Carambolages
- 1963
- 1 h 28 min
AVALIAÇÃO DA IMDb
6,1/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe story takes place in a luxury building of about ten floors where the "321" agency has its headquarters. The company watches over the holidays of its customers.The story takes place in a luxury building of about ten floors where the "321" agency has its headquarters. The company watches over the holidays of its customers.The story takes place in a luxury building of about ten floors where the "321" agency has its headquarters. The company watches over the holidays of its customers.
- Prêmios
- 1 indicação no total
Marc Arian
- Un huissier
- (não creditado)
André Badin
- Un représentant de sandales
- (não creditado)
Charles Bayard
- Un représentant
- (não creditado)
Marcel Bernier
- Un acheteur de journaux
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesReflecting on the film in a 2014 interview, director Marcel Bluwal recalled that the film shoot was unpleasant and that the finished film is rather unsuccessful.
- ConexõesReferences Cupido Não Tem Bandeira (1961)
Avaliação em destaque
I will not superfluously add to the excellent technical description of the plot given by nenslo. But I beg to differ on the overall comical content of this comédie noire, which is much higher IMO, not to mention the very high caliber of most of the actors and actresses and the dynamic authority of the camera work. Even though some of the humor lies in physical situations and a bit of slapstick, most of it is in the text, those lines delivered full tilt (subtitles are essential here – even for a French spectator such as me – us contemporary audiences having grown somewhat alien to fast thinking and talking in English and French films!), as well as in some subtle political winks.
The character of commissaire Baudu (played by a young Michel Serrault), ever nostalgic of the Gestapo methods of interrogation from the collaboration days of WWII in France, is probably one of the main reasons why this film, in spite of the major presence of De Funès playing here his typical screen self with much gusto and brilliance, was accursed by the French society of the day, for which the collaboration was still a big taboo, or at least certainly not a pet topic for humor.
"Carambolages" probably owes a lot of its own vision of the modern corporate world and its cinematic treatment of the subject to Jacques Tati's films ("Mon Oncle", etc.). Conversely, the entire opening scene, a conference room projection of a publicity campaign film as seen from the Carambolages spectator's POV, cutting to the boss admonishing the execs over it and vehemently requesting instead something that will make the customers hopelessly, sickeningly addicted to the product, struck me as having been lifted almost literally by Richard Donner's "Scrooged", 25 years down the road, for its own opening sequence! As well, the explosive cigar box gimmick, prepared step-by-step before our very eyes and fiendishly efficient (in a rather terrible scene, including the ensuing panic of the fellow workers), not to mention the perpetrator's reaction to its imminent opening-activation, sure as heck recalls a Columbo entry entitled "Short Fuse", featuring Roddy McDowall!
The character of commissaire Baudu (played by a young Michel Serrault), ever nostalgic of the Gestapo methods of interrogation from the collaboration days of WWII in France, is probably one of the main reasons why this film, in spite of the major presence of De Funès playing here his typical screen self with much gusto and brilliance, was accursed by the French society of the day, for which the collaboration was still a big taboo, or at least certainly not a pet topic for humor.
"Carambolages" probably owes a lot of its own vision of the modern corporate world and its cinematic treatment of the subject to Jacques Tati's films ("Mon Oncle", etc.). Conversely, the entire opening scene, a conference room projection of a publicity campaign film as seen from the Carambolages spectator's POV, cutting to the boss admonishing the execs over it and vehemently requesting instead something that will make the customers hopelessly, sickeningly addicted to the product, struck me as having been lifted almost literally by Richard Donner's "Scrooged", 25 years down the road, for its own opening sequence! As well, the explosive cigar box gimmick, prepared step-by-step before our very eyes and fiendishly efficient (in a rather terrible scene, including the ensuing panic of the fellow workers), not to mention the perpetrator's reaction to its imminent opening-activation, sure as heck recalls a Columbo entry entitled "Short Fuse", featuring Roddy McDowall!
- languedoc-586-836028
- 3 de jul. de 2011
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Carom Shots?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Carom Shots
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Carambolages (1963) officially released in Canada in English?
Responda