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Lee (2023)
A Powerful Biopic
We were lucky to catch a preview of "Lee" tonight and what a film it is.
This biopic about Lee Miller is not only a powerful look at her incredible life but also a strong reminder of the horrors of war. As both a groundbreaking photographer and war correspondent, the film captures the devastating things she witnessed and the emotional toll they took on her.
The storytelling is gripping and moving, offering a deep look into resilience, art, and humanity in the face of such atrocities. I highly recommend checking it out when it comes out in Australia later this month - it's a film that will stay with you.
It's What's Inside (2024)
Mind-Bending Madness
I'll just start by saying I LOVED this movie. "It's What's Inside" is the most hilariously chaotic ride you can imagine, with body-swapping, secret crushes, and more questionable decisions than my search history. The shots are seriously inventive too - I'm talking split-screens, animation, colours going wild. You rarely get something this unique and funny, with an actual plot that doesn't feel like it was pulled from a template. It's the perfect blend of clever and absurd, and you can't help but appreciate the originality. Honestly, original ideas like this don't come around every day, and when they do, they slap.
And the cast? Incredible. Not only did they nail their roles, but it's so refreshing that none of them are super recognizable. It let the plot shine instead of the usual "oh look, that guy again" moments. Plus, the chemistry between them is off the charts-awkward, funny, and at times weirdly emotional. I totally get why Netflix snatched this film up straight after Sundance - it's like finding out your weird cousin's hobby is actually a million-dollar idea. They saw the magic here - this film is unique, funny, and so refreshing that it feels like you've been waiting for something like this without even knowing it. Trust me, you don't want to miss it!
El hoyo 2 (2024)
Lawless Descent
"The Platform" (2019) is an absolute masterpiece - one of the most bleak and brutal films I've ever seen. It left such a lasting impression on me with its brutal, unflinching look at human nature and the terrifying struggle for survival that I've watched it multiple times - something I almost never do. "The Platform 2", while not quite on the same level, is still an intense, gripping experience that I really enjoyed. It's just as bleak and brutal, with razor-sharp social commentary on socialism, law, and power dynamics. It raises all the right questions, making it a thought-provoking follow-up.
What makes "The Platform 2" stand out is its brilliant exploration of how societies function under stress, and how ideals like socialism break down in the face of human greed and desperation. The brutality and bleakness return in full force, delivering another round of intense, unsettling moments. While it doesn't quite match the original's impact, the film still offers amazing social commentary that pushes you to think about fairness, power, and survival in an unforgiving world.
Joker: Folie à Deux (2024)
That's All Folks
As someone who genuinely enjoyed the original Joker, I went into "Joker: Folie à Deux" with high hopes, but unfortunately, I left feeling conflicted. While Joaquin Phoenix still gives an intense performance and Lady Gaga brings her own unique energy, the movie feels scattered and lacks the depth that made the first film so captivating.
The choice to make this a musical, even as a huge musical fan, threw me off. It's such a strange medium for this kind of story. Some of the musical numbers work, but many feel misplaced or unnecessary, detracting from the tension and grit that defined the original. The music itself is well-executed, but the film doesn't fully commit to being a musical or a psychological thriller, and that left me feeling like it was trying to do too much without fully succeeding in either.
Ultimately, it was a strange mix of genres that left me feeling confused and underwhelmed, which is disappointing given how much I liked the original film.
Wolfs (2024)
Howl About That: Clooney and Pitt's Big Bad Flop in "Wolfs"
Don't get me wrong, I love both Clooney and Pitt, but 'Wolfs' looked bad in the trailer and, incredibly, it's even worse in real life. The film feels like a parody of itself-two iconic actors stuck in a low-stakes action comedy where the only thing running higher than the car chase speeds is the level of my disappointment. Watching Clooney and Pitt bicker their way through New York like squabbling siblings is more cringe-worthy than captivating. It's almost as if Jon Watts thought, 'Who needs a compelling plot or a real antagonist when we have these two?' Spoiler alert: we do.
Even the occasional laughs and stunning visuals can't save this movie from feeling like a watered-down 'Ocean's 14' crossed with an uninspired buddy cop drama. The film's visuals and the slick portrayal of New York are about the only things it has going for it. Unfortunately, no amount of glossy cinematography can mask the shallow narrative and low stakes. Watts appears to have banked entirely on Clooney and Pitt's star power to carry the movie, forgetting that even the best actors need a story worth telling. The result is a film that's as exhausting as it is disappointing, with the two leads trapped in a never-ending cycle of banter that's more tiresome than entertaining. It's a movie that somehow manages to make a car chase boring, which is quite an achievement in itself.
Never Let Go (2024)
Creepy And Original
I've been a fan of Alexandre Aja ever since "The Hills Have Eyes", and Never Let Go" definitely showcases his signature style. The concept is intriguing, blending psychological tension, survival, and supernatural horror. There are some genuinely creepy moments, and the performances, especially from Halle Berry and the younger cast, are standout. I'm excited to see more from these kids.
That said, the film felt a bit disjointed and messy in parts. The atmosphere is effectively eerie, but the storytelling loses focus. The ending felt unresolved, leaving me wanting more closure, although I understood what it was trying to say. Still, it's a very decent and original watch, even if I hoped for a stronger payoff.
Megalopolis (2024)
A Glorious Trainwreck
Full disclosure: This film is a disaster of epic proportions-an absolute train wreck that careens off the tracks, crashes, and then somehow sets itself on fire. It's so bad, it's almost brilliant, the kind of so-awful-it's-genius nightmare that future cult fans will rave about. And you know what? I respect the hell out of Coppola for it. The guy is a cinematic legend who just decided to throw all caution (and coherence) to the wind and go full mad scientist on this. It's a glorious, unfiltered mess from the mind of a genius who clearly stopped caring about what anyone thinks. Bravo, you magnificent lunatic! 👏🏻
Siksa Kubur (2024)
Brace Yourself
Netflix often drops international horror films with little promotion, so I'm here to keep you in the loop. If you're into chilling stories, I highly recommend "Grave Torture", the latest from Indonesian horror master Joko Anwar (known for Satan's Slaves and Impetigore). It's streaming now, and trust me, it's worth watching!
"Grave Torture" grabs you right from the fantastic opening scene and never loosens its grip. The film masterfully builds tension, keeping you on edge with every twist and turn. Joko Anwar creates an atmosphere so thick with dread that it's impossible to look away, no matter how unsettling things get.
If you're after something truly creepy, this is it. The slow-burn suspense and chilling moments will stick with you long after it's over. "Grave Torture" is a must-watch for horror fans looking for a film that delivers on every front.
The Wild Robot (2024)
Heartfelt Masterpiece
I was lucky enough to attend a preview screening of "The Wild Robot", and it quickly became one of my favourite films this year. This beautifully animated movie goes beyond just being family-friendly; it's an emotional and thought-provoking experience. From the stunning visuals to the heartwarming story, "The Wild Robot" delivers powerful messages about empathy, connection, and what it means to belong.
The film effortlessly blends lighthearted moments with deeper emotional themes, making it an instant classic in my eyes. I was an emotional wreck (in the best possible way) for most of it, completely immersed in the story and the characters' experiences. It's rare to find an animated film that strikes a chord so deeply, and I can't recommend it enough. "The Wild Robot" is a true 10/10, and I'm excited to see how it touches others just as it did me.
Speak No Evil (2024)
A Safe Remake That Loses Its Voice
I wanna preface this by saying that the original *Speak No Evil* was my favorite horror of 2023. The 2024 remake, however, feels like a shell of its former self. While the first 75% is almost a shot-for-shot remake, it's missing the tension and bleakness that made the original so gripping. Instead of the slow-burning dread, we're given a much safer, polished version that, frankly, falls flat. The unsettling atmosphere is replaced by much safer choices, making it a dull experience for anyone who appreciated the depth of the original. There are moments where you can see what they were going for, and I did appreciate the homage to "The Shining" in one particular scene-it was a nice touch. But overall, it doesn't hit the same.
The most frustrating part is the change to the ending, which comes off as completely nonsensical and adds nothing to the story. It feels like an attempt to set the film apart, but it does so at the expense of logic and coherence. I've always had a pet peeve about movie remakes that dumb down the original plot, as if questioning the intelligence of their audience, and this one is a prime example. And to top it all off, Scoot McNairy's performance was lackluster at best, adding nothing to a remake that was already teetering on the edge of disappointment.
Blink Twice (2024)
Insanely Good
Zoë Kravitz has knocked it out of the park with "Blink Twice", her directorial debut that outshines the work of many veteran filmmakers. The chemistry between the cast is electric, especially with Naomi Ackie and Channing Tatum, who both deliver standout performances. The film is a masterclass in building tension, keeping you hooked from start to finish with its suspenseful and deeply satisfying plot. However, it's not for the faint of heart-there's a level of brutality here that warrants a trigger warning, though it's handled with a certain finesse that adds to the film's intensity.
What's surprising, though, is how funny the film can be, with moments of dark humor that are perfectly timed where we found ourselves chuckling A LOT. And the cinematography? Absolutely stunning. Every shot is so visually rich, it's like a feast for the eyes-my inner aesthetic snob was completely satisfied. It's also great to see Channing Tatum stepping into something so different from his usual roles; his performance here is superb and shows real range. Overall, "Blink Twice"is a thrilling and visually gorgeous film that marks an insanely good start for Kravitz as a director.
Alien: Romulus (2024)
"Alien: Romulus" - Nostalgia Overload with a "Prometheus" Punch"
*Alien: Romulus* is fan service galore, and honestly, I didn't expect to enjoy it as much as I did. The movie is packed with callbacks, Easter eggs, and familiar faces that hit all the right nostalgic notes. Even though I went in with low expectations, I found myself grinning at all the little nods to the franchise's past. Sure, it leans heavily into what fans want, but sometimes, that's exactly what you're in the mood for-something that feels like a love letter to the universe you grew up with.
The third act, though, is where the movie truly shines, feeling more like *Prometheus* than the original *Alien*. It ramps up the tension and delivers on the action in a way that had me on the edge of my seat. The pacing, the visuals, and the intensity all come together to create a climax that captures the haunting, sci-fi spectacle that *Prometheus* brought to the series. Even if the earlier parts of the movie felt a bit too reliant on nostalgia, the final act stands on its own, reminding us why this franchise has endured for so long. It's a satisfying conclusion that left me pleasantly surprised and genuinely entertained.
The Crow (2024)
Sets A New Standard For Unnecessary Remakes
"The Crow" (2024) is a cinematic marvel in how it redefines the boundaries of sheer mediocrity. One can only wonder why anyone thought this remake needed to exist. Yet, here we are, with a movie that somehow manages to be phenomenally bad and borderline unwatchable. While the original "The Crow" had its flaws, it at least had a coherent atmosphere and some sense of charm-qualities that are utterly absent in this trainwreck of a remake. Despite Bill Skarsgård's undeniable talent, even he can't save this trainwreck from its shocking, cringe-worthy dialogue and complete lack of chemistry between its leads.
Perhaps the filmmakers thought they were crafting something dark and gritty, but instead, they've delivered a two-hour long exercise in how to ruin a cult classic. The action scenes are as lifeless as the plot, and the attempt at a "realistic" approach only serves to strip away any of the gothic charm that made the original even remotely interesting. It's a glossy noir fairy tale gone horribly wrong, and the real horror lies not in the film's content, but in the fact that it was made at all.
Strange Darling (2023)
A Wild Ride
Wow, what a wild ride "Strange Darling" was! This movie hooked me from the start with its clever non-linear storytelling. The shifting perspectives kept me constantly guessing, making the entire experience feel like a puzzle unraveling in real-time. Willa Fitzgerald and Kyle Gallner deliver standout performances, bringing intense energy and depth to their roles, which only adds to the film's intrigue.
The movie breathes fresh life into the horror-thriller genre, with a cat-and-mouse tension that never lets up. Just when you think you've figured it out, it throws another twist your way. The cinematography, shot on 35mm film, gives it a vivid and gritty feel that perfectly complements the suspenseful narrative.
It's easily one of the best horror-thrillers of the year, a truly exhilarating and unsettling experience that keeps you on the edge of your seat from start to finish.
La Cocina (2024)
A Missed Opportunity
Unpopular opinion: not every movie needs a 2.5-hour runtime. "La Cocina" (who I've been wanting to watch since its "Sundance" premiere) is a perfect example of this, feeling unnecessarily drawn out and lacking depth. While the film has its strengths-like its exploration of multiculturalism in a Manhattan restaurant-too much of it feels disjointed and unfocused. The narrative tries to juggle too many elements, resulting in a plot that feels messy and uneven. At times, it almost feels like it would have worked better as a play rather than a movie.
That said, there are parts of "La Cocina" that truly stand out. The multicultural dynamics in the restaurant setting are fascinating, and I wish they had been explored more deeply. The cinematography is stunning, especially with its black-and-white visuals that add a striking, artistic flair. But despite these highlights, the film's ambition ultimately outweighs its execution, leaving it feeling more like a missed opportunity than a compelling watch.
The Outrun (2024)
Stunning But Ultimately Underwhelming
We caught "The Outrun" at MIFF, and while the film boasts a haunting atmosphere and a standout performance from Saoirse Ronan, it ultimately left me underwhelmed. The Orkney Islands provide a stunning backdrop that mirrors Rona's internal struggles, and Ronan skillfully brings depth to her character. The film's mood is immersive, drawing you into the isolation and emotional turmoil that define Rona's journey.
However, the story itself felt long and drawn out, which made the experience more tedious than engaging. Themes of addiction, recovery, and confronting one's past have been explored many times in cinema, often with more impact and nuance. Unfortunately, "The Outrun" doesn't add much new to this familiar territory, making it feel like a missed opportunity despite its strong atmosphere and performances.
The Substance (2024)
Believe The Hype
Believe the hype - "The Substance" is even better than they say. From the opening scene, this film grabs you with its stunning cinematography and powerhouse performances by Demi Moore and Margaret Qualley. The 2.5-hour runtime flies by, leaving you wishing it would never end. This movie is an instant cult classic, blending a fantastic score with razor-sharp social satire that feels both timely and timeless.
What really sets "The Substance" apart is its homage to Kubrick, infused with a fresh, female-driven perspective that makes every moment feel uniquely powerful. Coralie Fargeat has crafted a horror experience that's exactly what Cronenberg should be doing now-clever, grotesque, and endlessly captivating. Loved it, loved it, loved it.
Ibelin (2024)
A Must See
Ibelin is a deeply moving documentary that beautifully captures the unexpected ways people connect in the digital world. It tells the story of Mats Steen, a young Norwegian gamer who passed away at 25 from a degenerative muscular disease. His parents, who believed Mats lived a lonely and isolated life, were overwhelmed when they started receiving heartfelt messages from his online friends around the globe. Through these messages, the film reveals how gaming gave Mats a sense of belonging and deep friendships that defied the physical limitations of his condition.
Watching Ibelin was an emotional experience; almost everyone in the theater, including us, was in tears. The film is both heartwarming and heartbreaking, as it shows how Mats' life, though marked by illness, was filled with meaningful connections. It challenges the idea that a fulfilling life must look a certain way and reminds us that friendship and love can flourish in the most unexpected places. This story has left a lasting impression on us and is hands down our favourite at MIFF this year.
Wake Up (2023)
A Killer Good Time
"Wake Up" is the sort of film that has you rooting for the masked villain before the opening titles are done. And why not? It's not every day you see a group of overly earnest eco-warriors break into an IKEA to "save the planet," only to discover they've wandered into a nightmare.
The plot is sheer brilliance. A band of young activists decide that vandalising flat-pack furniture will save the world, only to find themselves at the mercy of a hunting-obsessed night guard who's far more interested in adding to his personal collection than protecting corporate property. Honestly, by the time the first bookcase was vandalized, I was on the guard's side.
As a fan of the genre, I found "Wake Up" a refreshing departure from the usual tired tropes. The film keeps you engaged from start to finish, with plenty of moments that had me both cringing and chuckling. The social satire? Sharp enough to slice through a coffee table. The filmmakers have managed to mock everything from corporate greed to eco-activism, all while keeping things bloody entertaining.
In the end, "Wake Up" kept me wide awake and wanting more. If you're after a slasher with a bit of bite-and a lot of wit-this one's well worth a watch.
The Shrouds (2024)
High-Tech, Low-Effort
David Cronenberg's latest cinematic offering, "The Shrouds," left me pondering one burning question: Did Elon Musk finance this as a 2-hour Tesla commercial, or was it just a happy accident? 🤑
In a plot that feels like a well-worn shroud itself, Karsh, an innovative businessman (read: Tesla enthusiast), builds a device to connect with the dead inside burial shrouds. If this sounds familiar, that's because Cronenberg has done it all before (voyeurism, obsession with death)-only much better, with fewer gadgets and more substance.
The film drifts through themes of grief, technology, and, of course, an obligatory dystopian future with bad Russians/Chinese. All the while, you're left wondering why any of this needed to exist in 2024, except as a reminder us to treat data security seriously.
In the end, The Shrouds might only serve to remind us of how much better Cronenberg's earlier work was-or maybe just how much we all need a Tesla.
Black Box Diaries (2024)
Shining a Light on Silencing and Survival
"Black Box Diaries" is a deeply moving and courageous documentary that tackles a social issue that is still shrouded in stigma yet destroys countless lives. Directed by Shiori Ito, the film recounts her own harrowing experience of sexual assault by a prominent journalist in Japan, an event that made her a key figure in the country's #MeToo movement. Through raw and intimate footage, Ito bravely documents her journey to seek justice in a legal system that had seen little change in over a century. Her story isn't just a personal account-it's a powerful critique of the systemic failures that have long silenced survivors.
What makes "Black Box Diaries" truly stand out is how it balances the personal with the universal. Ito's willingness to turn the camera on herself, capturing her emotions and struggles, brings a deep sense of authenticity to the film. At the same time, it sparks a much-needed conversation about sexual violence and the urgent need for change, both in Japan and globally. The documentary is not just a retelling of one woman's fight for justice-it's a powerful call to action, reminding us of the ongoing battle many survivors face and the importance of challenging the systems that continue to let them down.
Borderlands (2024)
The Guilty Pleasure You Didn't Know You Needed
If you're looking for a deep, thought-provoking cinematic masterpiece, "Borderlands" is definitely *not* the movie for you. But if you're in the mood for some dumb fun with high energy, over-the-top action sequences, and a plot that's as ridiculous as it is entertaining, then grab some popcorn and enjoy the ride. The film doesn't take itself too seriously-thankfully-so neither should you. I haven't played the video game, but I can imagine the movie stays somewhat true to its chaotic, anything-goes spirit. The only downside? I wish we got to see more of the quirky, wild world that's teased in the background.
Now, let's talk about those brave souls declaring "Borderlands" the "worst movie of the year." I'm sorry, but if this is your pick for bottom of the barrel, you clearly haven't seen "Madame Web" 😂 Sure, "Borderlands" may not win any Oscars, but it's got heart, a self-aware charm, and enough insanity to keep you entertained from start to finish. Worst of the year? Hardly. It's more like the cinematic equivalent of fast food-bad for you, but oh so satisfying.
Cuckoo (2024)
Nope
Cuckoo was one of the films I was really excited to catch at MIFF this year, but it turned out to be a huge letdown.
It's undeniably strange, but not in a way that draws you in or makes you think. The plot is riddled with holes that leave you more confused than intrigued, and the monster's clothing and makeup choices were so bizarre that they became more of a distraction than anything else. The dialogue was almost unbearable-forced, clunky, and completely unnatural. To top it all off, the whole film had the feel of a bad 90s movie, which only added to the disappointment. I really wanted to like it, but unfortunately, it just didn't work for me.
Deadpool & Wolverine (2024)
Fourth Wall Shatter
Wow, what an absolute treat this was!
"Deadpool & Wolverine" is a rollercoaster ride that will leave you breathless and grinning like an idiot. It's pure nostalgia from start to finish, with cameos popping up left and right like a Marvel fan's wildest dream. Seriously, this is the bloodiest, funniest Marvel film yet, and I need more of whatever this madness is ASAP. Ryan Reynolds and Hugh Jackman are a match made in sarcastic, mutant heaven, and their on-screen bromance is everything.
I left the cinema buzzing, my cheeks sore from laughing so much. This movie nails the perfect blend of humor, action, and a few surprisingly touching moments that sneak up on you. Whether you're a casual viewer or a die-hard Marvel nerd, you're going to be over the moon with this one. Packed with inside jokes and Easter eggs galore, "Deadpool & Wolverine" is the ultimate fan service. If you're looking for a film that delivers nonstop fun and mayhem, this is it.
I WANT MORE OF WHERE THIS CAME FROM, please and thanks!
Longlegs (2024)
It Almost Delivered
I gotta be honest, the marketing team did such an amazing job with "Longlegs" that it was both a blessing and a curse. They set my expectations sky-high, and the movie mostly delivered. The cinematography is stunning, capturing a nostalgic vibe that feels both familiar and haunting. Nicholas Cage delivers a fantastic performance, adding a unique edge to the film. Maika Monroe's performance is also outstanding. The creepy atmosphere kept me on edge from start to finish.
However, the movie lost its way a bit towards the end. The plot took a turn that didn't quite match the buildup, and I wish it had gone in a different direction. Despite this, "Longlegs" is still worth watching for its fantastic acting, stunning visuals, and creepy vibe.