Else Oppler-Legband (21 February 1875 in Nuremberg – 7 December 1965 in Überlingen) was a German architect and interior designer, costume designer and stylist.[1]
Else Oppler-Legband | |
|---|---|
 Else Oppler-Legband, portrait photo by Minya Diez-Dührkoop, 1907 | |
| Born | Else Oppler 21 February 1875 |
| Died | 7 December 1965 (aged 90) |
| Nationality | German |
| Citizenship |
|
| Alma mater | Academy of Fine Arts, Munich |
| Occupations |
|
| Movement | Reformkleidung |
| Spouse | Paul Legband (1904–) |
| Partner | Peter Behrens (1920–) |
She is one of the representatives of the Victorian dress reform which aimed to free women from sacramental constraints by reforming women's fashion in the 1910s and 1920s. She also worked for the cinema at the turn of the 1920s as costume designer and set designer.[2][3][4][5]
Early years
editElse Oppler-Legband was one of the representatives of the so-called [[[Lebensreform]]] Error: {{Lang}}: invalid parameter: |translation= (help) of Fashion in the 1910s and 1920s, centered in Berlin. In innovative circles of design and architecture, aesthetic interest in naked forms, devoid of ornamentation, spread from fashion to architectural theory.[5]
Wedding
editIn 1904, Oppler married the artistic director, director and stage designer Paul Legband (1876–1942). Around 1913, she and her husband worked in Freiburg im Breisgau. From 1913 at the latest, she is documented as a member of the [[[Deutscher Werkbund]] (DWB)] Error: {{Lang}}: invalid parameter: |translation= (help).[6]
Costume designer and set designer for the cinema
edit- 1919: König Nicolo
- 1920: Der Schwarm der höheren Töchter
- 1920: Schwarzwaldmädel
- 1920: Die Kronjuwelen des Herzogs von Rochester
- 1922: Marie Antoinette, das Leben einer Königin
Last years
editAfter the Nazi seizure of power in March 1933, the Jew Oppler-Legband was forced to flee. She first went to the Netherlands, then to South Tyrol in fascist Italy and finally to Sweden. After the end of World War II, she returned in 1952 to Germany and lived in Überlingen on Lake Constance until her death on 7 December 1965.[6]
Literature
edit- Else Oppler-Legband: Die Höhere Schule für Dekorationskunst. In: Durchgeistigung der deutschen Arbeit. Jahrbuch des Deutschen Werkbundes 1912, Jena 1912, S. 105–110.
- Gaby Franger: Else Oppler – Eine außergewöhnliche Künstlerin, 1875–1965. Nürnberg 2023, ISBN 978-3-935225-16-8
External links
edit- Else Oppler | ein Vortrag von Claus Pese, in German, retrieved: 2 September 2024.
References
edit- ^ "Schicksalsjahre". Else Oppler | ein Vortrag von Claus Pese (in German). Retrieved 2023-10-01.
- ^ (en) Anna Brzyski, Partisan Canons, Duke University Press, 2007, 376 p. (ISBN 978-0-8223-9037-4, lire en ligne [archive]), " Masculine reason or feminine spirit ".
- ^ Claudia Frosch-Hoffmann: Chemie zwischen Nürnberg und Fürth Abhandlungen der Naturhistorischen Gesellschaft zu Nürnberg, Abh. 48, (2017), S. 92–107.
- ^ Lorenz Josef Reitmeier: Dachau: der berühmte Malerort; Kunst und Zeugnis aus 1200 Jahren Geschichte; vorgestellt in zwölf Themen mit Nachträgen zur Trilogie "Dachau - Ansichten aus zwölf Jahrhunderten" und einer Dachauer Künstlerliste. Stadt Dachau, Dachau, 1989. ISBN 3-7991-6464-2.
- ^ a b Else Oppler-Legband: Die Höhere Schule für Dekorationskunst. In: Durchgeistigung der deutschen Arbeit. Jahrbuch des Deutschen Werkbundes 1912, Jena 1912, S. 105–110.
- ^ a b filmportal.de: Else Oppler-Legband, in German, retrieved: 22. September 2024