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Greek Women of Souli Running to Their Death

Greek Women of Souli Running to Their Death is an oil painting created by female French painter Constance Blanchard. Blanchard was born in Paris and she was active in the early part of the 19th century between 1820 and 1840. She created a painting entitled Jesus Christ in 1822 but also painted the full-length Portrait of Mademoiselle G (Portrait en Pied de Mme de G.) that same year.[1] Two years later she won second place in an art competition and painted The Virgin Our Lady of Good Help (Une Vierge. Notre Dame de Bon Secours), a full-length Portrait of Madame la Marquise de la V. (Portrait en Pied de Mme la Marquise de la V) and she also painted additional portraits that same year. By 1831, she completed a work entitled Assumption of the Virgin (Une Assomption) and even more portraits. In 1835, she completed another version with the same theme of the Assumption of the Virgin (Une Assomption) and by 1838 she finished the Greek Women of Souli Running to Their Death.[2] King Charles X of France presented one of her paintings with the Savior and the sister's Mary and Martha to the Sisters of the Visitation of the Georgetown Visitation Monastery in Washington, D.C.[3][4][5]

Greek Women of Souli Running to Their Death

French: Femmes grecques de Souli courant à la mort
ArtistConstance Blanchard
Yearc. 1838
MediumOil on canvas
MovementFrench School
SubjectDance of Zalongo
Dimensions343 cm × 400 cm (11.2 ft in × 13.1 in)
LocationMusée des Augustins, Toulouse, France
OwnerMusée des Augustins
WebsiteMuseum website

The Dance of Zalongo was a tragic event that occurred as a result of the Souliote War. As legend has it, sixty women and children escaped capture and fled to the mountain of Zalongo where they were trapped. Instead of surrendering which would have led to lifelong enslavement, torture, and rape the women decided to throw their children off a cliff and tragically followed them falling to their death on the rocks while singing and dancing. Countless European and American articles were written about the event and artists began to commemorate the theme.[6] Ary Scheffer painted Les Femmes Souliotes in 1827, Filippo Agricola painted Young Albanian being chased by a Turk in 1833, Dance of Zalongo was another work created by Claude Pinet in 1855, Alphonse Marie de Neuville painted Courage des femmes Souliotes around the same period and Theophilos Hatzimihail painted Dance of Zalongo in 1929. The French Ministry of Interior purchased Blanchard's Greek Women of Souli Running to Their Death on September 20, 1838, at the request of Caze, deputy for Haute-Garonne.[7] An identical unsigned painting was completed around the same period which is now in Nicosia, Cyprus at the Archbishop Makarios III Foundation Cultural Center. Blanchard's painting is on display at the Musée des Augustins in Toulouse, France.[8][7]

Description

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The work of art was created using oil paint and canvas and the height of the massive painting is: 343 cm (11.2 ft) and the width is 400 cm (13.1 ft). Delacroix popularized the Greek War for Independence (1821–1829) with a series of paintings and many French painters were eager to continue the theme.[9] The work marks the end of romanticism and the dawn of realism. Women of all ages appear and young children are scattered around the crowd of women. The woman's lavish costumes denote the traditional attire of Northern Greece around that period. The haunted expressions and frightful gazes build the anxiety of that moment. To the far left, behind the cross in the smoke, the silhouette of soldiers appears as they are approaching. The smoke from their fire darkens the sky. The children appear restless and some women embrace their small children clasped to their bosoms. One woman to our left embraces the cross, another woman prays to the cross with her right arm elevated. The female statuesque figures are wearing elaborate jewelry. A young mother wearing a turban, red scarf, and white dress clutches a little girl in a yellow dress to her breast as the young girl's back is turned to the sea. The mother staunchly climbs the cliff and drags a little boy in a white fustanella wearing a blue jacket and pants embroidered with white. He supports himself on his feet and refuses to fall from the cliff into the sea below onto the distant rocky coast.[7][10]

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References

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  1. ^ Siret 1883, p. 105.
  2. ^ Bellier de La Chavignerie & Auvray 1882, p. 97.
  3. ^ Walsh 1917, p. 328.
  4. ^ Alatis 1990, p. 72.
  5. ^ Bénézit 1924, p. 605.
  6. ^ Percy, Sholto; Percy, Reuben, eds. (1823). "War". The Percy Anecdotes, Original and Select. Heroism-War. Vol. 7. London, UK: Brothers of the Benedictine Monastery. Retrieved March 24, 2024. One hundred women and children, being cut off from the rest, fled towards a steep precipice at a little distance from the convent: there the innocent babes were thrown over the rocks by their despairing mothers, whilst the women themselves, preferring death to the dishonor that awaited them joined in hand in hand and raising their minds to the highest pitch of enthusiasm by songs in honor of their lost country they whirred round and round in a species of frantic dance like ancient Thyades, till they approached the very edge of the cliff; then with a very loud shout of defiance, and as it were by a preconcerted signal, one and all threw themselves headlong down.
  7. ^ a b c Staff Writers (April 1, 2024). "Femmes Grecques de Souli Courant à la Mort - Des Femmes Grecques Réfugiées sous un Rocher" [Greek Women of Souli Running to Their Death - Greek Women Taking Refuge on a Rock]. Toulouse, France: Musée des Augustins. Archived from the original on March 24, 2024. Retrieved April 1, 2024.
  8. ^ Athanassoglou-Kallmyer 1989, p. 109.
  9. ^ Kleiner 2009, pp. 344.
  10. ^ Briant 1908, pp. 32–33.

Bibliography

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