, means to be a human being—and therefore to be well clothed. Worldly worry is preoccupied with clothes and dissimilarity of clothes. Should not the invitation to learn from the lilies be welcome to everyone just as the reminder is useful to him! Alas, those great, uplifting, simple thoughts, those first thoughts, are more and more forgotten, perhaps entirely forgotten in the weekday and worldly life of comparisons. The one human being compares himself with others, the one generation compares itself with the other, and thus the heaped up pile of comparisons overwhelms a person. As the ingenuity and busyness increase, there come to be more and more in each generation who slavishly work a whole lifetime far down in the low underground regions of comparisons. Indeed, just as miners never see the light of day, so these unhappy people never come to see the light: those uplifting, simple thoughts, those first thoughts about how glorious it is to be a human being. And up there in the higher regions of comparison, smiling vanity plays its false game and deceives the happy ones so that they receive no impression from those lofty, simple thoughts, those first thoughts.

— Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong pp. 188–189

Kierkegaard believed God comes to each individual mysteriously.^[109][110] He published Three Discourses on Imagined Occasions (first called Thoughts on Crucial Situations in Human Life, in David F. Swenson's 1941 translation) under his own name on 29 April, and Stages on Life's Way edited by Hilarius Bookbinder, 30 April 1845. The Stages is a sequel to Either/Or which Kierkegaard did not think had been adequately read by the public and in Stages he predicted "that two-thirds of the book's readers will quit before they are halfway through, out of boredom they will throw the book away."^[111] He knew he was writing books but had no idea who was reading them. His sales were meager and he had no publicist or editor. He was writing in the dark, so to speak.^[112] Many of his readers have been and continue to be in the dark about his intentions. He explained himself in his "Journal": "What I have understood as the task of the authorship has been done. It is one idea, this continuity from Either/Or to Anti-Climacus, the idea of religiousness in reflection. The task has occupied me totally, for it has occupied me religiously; I have understood the completion of this authorship as my duty, as a responsibility resting upon me." He advised his reader to read his books slowly and also to read them aloud since that might aid in understanding.^[113]

He used indirect communication in his writings by, for instance, referring to the religious person as the "knight of hidden inwardness" in which he's different from everyone else, even though he looks like everyone else, because everything is hidden within him.^[114] He put it this way in 1847: "You are indistinguishable from anyone else among those whom you might wish to resemble, those who in the decision are with the good—they are all clothed alike, girdled about the loins with truth, clad in the armor of righteousness, wearing the helmet of salvation!"^[115][116]

Kierkegaard was aware of the hidden depths inside of each single individual. The hidden inwardness is inventive in deceiving or evading others. Much of it is afraid of being seen and entirely disclosed. "Therefore all calm and, in the intellectual sense, dispassionate observers, who eminently know how to delve searchingly and penetratingly into the inner being, these very people judge with such infinite caution or refrain from it entirely because, enriched by observation, they have a developed conception of the enigmatic world of the hidden, and because as observers they have learned to rule over their passions. Only superficial, impetuous passionate people, who do not understand themselves and for that reason naturally are unaware that they do not know others, judge precipitously. Those with insight, those who know never do this."^[117]

Kierkegaard imagined hidden inwardness several ways in 1848.

Imagine hidden in a very plain setting a secret chest in which the most precious is placed—there is a spring that must be pressed, but the spring is concealed, and the pressure must be of a certain force so that an accidental pressure cannot be sufficient. The hope of eternity is concealed within a person's innermost being in the same way, and hardship is the pressure. When the pressure is put on the concealed spring, and forcefully enough, the content appears in all its glory! Søren Kierkegaard Christian Discourses 1848 Hong 1997 p. 111

Imagine a kernel of grain placed in the earth; if it is to grow, what does it need? First of all space; it must have space. Next, pressure; there must also be pressure—sprouting is making space for itself in opposition. Eternity's hope is placed in a person's innermost being in the same way. But hardship makes space by setting everything else aside, everything provisional, which is brought to despair; thus hardship's pressure is what draws forth! Søren Kierkegaard Christian Discourses 1848 Hong 1997 pp. 111–112

Imagine, as indeed is the case, an animal that has a defense weapon with which it defends itself but which it uses only in mortal danger. Eternity's hope is in a person's innermost being in the same way; hardship is the mortal danger. Imagine a creeping animal that nevertheless has wings that it can use when it is brought to an extremity, but for everyday use it does not find it worth the trouble to use them. Eternity's hope is in a person's innermost being in the same way; he has wings but he must be brought to an extremity in order to discover them, or in order to develop them, or in order to use them! Søren Kierkegaard Christian Discourses 1848 Hong 1997 p. 112

He was writing about the subjective inward nature of God's encounter with the individual in many of his books, and his goal was to get the single individual away from all the speculation that was going on about God and Christ. Speculation creates quantities of ways to find God and his Goods but finding faith in Christ and putting the understanding to use stops all speculation, because then one begins to actually exist as a Christian, or in an ethical/religious way. He was against an individual waiting until certain of God's love and salvation before beginning to try to become a Christian. He defined this as a "special type of religious conflict the Germans call Anfechtung" (contesting or disputing).^[118][119]

In Kierkegaard's view, the Church should not try to prove Christianity or even defend it. It should help the single individual to make a leap of faith, the faith that God is love and has a task for that very same single individual.^[120] He wrote the following about fear and trembling and love as early as 1839, "Fear and trembling is not the primus motor in the Christian life, for it is love; but it is what the oscillating balance wheel is to the clock—it is the oscillating balance wheel of the Christian life."^[121] Kierkegaard identified the leap of faith as the good resolution.^[122] Kierkegaard discussed the knight of faith in Works of Love, 1847 by using the story of Jesus healing the bleeding woman who showed the " originality of faith" by believing that if she touched Jesus' robe she would be healed. She kept that secret within herself.^[123]

If doubt is the beginning, then God is lost long before the end, and the individual is released from always having a task, but also from always having the comfort that there is always a task. But if the consciousness of guilt is the beginning, then the beginning of doubt is rendered impossible, and then the joy is that there is always a task. The joy, then, is that it is eternally certain that God is love; more specifically understood, the joy is that there is always a task. As long as there is life there is hope, but as long as there is a task there is life, and as long as there is life there is hope—indeed, the task itself is not merely a hope for a future time but is a joyful present. Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong pp. 277, 279–280

Kierkegaard wrote his Concluding Unscientific Postscript to Philosophical Fragments in 1846 and here he tried to explain the intent of the first part of his authorship.^[124][125] He said, "Christianity will not be content to be an evolution within the total category of human nature; an engagement such as that is too little to offer to a god. Neither does it even want to be the paradox for the believer, and then surreptitiously, little by little, provide him with understanding, because the martyrdom of faith (to crucify one's understanding) is not a martyrdom of the moment, but the martyrdom of continuance."^[126][127] The second part of his authorship was summed up in Practice in Christianity:

The deification of the established order is the secularization of everything. With regard to secular matters, the established order may be entirely right: one should join the established order, be satisfied with that relativity, etc. But ultimately the relationship with God is also secularized; we want it to coincide with a certain relativity, do not want it to be something essentially different from our positions in life—rather than that it shall be the absolute for every individual human being and this, the individual person's God-relationship, shall be precisely what keeps every established order in suspense, and that God, at any moment he chooses, if he merely presses upon an individual in his relationship with God, promptly has a witness, an informer, a spy, or whatever you want to call it, one who in unconditional obedience and with unconditional obedience, by being persecuted, by suffering, by dying, keeps the established order in suspense. Søren Kierkegaard, Practice in Christianity (1850) p. 91 Hong^[128]

Early Kierkegaardian scholars, such as Theodor W. Adorno and Thomas Henry Croxall, argue that the entire authorship should be treated as Kierkegaard's own personal and religious views.^[129] This view leads to confusions and contradictions which make Kierkegaard appear philosophically incoherent.^[130] Later scholars, such as the post-structuralists, interpreted Kierkegaard's work by attributing the pseudonymous texts to their respective authors.^[131] Postmodern Christians present a different interpretation of Kierkegaard's works.^[132] Kierkegaard used the category of "The Individual"^[133] to stop^[134] the endless Either/Or.^[135]

Kierkegaard's most important pseudonyms,^[136] in chronological order, were:

• Victor Eremita, editor of Either/Or
• A, writer of many articles in Either/Or
• Judge William, author of rebuttals to A in Either/Or
• Johannes de Silentio, author of Fear and Trembling
• Constantine Constantius, author of the first half of Repetition
• Young Man, author of the second half of Repetition
• Vigilius Haufniensis, author of The Concept of Anxiety
• Nicolaus Notabene, author of Prefaces
• Hilarius Bookbinder, editor of Stages on Life's Way
• Johannes Climacus, author of Philosophical Fragments and Concluding Unscientific Postscript
• Inter et Inter, author of The Crisis and a Crisis in the Life of an Actress
• H.H., author of Two Minor Ethical-Religious Essays
• Anti-Climacus, author of The Sickness unto Death and Practice in Christianity

Kierkegaard explained his pseudonyms this way in his Concluding Unscientific Postscript:

In Either/Or, I am just as little, precisely just as little, the editor Victor Eremita as I am the Seducer or the Judge. He is a poetically actual subjective thinker who is found again in "In Vino Veritas". In Fear and Trembling, I am just as little, precisely just as little, Johannes de Silentio as the knight of faith he depicts, and in turn just as little the author of the preface to the book, which is the individuality—lines of a poetically actual subjective thinker. In the story of suffering ("'Guilty?'/'Not Guilty'"), I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Søren Kierkegaard, Concluding Postscript 1846, Hong pp. 625–626

All of these writings analyze the concept of faith, on the supposition that if people are confused about faith, as Kierkegaard thought the inhabitants of Christendom were, they will not be in a position to develop the virtue. Faith is a matter of reflection in the sense that one cannot have the virtue unless one has the concept of virtue—or at any rate the concepts that govern faith's understanding of self, world, and God.^[137]

On 22 December 1845, Peder Ludvig Møller, who studied at the University of Copenhagen at the same time as Kierkegaard, published an article indirectly criticizing Stages on Life's Way. The article complimented Kierkegaard for his wit and intellect, but questioned whether he would ever be able to master his talent and write coherent, complete works. Møller was also a contributor to and editor of The Corsair, a Danish satirical paper that lampooned everyone of notable standing. Kierkegaard published a sarcastic response, charging that Møller's article was merely an attempt to impress Copenhagen's literary elite.

Kierkegaard wrote two small pieces in response to Møller, The Activity of a Traveling Esthetician and Dialectical Result of a Literary Police Action. The former focused on insulting Møller's integrity while the latter was a directed assault on The Corsair, in which Kierkegaard, after criticizing the journalistic quality and reputation of the paper, openly asked The Corsair to satirize him.^[138]

Kierkegaard's response earned him the ire of the paper and its second editor, also an intellectual of Kierkegaard's own age, Meïr Aron Goldschmidt.^[139] Over the next few months, The Corsair took Kierkegaard up on his offer to "be abused", and unleashed a series of attacks making fun of Kierkegaard's appearance, voice and habits. For months, Kierkegaard perceived himself to be the victim of harassment on the streets of Denmark. In a journal entry dated 9 March 1846, Kierkegaard made a long, detailed explanation of his attack on Møller and The Corsair, and also explained that this attack made him rethink his strategy of indirect communication.^[140]

There had been much discussion in Denmark about the pseudonymous authors until the publication of Concluding Unscientific Postscript to Philosophical Fragments, 27 February 1846, where he openly admitted to be the author of the books because people began wondering if he was, in fact, a Christian or not.^[141][142] Several Journal entries from that year shed some light on what Kierkegaard hoped to achieve.^{[143][144][145][146]} This book was published under an earlier pseudonym, Johannes Climacus. On 30 March 1846 he published Two Ages: A Literary Review, under his own name. A critique of the novel Two Ages (in some translations Two Generations) written by Thomasine Christine Gyllembourg-Ehrensvärd, Kierkegaard made several insightful observations on what he considered the nature of modernity and its passionless attitude towards life. Kierkegaard writes that "the present age is essentially a sensible age, devoid of passion ... The trend today is in the direction of mathematical equality, so that in all classes about so and so many uniformly make one individual".^[147] In this, Kierkegaard attacked the conformity and assimilation of individuals into "the crowd"^[148] which became the standard for truth, since it was the numerical. How can one love the neighbor if the neighbor is always regarded as the wealthy or the poor or the lame?^[149]

A useless and perhaps futile conflict goes on often enough in the world, when the poor person says to the wealthy person, "Sure, it's easy for you—you are free from worry about making a living." Would to God that the poor person would really understand how the Gospel is much more kindly disposed to him, is treating him equally and more lovingly. Truly, the Gospel does not let itself be deceived into taking sides with anyone against someone else, with someone who is wealthy against someone who is poor, or with someone who is poor against someone who is wealthy. Among individuals in the world, the conflict of disconnected comparison is frequently carried on about dependence and independence, about the happiness of being independent and the difficulty of being dependent. And yet, yet human language has not ever, and thought has not ever, invented a more beautiful symbol of independence than the poor bird of the air. And yet, yet no speech can be more curious than to say that it must be very bad and very heavy to be—light as the bird! To be dependent on one's treasure—that is dependence and hard and heavy slavery; to be dependent on God, completely dependent—that is independence. Søren Kierkegaard, 1847 Upbuilding Discourses in Various Spirits, Hong pp. 180–181

As part of his analysis of the "crowd", Kierkegaard accused newspapers of decay and decadence. Kierkegaard stated Christendom had "lost its way" by recognizing "the crowd", as the many who are moved by newspaper stories, as the court of last resort in relation to "the truth". Truth comes to a single individual, not all people at one and the same time. Just as truth comes to one individual at a time so does love. One doesn't love the crowd but does love their neighbor, who is a single individual. He says, "never have I read in the Holy Scriptures this command: You shall love the crowd; even less: You shall, ethico-religiously, recognize in the crowd the court of last resort in relation to 'the truth.'"^[150][151]

This article contains too many or overly lengthy quotations. Please help summarize the quotations. Consider transferring direct quotations to Wikiquote or excerpts to Wikisource. (May 2019)

Kierkegaard began to publish under his own name again in 1847: the three-part Edifying Discourses in Diverse Spirits.^[152] It included Purity of Heart is to Will One Thing, What we Learn from the Lilies in the Field and from the Birds in the Air,^[153] and The Gospel of Sufferings. He asked, What does it mean to be a single individual who wants to do the good? What does it mean to be a human being? What does it mean to follow Christ? He now moves from "upbuilding (Edifying) discourses" to "Christian discourses", however, he still maintains that these are not "sermons".^[154] A sermon is about struggle with oneself about the tasks life offers one and about repentance for not completing the tasks.^[155] Later, in 1849, he wrote devotional discourses and Godly discourses.

Is it really hopelessness to reject the task because it is too heavy; is it really hopelessness almost to collapse under the burden because it is so heavy; is it really hopelessness to give up hope out of fear of the task? Oh no, but this is hopelessness: to will with all one's might—but there is no task. Thus, only if there is nothing to do and if the person who says it were without guilt before God—for if he is guilty, there is indeed always something to do—only if there is nothing to do and this is understood to mean that there is no task, only then is there hopelessness. Upbuilding Discourses in Various Spirits, Hong p. 277

While the Savior of the world sighs, "My God, my God, why have you abandoned me," the repentant robber humbly understands, but still also as a relief, that it is not God who has abandoned him, but it is he who has abandoned God, and, repenting, he says to the one crucified with him: Remember me when you come into your kingdom. It is a heavy human suffering to reach for God's mercy in the anxiety of death and with belated repentance at the moment of despicable death, but yet the repentant robber finds relief when he compares his suffering with the superhuman suffering of being abandoned by God. To be abandoned by God, that indeed means to be without a task. It means to be deprived of the final task that every human being always has, the task of patience, the task that has its ground in God's not having abandoned the sufferer. Hence Christ's suffering is superhuman and his patience superhuman, so that no human being can grasp either the one or the other. Although it is beneficial that we speak quite humanly of Christ's suffering, if we speak of it merely as if he were the human being who has suffered the most, it is blasphemy, because although his suffering is human, it is also superhuman, and there is an eternal chasmic abyss between his suffering and the human being's. Søren Kierkegaard, 1847 Upbuilding Discourses in Various Spirits, Hong p.280

Works of Love^[156] followed these discourses on (29 September 1847). Both books were authored under his own name. It was written under the themes "Love covers a multitude of sins" and "Love builds up". (1 Peter 4:8 and 1 Corinthians 8:1) Kierkegaard believed that "all human speech, even divine speech of Holy Scripture, about the spiritual is essentially metaphorical speech".^[157] "To build up" is a metaphorical expression. One can never be all human or all spirit, one must be both.

When it is said, "You shall love your neighbor as yourself," this contains what is presupposed, that every person loves himself. Thus, Christianity which by no means begins, as do those high flying thinkers, without presuppositions, nor with a flattering presupposition, presupposes this. Dare we then deny that it is as Christianity presupposes? But on the other hand, it is possible for anyone to misunderstand Christianity, as if it were its intention to teach what worldly sagacity unanimously—alas, and yet contentiously—teaches, "that everyone is closest to himself." Is it possible for anyone to misunderstand this, as if it were Christianity's intention to proclaim self-love as a prescriptive right? Indeed on the contrary, it is Christianity's intention to wrest self-love away from us human beings. Søren Kierkegaard Works of Love, Hong p. 17

All human speech, even the divine speech of Holy Scripture, about the spiritual is essentially metaphorical [overfot, carried over] speech. And this is quite in order or in the order of things and of existence, since a human being, even if from the moment of birth his is a spirit, still does not become conscious of himself as a spirit until later and thus has sensately-psychically acted out a certain part of his life prior to this. But this first portion is not to be cast aside when the spirit awakens any more than the awakening of the spirit in contrast to the sensate-physical announces itself in a sensate-physical way. On the contrary, the first portion is taken over—[overtage] by the spirit and, used in this way, is thus made the basis—it becomes the metaphorical. Therefore, the spiritual person and the sensate person say the same thing; yet there is an infinite difference, since the latter has no intimation of the secret of the metaphorical words although he is using the same words, but not in their metaphorical sense.

There is a world of difference between the two; the one has made the transition or let himself be carried over to the other side, while the other remains on this side; yet they have the connection that both are using the same words. The person in whom the spirit has awakened does not as a consequence abandon the visible-world. Although conscious of himself as spirit, he continues to remain in the visible world and to be visible to the senses, in the same way he also remains in the language, except that his language is the metaphorical language!

But the metaphorical words are of course not brand-new words but are the already given words. Just as the spirit is invisible, so also is its language a secret, and the secret lies in its using the same words as the child and the simpleminded person but using them metaphorically, whereby the spirit denies the sensate or sensate-physical way. The difference is by no means a noticeable difference. For this reason we rightfully regard it as a sign of false spirituality to parade a noticeable difference—which is merely sensate, whereas the spirit's manner is the metaphor's quiet, whispering secret—for the person who has ears to hear. Søren Kierkegaard, Works of Love, 1847, Hong 1995 pp. 209–210

Love builds up by presupposing that love is present. Have you not experienced this yourself, my listener? If anyone has ever spoken to you in such a way or treated you in such a way that you really felt built up, this was because you very vividly perceived how he presupposed love to be in you. Wisdom is a being-for-itself quality; power, talent, knowledge, etc. are likewise being-for-itself qualities. To be wise does not mean to presuppose that others are wise; on the contrary, it may be very wise and true if the truly wise person assumes that far from all people are wise. But love is not a being-for-itself quality but a quality by which or in which you are for others. Loving means to presuppose love in others. Søren Kierkegaard Works of Love, Hong pp. 222–224

Later, in the same book, Kierkegaard deals with the question of sin and forgiveness. He uses the same text he used earlier in Three Upbuilding Discourses, 1843, Love hides a multitude of sins. (1 Peter 4:8). He asks if "one who tells his neighbors faults hides or increases the multitude of sins".^[158]

But the one who takes away the consciousness of sin and gives the consciousness of forgiveness instead—he indeed takes away the heavy burden and gives the light one in its place. Søren Kierkegaard, 1847 Upbuilding Discourses in Various Spirits, Hong p. 246 The one who loves sees the sin he forgives, but he believes that forgiveness takes it away. This cannot be seen, whereas the sin can indeed be seen; on the other hand, if the sin did not exist to be seen, it could not be forgiven either. Just as one by faith believes the unseen into what is seen, so the one who loves by forgiveness believes away what is seen. Both are faith. Blessed is the believer, he believes what he cannot see; blessed is the one who loves, he believes away that which he indeed can see! Who can believe this? The one who loves can do it. But why is forgiveness so rare? Is it not because faith in the power of forgiveness is so meager and so rare? Søren Kierkegaard, Works of Love, 1847 Hong pp. 289–295

In 1848, he published Christian Discourses under his own name and The Crisis and a Crisis in the Life of an Actress under the pseudonym Inter et Inter. Christian Discourses deals the same theme as The Concept of Anxiety, angst. The text is the Gospel of Matthew 6 verses 24–34. This was the same passage he had used in his What We Learn From the Lilies in the Field and From the Birds of the Air of 1847. He wrote:

A man who but rarely, and then only cursorily, concerns himself with his relationship to God, hardly thinks or dreams that he has so closely to do with God, or that God is so close to him, that there exists a reciprocal relationship between him and God, the stronger a man is, the weaker God is, the weaker a man is, the stronger God is in him. Every one who assumes that a God exists naturally thinks of Him as the strongest, as He eternally is, being the Almighty who creates out of nothing, and for whom all the creation is as nothing; but such a man hardly thinks of the possibility of a reciprocal relationship. And yet for God, the infinitely strongest, there is an obstacle; He has posited it Himself, yea, He has lovingly, with incomprehensible love posited it Himself; for He posited it and posits it every time a man comes into existence, when He in His love makes to be something directly in apposition to Himself. Oh, marvelous omnipotence of love! A man cannot bear that his 'creations' should be directly in apposition to Himself, and so he speaks of them in a tone of disparagement as his 'creations'. But God who creates out of nothing, who almightily takes from nothing and says, 'Be', lovingly adjoins, 'Be something even in apposition to me.' Marvellous love, even His omnipotence is under the sway of love! Søren Kierkegaard, Christian Discourses, 1848 Lowrie 1940, 1961 p. 132

It is actually true that Christianity requires the Christian to give up and forsake all things. This was not required in Old Testament times, God did not require Job to give up anything, and of Abraham he required expressly, as a test, only that he give up Isaac. But in fact Christianity is also the religion of freedom, it is precisely the voluntary which is the Christian. Voluntarily to give up all is to be convinced of the glory of the good which Christianity promises. There is one thing God cannot take away from a man, namely, the voluntary—and it is precisely this which Christianity requires of man. Thoughts Which Wound From Behind – For Edification 1848 pp. 187–188 (From Christian Discourses Translated by Walter Lowrie 1940, 1961)

Kierkegaard tried to explain his prolific use of pseudonyms again in The Point of View of My Work as an Author, his autobiographical explanation for his writing style. The book was finished in 1848, but not published until after his death by his brother Christian Peter Kierkegaard. Walter Lowrie mentioned Kierkegaard's "profound religious experience of Holy Week 1848" as a turning point from "indirect communication" to "direct communication" regarding Christianity.^[159] However, Kierkegaard stated that he was a religious author throughout all of his writings and that his aim was to discuss "the problem 'of becoming a Christian', with a direct polemic against the monstrous illusion we call Christendom".^[160] He expressed the illusion this way in his 1848 "Christian Address", Thoughts Which Wound From Behind – for Edification.

Oh, in the customary course of life there is so much to lull a man to sleep, to teach him to say, 'Peace and no danger.' It is for this cause we go into the house of God, to be awakened out of sleep and to be riven away from the enchantments. But then again when there is so much in the house of God to lull us! Even that which in itself is arousing, such as thoughts, reflections, ideas, can by custom and monotony lose all their significance, just as a spring can lose the resilience which makes it what it is. So, then (to approach nearer to the subject of this discourse), it is right, reasonable, and a plain duty, to invite men, over and over again, to come to the house of the Lord, to summon them to it. But one may become so accustomed to hearing this invitation that one may lose all sense of its significance, so that at last one steps away and it ends with the invitation preaching the church empty. Or one may become so accustomed to hearing this invitation that it develops false ideas in those that come, makes us self-important in our own thoughts, that we are not as they who remain away, makes us self-satisfied, secure, because it envelops us in a delusion, as though, since we are so urgently invited, God were in need of us, as though it were not we who in fear and trembling should reflect what He may require of us, as though it were not we who should sincerely thank God that He will have dealings with us, that He will suffer and permit us to approach Him, suffer that we presume to believe that He cares for us, that without being ashamed He will be known as one who is called our God and our Father. So concerning this matter let us for once talk differently, in talking of these words of the preacher: Keep thy foot when thou goest to the house of the Lord. (Ecclesiastes 5:1) Søren Kierkegaard, Thoughts Which Wound From Behind – for Edification, Christian Address, Copenhagen 1848, Lowrie translation1961 pp. 173–174^[161]

He wrote three discourses under his own name and one pseudonymous book in 1849. He wrote The Lily in the Field and the Bird of the Air. Three Devotional Discourses, Three Discourses at the Communion on Fridays and Two Ethical–Religious Essays. The first thing any child finds in life is the external world of nature. This is where God placed his natural teachers. He's been writing about confession and now openly writes about Holy Communion which is generally preceded by confession. This he began with the confessions of the esthete and the ethicist in Either/Or and the highest good peace in the discourse of that same book. His goal has always been to help people become religious but specifically Christian religious. He summed his position up earlier in his book, The Point of View of My Work as an Author, but this book was not published until 1859.

In the month of December 1845 the manuscript of the Concluding Postscript was completely finished, and, as my custom was, I had delivered the whole of it at once to Lune [the printer]—which the suspicious do not have to believe on my word, since Luno's account-book is there to prove it. This work constitutes the turning-point in my whole activity as an author, inasmuch as it presents the 'problem', how to become a Christian.

In a Christian sense simplicity is not the point of departure from which one goes on to become interesting, witty, profound, poet, philosopher, &c. No, the very contrary. Here is where one begins (with the interesting, &c.) and becomes simpler and simpler, attaining simplicity. This, in 'Christendom' is the Christian movement: one does not reflect oneself into Christianity; but one reflects oneself out of something else and becomes, more and more simply, a Christian.

I have never fought in such a way as to say: I am the true Christian, others are not Christians. No, my contention has been this: I know what Christianity is, my imperfection as a Christian I myself fully recognize—but I know what Christianity is. And to get this properly recognized must be, I should think, to every man's interest, whether he be a Christian or not, whether his intention is to accept Christianity or to reject it. But I have attacked no one as not being a Christian, I have condemned no one. And I myself have from the first clearly asserted, again and again repeated, that I am 'without authority'.^[162] Søren Kierkegaard, The Point of View of My Work as an Author Lowrie, 53, 144, 153–155

The second edition of Either/Or was published early in 1849. Later that year he published The Sickness unto Death, under the pseudonym Anti-Climacus. He's against Johannes Climacus, who kept writing books about trying to understand Christianity. Here he says, "Let others admire and praise the person who pretends to comprehend Christianity. I regard it as a plain ethical task—perhaps requiring not a little self-denial in these speculative times, when all 'the others' are busy with comprehending—to admit that one is neither able nor supposed to comprehend it."^[163] Sickness unto death was a familiar phrase in Kierkegaard's earlier writings.^[164] This sickness is despair and for Kierkegaard despair is a sin. Despair is the impossibility of possibility.^[165] Kierkegaard writes:

When a person who has been addicted to some sin or other but over a considerable period has now successfully resisted the temptation—when this person has a relapse and succumbs again to the temptation, then the depression that ensues is by no means always sorrow over the sin. It can be something quite different; it might also, for that matter, be resentment of divine governance, as if it were the latter that had let him fall into temptation and should not have been so hard on him, seeing that until now he had for so long successfully resisted the temptation. Such a person protests, perhaps in even stronger terms, how this relapse tortures and torments him, how it brings him to despair: he swears, 'I will never forgive myself.' He never forgives himself—but suppose God would forgive him; then he might well have the goodness to forgive himself. The Sickness unto Death, by Anti-Climacus, Edited by Søren Kierkegaard, Copyright 1849 Translation with an Introduction and notes by Alastair Hannay 1989 p. 144

In Practice in Christianity, 25 September 1850, his last pseudonymous work, he stated, "In this book, originating in the year 1848, the requirement for being a Christian is forced up by the pseudonymous authors to a supreme ideality."^[166] This work was called Training in Christianity when Walter Lowrie translated it in 1941.

Christ is the truth in the sense that to be the truth is the only true explanation of what truth is. Therefore one can ask an apostle, one can ask a Christian, "What is truth?" and in answer to the question the apostle and the Christian will point to Christ and say: Look at him, learn from him, he was the truth. This means that truth in the sense in which Christ is the truth is not a sum of statements, not a definition etc., but a life. The being of truth is not the direct redoubling of being in relation to thinking, which gives only thought-being, safeguards thinking only against being a brain-figment that is not, guarantees validity to thinking, that what is thought is—that is, has validity. No, the being of truth is the redoubling of truth within yourself, within me, within him, that your life, my life, his life is approximately the being of the truth in the striving for it, just as the truth was in Christ a life, for he was the truth. And therefore, Christianly understood, truth is obviously not to know the truth but to be the truth. Søren Kierkegaard, Practice in Christianity, Hong p. 205 (1850)

He now pointedly referred to the acting single individual in his next three publications; For Self-Examination, Two Discourses at the Communion on Fridays, and in 1852 Judge for Yourselves!.^[167][168] Judge for Yourselves! was published posthumously in 1876. Here is an interesting quote from For Self Examination.

If in observing the present state of the world and life in general, from a Christian point of view one had to say (and from a Christian point of view with complete justification): It is a disease. And if I were a physician and someone asked me "What do you think should be done?" I would answer, "The first thing, the unconditional condition for anything to be done, consequently the very first thing that must be done is: create silence, bring about silence; God's Word cannot be heard, and if in order to be heard in the hullabaloo it must be shouted deafeningly with noisy instruments, then it is not God's Word; create silence!

Ah, everything is noisy; and just as strong drink is said to stir the blood, so everything in our day, even the most insignificant project, even the most empty communication, is designed merely to jolt the senses and to stir up the masses, the crowd, the public, noise!

And man, this clever fellow, seems to have become sleepless in order to invent ever new instruments to increase noise, to spread noise and insignificance with the greatest possible haste and on the greatest possible scale. Yes, everything is soon turned upside-down: communication is indeed soon brought to its lowest point in regard to meaning, and simultaneously the means of communication are indeed brought to their highest with regard to speedy and overall circulation; for what is publicized with such hot haste and, on the other hand, what has greater circulation than—rubbish! Oh, create silence!" Søren Kierkegaard, For Self-Examination 1851 pp. 47–48 Hong 1990

In 1851 Kierkegaard wrote his Two Discourses at the Communion on Fridays where he once more discussed sin, forgiveness, and authority using that same verse from 1 Peter 4:8 that he used twice in 1843 with his Three Upbuilding Discourses, 1843.

Would that there were a hiding place where I am so hidden that not even the consciousness of my sin can find me! Would that there were a border, however narrow, if it still makes a separation between me and my sin! Would that on the other side of a chasmic abyss there were a spot, however little, where I could stand, while the consciousness of my sin must remain on the other side. Would that there were a forgiveness, a forgiveness that does not increase my sense of guilt but truly takes the guilt from me, also the consciousness of it. Would that there were oblivion! But now this is indeed that way it is, because love (Christ's love) hides a multitude of sins. Behold, everything has become new. .... A human being has no authority, cannot command that you shall believe and just by commanding you with authority help you to believe. But if it requires authority even to teach, what authority is required, even greater, if possible, then the authority that commands the heaving sea to be still, to command the despairing person, the one who in the agony of repentance is unable and does not dare to forget, the prostrate penitent who is unable and does not dare to stop staring at his guilt, what authority is required to command him to shut his eyes, and what authority is then required to command him to open the eyes of faith so that he sees purity where he saw guilt and sin! That divine authority he alone has, Jesus Christ, whose love hides a multitude of sins. He hides it very literally. Just as when one person places himself in front of another person and covers him so completely with his body that no one, no one, can see the person hidden behind him, so Jesus Christ covers your sin with his holy body.

• Søren Kierkegaard, Two Discourses at Friday Communion, 1851 (Love Will Hide a Multitude of Sins 1 Peter 4:8) From Without Authority, Hong 1997 pp. 184–185

Kierkegaard began his 1843 book Either/Or with a question: "Are passions, then, the pagans of the soul? Reason alone baptized?"^[169] He didn't want to devote himself to Thought or Speculation like Hegel did. Faith, hope, love, peace, patience, joy, self-control, vanity, kindness, humility, courage, cowardliness, pride, deceit, and selfishness. These are the inner passions that Thought knows little about. Hegel begins the process of education with Thought but Kierkegaard thinks we could begin with passion, or a balance between the two, a balance between Goethe and Hegel.^[170] He was against endless reflection with no passion involved. But at the same time he did not want to draw more attention to the external display of passion but the internal (hidden) passion of the single individual. Kierkegaard clarified this intention in his Journals.^[113]

Schelling put Nature first and Hegel put Reason first but Kierkegaard put the human being first and the choice first in his writings. He makes an argument against Nature here and points out that most single individuals begin life as spectators of the visible world and work toward knowledge of the invisible world.

Is it a perfection on the part of the bird that in hard times it sits and dies of hunger and knows of nothing at all to do, that, dazed, it lets itself fall to the ground and dies? Usually we do not talk this way. When a sailor lies down in the boat and lets matters take their course in the storm and knows nothing to do, we do not speak of his perfection. But when a doughty sailor knows how to steer, when he works against the storm with ingenuity, with strength, and with perseverance, when he works himself out of the danger, we admire him.

— Søren Kierkegaard, Upbuilding Discourses in Various Spirits, 1847, Hong p. 198

Suppose that it were not one man who traveled from Jericho to Jerusalem, but there were two, and both of them were assaulted by robbers and maimed, and no traveler passed by. Suppose, then, that one of them did nothing but moan, while the other forgot and surmounted his own suffering to speak comfortingly, friendly words or, what involved great pain, dragged himself to some water to fetch the other a refreshing drink. Or suppose that they were both bereft of speech, but one of them in his silent prayer sighed to God also for the other—was he then not merciful? If someone has cut off my hands, then I cannot play the zither, and if someone has cut off my feet, then I cannot dance, and if I lie crippled on the shore, then I cannot throw myself into the sea to rescue another person's life, and if I myself am lying with a broken arm or leg, then I cannot plunge into the flames to save another's life—but I can still be merciful. I have often pondered how a painter might portray mercifulness, but I have decided that it cannot be done. As soon as a painter is to do it, it becomes dubious whether it is mercifulness or it is something else.

• Søren Kierkegaard, Works of Love, Hong 1995 p. 324

Seek Ye First God's Kingdom And His Righteousness Matthew 6:33

But what does this mean, what have I to do, or what sort of effort is it that can be said to seek or pursue the kingdom of God? Shall I try to get a job suitable to my talents and powers in order thereby to exert an influence? No, thou shalt first seek God's kingdom. Shall I then give all my fortune to the poor? No, thou shalt first seek God's kingdom. Shall I then go out to proclaim this teaching to the world? No, thou shalt first seek God's kingdom. But then in a certain sense it is nothing I shall do. Yes, certainly, in a certain it is nothing, thou shalt in the deepest sense make thyself nothing, become nothing before God, learn to keep silent; in this silence is the beginning, which is, first to seek God's kingdom. In this wise, a godly wise, one gets to the beginning by going, in a sense, backwards. The beginning is not that with which one begins, but at which one arrives at the beginning backwards. The beginning is this art of becoming silent; for to be silent, as nature is, is not an art. It is man's superiority over the beasts to be able to speak; but in relation to God it can easily become the ruin of man who is able to speak that he is too willing to speak. God is love, man is (as one says to a child) a silly little thing, even so far as his own wellbeing is concerned. Only in much fear and trembling can a man walk with God; in much fear and trembling. But to talk in much fear and trembling is difficult for as a sense of dread causes the bodily voice to fail; so also does much fear and trembling render the voice mute in silence. This the true man of prayer knows well, and he who was not the true man of prayer learned precisely this by praying.

• Søren Kierkegaard, Christian Discourses, 1848 Lowrie 1940, 1961 p. 322

Nikolai Berdyaev makes a related argument against reason in his 1945 book The Divine and the Human.^[171][172]

Kierkegaard's final years were taken up with a sustained, outright attack on the Church of Denmark by means of newspaper articles published in The Fatherland (Fædrelandet) and a series of self-published pamphlets called The Moment (Øjeblikket), also translated as The Instant. These pamphlets are now included in Kierkegaard's Attack Upon Christendom.^[173] The Moment was translated into German and other European languages in 1861 and again in 1896.^[174]

Kierkegaard first moved to action after Professor (soon Bishop) Hans Lassen Martensen gave a speech in church in which he called the recently deceased Bishop Jacob Peter Mynster a "truth-witness, one of the authentic truth-witnesses".^[11] Kierkegaard explained, in his first article, that Mynster's death permitted him—at last—to be frank about his opinions. He later wrote that all his former output had been "preparations" for this attack, postponed for years waiting for two preconditions: 1) both his father and bishop Mynster should be dead before the attack, and 2) he should himself have acquired a name as a famous theologic writer.^[175] Kierkegaard's father had been Mynster's close friend, but Søren had long come to see that Mynster's conception of Christianity was mistaken, demanding too little of its adherents. Kierkegaard strongly objected to the portrayal of Mynster as a 'truth-witness'.

Kierkegaard described the hope the witness to the truth has in 1847 and in his Journals.

When the concepts are shaken in an upheaval that is more terrible than an earthquake, when the truth is hated and its witness persecuted—what then? Must the witness submit to the world? Yes. But does that mean all is lost? No, on the contrary. We remain convinced of this, and thus no proof is needed, for if it is not so, then such a person is not a witness to the truth either. Therefore we are reassured that even in the last moments such a person has retained a youthful recollection of what the youth expected, and he therefore has examined himself and his relationship before God to see whether the defect could lie in him, whether it was not possible for it to become, as the youth had expected, something he perhaps now desired most for the sake of the world—namely, that truth has the victory and good has its reward in the world. Woe to the one who presumptuously, precipitously, and impetuously brings the horror of confusion into more peaceable situations; but woe, also, to the one who, if it was necessary, did not have the bold confidence to turn everything around the second time when it was turned around the first time! Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong p. 330

Relating oneself to the ideal in one's personal life is never seen. Such a life is the life of the witness to the truth. This rubric disappeared long ago, and preachers, philosophy professors, and poets have taken over the place of servants to the truth, whereby they no doubt are served very well—but they do not serve the truth. Søren Kierkegaard, Journals X 1A 11

Kierkegaard's pamphlets and polemical books, including The Moment, criticized several aspects of church formalities and politics.^[176] According to Kierkegaard, the idea of congregations keeps individuals as children since Christians are disinclined from taking the initiative to take responsibility for their own relation to God. He stressed that "Christianity is the individual, here, the single individual".^[177] Furthermore, since the Church was controlled by the State, Kierkegaard believed the State's bureaucratic mission was to increase membership and oversee the welfare of its members. More members would mean more power for the clergymen: a corrupt ideal.^[178] This mission would seem at odds with Christianity's true doctrine, which, to Kierkegaard, is to stress the importance of the individual, not the whole.^[60] Thus, the state-church political structure is offensive and detrimental to individuals, since anyone can become "Christian" without knowing what it means to be Christian.^[179] It is also detrimental to the religion itself since it reduces Christianity to a mere fashionable tradition adhered to by unbelieving "believers", a "herd mentality" of the population, so to speak.^[180][181] Kierkegaard always stressed the importance of the conscience and the use of it.^[182]

However, he showed marked elements of convergence with the medieval Catholicism.^[183][184] Nonetheless, Kierkegaard has been described as "profoundly Lutheran".^[185]

Before the tenth issue of his periodical The Moment could be published, Kierkegaard collapsed on the street. He stayed in the hospital for over a month^[186] and refused communion. At that time he regarded pastors as mere political officials, a niche in society who were clearly not representative of the divine. He told Emil Boesen, a friend since childhood, who kept a record of his conversations with Kierkegaard, that his life had been one of immense suffering, which may have seemed like vanity to others, but he did not think it so.^{[187][188][189]}

Kierkegaard died in Frederiks Hospital after over a month, possibly from complications from a fall from a tree in his youth.^[190] It has been suggested by professor Kaare Weismann [de] and philosopher Jens Staubrand [da] that Kierkegaard died from Pott disease, a form of tuberculosis.^[191] He was interred in the Assistens Kirkegård in the Nørrebro section of Copenhagen. At Kierkegaard's funeral, his nephew Henrik Lund caused a disturbance by protesting Kierkegaard's burial by the official church. Lund maintained that Kierkegaard would never have approved, had he been alive, as he had broken from and denounced the institution.^[192] Lund was later fined for his disruption of the funeral.^[193]

Fredrika Bremer wrote of Kierkegaard in 1850: "While Martensen with his wealth of genius casts from his central position light upon every sphere of existence, upon all the phenomena of life, Søren Kierkegaard stands like another Simon Stylites, upon his solitary column, with his eye unchangeably fixed upon one point."^[194] In 1855, the Danish National Church published his obituary. Kierkegaard did have an impact there judging from the following quote from their article: "The fatal fruits which Dr. Kierkegaard show to arise from the union of Church and State, have strengthened the scruples of many of the believing laity, who now feel that they can remain no longer in the Church, because thereby they are in communion with unbelievers, for there is no ecclesiastical discipline."^[195]

Changes did occur in the administration of the Church and these changes were linked to Kierkegaard's writings. The Church noted that dissent was "something foreign to the national mind". On 5 April 1855, the Church enacted new policies: "every member of a congregation is free to attend the ministry of any clergyman, and is not, as formerly, bound to the one whose parishioner he is". In March 1857, compulsory infant baptism was abolished. Debates sprang up over the King's position as the head of the Church and over whether to adopt a constitution. Grundtvig objected to having any written rules. Immediately following this announcement the "agitation occasioned by Kierkegaard" was mentioned. Kierkegaard was accused of Weigelianism and Darbyism, but the article continued to say, "One great truth has been made prominent, viz (namely): That there exists a worldly-minded clergy; that many things in the Church are rotten; that all need daily repentance; that one must never be contented with the existing state of either the Church or her pastors."^[196]

Hans Lassen Martensen addressed Kierkegaard's ideas extensively in Christian Ethics, published in 1871.^[197] Martensen accused Kierkegaard and Alexandre Vinet of not giving society its due, saying both of them put the individual above society, and in so doing, above the Church.^[198] Another early critic was Magnús Eiríksson, who criticized Martensen and wanted Kierkegaard as his ally in his fight against speculative theology.

August Strindberg was deeply affected by reading Kierkegaard while a student at Uppsala University.^[199][200] Edwin Björkman credited Kierkegaard, as well as Henry Thomas Buckle and Eduard von Hartmann, with shaping Strindberg's artistic form "until he was strong enough to stand wholly on his own feet."^[201] The dramatist Henrik Ibsen is said to have been interested in Kierkegaard, as well as the Norwegian national writer and poet Bjørnstjerne Bjørnson.^[202]

Otto Pfleiderer, in The Philosophy of Religion On the Basis of Its History (1887), claimed that Kierkegaard presented an anti-rational view of Christianity.^[203] An entry on Kierkegaard from an 1889 dictionary of religion presents an idea of how he was regarded at that time, stating: "He was the most original thinker and theological philosopher the North ever produced. His fame has been steadily growing since his death, and he bids fair to become the leading religio-philosophical light of Germany. Not only his theological but also his aesthetic works have of late become the subject of universal study in Europe."^[204]

The first academic to draw attention to Kierkegaard was fellow Dane Georg Brandes, who published in German as well as Danish. Brandes gave the first formal lectures on Kierkegaard in Copenhagen and helped bring him to the attention of the European intellectual community.^[205] Brandes published the first book on Kierkegaard's philosophy and life, Søren Kierkegaard, ein literarisches Charakterbild. Autorisirte deutsche Ausg (1879)^[206] which Adolf Hult said was a "misconstruction" of Kierkegaard's work and "falls far short of the truth".^[207] Brandes compared him to Hegel and Tycho Brahe in Reminiscences of my Childhood and Youth^[208] (1906). Brandes also discussed the Corsair Affair in the same book.^[209] Brandes opposed Kierkegaard's ideas in the 1911 edition of the Britannica.^[210][211] Brandes compared Kierkegaard to Nietzsche as well.^[212] He also mentioned Kierkegaard extensively in volume 2 of his 6 volume work, Main Currents in Nineteenth Century Literature (1872 in German and Danish, 1906 English).^[213][214]

There are two types of the artistic soul. There is the one which needs many varying experiences and constantly changing models, and which instantly gives a poetic form to every fresh incident. There is the other which requires amazingly few outside elements to fertilise it, and for which a single life circumstance, inscribed with sufficient force, can furnish a whole wealth of ever-changing thought and modes of expression. Søren Kierkegaard among writers, and Max Klinger among painters, are both great examples of the latter type. To which did Shakespeare belong? William Shakespeare; a critical study, by George Brandes. 1898 p. 195

Swedish author Waldemar Rudin published Sören Kierkegaards person och författarskap – ett försök in 1880.^[215] During the 1890s, Japanese philosophers began disseminating the works of Kierkegaard.^[216] Tetsuro Watsuji was one of the first philosophers outside of Scandinavia to write an introduction on his philosophy, in 1915.

Harald Høffding's work was greatly influenced by Kierkegaard, having himself stated that Kierkegaard's thought "has pursued me from my youth, [and] determined the direction of my life."^[217] Høffding was a friend of the American philosopher William James, and although James had not read Kierkegaard's works, as they were not yet translated into English, he attended the lectures about Kierkegaard by Høffding and agreed with much of those lectures. James' favorite quote from Kierkegaard came from Høffding: "We live forwards but we understand backwards".^[218]

One thing James did have in common with Kierkegaard was respect for the single individual, and their respective comments may be compared in direct sequence as follows: "A crowd is indeed made up of single individuals; it must therefore be in everyone's power to become what he is, a single individual; no one is prevented from being a single individual, no one, unless he prevents himself by becoming many. To become a crowd, to gather a crowd around oneself, is on the contrary to distinguish life from life; even the most well-meaning one who talks about that, can easily offend a single individual."^[219] In his book A Pluralistic Universe, James stated that, "Individuality outruns all classification, yet we insist on classifying every one we meet under some general label. As these heads usually suggest prejudicial associations to some hearer or other, the life of philosophy largely consists of resentments at the classing, and complaints of being misunderstood. But there are signs of clearing up for which both Oxford and Harvard are partly to be thanked."^[220]

The Encyclopaedia of religion and ethics had an article about Kierkegaard in 1908. The article began:

The life of Søren Kierkegaard has but few points of contact with the external world; but there were, in particular, three occurrences—a broken engagement, an attack by a comic paper, and the use of a word by H.L. Martensen—which must be referred to as having wrought with extraordinary effect upon his peculiarly sensitive and high-strung nature. The intensity of his inner life, again—which finds expression in his published works, and even more directly in his notebooks and diaries (also published)—cannot be properly understood without some reference to his father.^[221]

Friedrich von Hügel wrote about Kierkegaard in his 1913 book, Eternal life: a study of its implications and applications, where he said: "Kierkegaard, the deep, melancholy, strenuous, utterly uncompromising Danish religionist, is a spiritual brother of the great Frenchman, Blaise Pascal, and of the striking English Tractarian, Hurrell Froude, who died young and still full of crudity, yet left an abiding mark upon all who knew him well."^[222][223]

John George Robertson^[224] wrote an article called Søren Kierkegaard in 1914: "Notwithstanding the fact that during the last quarter of a century, we have devoted considerable attention to the literatures of the North, the thinker and man of letters whose name stands at the head of the present article is but little known to the English-speaking world. The Norwegians, Ibsen and Bjørnson, have exerted a very real power on our intellectual life, and for Bjørnson we have cherished even a kind of affection. But Kierkegaard, the writer who holds the indispensable key to the intellectual life of Scandinavia, to whom Denmark in particular looks up as her most original man of genius in the nineteenth century, we have wholly overlooked."^[225] Robertson wrote previously in Cosmopolis (1898) about Kierkegaard and Nietzsche.^[226] Theodor Haecker wrote an essay titled, Kierkegaard and the Philosophy of Inwardness in 1913 and David F. Swenson wrote a biography of Søren Kierkegaard in 1920.^[227][228] Lee M. Hollander translated parts of Either/Or, Fear and Trembling, Stages on Life's Way, and Preparations for the Christian Life (Practice in Christianity) into English in 1923,^[229] with little impact. Swenson wrote about Kierkegaard's idea of "armed neutrality"^[230] in 1918 and a lengthy article about Søren Kierkegaard in 1920.^[231][232] Swenson stated: "It would be interesting to speculate upon the reputation that Kierkegaard might have attained, and the extent of the influence he might have exerted, if he had written in one of the major European languages, instead of in the tongue of one of the smallest countries in the world."^[233]

Austrian psychologist Wilhelm Stekel (1868–1940) referred to Kierkegaard as the "fanatical follower of Don Juan, himself the philosopher of Don Juanism" in his book Disguises of Love.^[234] German psychiatrist and philosopher Karl Jaspers (1883–1969) stated he had been reading Kierkegaard since 1914 and compared Kierkegaard's writings with Hegel's Phenomenology of Mind and the writings of Friedrich Nietzsche. Jaspers saw Kierkegaard as a champion of Christianity and Nietzsche as a champion for atheism.^[235] Later, in 1935, Karl Jaspers emphasized Kierkegaard's (and Nietzsche's) continuing importance for modern philosophy^[236]

The first translation into German of Kierkegaard's work appeared in 1861, but it was Albert Bärthold who undertook the first substantial program of translating Kierkegaard into German, beginning in 1873.^[237][238] Hermann Gottsche published Kierkegaard's Journals in 1905. It had taken academics 50 years to arrange his journals.^[239] Kierkegaard's main works were translated into German by Christoph Schrempf from 1909 onwards.^[240] Emmanuel Hirsch released a German edition of Kierkegaard's collected works from 1950 onwards.^[240] Both Harald Hoffding's and Schrempf's books about Kierkegaard were reviewed in 1892.^[241][242]

In the 1930s, the first academic English translations,^[243] by Alexander Dru, David F. Swenson, Douglas V. Steere, and Walter Lowrie appeared, under the editorial efforts of Oxford University Press editor Charles Williams,^[244] one of the members of the Inklings.^[245][246] Thomas Henry Croxall, another early translator, Lowrie, and Dru all hoped that people would not just read about Kierkegaard but would actually read his works.^[247] Dru published an English translation of Kierkegaard's Journals in 1958;^[248] Alastair Hannay translated some of Kierkegaard's works for Penguin Classics.^[249] From the 1960s to the 1990s, Howard V. Hong and Edna H. Hong translated his works more than once.^[250][251] The first volume of their first version of the Journals and Papers (Indiana, 1967–1978) won the 1968 U.S. National Book Award in category Translation.^[250][252] They both dedicated their lives to the study of Søren Kierkegaard and his works, which are maintained at the Howard V. and Edna H. Hong Kierkegaard Library.^[253] Jon Stewart from the University of Copenhagen has written extensively about Søren Kierkegaard.

Kierkegaard's influence on Karl Barth's early theology is evident in The Epistle to the Romans 1918, 1921, 1933.

"If I have a system it is limited to a recognition of what Kierkegaard called the 'infinite qualitative distinction' and to my regarding this as possessing negative as well as positive significance: 'God is in heaven. And thou art on earth.' The relation between such a God and such a man, and the relation between such a man and such a God, is for me the theme of the Bible and the essence of philosophy. Philosophers name this KRISIS of human perception—the Prime Cause: the Bible holds at the same cross-roads-the figure of Jesus Christ. When I am faced by such a document as the Epistle of Paul to the Romans, I embark on its interpretation on the assumption that he is confronted with the same unmistakable and unmeasurable significance of that relation as I myself am confronted with, and that it is this situation which moulds his thought and its expression". Karl Barth, The Epistle to the Romans 1919 Preface (originally published in German)

Barth read at least three volumes of Kierkegaard's works: Practice in Christianity, The Moment, and an Anthology from his journals and diaries. Almost all key terms from Kierkegaard which had an important role in The Epistle to the Romans can be found in Practice in Christianity. The concept of the indirect communication, the paradox, and the moment of Practice in Christianity, in particular, confirmed and sharpened Barth's ideas on contemporary Christianity and the Christian life.

It was in his study of Paul that he found his first peace of mind. He was fascinated by the revelation of the power of the Holy Spirit when it once touched a man; at the completeness with which it overwhelms and keeps its chosen ones loyal. He conceived of Paul as one upon whom God had laid His hand' Barth writes: "The man Paul evidently sees and hears something which is above everything, which is absolutely beyond the range of my observation and measure of my thought." Following this observation Barth too became a "listener" and in that moment was born the "Theology of Crisis". Besides affecting Barth deeply, the philosophy of Kierkegaard has found voice in the works of Ibsen, Unamuno, and Heidegger, and its sphere of influence seems to be growing in ever widening circles. The principle contribution of Kierkegaard to Barth is the dualism of time and eternity which Kierkegaard phrases: "The infinite qualitative difference between time and eternity."^[254]

Wilhelm Pauck wrote in 1931 (Karl Barth Prophet of a New Christianity) that Kierkegaard's use of the Latin phrase Finitum Non Capax Infiniti (the finite does not (or cannot) comprehend the infinite) summed up Barth's system.^[255] David G. Kingman and Adolph Keller each discussed Barth's relationship to Kierkegaard in their books, The Religious Educational Values in Karl Barth's Teachings (1934) and Karl Barth and Christian Unity (1933). Keller notes the splits that happen when a new teaching is introduced and some assume a higher knowledge from a higher source than others.

Students of Kierkegaard became a "group of dissatisfied, excited radicals" when under Barthianism. Eduard Geismar (1871–1939), who gave Lectures on Kierkegaard in March 1936, was not radical enough for them. Barthianism was opposed to the objective treatment of religious questions and to the sovereignty of man in the existential meeting with the transcendent God. But just as students of Hegel broke off into Right and Left, so did the German followers of Barth.

The inward distress, the tension and the preparation of Kierkegaard made them receptive to the new. A magazine entitled the Tidenverv (The Turn of the Times), has been their journal since 1926. Especially the Student Christian Movement became the port of invasion for the new thought. But this invasion has been split completely into two camps which vehemently attack each other. Indictment was launched against the old theology. The quiet work of the church was scorned as secularization of the message or as emotional smugness, which had found a place in Home Missions despite all its call to repentance.^[256]

Barth endorses the main theme from Kierkegaard but also reorganizes the scheme and transforms the details. He expands the theory of indirect communication to the field of Christian ethics; he applies the concept of unrecognizability to the Christian life. He coins the concept of the "paradox of faith" since the form of faith entails a contradictory encounter of God and human beings. He also portrayed the contemporaneity of the moment when in crisis a human being desperately perceives the contemporaneity of Christ. In regard to the concept of indirect communication, the paradox, and the moment, the Kierkegaard of the early Barth is a productive catalyst.^[257]

This article contains too many or overly lengthy quotations. Please help summarize the quotations. Consider transferring direct quotations to Wikiquote or excerpts to Wikisource. (May 2019)

William Hubben compared Kierkegaard to Dostoevsky in his 1952 book Four Prophets of Our Destiny, later titled Dostoevsky, Kierkegaard, Nietzsche, and Kafka.

Logic and human reasoning are inadequate to comprehend truth, and in this emphasis Dostoevsky speaks entirely the language of Kierkegaard, of whom he had never heard. Christianity is a way of life, an existential condition. Again, like Kierkegaard, who affirmed that suffering is the climate in which man's soul begins to breathe. Dostoevsky stresses the function of suffering as part of God's revelation of truth to man. Dostoevsky, Kierkegaard, Nietzsche, and Kafka by William Hubben 1952 McMillan p. 83

In 1955, Morton White wrote about the word "exists" and Kierkegaard's idea of God's is-ness.

The word "exists" is one of the most pivotal and controversial in philosophy. Some philosophers think of it as having one meaning: the sense in which we say that this book exists, that God does or does not exist, that there exist odd numbers between 8 and 20, that a characteristic like redness exists as well as things that are red, that the American government exists as well as the physical building in which the government is housed, that minds exist as well as bodies. And when the word "exists" is construed in this unambiguous way, many famous disputes in the history of philosophy and theology appear to be quite straightforward. Theists affirm that God exists while atheists deny the very same statement; materialists say that matter exists while some idealists think that it is illusory; nominalists, as they are called, deny the existence of characteristics like redness while platonic realists affirm it; some kinds of behaviorists deny that there are minds inside bodies. There is, however, a tendency among some philosophers, to insist that the word "exists" is ambiguous and therefore that some of these disputes are not disputes at all but merely the results of mutual misunderstanding, of a failure to see that certain things are said to exist in one sense while others exist in another. One of the outstanding efforts of this kind in the twentieth century occurs in the early writings of realists who maintained that only concrete things in space and time exist, while abstract characteristics of things or relations between them should be said to subsist. This is sometimes illustrated by pointing out that while Chicago and St. Louis both exist at definite places, the relation more populous than which holds between them exists neither in Chicago nor in St. Louis nor in the area between them, but is nevertheless something about which we can speak, something that is usually assigned to a timeless and spaceless realm like that of which Plato spoke. On this view, however, human minds or personalities are also said to exist in spite of being non-material. In short, the great divide is between abstract subsistents and concrete existents, but both human personalities and physical objects are existents and do not share in the spacelessness and timelessness of platonic ideas.

So far as one can see, Kierkegaard too distinguishes different senses of "exists", except that he appears to need at least three distinct senses for which he should supply three distinct words. First of all he needs one for statements about God, and so he says that God is. Secondly, and by contrast, persons or personalities are said to exist. It would appear then that he needs some third term for physical objects, which on his view are very different from God and persons, but since existentialists don't seem to be very interested in physical objects or "mere" things, they appear to get along with two. The great problem for Kierkegaard is to relate God's is-ness, if I may use that term for the moment, to human existence, and this he tries to solve by appealing to the Incarnation. Christ's person is the existent outgrowth of God who is. By what is admittedly a mysterious process the abstract God enters a concrete existent. We must accept this on faith and faith alone, for clearly it cannot be like the process whereby one existent is related to another; it involves a passage from one realm to another which is not accessible to the human mind, Christians who lacked this faith and who failed to live by it were attacked by Kierkegaard; this was the theological root of his violent criticism of the Established Church of Denmark. It is one source of his powerful influence on contemporary theology.

• 20th Century Philosophers, The Age of Analysis, selected with introduction and commentary by Morton White 1955 pp. 118–121 Houghton Mifflin Co

John Daniel Wild noted as early as 1959 that Kierkegaard's works had been "translated into almost every important living language including Chinese, Japanese, and Korean, and it is now fair to say that his ideas are almost as widely known and as influential in the world as those of his great opponent Hegel, still the most potent of world philosophers."^[258]

Mortimer J. Adler wrote the following about Kierkegaard in 1962:

For Kierkegaard, man is essentially an individual, not a member of a species or race; and ethical and religious truth is known through individual existence and decision—through subjectivity, not objectivity. Systems of thought and a dialectic such as Hegel's are matters merely of thought, which cannot comprise individual existence and decision. Such systems leave out, said Kierkegaard, the unique and essential "spermatic point, the individual, ethically and religiously conceived, and existentially accentuated". Similarly in the works of the American author Henry David Thoreau, writing at the same time as Kierkegaard, there is an emphasis on the solitary individual as the bearer of ethical responsibility, who, when he is right, carries the preponderant ethical weight against the state, government, and a united public opinion, when they are wrong. The solitary individual with right on his side is always "a majority of one". Ethics, the study of moral values, by Mortimer J. Adler and Seymour Cain. Pref. by William Ernest Hocking. 1962 p. 252

In 1964 Life Magazine traced the history of existentialism from Heraclitus (500BC) and Parmenides over the argument over The Unchanging One as the real and the state of flux as the real. From there to the Old Testament Psalms and then to Jesus and later from Jacob Boehme (1575–1624) to René Descartes (1596–1650) and Blaise Pascal (1623–1662) and then on to Nietzsche and Paul Tillich. Dostoevsky and Camus are attempts to rewrite Descartes according to their own lights and Descartes is the forefather of Sartre through the fact that they both used a "literary style". The article goes on to say,

But the orthodox, textbook precursor of modern existentialism was the Danish theologian Søren Kierkegaard (1813–1855), a lonely, hunchbacked writer who denounced the established church and rejected much of the then-popular German idealism—in which thought and ideas, rather than things perceived through the senses, were held to constitute reality. He built a philosophy based in part on the idea of permanent cleavage between faith and reason. This was an existentialism which still had room for a God whom Sartre later expelled, but which started the great pendulum-swing toward the modern concepts of the absurd. Kierkegaard spent his life thinking existentially and converting remarkably few to his ideas. But when it comes to the absurdity of existence, war is a great convincer; and it was at the end of World War I that two German philosophers, Karl Jaspers and Martin Heidegger, took up Kierkegaard's ideas, elaborated and systematized them. By the 1930s Kierkegaard's thinking made new impact on French intellectuals who, like Sartre, were nauseated by the static pre-Munich hypocrisy of the European middle class. After World War II, with the human condition more precarious than ever, with humanity facing the mushroom-shaped ultimate absurdity, existentialism and our time came together in Jean-Paul Sartre.

• "Existentialism", Life, November 6, 1964, Volume 57, No. 19 ISSN 0024-3019 Published by Time Inc. pp. 86, 102–103

Kierkegaard's comparatively early and manifold philosophical and theological reception in Germany was one of the decisive factors of expanding his works' influence and readership throughout the world.^[259][260] Important for the first phase of his reception in Germany was the establishment of the journal Zwischen den Zeiten (Between the Ages) in 1922 by a heterogeneous circle of Protestant theologians: Karl Barth, Emil Brunner, Rudolf Bultmann and Friedrich Gogarten.^[261] Their thought would soon be referred to as dialectical theology.^[261] At roughly the same time, Kierkegaard was discovered by several proponents of the Jewish-Christian philosophy of dialogue in Germany, namely by Martin Buber, Ferdinand Ebner, and Franz Rosenzweig.^[262] In addition to the philosophy of dialogue, existential philosophy has its point of origin in Kierkegaard and his concept of individuality.^[263] Martin Heidegger sparsely refers to Kierkegaard in Being and Time (1927),^[264] obscuring how much he owes to him.^{[265][266][267]} Walter Kaufmann discussed Sartre, Jaspers, and Heidegger in relation to Kierkegaard, and Kierkegaard in relation to the crisis of religion in the 1960s.^[268] Later, Kierkegaard's Fear and Trembling (Series Two) and The Sickness Unto Death (Series Three) were included in the Penguin Great Ideas Series (Two and Three).^[269]

Kierkegaard has been called a philosopher, a theologian,^[270] the Father of Existentialism,^{[271][272][273]} both atheistic and theistic variations,^[274] a literary critic,^[148] a social theorist,^[275] a humorist,^[276] a psychologist,^[13] and a poet.^[277] Two of his influential ideas are "subjectivity",^[a] and the notion popularly referred to as "leap of faith".^[245] However, the Danish equivalent to the English phrase "leap of faith" does not appear in the original Danish nor is the English phrase found in current English translations of Kierkegaard's works. Kierkegaard does mention the concepts of "faith" and "leap" together many times in his works.^[279]

The leap of faith is his conception of how an individual would believe in God or how a person would act in love. Faith is not a decision based on evidence that, say, certain beliefs about God are true or a certain person is worthy of love. No such evidence could ever be enough to completely justify the kind of total commitment involved in true religious faith or romantic love. Faith involves making that commitment anyway. Kierkegaard thought that to have faith is at the same time to have doubt. So, for example, for one to truly have faith in God, one would also have to doubt one's beliefs about God; the doubt is the rational part of a person's thought involved in weighing evidence, without which the faith would have no real substance. Someone who does not realize that Christian doctrine is inherently doubtful and that there can be no objective certainty about its truth does not have faith but is merely credulous. For example, it takes no faith to believe that a pencil or a table exists, when one is looking at it and touching it. In the same way, to believe or have faith in God is to know that one has no perceptual or any other access to God, and yet still has faith in God.^[280] Kierkegaard writes, "doubt is conquered by faith, just as it is faith which has brought doubt into the world".^[281][282]

Kierkegaard also stresses the importance of the self, and the self's relation to the world, as being grounded in self-reflection and introspection. He argued in Concluding Unscientific Postscript to Philosophical Fragments that "subjectivity is truth" and "truth is subjectivity." This has to do with a distinction between what is objectively true and an individual's subjective relation (such as indifference or commitment) to that truth. People who in some sense believe the same things may relate to those beliefs quite differently. Two individuals may both believe that many of those around them are poor and deserve help, but this knowledge may lead only one of them to decide to actually help the poor.^[283] This is how Kierkegaard put it: "What a priceless invention statistics are, what a glorious fruit of culture, what a characteristic counterpart to the de te narratur fabula [the tale is told about you] of antiquity. Schleiermacher so enthusiastically declares that knowledge does not perturb religiousness, and that the religious person does not sit safeguarded by a lightning rod and scoff at God; yet with the help of statistical tables one laughs at all of life."^[284][285] In other words, Kierkegaard says: "Who has the more difficult task: the teacher who lectures on earnest things a meteor's distance from everyday life—or the learner who should put it to use?"^[286] This is how it was summed up in 1940:

Kierkegaard does not deny the fruitfulness or validity of abstract thinking (science, logic, and so on), but he does deny any superstition which pretends that abstract theorizing is a sufficient concluding argument for human existence. He holds it to be unforgivable pride or stupidity to think that the impersonal abstraction can answer the vital problems of human, everyday life. Logical theorems, mathematical symbols, physical-statistical laws can never become patterns of human existence. To be human means to be concrete, to be this person here and now in this particular and decisive moment, face to face with this particular challenge.

— C Svere Norborg, David F. Swenson, scholar, teacher, friend. Minneapolis, The University of Minnesota, 1940, pp. 20–21

Kierkegaard primarily discusses subjectivity with regard to religious matters. As already noted, he argues that doubt is an element of faith and that it is impossible to gain any objective certainty about religious doctrines such as the existence of God or the life of Christ. The most one could hope for would be the conclusion that it is probable that the Christian doctrines are true, but if a person were to believe such doctrines only to the degree they seemed likely to be true, he or she would not be genuinely religious at all. Faith consists in a subjective relation of absolute commitment to these doctrines.^[287]

Kierkegaard's famous philosophical 20th-century critics include Theodor Adorno and Emmanuel Levinas. Non-religious philosophers such as Jean-Paul Sartre and Martin Heidegger supported many aspects of Kierkegaard's philosophical views,^[288] but rejected some of his religious views.^[289][290] One critic wrote that Adorno's book Kierkegaard: Construction of the Aesthetic is "the most irresponsible book ever written on Kierkegaard"^[291] because Adorno takes Kierkegaard's pseudonyms literally and constructs a philosophy that makes him seem incoherent and unintelligible. Another reviewer says that "Adorno is [far away] from the more credible translations and interpretations of the Collected Works of Kierkegaard we have today."^[130]

Levinas' main attack on Kierkegaard focused on his ethical and religious stages, especially in Fear and Trembling. Levinas criticises the leap of faith by saying this suspension of the ethical and leap into the religious is a type of violence (the "leap of faith" of course, is presented by a pseudonym, thus not representing Kierkegaard's own view, but intending to prompt the exact kind of discussion engaged in by his critics). He states: "Kierkegaardian violence begins when existence is forced to abandon the ethical stage in order to embark on the religious stage, the domain of belief. But belief no longer sought external justification. Even internally, it combined communication and isolation, and hence violence and passion. That is the origin of the relegation of ethical phenomena to secondary status and the contempt of the ethical foundation of being which has led, through Nietzsche, to the amoralism of recent philosophies."^[292]

Levinas pointed to the Judeo-Christian belief that it was God who first commanded Abraham to sacrifice Isaac and that an angel commanded Abraham to stop. If Abraham were truly in the religious realm, he would not have listened to the angel's command and should have continued to kill Isaac. To Levinas, "transcending ethics" seems like a loophole to excuse would-be murderers from their crime and thus is unacceptable.^{[293][incomplete short citation]} One interesting consequence of Levinas' critique is that it seemed to reveal that Levinas viewed God as a projection of inner ethical desire rather than an absolute moral agent.^[294] However, one of Kierkegaard's central points in Fear and Trembling was that the religious sphere entails the ethical sphere; Abraham had faith that God is always in one way or another ethically in the right, even when He commands someone to kill. Therefore, deep down, Abraham had faith that God, as an absolute moral authority, would never allow him in the end to do something as ethically heinous as murdering his own child, and so he passed the test of blind obedience versus moral choice. He was making the point that God as well as the God-Man Christ doesn't tell people everything when sending them out on a mission and reiterated this in Stages on Life's Way.

I conceive of God as one who approves in a calculated vigilance, I believe that he approves of intrigues, and what I have read in the sacred books of the Old Testament is not of a sort to dishearten me. The Old Testament furnishes examples abundantly of a shrewdness which is nevertheless well pleasing to God, and that at a later period Christ said to His disciples, "These things I said not unto you from the beginning—I have yet many things to say unto you, but ye cannot bear them now"—so here is a teleological suspension of the ethical rule of telling the whole truth.

— Søren Kierkegaard, "Quidam's Diary" from Stages on Life's Way, 1845. Lowrie translation, 1967, pp. 217–218.

Sartre objected to the existence of God: If existence precedes essence, it follows from the meaning of the term sentient that a sentient being cannot be complete or perfect. In Being and Nothingness, Sartre's phrasing is that God would be a pour-soi (a being-for-itself; a consciousness) who is also an en-soi (a being-in-itself; a thing) which is a contradiction in terms.^[289][295] Critics of Sartre rebutted this objection by stating that it rests on a false dichotomy and a misunderstanding of the traditional Christian view of God.^[296] Kierkegaard has Judge Vilhelm express the Christian hope this way in Either/Or:

Either, "the first" contains promise for the future, is the forward thrust, the endless impulse. Or, "the first" does not impel the individual; the power which is in the first does not become the impelling power but the repelling power, it becomes that which thrusts away. .... Thus—for the sake of making a little philosophical flourish, not with the pen but with thought-God only once became flesh, and it would be vain to expect this to be repeated.

— Søren Kierkegaard, Either – Or II, 1843. Lowrie translation 1944, 1959, 1972, pp. 40–41.

Sartre agreed with Kierkegaard's analysis of Abraham undergoing anxiety (Sartre calls it anguish), but claimed that God told Abraham to do it. In his lecture, Existentialism is a Humanism, Sartre wondered whether Abraham ought to have doubted whether God actually spoke to him.^[289] In Kierkegaard's view, Abraham's certainty had its origin in that "inner voice" which cannot be demonstrated or shown to another ("The problem comes as soon as Abraham wants to be understood").^[297] To Kierkegaard, every external "proof" or justification is merely on the outside and external to the subject.^[298] Kierkegaard's proof for the immortality of the soul, for example, is rooted in the extent to which one wishes to live forever.^[299]

Faith was something that Kierkegaard often wrestled with throughout his writing career; under both his real name and behind pseudonyms, he explored many different aspects of faith. These various aspects include faith as a spiritual goal, the historical orientation of faith (particularly toward Jesus Christ), faith being a gift from God, faith as dependency on a historical object, faith as a passion, and faith as a resolution to personal despair. Even so, it has been argued that Kierkegaard never offers a full, explicit and systematic account of what faith is.^[79] Either/Or was published 20 February 1843; it was mostly written during Kierkegaard's stay in Berlin, where he took notes on Schelling's Philosophy of Revelation. According to the Routledge Companion to Philosophy and Religion, Either/Or (vol. 1) consists of essays of literary and music criticism, a set of romantic-like-aphorisms, a whimsical essay on how to avoid boredom, a panegyric on the unhappiest possible human being, a diary recounting a supposed seduction, and (vol. II) two enormous didactic and hortatory ethical letters and a sermon.^[82][83] This opinion is a reminder of the type of controversy Kierkegaard tried to encourage in many of his writings both for readers in his own generation and for subsequent generations as well.

Kierkegaardian scholar Paul Holmer^[300] described Kierkegaard's wish in his introduction to the 1958 publication of Kierkegaard's Edifying Discourses where he wrote:

Kierkegaard's constant and lifelong wish, to which his entire literature gives expression, was to create a new and rich subjectivity in himself and his readers. Unlike any authors who believe that all subjectivity is a hindrance, Kierkegaard contends that only some kinds of subjectivity are a hindrance. He sought at once to produce subjectivity if it were lacking, to correct it if it were there and needed correction, to amplify and strengthen it when it was weak and undeveloped, and, always, to bring subjectivity of every reader to the point of eligibility for Christian inwardness and concern. But the Edifying Discourses, though paralleling the pseudonymous works, spoke a little more directly, albeit without authority. They spoke the real author's conviction and were the purpose of Kierkegaard's lifework. Whereas all the rest of his writing was designed to get the readers out of their lassitude and mistaken conceptions, the discourses, early and late, were the goal of the literature.

— Edifying Discourses: A Selection, 1958. Introduction by Paul Holmer. p. xviii.^[301]

Later, Naomi Lebowitz explained them this way: The edifying discourses are, according to Johannes Climacus, "humoristically revoked" (CUP, 244, Swenson, Lowrie 1968) for unlike sermons, they are not ordained by authority. They start where the reader finds himself, in immanent ethical possibilities and aesthetic repetitions, and are themselves vulnerable to the lure of poetic sirens. They force the dialectical movements of the making and unmaking of the self before God to undergo lyrical imitations of meditation while the clefts, rifts, abysses, are everywhere to be seen.^[302]

This article is part of a series on
Conservatism in Denmark
Principles Agrarianism Danish culture Canon Lutheranism Monarchism National romanticism Nationalism Nativism Patriotism Populism Property rights Rule of law State church Tradition
Intellectuals Bjørnvig Kierkegaard Kraft Krarup Langballe Løgstrup Møller Oehlenschläger
Politicians Kjærsgaard Kraft Krarup Langballe Mikkelsen Møller (Aksel) Møller (John) Møller (Per) Reedtz-Thott Schlüter Støjberg Vermund Ørsted
Parties Conservative People's Party Danish People's Party Denmark Democrats Free Conservatives Højre New Right People's Party Progress Party
Media Billed Bladet Dags-Telegrafen Det nye Danmark Heretica Jyllands-Posten Punch Tidehverv
Related topics Danish Realm Hate speech laws in Denmark Jyllands-Posten controversy Nordic sexual morality debate
Conservatism portal Denmark portal
v t e

Throughout retrospective analyses Kierkegaard has been viewed as an apolitical philosopher.^{[303][304][305]} Despite this, Kierkegaard did publish works of a political nature; this includes his first published essay, criticizing the movement for "women's liberation".^[306] Although Kierkegaard's earlier works might include some misogynist statements, a negative view of women is not found in his later works.^[307] In these later works, he expressed that men and women are equal before God, showed great respect for certain women, and believed that women are also capable of being faithful.^[307]

He attacked Hegelianism via elaborate parody throughout his works from Either/Or to Concluding Unscientific Postscript.^[303] Despite his objections to Hegelianism, he expressed an admiration for Hegel personally and would even regard his system favourably if it was proposed as a thought experiment.^[303]

Kierkegaard leaned towards conservatism,^[305][308] being a personal friend of Danish king Christian VIII, whom he viewed as the moral superior of every Danish man, woman, and child. He argued against democracy, calling it "the most tyrannical form of government," arguing in favour of monarchy saying "Is it tyranny when one person wants to rule leaving the rest of us others out? No, but it is tyranny when all want to rule."^[309] Kierkegaard held strong contempt for the media, describing it as "the most wretched, the most contemptible of all tyrannies".^[310][311] He was critical of the Danish public at the time, labeling them as "the most dangerous of all powers and the most meaningless,"^[310] writing further in Two Ages: A Literary Review that:

If I were to imagine this public as a person ... I most likely would think of one of the Roman emperors, an imposing, well-fed figure suffering from boredom and therefore craving only the sensate titillation of laughter, for the divine gift of wit is not worldly enough. So this person, more sluggish than he is evil, but negatively domineering, saunters around looking for variety.^[312]

Some interpret Kierkegaard's thought as implying that in regards to serving God, sexuality is irrelevant "before God not only for men and women, but also for homosexuals and heterosexuals".^[313][b]

Kierkegaard's political philosophy has been likened to neoconservatism, despite its major influence on radical and anti-traditional thinkers, religious and secular, such as Dietrich Bonhoeffer and Jean Paul Sartre.^[315] It has also been likened to anti-establishment thought and has been described as "a starting point for contemporary political theories".^[304]

Many 20th-century philosophers, both theistic and atheistic, and theologians drew concepts from Kierkegaard, including the notions of angst, despair, and the importance of the individual. His fame as a philosopher grew tremendously in the 1930s, in large part because the ascendant existentialist movement pointed to him as a precursor, although later writers celebrated him as a highly significant and influential thinker in his own right.^[316] Since Kierkegaard was raised as a Lutheran,^[317] he was commemorated as a teacher in the Calendar of Saints of the Lutheran Church on 11 November.

Philosophers and theologians influenced by Kierkegaard are numerous and include major twentieth century theologians and philosophers.^[318] Paul Feyerabend's epistemological anarchism in the philosophy of science was inspired by Kierkegaard's idea of subjectivity as truth. Ludwig Wittgenstein was immensely influenced and humbled by Kierkegaard,^[319] claiming that "Kierkegaard is far too deep for me, anyhow. He bewilders me without working the good effects which he would in deeper souls".^[319] Karl Popper referred to Kierkegaard as "the great reformer of Christian ethics, who exposed the official Christian morality of his day as anti-Christian and anti-humanitarian hypocrisy".^{[320][321][322][323][324]} Hilary Putnam admired Kierkegaard, "for his insistence on the priority of the question, 'How should I live?'".^[325] By the early 1930s, Jacques Ellul's three primary sources of inspiration were Karl Marx, Søren Kierkegaard, and Karl Barth. According to Ellul, Marx and Kierkegaard were his two greatest influences, and the only two authors of which he read all of their work.^[326] Herbert Read wrote in 1945 "Kierkegaard's life was in every sense that of a saint. He is perhaps the most real saint of modern times."^[327]

Kierkegaard has also had a considerable influence on 20th-century literature. Figures deeply influenced by his work include W. H. Auden, Jorge Luis Borges, Don DeLillo, Hermann Hesse, Franz Kafka,^[328] David Lodge, Flannery O'Connor, Walker Percy, Rainer Maria Rilke, J.D. Salinger and John Updike.^[329] What George Henry Price wrote in his 1963 book The Narrow Pass regarding the "who" and the "what" of Kierkegaard still seems to hold true today: "Kierkegaard was the sanest man of his generation....Kierkegaard was a schizophrenic....Kierkegaard was the greatest Dane....the difficult Dane....the gloomy Dane...Kierkegaard was the greatest Christian of the century....Kierkegaard's aim was the destruction of the historic Christian faith....He did not attack philosophy as such....He negated reason....He was a voluntarist....Kierkegaard was the Knight of Faith....Kierkegaard never found faith....Kierkegaard possessed the truth....Kierkegaard was one of the damned."^[330]

Kierkegaard had a profound influence on psychology. He is widely regarded as the founder of Christian psychology and of existential psychology^[331] and therapy.^[13] Existentialist (often called "humanistic") psychologists and therapists include Ludwig Binswanger, Viktor Frankl, Erich Fromm, Carl Rogers, and Rollo May. May based his The Meaning of Anxiety on Kierkegaard's The Concept of Anxiety. Kierkegaard's sociological work Two Ages: The Age of Revolution and the Present Age critiques modernity.^[148] Ernest Becker based his 1974 Pulitzer Prize book The Denial of Death on the writings of Kierkegaard, Freud and Otto Rank. Kierkegaard is also seen as an important precursor of postmodernism.^[322] Danish priest Johannes Møllehave has lectured about Kierkegaard. In popular culture, he was the subject of serious television and radio programmes; in 1984, a six-part documentary, Sea of Faith, presented by Don Cupitt, featured an episode on Kierkegaard, while on Maundy Thursday in 2008, Kierkegaard was the subject of discussion of the BBC Radio 4 programme presented by Melvyn Bragg, In Our Time, during which it was suggested that Kierkegaard straddles the analytic/continental divide. Google honoured him with a Google Doodle on his 200th anniversary.^[332] The novel Therapy by David Lodge details a man experiencing a mid-life crisis and becoming obsessed with the works of Kierkegaard.^[333]

Kierkegaard is considered by some modern theologians to be the "Father of Existentialism".^[334] Because of his influence (and in spite of it), others only consider either Martin Heidegger or Jean-Paul Sartre to be the actual "Father of Existentialism".^[335][336] Kierkegaard predicted his posthumous fame, and foresaw that his work would become the subject of intense study and research.^[337]

• (1841) On the Concept of Irony with Continual Reference to Socrates (Om Begrebet Ironi med stadigt Hensyn til Socrates; dissertation)
• (1843) Either/Or (Enten-Eller)
• (1843) Two Upbuilding Discourses (To opbyggelige Taler)
• (1843) Fear and Trembling (Frygt og Bæven)
• (1843) Three Upbuilding Discourses (Tre opbyggelige Taler)
• (1843) Repetition (Gjentagelsen)
• (1843) Four Upbuilding Discourses (Fire opbyggelige Taler)
• (1844) Two Upbuilding Discourses (To opbyggelige Taler)
• (1844) Three Upbuilding Discourses (Tre opbyggelige Taler)
• (1844) Philosophical Fragments (Philosophiske Smuler)
• (1844) The Concept of Anxiety (Begrebet Angest)
• (1844) Four Upbuilding Discourses (Fire opbyggelige Taler)
• (1845) Three Discourses on Imagined Occasions (Tre Taler ved tænkte Leiligheder)
• (1845) Stages on Life's Way (Stadier paa Livets Vei)
• (1846) Concluding Unscientific Postscript to Philosophical Fragments (Afsluttende uvidenskabelig Efterskrift)
• (1846) Two Ages: A Literary Review (En literair Anmeldelse af S. Kierkegaard)
• (1847) Edifying Discourses in Diverse Spirits (Opbyggelige Taler i forskjellig Aand)
• (1847) Works of Love (Kjerlighedens Gjerninger)
• (1848) Christian Discourses (Christelige Taler)
• (1848, published 1859) The Point of View of My Work as an Author "as good as finished" (IX A 293) (Synspunktet for min Forfatter-Virksomhed. En ligefrem Meddelelse, Rapport til Historien)
• (1849) The Sickness unto Death (Sygdommen til Døden)
• (1849) Three Discourses at the Communion on Fridays ("Ypperstepræsten" – "Tolderen" – "Synderinden", tre Taler ved Altergangen om Fredagen)
• (1850) Practice in Christianity (Indøvelse i Christendom)

• Søren Kierkegaard at Den Store Danske (in Danish)
• Manuscripts in the Søren Kierkegaard Archive in the Royal Library
• Works by or about Søren Kierkegaard at the Internet Archive
• Works by Søren Kierkegaard at LibriVox (public domain audiobooks)
• Kierkegaard by or about Kierkegaard on LibriVox
• "Kierkegaard", BBC Radio 4 discussion with Jonathan Rée, Clare Carlisle & John Lippitt (In Our Time, 20 March 2008)
• Kierkegaard from Audible audio books