James Young Deer

Young Deer was born in the "Old Southwest" District of Washington, D.C. to George Durham Johnson and Emma Margaret Young. Census records indicated his parents were "mulatto," although the term was often ambiguously used.^[5] Young Deer (i.e., James Johnson) entered the U.S. Navy on October 8, 1898, for three years during the Spanish–American War, but he was apparently disillusioned with the Navy's "great prejudices."^[2]

Newspapers instead boasted about how he supposedly performed as a cowboy with the Barnum and Bailey Circus and Miller Brothers' 101 Ranch Wild West Show, riding as a son of the Wild West.^[6]

After meeting in Washington, D.C., Young Deer was married on April 9, 1906, to actress Lillian St. Cyr, who was known by her stage name of Red Wing. Born on the Winnebago Reservation near Omaha, she was a member of the Winnebago Tribe of Nebraska through her parents Mitchell St. Cyr and Julia Decora. St. Cyr was best known for her lead role in 1914's The Squaw Man.^[7]

Young Deer began acting in 1909 in New York in several one-reel Westerns that year. Among the film companies for which he worked were Kalem, Lubin, Vitagraph, and Biograph. He worked at one of the first independent film companies, the New York Motion Picture Company, under the Bison trademark.^[6]

In 1910, Young Deer was hired to direct for Pathé Frères. The French-based studio in Jersey City was faced with criticism that their movies were not realistic in their portrayals of the Old West, so they sent Young Deer to Edendale in Los Angeles to make Indian-themed films. His wife Red Wing acted in many of his films. Young Deer eventually ran the company's West Coast Studio operations in Edendale.^[6]

Young Deer acted in, wrote, or directed approximately 150 silent movies at Pathé's West Coast Studio.

By 1910, one-fifth of American films were Westerns, and companies worked to establish national dominance in the genre.^[8] In these early years, American Indians were "generally portrayed in a positive way," and directors often hired Native Americans as actors. Movie historian William K. Everson wrote, "[D]uring this period the Indian became accepted as a symbol of integrity, stoicism, and reliability ..."^[6]

Young Deer's films have been noted as early Westerns "without the cliches of hostile Indian warriors or wagon train attacks", although several studios at the time, especially Kalem, also portrayed Indians in a unique and favorable light.^[9] The combined talent of Young Deer and St. Cyr was due to several factors. She was educated at Carlisle and had some knowledge of Indian culture, and during the early 1900s, the film industry was adaptable and experimental.

Young Deer encountered legal troubles in California in 1913, when a 15-year-old girl alleged he assaulted her.^[10] Young Deer went overseas, working first in Great Britain. In 1914 he worked in London, shooting thrillers for British and Colonial Films that included The Queen of the London Counterfeiters and The Black Cross Gang. During World War I, a few writers have said he created documentaries in France, although no one has been able to substantiate this claim.^[4]

After he returned from Great Britain in 1914, Young Deer had a hard time finding work, as Westerns were less popular for a time. He was said to operate an acting school in San Francisco. In the 1930s, he worked occasionally as a second-unit director on independently produced low-budget B movies and serials.^[4] In July 1930, he traveled to Arizona to marry Helen Gilchrist, who died in 1937. Young Deer died in New York City on April 6, 1946, and was buried in the Long Island National Cemetery as James Young Johnson, veteran of the Spanish–American War.^[2]

Many of his early films are now lost. However, in 2008 the Library of Congress added White Fawn's Devotion, one of Young Deer's few surviving pictures, to its National Film Registry.

One of his later films, Tragedies of the Osage Hills (1926), was the first feature about the Osage murders, preceding Martin Scorsese's Killers of the Flower Moon by about a century. Tragedies of the Osage Hills is presumably a lost film.^[11]

• Lieutenant Daring RN and the Water Rats (1924) (writer)
• Neck and Noose (1919) (story) (as Jim Youngdeer)
• White Fawn's Devotion: A Play Acted by a Tribe of Red Indians in America (1910) (uncredited)

• Abel, Richard (March 15, 1999). The Red Rooster Scare: Making Cinema American, 1900–1910. Berkeley: University of California Press. ISBN 0-520-21478-1.
• Aleiss, Angela (2005). Making the White Man's Indian: Native Americans and Hollywood Movies. Westport, Conn./London: Praeger. ISBN 0-275-98396-X.
• Deloria, Philip J. (March 2006). Indians in Unexpected Places. Lawrence, Kansas: University Press of Kansas. ISBN 978-0-7006-1459-2.
• Simmon, Scott (June 30, 2003). The Invention of the Western Film: A Cultural History of the Genre's First Half Century. New York: Cambridge University Press. ISBN 0-521-55581-7.

• James Young Deer at IMDb
• Aleiss, Angela (May 2013). "Who Was the Real James Young Deer?". Bright Lights Film Journal.
• Brightwell, Eric (November 20, 2010). "Red Wing and Young Deer, the First Couple of Native American Silent Film". Retrieved February 10, 2014.
• Romeo, Joseph A. "The Moors of Delaware".
• James Young Deer at Find a Grave