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Born in Tuscaloosa, Alabama, the former Ruth Lee Jones moved with her family to Chicago as a young girl. She considered the Windy City her true home. And it was there in early 1940s that a local nightclub owner provided her first gig - and a new name that she would make famous. By 1959 she had earned a Grammy for her version of the song "What a Diff'rence a Day Makes." In his 2001 biography Q, music legend Quincy Jones vividly describes Washington's style, saying she "could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator and you would've still understood every single syllable."

But the singer's musical gifts were offset by a wild and extravagant personal life. Married seven times, Washington battled weight problems and raced through her profits buying shoes, furs and cars in an effort to lift her spirits. Washington also tried numerous prescription medications, primarily for dieting and insomnia. A mix of the pills she was taking in 1963 caused her death, which was ruled an accident. Her gift lives on through her rich musical legacy.

Gustav Machatý was born on May 9, 1901 in Prague, Bohemia, Austria-Hungary (now the Czech Republic). His first experience with the motion picture industry was playing piano at movie theaters, accompanying silent pictures. In 1917, he made his debut as an actor.

In the early 1920s, he emigrated to the United States, taking up residence in Hollywood, where he learned filmmaking as an apprentice to two masters, D.W. Griffith and Erich von Stroheim. After serving a four-year apprenticeship in Hollywood, he returned to Prague to make his own films. Two movies, "Erotikon" (1929) and "Ekstase" (1933) made him internationally famous.

"Ekstase" was nominated for the Mussolini Cup at the Venice Film Fesitval. Released as "Ecstasy" in the U.S. with the advertising tag-line "The Most Talked About Picture in the World," "Ekstase" featured young Hedy Kiesler in the nude. Kiesler, who would become internationally famous herself as Hedy Lamar, played a sexually frustrated hausfrau who achieves orgasm (ecstasy) in the arms of a young swain who has espied her in the buff making like one of Busby Berkeley's water nymphs, sans bathing suit.

When exhibitor Samuel Cummins imported the film in 1935, the U.S. Customs Service seized the print, acting under the aegis of the 1930 Customs Act that forbade importing obscene material. Cummins appealed to the federal courts, but the Customs agents had burned the print, and with no physical evidence, his appeal was denied.

The frustrated Cummins edited his next imported copy, cutting out Hedy's naked run through the woods and a scene of horses copulating, and adding a moralistic voice-over that said her character had divorced her impotent husband before her affair. A new ending with a baby was added, suggesting that Hedy and her young swain had married. The U.S. Customs Service allowed this version to be imported into the U.S., but the State of New York Board of Review refused to license the picture for exhibition. Cummins' Eureka Productions filed suit in federal court, but the ban was upheld as the U.S. Court of Appeals held that once a picture was imported into the U.S., it was subject to local censorship.

The film was a modest success on the art house circuit, and once Lamar became famous as an American movie star, all the nudity was cut out of the film and it received a Production Code Administration Seal of Approval in 1940 and was re-released. Even with the cuts, the movie ran afoul of local censors. The Commonwealth of Massachusetts forbade the movie to be shown on Sundays, and the state of Pennsylvania banned it outright. "Ecstasy" was condemned by the Roman Catholic Church's censorship body, the Legion of Decency, making it one of the few foreign films to win that dubious honor.

It was a viewing of "Ekstase" that introduced Hedy Kiesler to Metro-Goldwyn-Mayer production boss Louis B. Mayer, who despised the film but signed the beautiful Kiesler to a contract and rechristened her Hedy Lamarr. Thus, Gustav Machatý is responsible for giving the motion picture medium the actress who was described as the "Most Beautiful Woman in the World" in the 1940s.

Gustav Machatý died on December 13, 1963 in Munich, Germany.

Molly Kazan was born on 16 December 1906 in South Orange, New Jersey, USA. She was a writer and actress, known for Drama 61-67 (1961), New York Television Theatre (1965) and Pie in the Sky (1935). She was married to Elia Kazan. She died on 14 December 1963 in Kips Bay, Manhattan, New York City, New York, USA.

Otto Zoff was born on 9 April 1890 in Prague, Austria-Hungary. He was a writer, known for Die Glocken von London (1962), König Hirsch (1964) and Schatten in der 3. Avenue (1956). He died on 14 December 1963 in Munich, Bavaria, West Germany.