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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure." In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."

Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a brother, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.

No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.

His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).

After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).

Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.

Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.

Sir Ian Holm was one of the world's greatest actors, a Laurence Olivier Award-winning, Tony Award-winning, BAFTA-winning and Academy Award-nominated British star of films and the stage. He was a member of the prestigious Royal Shakespeare Company and has played more than 100 roles in films and on television.

He was born Ian Holm Cuthbert on September 12, 1931, in Goodmayes, Essex, to Scottish parents who worked at the Essex mental asylum. His mother, Jean Wilson (née Holm), was a nurse, and his father, Doctor James Harvey Cuthbert, was a psychiatrist. Young Holm was brought up in London. At the age of seven he was inspired by the seeing 'Les Miserables' and became fond of acting. Holm studied at the Royal Academy of Dramatic Arts, graduating in 1950 to the Royal Shakespeare Company. There he emerged as an actor whose range and effortless style allowed him to play almost entire Shakespeare's repertoire. In 1959 his stage partner Laurence Olivier scored a hit on Ian Holm in a sword fight in a production of 'Coriolanus'. Holm still had a scar on his finger.

In 1965 Holm made his debut on television as Richard III on the BBC's The Wars of the Roses (1965), which was a filmed theatrical production of four of Shakespeare's plays condensed down into a trilogy. In 1969 Holm won his first BAFTA Film Award Best Supporting Actor for The Bofors Gun (1968), then followed a flow of awards and nominations for his numerous works in film and on television. In 1981, he played one of his best known roles, Sam Mussabini in Chariots of Fire (1981), for which he was nominated for Oscar for Best Actor in a Supporting Role. In the late 1990s, he gave a highly-acclaimed turn as the lawyer, Mitchell, in Atom Egoyan's The Sweet Hereafter (1997), and was subsequently cast in a number of high-profile Hollywood films of the next decade, playing Father Vito Cornelius in The Fifth Element (1997), Bilbo in The Lord of the Rings: The Return of the King (2003), and Professor Fitz in The Aviator (2004), as well as Zach Braff's character's father Gideon in Garden State (2004). His last non-Hobbit film role was a voice part as Skinner in Ratatouille (2007).

Ian Holm had five children, three daughters and two sons from the first two of his four wives and from an additional relationship. In 1989 Holm was created a Commander of the British Empire (CBE), and in 1998 he was knighted for his services to drama. He died in London in June 2020.

Kelly Preston was born on October 13, 1962 in Honolulu, Hawaii. A talented and captivating performer, she first garnered international attention with her role as "Marnie Mason" in Ivan Reitman's Twins (1988), starring Arnold Schwarzenegger and Danny DeVito. With her diverse character portrayals in films, such as director Cameron Crowe's Jerry Maguire (1996); Citizen Ruth (1996) for Alexander Payne; and For Love of the Game (1999), directed by Sam Raimi, she continued to capture audience attention.

In the early part of her career, Kelly worked with notable director John Frankenheimer in the Elmore Leonard film, 52 Pick-Up (1986), alongside Roy Scheider and Ann-Margret. Her career saw her cast her beside some of Hollywood's most notable names, including Kevin Spacey in Casino Jack (2010); Quentin Tarantino, George Clooney, and Harvey Keitel in Robert Rodriguez's From Dusk Till Dawn (1996); Kevin Bacon in Death Sentence (2007); Meg Ryan and Matthew Broderick in Addicted to Love (1997); Debra Winger, Zooey Deschanel, and Hank Azaria in Eulogy (2004); Mike Myers in The Cat in the Hat (2003); and Rod Steiger and Julie Harris in the Academy Award-nominated short, Little Surprises (1996).

Kelly was actively involved in education, drug reform and many charitable organizations. She was acknowledged with numerous awards as a result of her work. She married John Travolta on September 12, 1991, and they had three children.

Kelly died on July 12, 2020, in Ocala, Florida, after a two-year battle with breast cancer. She was 57.

British actress Dame Diana Rigg was born on July 20, 1938 in Doncaster, Yorkshire, England. She has had an extensive career in film and theatre, including playing the title role in "Medea," both in London and New York, for which she won the 1994 Tony Award for Best Actress in a Play.

Rigg made her professional stage debut in 1957 in the Caucasian Chalk Circle, and joined the Royal Shakespeare Company in 1959. She made her Broadway debut in the 1971 production of "Abelard & Heloise." Her film roles include Helena in A Midsummer Night's Dream (1968); Lady Holiday in The Great Muppet Caper (1981); and Arlene Marshall in Evil Under the Sun (1982). She won the BAFTA TV Award for Best Actress for the BBC miniseries Mother Love (1989), and an Emmy Award for her role as Mrs. Danvers in the adaptation of Rebecca (1997). In 2013, she appeared with her daughter Rachael Stirling on the BBC series Doctor Who (2005) in an episode titled "The Crimson Horror" and plays Olenna Tyrell on the HBO series Game of Thrones (2011).

From 1965 to 1968, Rigg appeared on the British television series The Avengers (1961) playing the secret agent Mrs. Emma Peel. She became a Bond girl in On Her Majesty's Secret Service (1969), playing Tracy Bond, James Bond's only wife, opposite George Lazenby. She was appointed Commander of the Order of the British Empire (CBE) at the 1988 Queen's New Years Honours for her services to drama. She was appointed Dame Commander of the Order of the British Empire (DBE) at the 1994 Queen's Birthday Honours for her services to drama.

Dame Diana Rigg died of lung cancer on September 10, 2020, she was 82 years old.

One of four children, Blackman was born in London's East End, to Edith Eliza (Stokes), a homemaker, and Frederick Thomas Blackman, a statistician employed with the Civil Service. She received elocution lessons for her 16th birthday (at her own request), and later attended the Guildhall School of Music and Drama, which she paid for by working as a clerical assistant in the Civil Service. She was also a dispatch rider for the Home Office during World War II, playing an important role in the war effort.

Blackman received her first acting work on stage in London's West End as an understudy in "The Guinea Pig". She continued with roles in "The Gleam" (1946) and "The Blind Goddess" (1947), before moving into film. She debuted with Fame Is the Spur (1947), starring Michael Redgrave.

Blackman suffered a nervous breakdown following her divorce from Bill Sankey, a man 12 years her senior, who's jealousy, fraudulent business practices, and emptying of her bank accounts took it's toll. After hospitalisation Blackman began counselling, which would last for years, and began rebuilding her career.

TV series work also came her way again, most notably the highly popular The Avengers (1961), co-starring Patrick Macnee as John Steed. As the leather-clad "Catherine Gale", Blackman showcased her incredible beauty, self-confidence, and athletic abilities. Her admirable qualities made her not only a catch for the men, but also an inspirational figure for the 1960s feminist movement.

Blackman took on the role of Greek goddess Hera in popular movie adventure Jason and the Argonauts (1963) with Ray Harryhausen and melodrama Life at the Top (1965) with Laurence Harvey. She then played "Pussy Galore" in the classic James Bond film Goldfinger (1964). Blackman went toe to toe with Sean Connery's womanizing "007" and created major sparks on screen.

Blackman continued to work consistently in films and tv, while also appearing on stage where she earned rave reviews as the blind heroine of the thriller "Wait Until Dark" as well as for her dual roles in "Mr. and Mrs.", a production based on two of Noël Coward's plays. She also enjoyed working with her second husband, actor Maurice Kaufmann, in the play "Move Over, Mrs. Markham" and the film thriller Fright (1971). She proved a sultry-voiced sensation in various musicals productions such as "A Little Night Music", "The Sound of Music", "On Your Toes", and "Nunsense."

In the new millennium, Honor was seen in such films as Bridget Jones's Diary (2001), Colour Me Kubrick: A True...ish Story (2005), Reuniting the Rubins (2010), I, Anna (2012) and Cockneys vs Zombies (2012), as well as the British TV serieses Water, Water, Everywhere (1920) The Royal (2003) Coronation Street (1960), long running series Casualty (1986) and finally You, Me & Them (2013), her last role after her retirement several years earlier.

Divorced from Kaufmann in 1975 (although they remained friends until his death, Blackman even cared for him during his 13 year battle with cancer), Blackman never remarried, revealing in an interview that she simply preferred single life, "Basically I'm a shy person and I like my own company". Unable to conceive, the couple adopted two children, Lottie and Barnaby, in '67 and '68 respectively.

The ever-lovely and eternally glamorous star continued to find regular work into her 90s, including co-starring in the long-running English hit comedy series The Upper Hand (1990) and performing her one-woman stage show, "Wayward Women"

Honor Blackman died on April 5, 2020, in Lewes, Sussex. She was 94.

Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."

After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.

Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).

Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.

Wilford Brimley was born on 27 September 1934 in Salt Lake City, Utah, USA. He was an actor, known for The Natural (1984), In & Out (1997) and The Firm (1993). He was married to Beverly Berry and Lynne Brimley. He died on 1 August 2020 in St. George, Utah, USA.

Chadwick Boseman was an American actor. He is known for his portrayal of T'Challa / Black Panther in the Marvel Cinematic Universe from 2016 to 2019, particularly in Black Panther (2018), and for his starring roles as several pioneering Americans, Jackie Robinson in 42 (2013), James Brown in Get on Up (2014), and Thurgood Marshall in Marshall (2017). He also had choice parts in The Express (2008), Draft Day (2014), and Message from the King (2016). Born in Anderson, South Carolina, he attended Howard University and studied at the Oxford Mid-Summer Program for acting, before moving to Los Angeles in 2008 to pursue his craft on the big screen. He died in 2020, after a four year bout with colon cancer, during which time he had starred in several of the biggest movies ever made.

Imposing, barrel-chested and often silver-haired Brian Dennehy was a prolific US actor, well respected on both screen and stage over many decades. He was born in July 1938 in Bridgeport, CT, and attended Columbia University in New York City on a football scholarship. Brian majored in history, before moving on to Yale to study dramatic arts. He first appeared in minor screen roles in such fare as Looking for Mr. Goodbar (1977), Semi-Tough (1977) and Foul Play (1978) and proved popular with casting directors, leading to regular work. However, he really got himself noticed by movie audiences in the box-office hit First Blood (1982) as the bigoted sheriff determined to run Vietnam veteran "John Rambo" (played by Sylvester Stallone) out of his town. Dennehy quickly escalated to stronger supporting or co-starring roles in films including the Cold War thriller Gorky Park (1983), as a benevolent alien in Cocoon (1985), a corrupt sheriff in the western Silverado (1985), a tough but smart cop in F/X (1986) and a cop-turned-writer alongside hit man James Woods in Best Seller (1987). In 1987, Dennehy turned in one of his finest performances as cancer-ridden architect "Stourley Kracklite" in Peter Greenaway's superb The Belly of an Architect (1987), for which he won the Best Actor Award at the 1987 Chicago Film Festival. More strong performances followed. He reprised prior roles for Cocoon: The Return (1988) and F/X2 (1991), and turned in gripping performances in three made-for-TV films: a sadistic small-town bully who gets his grisly comeuppance in In Broad Daylight (1991), real-life serial killer John Wayne Gacy in the chilling To Catch a Killer (1992) and a corrupt union boss in Teamster Boss: The Jackie Presser Story (1992). In 1993, Dennehy appeared in the role of police "Sgt. Jack Reed" in the telemovie Jack Reed: Badge of Honor (1993), and reprised the role in four sequels, which saw him for the first time become involved in co-producing, directing and writing screen productions! Demand for his services showed no signs of abating, and he put in further memorable performances in Romeo + Juliet (1996), as bad-luck-ridden "Willy Loman" in Death of a Salesman (2000) (which earned him a Golden Globe Award), he popped up in the uneven Spike Lee film She Hate Me (2004) and appears in the remake Assault on Precinct 13 (2005). The multi-talented Dennehy also had a rich theatrical career and appeared both in the United States and internationally in dynamic stage productions including "Death of a Salesman" (for which he picked up the 1999 Best Actor Tony Award and a Drama Desk Award), "A Touch of the Poet", "Long Day's Journey into Night" (for which he picked up another Tony Award in 2003) and in Eugene O'Neill's heart-wrenching "The Iceman Cometh."

Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.

When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Bara en mor (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.

His work in the movies by Ingmar Bergman (especially Det sjunde inseglet (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in Utvandrarna (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle erobreren (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.

He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle erobreren (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.

Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.

Fred Willard radiated a unique charm that established him as one of the industry's most gifted comic actors, first coming to prominence as ambitious but dimwitted sidekick Jerry Hubbard to Martin Mull's smarmy talk-show host Barth Gimble in the devastating satirical series Fernwood 2 Night (1977). A master of sketch comedy, he was most heralded for his quick wit and improvisational expertise. His 50 appearances in sketches on The Tonight Show with Jay Leno (1992) were indicative of his ability to transform any character into a unique comic portrayal. Fred starred in an oft sold-out one-man show, "Fred Willard: Alone At Last!" (actually with a cast of 12) that received two Los Angeles Artistic Director Awards, for Best Comedy and Best Production. He was also an alumnus of The Second City and headed a sketch comedy workshop, The MoHo Group.

Marj Dusay was born on 20 February 1936 in Hays, Kansas, USA. She was an actress, known for All My Children (1970), The Guiding Light (1952) and Star Trek (1966). She was married to Thomas Allen Perine Jr. and John Murray Dusay. She died on 28 January 2020 in New York City, New York, USA.

It took 30 years since it was first predicted, but Conchata Ferrell finally achieved television stardom, albeit of the supporting variety, as the housekeeper "Berta" in the situation-comedy Two and a Half Men (2003). Ferrell originally had been tipped for stardom with her turn as the prostitute "April" in the Norman Lear-produced series Hot l Baltimore (1975), in which she recreated her role in Lanford Wilson's off-Broadway hit. However, what was a hit play in New York turned out to be a flop on national TV and, though she worked steadily ever since, it took her role in support of stars Charlie Sheen and Jon Cryer in "Men" to get her the attention her talent richly deserved. For her role as "Berta", Conchata was nominated for an Emmy Award as Best Supporting Actress in a Comedy Series in both 2005 and 2007. She had three Emmy nominations in total, having previously gotten a nod in 1992 for Best Supporting Actress in a Drama Series for L.A. Law (1986).

Conchata Galen Ferrell was born on March 28, 1943 in Charleston, West Virginia, to Mescal Loraine (George) and Luther Martin Ferrell. She attended West Virginia University and Marshall University. Conchata graduated from Marshall with a degree in social studies in education. Eventually, she sought a life in the theater, and achieved success off-Broadway as a member of the Circle in the Square theatrical company in Wilson's "Hot L Baltimore". For her next off-Broadway appearance, as "Gertrude Blum" in Edward J. Moore's "The Sea Horse", Ferrell won Drama Desk, Theatre World and Obie Awards as best actress in 1974. She worked steadily in television and films ever since.

Ferrell was married to Arnie Anderson, and had one daughter.

John Shrapnel was born in Birmingham, the son of Norman and Myfanwy Shrapnel. He was brought up in Stockport and south London, attending City of London School and Cambridge University. He was an original member of the National Youth Theatre and had worked extensively in theatre, particularly the Royal Shakespeare Company and National Theatre. He lived in Suffolk and London.

John Saxon appeared in nearly 200 roles in the movies and on television in a more-than half-century-long career that has stretched over seven decades since he made his big screen debut in 1954 in uncredited small roles in It Should Happen to You (1954) and George Cukor's A Star Is Born (1954). Born Carmine Orrico on August 5, 1936 in Brooklyn, New York, the son of Italian-American parents, Antonio Orrico and Anna (née Protettore), he studied acting with Stella Adler after graduating from New Utrecht High School.

He was discovered by talent agent Henry Willson, the man most famous for creating and representing Rock Hudson (as well as a stable of "beefcake" male stars and starlets), who signed him up after he saw Saxon's picture on the cover of a magazine. Willson brought the 16-year-old to Southern California, changed his name to John Saxon, and launched his career. Saxon made his television debut on Richard Boone's series Medic (1954) in 1955 and got his first substantial (and credited) role in Running Wild (1955), playing a juvenile delinquent. In the Esther Williams vehicle The Unguarded Moment (1956) (one of her rare dramatic roles), the film's marketing campaign spotlighted him, trumpeting the movie as "Co-starring the exciting new personality John Saxon.".

By 1958, he seemed to have established himself as a supporting player in A-List pictures, being featured in Blake Edwards's comedy This Happy Feeling (1958) headlined by Debbie Reynolds and Vincente Minnelli's The Reluctant Debutante (1958) with Rex Harrison and Sandra Dee. In the next five years, he worked steadily, including supporting roles in John Huston's The Unforgiven (1960), the James Stewart comedy Mr. Hobbs Takes a Vacation (1962) and Otto Preminger's The Cardinal (1963) while having first billing in the B-movies Cry Tough (1959) and War Hunt (1962). Fluent in Italian, he made his first pictures in Italy in the period, Agostino (1962) and Mario Bava's La ragazza che sapeva troppo (1963). Despite his good work with major directors, he failed to succeed as a star.

By 1965, he was appearing in the likes of The Night Caller (1965), albeit, top-billed. A more emblematic picture was Sidney J. Furie's The Appaloosa (1966), in which he appeared in Mexican bandito drag as the man who steals the horse of Marlon Brando, another Stella Adler student. Saxon would reprise the role, of sorts, in John Sturges Joe Kidd (1972) in support of superstar Clint Eastwood. In those less politically correct times, many an Italian-American with a dark complexion would be relied on to play Mexicans, Native Americans and other "exotic" types like Mongols. Saxon played everything from an Indian chief on Bonanza (1959) to Marco Polo on The Time Tunnel (1966).

From 1969 to 1972 season, he was a star of the television series The Bold Ones: The New Doctors (1969), playing the brilliant surgeon Theodore Stuart. When the series ended, he took one of his most famous roles when Bruce Lee demurred over casting Rod Taylor as he was too tall. A black belt in karate, Saxon appeared as Roper in Enter the Dragon (1973). He continued to play a wide variety of roles on television and in motion pictures, with key roles in 1974's classic slasher Black Christmas (1974), 1984's groundbreaking A Nightmare on Elm Street (1984), and the 1990s self-referential horror films Wes Craven's New Nightmare (1994) and From Dusk Till Dawn (1996).

John Saxon died of pneumonia on July 25, 2020, in Murfreesboro, Tennessee. He was 83.

Tall, bearded, heavy-set Anglo-French character actor, best known internationally for playing Deputy Commissioner Claude Lebel in The Day of the Jackal (1973) and Bond villain Hugo Drax in Moonraker (1979). The son of an English army officer (Edward Lonsdale-Crouch) and a Franco-Irish mother (Simone Béraud), he was born in Paris and spent his early childhood in England. The family moved to Morocco in 1939 where Edward found work in the fertilizer trade (he was later imprisoned by the Vichy government for political reasons). Michael returned to France in 1947 where he met actor/director Roger Blin who awakened his interest in the dramatic arts. Following acting studies, Michael made his theatrical debut at 24 and appeared on screen for the first time a year later, for much of his career billed as 'Michel' Lonsdale. Having toiled for over a decade in smallish supporting roles, he received his first major critical acclaim in two films by François Truffaut (La mariée était en noir (1968) and Stolen Kisses (1968)). Though primarily active in French cinema, the bilingual Lonsdale made occasional (but often memorable) forays into English-language productions, his first as a reporter in Fred Zinnemann's Behold a Pale Horse (1964). Subsequent parts have included a titled landowner who sets in motion the Caravan to Vaccarès (1974), a CIA agent in Enigma (1982) and a Swiss banker in The Holcroft Covenant (1985). James Ivory cast him in two of his films consecutively as a French delegate in The Remains of the Day (1993) and as King Louis XVI in Jefferson in Paris (1995). Lonsdale also had a prominent role as The Abbot who commissions the Franciscan friar William of Baskerville (Sean Connery) to investigate the murder of a monk in Jean-Jacques Annaud's Italian-German-French co-production of Umberto Eco's novel The Name of the Rose (1986) . By and large, it is for his powerhouse performance as Roger Moore's megalomaniacal antagonist Sir Hugo Drax in Moonraker for which Lonsdale is likely to be most remembered. He received a BAFTA nomination for his role in The Day of the Jackal but only achieved major acting honors in 2011, winning a César Award as best supporting actor for Des hommes et des dieux (2010).

Lonsdale's career could well be described as eclectic. In 1972, he co-founded (with French composer Michel Puig) the Théâtre musical des Ulis, a musical theater company which was subsidised by the French government. The soft-spoken actor also lent his voice to radio recordings and audio books. He had a reputation as a painter of some renown and authored or co-authored more than twenty works of fiction and non-fiction.

Olivia Mary de Havilland was born on July 1, 1916 in Tokyo, Japan to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her sister Joan, later to become famous as Joan Fontaine, was born the following year. Her surname comes from her paternal grandfather, whose family was from Guernsey in the Channel Islands. Her parents divorced when Olivia was just three years old, and she moved with her mother and sister to Saratoga, California.

After graduating from high school, where she fell prey to the acting bug, Olivia enrolled in Mills College in Oakland, where she participated in the school play "A Midsummer Night's Dream" and was spotted by Max Reinhardt. She so impressed Reinhardt that he picked her up for both his stage version and, later, the Warner Bros. film version in 1935. She again was so impressive that Warner executives signed her to a seven-year contract. No sooner had the ink dried on the contract than Olivia appeared in three more films: The Irish in Us (1935), Alibi Ike (1935), and Captain Blood (1935), this last with the man with whom her career would be most closely identified: heartthrob Errol Flynn. He and Olivia starred together in eight films during their careers. In 1939 Warner Bros. loaned her to David O. Selznick for the classic Gone with the Wind (1939). Playing sweet Melanie Hamilton, Olivia received her first nomination for an Academy Award for Best Supporting Actress, only to lose out to one of her co-stars in the film, Hattie McDaniel.

After GWTW, Olivia returned to Warner Bros. and continued to churn out films. In 1941 she played Emmy Brown in Hold Back the Dawn (1941), which resulted in her second Oscar nomination, this time for Best Actress. Again she lost, this time to her sister Joan for her role in Suspicion (1941). After that strong showing, Olivia now demanded better, more substantial roles than the "sweet young thing" slot into which Warners had been fitting her. The studio responded by placing her on a six-month suspension, all of the studios at the time operating under the policy that players were nothing more than property to do with as they saw fit. As if that weren't bad enough, when her contract with Warners was up, she was told that she needed to make up the time lost because of the suspension. Irate, she sued the studio, and for the length of the court battle she didn't appear in a single film. The result, however, was worth it. In a landmark decision, the court said that not only would Olivia not need to make up the time, but also that all performers would be limited to a seven-year contract that would include any suspensions handed down. This became known as the "de Havilland decision": no longer could studios treat their performers as chattel. Olivia returned to the screen in 1946 and made up for lost time by appearing in four films, one of which finally won her the Oscar that had so long eluded her: To Each His Own (1946), in which she played Josephine Norris to the delight of critics and audiences alike. Olivia was the strongest performer in Hollywood for the balance of the 1940s.

In 1948 she turned in another strong showing in The Snake Pit (1948) as Virginia Cunningham, a woman suffering a mental breakdown. The end result was another Oscar nomination for Best Actress, but she lost to Jane Wyman in Johnny Belinda (1948). As in the two previous years, she made only one film in 1949, but she again won a nomination and the Academy Award for Best Actress for The Heiress (1949). After a three-year hiatus, Olivia returned to star in My Cousin Rachel (1952). From that point on, she made few appearances on the screen but was seen on Broadway and in some television shows. Her last screen appearance was in The Fifth Musketeer (1979), and her last career appearance was in the TV movie The Woman He Loved (1988).

Her turbulent relationship with her only sibling, Joan Fontaine, was press fodder for many decades; the two were reported as having been permanently estranged since their mother's death in 1975, when Joan claimed that she had not been invited to the memorial service, which she only managed to hold off until she could arrive by threatening to go public. Joan also wrote in her memoir that her elder sister had been physically, psychologically, and emotionally abusive when they were young. And the iconic photo of Joan with her hand outstretched to congratulate Olivia backstage after the latter's first Oscar win and Olivia ignoring it because she was peeved by a comment Joan had made about Olivia's new husband, Marcus Goodrich, remained part of Hollywood lore for many years.

Nonetheless, late in life, Fontaine gave an interview in which she serenely denied any and all claims of an estrangement from her sister. When a reporter asked Joan if she and Olivia were friends, she replied, "Of course!" The reporter responded that rumors to the contrary must have been sensationalism and she replied, "Oh, right--they have to. Two nice girls liking each other isn't copy." Asked if she and Olivia were in communication and spoke to each other, Joan replied "Absolutely." When asked if there ever had been a time when the two did not get along to the point where they wouldn't speak with one another, Joan replied, again, "Never. Never. There is not a word of truth about that." When asked why people believe it, she replied "Oh, I have no idea. It's just something to say ... Oh, it's terrible." When asked if she had seen Olivia over the years, she replied, "I've seen her in Paris. And she came to my apartment in New York often." The reporter stated that all this was a nice thing to hear. Joan then stated, "Let me just say, Olivia and I have never had a quarrel. We have never had any dissatisfaction. We have never had hard words. And all this is press." Joan died in 2013.

During the hoopla surrounding the 50th anniversary of GWTW in 1989, Olivia graciously declined requests for all interviews as the last of the four main stars. She enjoyed a quiet retirement in Paris, France, where she resided for many decades, and where she died on 26 July, 2020, at the age of 104.

As well as being the last surviving major cast member of some of cinema's most beloved pre-war and wartime film classics (including The Adventures of Robin Hood (1938) and Gone with the Wind (1939)), and one of the longest-lived major stars in film history, Olivia de Havilland was unquestionably the last surviving iconic figure from the peak of Hollywood's golden era during the late 1930s, and her passing truly marked the end of an era.

Robert Conrad was a graduate of Northwestern University, spending his first few years out of school supporting himself and his family by driving a milk truck and singing in a Chicago cabaret. Conrad befriended up-and-coming actor Nick Adams during this period, and it was Adams who helped Conrad get his first Hollywood work in 1957. A few movie bit parts later, Conrad was signed for a comparative pittance by Warner Bros. studios, and in 1959 was cast as detective Tom Lopaka on the weekly adventure series Hawaiian Eye. Upon the 1963 cancellation of this series, Conrad made a handful of Spanish and American films and toured with a nightclub act in Australia and Mexico City. Cast as frontier secret agent James West in The Wild Wild West (1965) in 1965, Conrad brought home $5000 a week during the series' first season and enjoyed increasing remunerations as West remained on the air until 1969. There are those who insist that Wild Wild West would have been colorless without the co-starring presence of Ross Martin, an opinion with which Conrad has always agreed. The actor's bid to star in a 1970 series based on the venerable Nick Carter pulp stories got no further than a pilot episode, while the Jack Webb-produced 1971 Robert Conrad series The D.A. was canceled after 13 episodes. When Roy Scheider pulled out of the 1972 adventure weekly Assignment: Vienna, Conrad stepped in--and was out, along with the rest of Assignment: Vienna, by June of 1973. Conrad had better luck with 1976's Baa Baa Black Sheep, aka Black Sheep Squadron, a popular series based on the World War II exploits of Major "Pappy" Boyington. Cast as a nurse on this series was Conrad's daughter Nancy, setting a precedent for nepotism that the actor practiced as late as his tenth TV series, 1989's Jesse Hawkes, wherein Conrad co-starred with his sons Christian and Shane.

Though few of his series have survived past season one, Conrad has enjoyed success as a commercial spokesman and in the role of G. Gordon Liddy (whom the actor admired) in the 1982 TV movie Will: The Autobiography of G. Gordon Liddy (1982). As can be gathered from the Liddy assignment, Conrad's politics veered towards conservatism; in 1981, he and Charlton Heston were instrumental in toppling Ed Asner and his liberal contingent from power in the Screen Actors Guild.

As virile and athletic as ever in the 1990s, Robert Conrad continued to appear in action roles both on TV and in films; he also maintained strong ties with his hometown of Chicago, and could be counted on to show up at a moment's notice as a guest on the various all-night programs of Chicago radio personality Eddie Schwartz.

If you ever wanted a 6' 5", musclebound, broad-shouldered, shaved-head actor to play a terrifying bodyguard, a soldier of fortune or a fearsome gangster, then Tommy "Tiny" Lister Jr. was your man. The basketball player turned actor, who notched up appearances in roughly 132 films, first popped up in roles such as a prison guard in Runaway Train (1985), Andy Garcia's bodyguard in 8 Million Ways to Die (1986) and Powers Boothe's bodyguard in Extreme Prejudice (1987). Hardly diminutive, 6' 5" Lister was not just a recognizable figure on screen, but also a highly accomplished actor. Originally a professional wrestler known by the names "Zeus" and "ZGangsta" for the WWE (Formerly WWF), Tiny left wrestling in the mid 1980s to pursue an acting career. He worked with some of the best actors and directors, in a wide net of genres - from thriller to science fiction and drama to comedy.

Tommy "Tiny" Lister grew up in Compton, California, but chose to break the curses of his generation at an early age. He stayed away from gang life, choosing instead to stay at home and watch westerns. He chose religion over wrongdoing, and developed an interest in films and television early. Growing up watching Gary Cooper, Jimmy Stewart, Charlton Heston and Errol Flynn allowed Tiny a chance to dream, and he envisioned his own life on film and television, creating characters on celluloid that transcended gender and color. With his will set in stone, Tiny went out to make it possible. Tiny made his feature film debut in Runaway Train (1985) with Jon Voight, and spent the next few years learning the craft and appearing in films heavy in action and in talent: 8 Million Ways to Die (1986) with Andy Garcia, Beverly Hills Cop II (1987) with Eddie Murphy, and No Holds Barred (1989) with fellow WWE (WWF at the time) wrestler Hulk Hogan.

In the 1990s, Tiny expanded his resume, continuing to make his mark in films with the best in the business. He joined Johnny Depp and the legendary Marlon Brando in the quirky Don Juan DeMarco (1994) and worked with director Quentin Tarantino and actor Andy Garcia in Things to Do in Denver When You're Dead (1995). He would later work again with Tarantino in Jackie Brown (1997). Lister's 1990s career benefited from the decade's surge in African-American filmmaking, beginning with his starring role in Mario Van Peebles's western Posse (1993), in which he was thrilled to star with his childhood idol Woody Strode. In a move that was sure to cement his popularity with young audiences across the country, Tiny went on to star as neighborhood bully "Deebo" opposite Ice Cube in the cult comedy Friday (1995), reprising the role for the successful sequel Next Friday (2000). After appearing in comedian Martin Lawrence's A Thin Line Between Love and Hate (1996), Lister played a supporting role in Ice Cube's directorial debut The Players Club (1998) and appeared in Master P's I Got the Hook Up (1998). He also starred in a slew of B-horror films including Soulkeeper (2001), Hellborn (2003) and Dracula 3000 (2004).

Tiny continued with his wide, often eclectic range of roles, and expanded on his original "fierce bodyguard" roles to include comedic and rather quirky performances. He played the President in director Luc Besson's science fiction epic The Fifth Element (1997) opposite Bruce Willis and worked with Adam Sandler in Little Nicky (2000), as well as Mike Meyers and Mike Myers in Austin Powers in Goldmember (2002). He joined Dustin Hoffman, Andy Garcia and Rachel Weisz in the crime thriller Confidence (2003). Tiny worked with some of the greatest directors (Quentin Tarantino, Luc Besson, John Frankenheimer), many of our most noted actors (Marlon Brando, Samuel L. Jackson, Johnny Depp, Peter O'Toole) and a good share of the top talent in wrestling and rap (Hulk Hogan, 50 Cent and Tupac Shakur, respectively). His wrestling exploits can be seen on Summerslam (1989), WWF Survivor Series (1989) and WWF Superstars of Wrestling (1986).

However, it was Tiny's devotion to ministry and public speaking that made the biggest impression. Along with his wife Felicia, Tiny ministered across the country, reaching out to troubled youth, and sharing his powerful testimony and inspiration in churches and schools.

Tommy "Tiny" Lister may not have been an A list star, but he was certainly one of Hollywood's most instantly recognizable and busiest character actors, until his death on December 10, 2020, in Marina del Rey, California. He was 62.

Red-haired Jacqueline Sue Scott began her career in show biz as a three-year-old by winning a tap-dancing contest. Though she once self-deprecatingly described herself as "the worst child tap dancer ever to haunt an audience" she made the successful transition from juvenile performer in tent shows to accomplished leading and character actress with an impressive number of screen credits to her resume.

The daughter of John D. Scott and Maxine Finley, Jackie was born in the small town of Sikeston, Missouri. She began acting professionally from the age of 17 with a small St. Louis community theatre company. She then moved to New York, graduated from New York's Hunter College, did some admin work for David Sarnoff at RCA and eventually studied acting under Uta Hagen. Her breakthrough came when she was chosen by the distinguished thespian Louis Calhern to play the part of his granddaughter in The Wooden Dish on Broadway. Mentored by Calhern (who undoubtedly taught her many tricks of the trade) Jackie was cast that same year opposite Paul Muni in Inherit the Wind, playing a young lass in love with the hapless teacher at the center of the infamous 1925 Scopes Monkey Trial.

On the strength of some early television work in live anthology drama, Jacqueline was brought to Hollywood by William Castle, well-known as a producer of gimmicky low-budget horror movies. Her debut big screen appearance was to be in Macabre (1958), a picture shot in just seven days for a reputed investment of around $90,000. No audience members 'died of fright', nor were any of the $1000 life insurance policies handed out to audiences as part of the publicity campaign cashed in. While certainly no critical masterpiece, the enterprise managed to gross a cool $5 million. More importantly for Jacqueline was meeting on the set of Macabre her future husband (screenwriter and photographer Gene Lesser who also became her agent). Their marriage lasted an impressive (especially by Hollywood standards) 62 years.

Jacqueline's prolific output during the succeeding three decades consisted primarily of TV guest spots. Very much 'a working actress, she could always be counted upon to portray strength and give quietly effective performances, even in relatively passive roles like those many sympathetic wives and girlfriends in assorted Quinn Martin productions of the 60s and 70s. Among her better-known roles were Donna Kimble Taft, sister of David Janssen's man-on-the-run in five installments of The Fugitive (1963), the wife of an astronaut stranded in an alternate universe in The Parallel (1963) and the chimpanzee physician Dr. Kira (Roddy McDowall's friend) in Planet of the Apes (1974) (for which she had to undergo a three-hour make-up session). She later quipped in an interview: "When some of the crew said how pretty I looked, I knew they had been on the show too long!"

In films, Jacqueline was also frequently cast as supportive spouses: Walter Matthau's in Charley Varrick (1973) (her own personal favorite), Dennis Weaver's in Steven Spielberg's directorial debut picture Duel (1971) and James Stewart's in the western Firecreek (1968). A sturdier outdoorsy part came her way via the monster flick Empire of the Ants (1977) in which she found herself pitted against giant killer insects, along with co-stars Robert Lansing and (a less glamorous than usual) Joan Collins. Jackie's frequent forays into the Wild West included repeat appearances in Have Gun - Will Travel (1957), Laramie (1959), Bonanza (1959) and Gunsmoke (1955).

A wholesome beauty with comedic appeal, Dawn Elberta Wells was born on October 18, 1938 in Reno, Nevada. Wells' childhood was a happy and healthy one. She and her mother grew their own fruits and vegetables in their gardens and Dawn rode horses. In her high school years, she was the class treasurer, President of the debate team and an honor roll student. Dawn was on her way to becoming a ballerina, but bad knees prevented her from realizing the dream. She was Miss Nevada in 1959 and went on to the 1960 Miss America Pageant. Dawn had wanted to be a doctor, and enrolled in the elite Stephens College in Columbia, Missouri to study medicine, but then she discovered the Drama Club. She then transferred to the University of Washington, which was known for their Theatre Department, and she graduated with a Degree in Theatre.

Dawn moved to Hollywood and was cast as Mary Ann Summers on CBS's Gilligan's Island (1964). The rest is history. However, there was much more to Dawn than her simple Mary Ann character. Wells refused to be an unemployed actor after the show ended and was never out of work since the show decades ago. She performed in over 66 theatrical productions, including the National Touring Company of "They're Playing Our Song!" She did countless voice-overs, commercials and talk shows. She worked for the Australian news show "Midday" and interviewed such talents as Julia Roberts, Eddie Murphy and Tom Hanks, to name a few. Dawn has also had great success as a producer and has a number of television movies to her credit. After years of touring and performing in dramas, comedies, and musical theatre, Dawn slowed down a little. In 1998, she founded the Dawn Wells' Film Actors Boot Camp in Driggs, Idaho. The camp is for the already trained actor looking to make the transition from the amateur to the professional actor.

Wells managed the camp for many years. She has been in a popular commercial for Western Union, capitalizing on her character Mary Ann Summers. In 2003, Dawn did tours of the plays "Love Letters" with Adam West and Eve Ensler's Award Winning "The Vagina Monologues." In early 2004, Dawn established and founded The Spud Film Institute in Idaho and Wyoming, and held the first ever Spud Drive in Film and Music Festival in the summer of 2004. She was also the artistic director of the festival. If that is not enough, Ms. Wells also had her own clothing line for the physically challenged called "Wishing Wells Collections" and she recently launched her own skin care line, Classic Beauty. Dawn Wells continued to contribute to the business she loved so much and constantly gave back to the acting community. She mentored young actors and traveled to colleges all across the United States to teach Master Classes. She served as Artist in Residence at several Universities. Dawn was in constant demand for personal appearances and speaking engagements, yet never forgot to give back to the Artistic community. She will surely be remembered for all her good work. Wells passed away on December 30, 2020 at age 82. You can get information about all of Dawn's organizations at her website, dawn-wells.com.

As the short, straight-man counterpart of the stellar husband-and-wife comedy team "Stiller & Meara", Jerry Stiller and wife Anne Meara were on top of the comedy game in the 1960s, a steady and hilarious presence on television variety, notably Toast of the Town (1948), on which they appeared 36 times. Decades later, Jerry's career was revitalized in the role of the raucous, gasket-blowing Frank Costanza on the sitcom classic Seinfeld (1989).

Jerry Stiller was born Gerald Isaac Stiller in the Unity Hospital in Brooklyn, New York, to Bella (Citron) and William Stiller, a bus driver. His paternal grandparents were Jewish emigrants from Galicia, and his mother was a Polish Jewish emigrant, from Frampol. In the beginning, Stiller was a drama major at the Syracuse University. Though he had played rather uneducated, blue-collar sorts for most of his career, he received his Bachelor of Science in Speech and Drama before making his acting debut on stage with Burgess Meredith in "The Silver Whistle" in 1951. While a member of the improvisational team The Compass Players (the company later evolved into the well-known Second City troupe), he met Anne.

They married in 1954 and began touring together on the national club circuit while giving new and inventive meaning to the term spousal comedy. This led to television prominence on "The Ed Sullivan Show", "The Tonight Show", "The Steve Allen Comedy Hour", "The Merv Griffin Show", as well as game shows "He Said, She Said", "You're Putting Me On" and "What's My Line?" as well as other talk/comedy venues.

After well over a decade of fame together, they decided to pursue individual successes and both found it. A Broadway favorite in such shows as "Hurlyburly", "The Ritz" (he later recreated his hilarious mobster family member role in the film The Ritz (1976)), "The Golden Apple", "Three Men on a Horse", "What's Wrong with This Picture" and "The Three Sisters", Stiller even appeared with Kevin Kline and Blythe Danner as Dogberry in William Shakespeare's "Much Ado About Nothing" in 1988. Musicals were not out of his range, either, as he created the role of Launce in "Two Gentlemen of Verona" and co-starred as Nathan Detroit in a production of "Guys and Dolls". Although he kept afloat on television as a 1970s regular on The Paul Lynde Show (1972) and Joe and Sons (1975), he had some rocky years and Anne's pilot fizzled when they reunited for a possible "Stiller & Meara" sitcom.

Then came eight seasons as hypertensive Frank Costanza and his character star was reborn. Nominated for a 1997 Emmy Award and the recipient of the 1998 American Comedy Award, Stiller found back-to-back sitcom hits with The King of Queens (1998) as the irascible Arthur Spooner. He also appeared in a number of his successful son Ben Stiller's comedy pictures including Heavyweights (1995), Zoolander (2001), The Heartbreak Kid (2007) and Zoolander 2 (2016)

Into the millennium, Jerry has appeared in a number of independent films, including a starring role as a low-level director seeking a comeback in the comedy The Independent (2000); had a cameo in the off-color Rodney Dangerfield slapstick farce My 5 Wives (2000); played the slick Mr. Pinky in the film version of the Broadway musical hit Hairspray (2007); and featured roles in the romantic comedies Swinging with the Finkels (2011) and Excuse Me for Living (2012).

Daughter Amy Stiller is also a thriving actress. He and Anne wrote, performed and produced award-winning radio commercials together for such products as Blue Nun Wine, United Van Lines and Amalgamated Bank, among others. His autobiography "Married to Laughter" came out in 2000. Stiller's wife Anne passed away on May 23, 2015, and he passed away nearly five years later, on May 11, 2020, at age 92.

Shirley Knight was an American actress who appeared in more than 180 feature films, television movies, television series, and Broadway productions in her career playing leading and character roles.

She was a member of the Actors Studio. Knight was nominated twice for the Academy Award for Best Supporting Actress: for The Dark at the Top of the Stairs (1960) and Sweet Bird of Youth (1962).

In 1976, Knight won a Tony Award for her performance in Kennedy's Children, a play by Robert Patrick. In later years, she played supporting roles in many films, including Endless Love (1981), As Good as It Gets (1997), Divine Secrets of the Ya-Ya Sisterhood (2002), and Grandma's Boy (2006). For her performances on television, Knight was nominated eight times for a Primetime Emmy Award (winning three), and she received a Golden Globe Award.

Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.

Carl Reiner is a legend of American comedy, who achieved great success as a comic actor, a director, producer and recording artist. He won nine Emmy Awards, three as an actor, four as a writer and two as a producer. He also won a Grammy Award for his album "The 2,000 Year Old Man", based on his comedy routine with Mel Brooks.

Reiner was born in The Bronx, to Bessie (Mathias) and Irving Reiner, a watchmaker. His father was an Austrian Jewish immigrant and his mother was a Romanian Jewish immigrant. At the age of sixteen, while working as a sewing machine repairman, he attended a dramatic workshop sponsored by the Works Progress Administration. The direction of his life was set.

In the 1970s, some sources claimed that Reiner made his movie debut in New Faces of 1937 (1937), but that is unlikely as he would have only been fifteen years old at the time. (the movie shares the same plot as his erstwhile partner Mel Brooks' classic The Producers (1967), with a crooked producer planning to fleece his "angels" by producing a flop and absconding with the money). He didn't appear on screen, silver or small, until he made his television debut in 1948 in the short-lived television series, The Fashion Story (1948), then became a regular, the following year, on The Fifty-Fourth Street Revue (1949), another television series with a brief life.

Reiner made his Broadway debut in 1949 in the musical "Inside U.S.A.", a hit that ran for 399 performances. His next Broadway show, the musical revue "Alive and Kicking" (1950) was a flop, lasting just 43 performances. Max Liebman, the producer/director/writer/composer, had been called in to provide additional material after the show's troubled six week out-of-town preview in Boston. It didn't help -- the show closed after six weeks on Broadway -- but an important contact had been made.

Leibman was a producer-director on Your Show of Shows (1950), one of the great television series, and he hired Reiner to appear on the show in the middle of its first season. Reiner's first gig on the revue-like show was interviewing The Professor, a character played by Sid Caesar. He became central to the comedy portions of the show and, in 1953, he racked up the first of six Emmy Award nominations for acting. (In all, he was nominated for an Emmy Award a total of 13 times). When, in 1954, "Your Show of Shows" was split up by the network into its constituent parts, Reiner continued on with Sid in Caesar's Hour (1954). (Imogene Coca was given her own show, which lasted one season, and Leibman was allowed to produce specials).

"Your Show or Shows" had been a Broadway-style revue, featuring skits such as dancing (including a young Bob Fosse) whereas "Caesar's Hour" was pure comedy. "Your Show of Shows" had had a great cast, another other than Coca, most of the cast, including Reiner, Howard Morris, and Nanette Fabray (who went on to win an Emmy Award) moved over to "Caesar's Hour". In his three seasons on the show, he was nominated three more times for an Emmy Award for Best Supporting Actor, winning twice in 1957 and 1958. But it was its stable of comedy writers that was essential to the great success of both "Your Show of Shows" and "Caesar's Hour". In addition to Mel Brooks, the writing staff included Neil Simon, his brother Danny Simon, Larry Gelbart and Mel Tolkin. (There are rumors that the young Woody Allen served as the writing staff's typist).

Reiner had sat in informally with the writers during "Your Show of Shows", but he began writing formally for "Caesar's Hour", having learned his craft from all of the other writers. As a self-described uncredited "writer without portfolio", he was able to leave writers' meetings at 6 P.M., if he wanted to. This gave him the time to work on a semi-autobiographical novel. Published in 1958, Enter Laughing (1967) is about a young man in 1930s New York trying to make it in show business. It was transformed into a play and, eventually, adapted into a movie in 1967, and a musical, many years later.

In 1959, he created the pilot for a television series, "Man of the House", in which he would play a writer, Rob Petrie, who balanced his family life with the demands of working as a writer for a comedy show headlined by an egotistical comedic genius modeled after Sid Caesar (a "benign despot" who lacked social skills, according to Reiner). The series was rooted in his experience on "Your Show of Shows" and "Caesar's Hour". The network didn't pick up the pilot at first, as CBS executives claimed the main character, which was clearly autobiographical on Reiner's part, was too New York, too Jewish and too intellectual. In 1960, Reiner teamed up with Mel Brooks on The Steve Allen Show (1956), and their routine "The 2000 Year Old Man" was a huge success. Reiner played the straight man to Brooks in the routine, which was spun-off into five comedy albums, bringing them a Grammy Award. They also made an animated television special based on their shtick in 1975.

Though CBS turned down "Man of the House", with the two-time Emmy Award-winning comedian Reiner as the lead, it was still interested in the series. However, they wanted a different actor in the lead role, and the casting of the protagonist came down to Johnny Carson and Dick Van Dyke. Carson was a game show host of no great note at the time, but Van Dyke was in the smash Broadway musical Bye Bye Birdie (1963), for which he won a Tony Award. He got the role and another chapter of television history was made, when Mary Tyler Moore, Rose Marie and Morey Amsterdam all were cast in leading roles. Reiner, himself, would eventually play the role of Alan Brady, the abrasive Sid Caesar-like comic convinced of his own genius, in the last few seasons of the series' five-year run.

Another milestone in television comedy, The Dick Van Dyke Show (1961), brought Reiner five more Emmy Awards, three for writing and two as the producer of the series. In 1966, Reiner and the other principals, including executive producer Sheldon Leonard and Dick Van Dyke, decided to end the series at the height of its popularity and critical acclaim. (The show won Emmy Awards as best show and best comedy in 1965 and 1966, respectively). Twenty-nine years after the show was ended, Reiner reprised the role of Alan Brady on Mad About You (1992), winning his eighth (and so far, last) Emmy Award, this time as Outstanding Guest Actor in a Comedy Series.

It was on "The Dick Van Dyke Show" that Reiner first became a director. His feature film debut, as a director, was with the film adaptation of the play Joseph Stein had adapted from his 1958 novel, Enter Laughing (1967). His work as a writer-director, with Dick Van Dyke, in creating a Stan Laurel-type character in The Comic (1969) was not a success, but Where's Poppa? (1970) became a cult classic and Oh, God! (1977), with George Burns, and The Jerk (1979), with Steve Martin, were smash hits. The last film he directed was the romantic comedy That Old Feeling (1997).

Reiner's career continued into the 21st century, when most of his contemporaries had retired or passed. He was awarded the Mark Twain Prize for American Humor in 2000 and acted in the remake of Ocean's Eleven (2001) and its two sequels. He also appeared as a voice artist in the film Good Boy! (2003), and the animated series The Cleveland Show (2009) (he even wrote an episode for the series rooted in his "Your Show of Shows" experience). He was also a regular on the series Hot in Cleveland (2010) (with fellow nonagenarian Betty White), and appeared on an episode of Parks and Recreation (2009) in 2012. His last film role was as the voice of Carl Reineroceros in Toy Story 4 (2019), opposite his old compatriot Mel Brooks.

Carl Reiner died at age 98 of natural causes on June 29, 2020, in Beverly Hills, California.