Border Incident is a 1949 American film noir featuring Ricardo Montalbán, George Murphy, and Howard Da Silva. Directed by Anthony Mann, the MGM production was written by John C. Higgins from a story by John C. Higgins and George Zuckerman. The film was shot by cinematographer John Alton, who used shadows and lighting effects to involve an audience despite the fact that the film was shot on a low budget.[2]
| Border Incident | |
|---|---|
 Theatrical release poster | |
| Directed by | Anthony Mann |
| Screenplay by | John C. Higgins |
| Story by | John C. Higgins George Zuckerman |
| Produced by | Nicholas Nayfack |
| Starring | Ricardo Montalbán George Murphy Howard Da Silva James Mitchell |
| Cinematography | John Alton |
| Edited by | Conrad A. Nervig |
| Music by | André Previn |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 94 minutes |
| Country | United States |
| Language | English |
| Budget | $749,000[1] |
| Box office | $908,000[1] |
Plot
editThis article needs a plot summary. (April 2024) |
Two agents, one Mexican (PJF) and one American, are tasked to stop the smuggling of Mexican migrant workers across the border to California. The two agents go undercover, one as a poor migrant.
Cast
edit- Ricardo Montalbán as Pablo Rodriguez
- George Murphy as Jack Bearnes
- Howard Da Silva as Owen Parkson
- James Mitchell as Juan Garcia
- Arnold Moss as Zopilote
- Alfonso Bedoya as Cuchillo
- Teresa Celli as Maria Garcia
- Charles McGraw as Jeff Amboy
- José Torvay as Pocoloco
- John Ridgely as Mr. Neley
- Arthur Hunnicutt as Clayton Nordell
- Sig Ruman as Hugo Wolfgang Ulrich
- Jack Lambert as Chuck
- Otto Waldis as Fritz
Production
editThe film was among a number of lower budgeted movies produced at MGM under the regime of Dore Schary.[3]
According to Mann, "Metro said: ‘Make whatever picture you want.' John [Alton] and I had thought of doing Border Incident, because the guys there were also involved with the Federal agents and T Men. Through the research we had made with T Men we found the fantastic story of the Border Incident boys. We made it on location, but it was really not Metro’s cup of tea. When it came out, they were flabbergasted. It wasn’t anything they thought a motion picture should be!"[4]
Reception
editAccording to MGM records the film earned $580,000 in the US and Canada and $328,000 overseas resulting in a loss of $194,000.[1]
Critical response
editRoger Westcombe compared the film to classic Westerns: "Yet far from a typical Western's sense of freedom, Border Incident shares with [director Mann's previous film noir] T-Men that film's inky, submerged visual quality. These are 'wide' but not 'open' spaces, as Alton's beautifully registered grey-toned but grim visuals make the distant horizons as closed as the American border. The constant presence of vulnerable, innocent peasants adds a piquancy to Border Incident, raising the stakes from the destiny of a mere two police agents to that of an entire underclass."[5]
References
editNotes
edit- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ Border Incident at the AFI Catalog of Feature Films.
- ^ Thomas F. Brady Special to The New York Times (Dec 21, 1948). "Metro is Planning Low-Budget Films: 'Border Incident,' To Be Made Next Year, First of Series – Cost Set at $550,000". New York Times. p. 33.
- ^ Wicking, Christopher; Pattinson, Barrie (July–October 1969). "Interviews with Anthony Mann". Screen. Vol. 10. p. 37.
- ^ Westcombe, Roger Archived March 1, 2005, at the Wayback Machine. Big House Film, review. Last accessed: December 25, 2007.
Bibliography
edit- Harry Tomicek: Das grosse Schwarz. Border Incident, von Anthony Mann, Kamera: John Alton (1949). In: Christian Cargnelli, Michael Omasta .(eds.): Schatten. Exil. Europäische Emigranten im Film noir. PVS, Vienna 1997, ISBN 3-901196-26-9.