Fire

The film opens with the mysterious murder of Kasi (Balaji Murugadoss) by an unknown assailant, before shifting to his parents filing a missing complaint at the police station. As the investigation unfolds, the officer gathers evidence about Kasi's background, leading to testimonies from several women who encountered him. Their accounts gradually reveal the story's core conflict.

The first half primarily explores how Kasi lures these women into his trap and how they fall for his deceptive charm. The second half focuses on the aftermath of their encounters with him and how their lives change as a result. The movie delves into the contemporary issue of how certain individuals exploit women while portraying themselves as socially responsible figures.

However, the film's message is often overshadowed by the director's overuse of erotic scenes in the second half. While this approach may appeal to a younger audience, it could have been more impactful with a stronger focus on the screenplay. The last 30 minutes elevate the film's pace, blending elements reminiscent of Naan Avan Illai and Maharaja, culminating in a convincing climax.

Despite some unnecessary comedic relief from Suresh Chakravarthy and Singam Puli, the performances are solid. Balaji Murugadoss delivers a decent act, though there's room for improvement-his growth as an actor is promising for Tamil cinema.

As a part of concluding this , JSK delivers a thriller that works in parts. While the film has engaging moments, a tighter screenplay could have made it a compelling watch.