From: N.L. Ross' book "Lon Chaney: Master Craftsman of Make-believe".
On the show she played a dotty old crone that reminded one of a cross between poison-pouring Josephine Hull in ARSENIC AND OLD LACE and an unemployed witch.
This was not Ottola's most outstanding claim to fame. That lay in the line of handwriting, for each Tuesday night's show would open with the camera focused on a closed door on which Miss Nesmith would forge the signature of the film's heroine. This would be followed by Ottola's portrayal of that long-retired lady as a present day out-of-work, mentally deranged, has been.
Now NIGHTMARE premiered with a screening of FRANKENSTEIN starring, among others, Miss Mae Clarke as the feminine lead. Of course Ottola did her bit as a demented Mae Clarke and fooled most of the audience because she herself was so completely unknown. But that was only the beginning. Within a week the real Mae Clarke found herself the object of countless solicitous letters and phone calls from friends and fans all offering her aid in her situation of poverty and destitution.
Two weeks later Miss Nesmith found herself and her channel being sued for a million dollars by an irate Mae Clarke who exclaimed, "I'm not decrepit. I'm not broke, I'm no nuts, and I'm not a has-been." Nothing ever came of the law suit beyond the fact that Miss Nesmith never again portrayed Mae Clarke or forged her signature on a door.