Paul Alexandre Alfred Leroy (1860 in Paris – 1942) was a French painter noted for Orientalist works. He was a founding member of the Société des Peintres Orientalistes Français (Society for French Orientalist Painters) and designed the Society's first logo.
Paul Leroy | |
|---|---|
 Self Portrait by Paul Leroy | |
| Born | Paul Alexandre Alfred Leroy 1860 Paris, France |
| Died | 1942 (aged 81–82) |
| Nationality | French |
| Known for | Painting, lithography |
| Movement | Orientalist |
Life and career
editFrench by birth, Leroy spent his childhood in Odessa, where his father had a business. He lived in Odessa until age 17 years, which gave him interest in the East. In Paris, he studied at the École des Beaux-Arts. He first exhibited in 1882 and was awarded a medal.[1]
At Beaux Artes, he met Georges Landelle (1860–1898), an Orientalist painter and the pair became life-long friends. In 1885 he visited Turkey and Egypt, with Landelle and Landelle's father. In 1886 journeyed to Tunisia and Algeria, returning to the country's southern region several times during the 1880s and 1890s. During this period, Leroy studied the Arabic language, which enabled him to use the Arabic script effectively in a number of paintings and lithographs.[2]
In 1893, Leroy, along with artists, Maurice Bompard, Eugène Girardet, Alphonse-Étienne Dinet, Jean-Léon Gérôme, Jean-Joseph Benjamin-Constant and art historian, Léonce Bénédite, became founding members of the Société des Peintres Orientalistes Français which was responsible for promoting Orientalist art, mounting exhibitions and generally encouraging artists who wished to travel to the Orient.[3] The Society appropriated a logo designed by Leroy and used it on all their correspondence, catalogs, posters and menus. The logo incorporated the sickle moon, the star of David and the black hand of Fatma. The image represents Frenchmen as outsiders, who nevertheless dream of cultural integration and synthesis. Leroy's lithographs were also used extensively in the Society's graphic artwork including menus, posters and brochures.[4]
Work
editDuring his career, LeRoy painted both Orientalist scenes and religious paintings. He worked in oil, watercolours and also made lithographs.
Leroy's Portrait de sa mere is a parody of Whistler's Portrait of the Painter's Mother and won the Prix du Salon in 1884.[5]
Select list of paintings
edit- A Harem Beauty n.d.
- The Harem Dance n.d.
- Inside the Harem n.d.
- A Kabyle Student, 1892
- The Girls of Atlas, 1901
- The Musicians
- Musical Interlude
- Woman Embrodering
- An Oasis in the Sahara
- Martyr d'Amour
- Portrait of a Young Girl
- Young Women at the Cemetery
- Weaver in Biskra, Algeria
Gallery
edit-
A Young Arab Guide
-
A Blind Arab
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Playing Bones 1898
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Haman and Mordecai, 1884
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See also
editReferences
edit- ^ Les Peintres Orientalistes (1850–1914), Musée des beaux-arts, Pau (France). Musée des beaux-arts, Musée de Dunkerque - 1983 "Paul LEROY. (Paris 1860–1942) Elève de Cabanel aux Beaux-Arts, dès son premier envoi au Salon en 1882 il obtient une médaille. Son enfance à Odessa lui avait donné le goût de l'Orient et, grâce à une bourse de voyage, il passe deux ..."
- ^ Benjamin, R., Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930, University of California Press, 2003, p. 73
- ^ Jonathan M. Bloom and Sheila Blair, The Grove Encyclopedia of Islamic Art and Architecture, Volume 2, 2009, p. 5
- ^ Benjamin, R., Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930, University of California Press, 2003, pp 73–74
- ^ Corsano, K. and Williman, D., John Singer Sargent and His Muse: Painting Love and Loss, Rowman & Littlefield, 2014, p. 16