Gate of Flesh

Gate of Flesh
Gate of Flesh
Directed by	Seijun Suzuki
Written by	Taijiro Tamura; Goro Tanada;
Produced by	Kaneo Iwai
Starring	Joe Shishido; Satoko Kasai; Yumiko Nogawa;
Cinematography	Shigeyoshi Mine
Music by	Naozumi Yamamoto
Distributed by	Nikkatsu
Release dates	May 31, 1964 (Japan); December 11, 1964 (U.S.);
Running time	90 minutes
Country	Japan
Language	Japanese

Gate of Flesh (Japanese: 肉体の門, Hepburn: Nikutai no mon) is a 1964 Japanese film based on a novel by Taijiro Tamura and directed by Seijun Suzuki.^[1]^[2]^[3] The first of Suzuki's "flesh trilogy" (followed by Story of a Prostitute and Carmen from Kawachi), the series is considered the "crowning achievement" of his period working at the production house Nikkatsu.^[4]^[5] The film is viewed as a direct and allegorical critique of Japan's Occupation and subsequent development, which rather than breaking with the country's pre-war militaristic, authoritarian social structures only sees their reconstitution in the post-war period.^[6]^[7]

Plot

In an impoverished and burnt out Tokyo ghetto of post-World War II Japan, a band of prostitutes defend their territory, squatting in a bombed-out building. Somehow they eke out a living together. Forming a sort of family in an environment where everyone (American soldiers and Japanese yakuza) is a potential antagonist, the girls cajole each other, and ruthlessly punish any of their group who violate the cardinal rule—no falling in love. A new girl, Maya (Yumiko Nogawa), joins their group and learns the trade. An ex-soldier, Shintaro Ibuki (Joe Shishido), is shot nearby and holes up with the girls. Each of them starts to crave Ibuki, placing strains on the group. Maya feels it worst, seeing him as replacement for her brother (who died in Borneo). She takes him for a night of drunken revelry, and both are ostracized. Agreeing to run away together, he is shot in a double-cross, and she is left as she was at the beginning of the film—alone and hopeless.^[7]^[8]

Production

A conceptual sketch by production designer Takeo Kimura for Gate of Flesh (1964).

Planned as an "adult release" (Japanese films were classified by the country's film board as "general release" or "adult"), the usual pace of production at Nikkatsu (10 days pre-production, 25 days shooting, three days post-production) allowed Suzuki and his innovative production designer Takeo Kimura precious little time to construct sets to recreate post-war firebombed Tokyo. Sets were slapped together on the backlot using materials purloined from studio warehouses, and theatrical set design techniques which could compromise the film's "realism." The resulting production has been lauded for its resulting visual flair.^[9]

Most female actresses at Nikkatsu refused to work in the film due to the nudity and subject matter, so the cast's female roles were filled by actresses from outside the studio.^[9]

Cast

Joe Shishido as Shintaro Ibuki
Yumiko Nogawa as Borneo Maya
Kōji Wada as Abe
Tomiko Ishii as Roku
Kayo Matsuo as Mino
Misako Tominaga as Machiko
Keisuke Noro as Ishii
Chico Lourant as Catholic Priest
Isao Tamagawa as Horidome
Satoko Kasai as Komasa Sen

Other versions

There are three other film versions (1948), (1977), (1988 starring Katase Rino), and a recent 2008 TV drama series.

References

^ "浮浪する仙人鈴木清順". イントロ. Retrieved 29 December 2020.
^ "デジタル大辞泉「肉体の門」の解説". KOTOBANK. Retrieved 22 July 2021.
^ "肉体の門". wowow. Retrieved 22 July 2021.
^ Lund, Carson (13 May 2016). "Time and Place are Nonsense! The Cinema According to Seijun Suzuki". Harvard Film Archive. Retrieved 31 August 2024.
^ Sharp, Jasper (13 October 2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 229. ISBN 978-0-8108-7541-8.
^ Yacavone, Peter A. (2023). Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun. University of Michigan Press. p. 171. doi:10.1353/book.112009. ISBN 978-0-472-90347-4.
^ ^a ^b Ingle, Zachary (1 January 2015). "Seijun Suzuki: Transcending Genre, Offending Nikkatsu". In Berra, John (ed.). Directory of World Cinema: Japan 3. Intellect Books. pp. 168–172. ISBN 978-1-78320-404-5.
^ Sanders, Jason (25 February 2016). "Gate of Flesh". Berkeley Art Museum and Pacific Film Archive. Retrieved 1 September 2024.
^ ^a ^b Suzuki, Seijun; Takeo Kimura (2005). Gate of Flesh (Interviews) (DVD). The Criterion Collection. Archived from the original on 26 September 2007. Retrieved 2 January 2007.

External links

Gate of Flesh at IMDb
Gate of Flesh at AllMovie
Gate of Flesh: I Love in Fear an essay by Chuck Stephens at the Criterion Collection
Gate of Flesh (in Japanese) at the Japanese Movie Database

[1] "浮浪する仙人鈴木清順". イントロ. Retrieved 29 December 2020.

[2] "デジタル大辞泉「肉体の門」の解説". KOTOBANK. Retrieved 22 July 2021.

[3] "肉体の門". wowow. Retrieved 22 July 2021.

[4] Lund, Carson (13 May 2016). "Time and Place are Nonsense! The Cinema According to Seijun Suzuki". Harvard Film Archive. Retrieved 31 August 2024.

[5] Sharp, Jasper (13 October 2011). Historical Dictionary of Japanese Cinema. Scarecrow Press. p. 229. ISBN 978-0-8108-7541-8.

[6] Yacavone, Peter A. (2023). Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun. University of Michigan Press. p. 171. doi:10.1353/book.112009. ISBN 978-0-472-90347-4.

[:0-7] Ingle, Zachary (1 January 2015). "Seijun Suzuki: Transcending Genre, Offending Nikkatsu". In Berra, John (ed.). Directory of World Cinema: Japan 3. Intellect Books. pp. 168–172. ISBN 978-1-78320-404-5.

[8] Sanders, Jason (25 February 2016). "Gate of Flesh". Berkeley Art Museum and Pacific Film Archive. Retrieved 1 September 2024.

[CC_DVD-9] Suzuki, Seijun; Takeo Kimura (2005). Gate of Flesh (Interviews) (DVD). The Criterion Collection. Archived from the original on 26 September 2007. Retrieved 2 January 2007.

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