
It’s hard to describe a film that is merely a series of pointed, often fiery, discussions between different people on the topic of race, particularly when those discussions, ultimately, aren’t impactful. They manage only to rile up an audience that is already overwhelmed by their own experiences with race without providing any forward movement or direction. So let’s just call writer-director Roberto Minervini’s “What You Gonna Do When the World’s on Fire?” what it is: aimless and triggering.
It’s the most unproductive type of sociopolitical film, especially in today’s climate, in that it aims to incite but not to motivate. Documentarian Minervini (“The Other Side”) introduces us to black people in 2017, living deep inside the margins in Louisiana and Mississippi and feeling helpless following a rash of brutal murders of black residents that have gone carelessly unsolved. The constant lack of attention to...
It’s the most unproductive type of sociopolitical film, especially in today’s climate, in that it aims to incite but not to motivate. Documentarian Minervini (“The Other Side”) introduces us to black people in 2017, living deep inside the margins in Louisiana and Mississippi and feeling helpless following a rash of brutal murders of black residents that have gone carelessly unsolved. The constant lack of attention to...
- 8/15/2019
- by Candice Frederick
- The Wrap
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