IMDb RATING
7.3/10
8.9K
YOUR RATING
A Parisian courtesan must choose between the young man who loves her and the callous baron who wants her, even as her own health begins to fail.A Parisian courtesan must choose between the young man who loves her and the callous baron who wants her, even as her own health begins to fail.A Parisian courtesan must choose between the young man who loves her and the callous baron who wants her, even as her own health begins to fail.
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
Mariska Aldrich
- Friend of Camille
- (uncredited)
Marion Ballou
- Corinne
- (uncredited)
Phyllis Barry
- Minor Role
- (uncredited)
May Beatty
- Dowager
- (uncredited)
Daisy Belmore
- Saleswoman
- (uncredited)
Wilson Benge
- Attendant
- (uncredited)
John Bryan
- Alfred de Musset
- (uncredited)
Georgia Caine
- Streetwalker
- (uncredited)
Lita Chevret
- Woman in Theatre Box
- (uncredited)
Storyline
Did you know
- TriviaGreta Garbo's personal favorite of all her films.
- GoofsWhen Marguerite and Armand go walking through the field in the countryside, he asks her, "Tired?" When she responds "only mildly tired," her lips do not move.
- Quotes
Marguerite: It's you. It's not a dream.
Armand: No, it's not a dream. I'm here with you in my arms, at last.
Marguerite: At last.
Armand: You're weak.
Marguerite: No, no. Strong. It's my heart. It's not used to being happy.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- SoundtracksAufforderung zum Tanz (Invitation to the Dance)
(1841) (uncredited)
Composed by Carl Maria von Weber
Played on the piano by the Baron
Featured review
I noted that between the play and the opera La Traviata which is adopted from Camille, there are well over a dozen filmed versions around from all parts of the globe. Still this exquisite film from Metro-Goldwyn- Mayer with its brightest star stands as the best and best known.
Through a misinterpreted glance and a smile, society courtesan Marguerite Gauthier and young Armand Duval meet at the Paris Opera. Marguerite meant to get the attentions of the imperious Baron DeVarville, but got Armand's instead.
With the revival of tuberculosis as a byproduct of the AIDS virus, today's audiences have some idea of the death sentence that Marguerite was under. She's chosen to live for the present without care or worry for tomorrow and tomorrow's bills. Impetuous young Armand thinks he has found the love of his life and so does Marguerite, but she realizes at a certain level always that it is too late.
The characters as realized by Greta Garbo and Robert Taylor will stay indelibly with you long after viewing Camille. Garbo said the role was a favorite of her's. Her performance in her voice, her body, and face capture the zest for all the immediate living she has to do.
Robert Taylor was quoted as saying that he bettered himself as an actor by just being around Garbo, that one couldn't help doing that. As Armand he made such an impression in his period clothes and his romantic lines that he became probably the number one movie heart throb in the nation.
George Cukor directed this and said of Taylor that usually the role of Armand is played by middle-aged men who look ridiculous saying those same lines. Taylor represented callow romantic youth of the 19th century and the dialog rings true when he says it. Cukor and Taylor worked again together, but future teamings were less classical than this.
Camille also helped launch the career of British actor Henry Daniell in films as one imperious and snarling villain. The man with the built in disdain in his voice, Henry Daniell essayed so many roles as a bad guy his mere appearance on the screen told you who was the villain. DeVarville, cold, haughty, and imperious was THE Daniell part and set a high standard for Daniell that he met many times in his career.
Two other players in this you will enjoy, Jessie Ralph as Marguerite's maid Nanine and Laura Hope Crews as the world's oldest courtesan. Crews is best remembered as Aunt Pity Pat Hamilton in Gone With the Wind and in Camille it's as if Aunt Pity Pat decided to open a bordello, a chic one for the upper classes to be sure.
Through a misinterpreted glance and a smile, society courtesan Marguerite Gauthier and young Armand Duval meet at the Paris Opera. Marguerite meant to get the attentions of the imperious Baron DeVarville, but got Armand's instead.
With the revival of tuberculosis as a byproduct of the AIDS virus, today's audiences have some idea of the death sentence that Marguerite was under. She's chosen to live for the present without care or worry for tomorrow and tomorrow's bills. Impetuous young Armand thinks he has found the love of his life and so does Marguerite, but she realizes at a certain level always that it is too late.
The characters as realized by Greta Garbo and Robert Taylor will stay indelibly with you long after viewing Camille. Garbo said the role was a favorite of her's. Her performance in her voice, her body, and face capture the zest for all the immediate living she has to do.
Robert Taylor was quoted as saying that he bettered himself as an actor by just being around Garbo, that one couldn't help doing that. As Armand he made such an impression in his period clothes and his romantic lines that he became probably the number one movie heart throb in the nation.
George Cukor directed this and said of Taylor that usually the role of Armand is played by middle-aged men who look ridiculous saying those same lines. Taylor represented callow romantic youth of the 19th century and the dialog rings true when he says it. Cukor and Taylor worked again together, but future teamings were less classical than this.
Camille also helped launch the career of British actor Henry Daniell in films as one imperious and snarling villain. The man with the built in disdain in his voice, Henry Daniell essayed so many roles as a bad guy his mere appearance on the screen told you who was the villain. DeVarville, cold, haughty, and imperious was THE Daniell part and set a high standard for Daniell that he met many times in his career.
Two other players in this you will enjoy, Jessie Ralph as Marguerite's maid Nanine and Laura Hope Crews as the world's oldest courtesan. Crews is best remembered as Aunt Pity Pat Hamilton in Gone With the Wind and in Camille it's as if Aunt Pity Pat decided to open a bordello, a chic one for the upper classes to be sure.
- bkoganbing
- Dec 2, 2005
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Dama s kamelijami
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,486,000 (estimated)
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.37 : 1
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