Bury Me an Angel

It is interesting to note that the three main actors in this movie - Dixie Peabody, Terry Mace and Clyde Ventura - all seemed to have vanished from sight proximal to starring in this film, with each of them only making a handful of movies combined in a short time frame. While they weren't the best actors ever to grace the screen, they did approach their roles with a certain verve and raw energy that helped offset some of the occasionally overall amateurish production values. The recent success of " Easy Rider " had a profound influence on much of the visual context of this film, as the three bikers similarly wend their way through western landscapes backed by a rock soundtrack. However, the attempt to capture and recreate the magic of that classic film falls short in comparison, lacking both the brilliant cinematography of Laszlo Kovacs, as well as the backing score provided by some of the best contemporary music created in that era. Instead, we get a fairly mediocre and generic sonic collection that could have been supplied by any halfway decent bar band, while the cinematography here remains relatively strong, with its vivid color and solid compositional components as envisioned by Sven Walnum. The movie as directed by Barbara Peeters is a valiant effort to enter the male dominated biker genre by positing a powerful female lead, bent on vindication, and unintimidated by the traditionally masculine world of biker gangs, even if the overall directorial effort can be considered dilletantish at best. Dixie Peabody is a first rate choice for her role, considering her imposing stature and modelesque beauty. Why she faded from view is anybody's guess, considering her potential as a strong female protagonist that seemed poised for some amount of fame, even if only limited to modest success as a character actress. " Bury Me An Angel " probably deserves to be unearthed for a viewing, notwithstanding its shortcomings.