Hell to Eternity

In Depression-era Los Angeles, Guy Gabaldon gets into a fight at school when another boy snitches about his breaking into a grocery store. After Japanese-American Kaz Une (the brother of Guy's physical education teacher and friend George) learns that Guy's mother is in the hospital and his father is dead, he invites Guy to stay with his family. As Kaz's parents speak little English, Guy begins to learn Japanese. Then, when Guy's mother dies, the Une family adopts him. He becomes especially close to Kaz's mother.

After the attack on Pearl Harbor and the US entry into World War II, Gabaldon's foster family is sent to an internment camp: Camp Manzanar. Gabaldon is drafted, but fails his physical exam due to a perforated eardrum. When Gabaldon goes to visit the Une family, he learns that George and Kaz have been allowed to join the Army and are fighting in Italy with the 442nd Regimental Combat Team. After making sure that "mama-san" does not object, he manages to enlist in the Marines on the strength of his language skills.

Gabaldon does not make a good first impression on Platoon Sgt. Bill Hazen at Camp Pendleton, but wins him over. When they are shipped to Hawaii to join the Regimental Intelligence section of the 2nd Marines, 2nd Marine Division, he gets himself, Hazen and Cpl. Pete Lewis bottles of whiskey and dates with two Japanese-American women and standoffish reporter Sheila Lincoln. Sheila is disgusted by the behavior of the rowdy Marines, but eventually warms up to Gabaldon after a few drinks.

Going ashore on Saipan, he freezes at first when he comes under fire for the first time, but regains his composure. He uses his Japanese language skills to persuade Japanese soldiers to surrender. In fighting against a banzai charge, Lewis is killed, and later during the bloody campaign for the island, Sgt. Hazen is shot in the leg, becomes pinned down and subsequently killed by a Japanese swordsman. Gabaldon then becomes enraged, stops talking Japanese soldiers into surrendering and starts killing them ruthlessly. After he witnesses two civilians commit suicide rather than surrender, he remembers George and "mama-san" and reverts back to the way he was before. During the final battle, he convinces the Japanese general to order approximately 1000 Japanese soldiers, and 500 civilians to surrender.

• Jeffrey Hunter as Guy Gabaldon
• David Janssen as S/Sgt. Bill Hazen
• Vic Damone as Cpl. Pete 'Junior' Lewis
• Patricia Owens as Sheila Lincoln
• Richard Eyer as Guy, as a boy
• John Larch as Capt. Schwabe
• Bill Williams as Leonard
• Michi Kobi as Sono
• George Shibata as Kaz Une
• Reiko Sato as Famika
• Richard Gardner as Polaski
• Bob Okazaki as Papa Une
• George Matsui as George, as a boy
• Nicky Blair as Martini
• George Takei as George (as George Takai)
• Miiko Taka as Ester
• Tsuru Aoki as Mother Une (as Tsuru Aoki Hayakawa)
• Sessue Hayakawa as Gen. Matsui
• Frank Gerstle as Drunken officer (uncredited)
• Paul Togawa as Freddy (uncredited)

Gramercy Pictures bought the screen rights of Gabaldon's story in June 1957. Previously, it had been featured on the TV show This Is Your Life.^[4]

Phil Karlson called it "one of the most important pictures that I may ever make because it was the true story of the Nisei, what happened in this country. But Allied Artists, even at that point, looked at it as a great war story that you could make for a price. They had no idea what I was doing."^[1]

The film was shot on location in Okinawa.^[1]

The DVD of the film was released on June 5, 2007 in the United States.

A worthwhile novelization of the screenplay was written by American writer Edward S. Aarons (1916–1975), published in a mass market, tie-in paperback edition (first printing cover price 25¢) under the Gold Medal Books imprint, with 1960 copyright assigned to Fawcett Publications. The book's presentation falls under the category of "implied novelization," as there is no attribution anywhere to the screenplay, the screenstory or their respective authors, and the front cover action illustration of two soldiers only suggests star Jeffrey Hunter in the foreground; however the back cover contains, along with brief descriptive info, a romantic still from the movie and a blurb about the film, naming the studio, the production company and the stars. Even these indicia were removed, however, with the release of a second printing, probably a year or two later. Save for the uptick in price (40¢), the front cover illustration is identical, but the back cover is white, displaying only the brief descriptive info and the symbol of the U.S. Marine Corps. Implications of the film as source material were no doubt obliterated from the book to make the most out of the by-line, as Aarons was one of Gold Medal's most popular (and prolific) authors, and would remain so until the end of his career. (Aarons is best known for his prolific "Assignment" espionage series, featuring agent Sam Durell.)

• List of American films of 1960

• Niemi, Robert (1 January 2006). History in the Media: Film and Television. ABC-CLIO. p. 100. ISBN 978-1-57607-952-2.
• Niemi, Robert James (17 October 2013). Inspired by True Events: An Illustrated Guide to More Than 500 History-Based Films: An Illustrated Guide to More Than 500 History-Based Films, Second Edition. ABC-CLIO. p. 120. ISBN 978-1-61069-198-7.
• Dick, Bernard F. (13 January 2015). The Star-Spangled Screen: The American World War II Film. University Press of Kentucky. p. 239. ISBN 978-0-8131-4895-3.
• Creef, Elena Tajima (1 January 2004). Imaging Japanese America: The Visual Construction of Citizenship, Nation, and the Body. NYU Press. p. 95. ISBN 978-0-8147-1622-9.
• Rowan, Terry (2012). WOrld War II Goes to the Movies & Television Guide. Lulu.com. p. 210. ISBN 978-1-105-58602-6.
• Goldberg, Harold J. (2 May 2007). D-Day in the Pacific: The Battle of Saipan. Indiana University Press. p. 197. ISBN 978-0-253-11681-9.
• Kluge, Paul Frederick (1991). The Edge of Paradise: America in Micronesia. University of Hawaii Press. p. 155. ISBN 978-0-8248-1567-7.
• Rosenberg, Emily S. (25 August 2003). A Date Which Will Live: Pearl Harbor in American Memory. Duke University Press. p. 146. ISBN 0-8223-8745-X.
• Hamamoto, Darrell Y.; Liu, Sandra (2000). Countervisions: Asian American Film Criticism. Temple University Press. p. 163. ISBN 978-1-56639-776-6.
• Miyao, Daisuke (7 March 2007). Sessue Hayakawa: Silent Cinema and Transnational Stardom. Duke University Press. p. 279. ISBN 978-0-8223-8982-8.
• Green, Paul (29 April 2014). Jeffrey Hunter: The Film, Television, Radio and Stage Performances. McFarland. p. 89. ISBN 978-1-4766-1441-0.
• Sharp, Jasper (13 October 2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 22. ISBN 978-0-8108-7541-8.
• Lott, M. Ray (1 January 2004). The American Martial Arts Film. McFarland. p. 219. ISBN 978-0-7864-1836-7.
• Freese, Gene Scott (10 April 2014). Hollywood Stunt Performers, 1910s-1970s: A Biographical Dictionary, 2d ed. McFarland. p. 1967. ISBN 978-1-4766-1470-0.
• Fujitani, T. (2 October 2011). Race for Empire: Koreans as Japanese and Japanese as Americans during World War II. University of California Press. p. 380. ISBN 978-0-520-95036-8.
• New York Media, LLC (18 November 1968). "New York Magazine". Newyorkmetro.com: 66. ISSN 0028-7369.

• Hell to Eternity at IMDb
• Hell to Eternity at AllMovie
• Hell to Eternity at the TCM Movie Database
• Hell to Eternity at the AFI Catalog of Feature Films