Ajouter une intrigue dans votre langueA scientist genetically engineers a creature that transforms between a Death's-head moth and a woman. The creature poses as the scientist's daughter to lure victims when in human form, then ... Tout lireA scientist genetically engineers a creature that transforms between a Death's-head moth and a woman. The creature poses as the scientist's daughter to lure victims when in human form, then feeds on their blood as a moth.A scientist genetically engineers a creature that transforms between a Death's-head moth and a woman. The creature poses as the scientist's daughter to lure victims when in human form, then feeds on their blood as a moth.
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- AnecdotesOne of the many films that Peter Cushing made about this time to help pay for the health treatments of his beloved wife, Helene. She would later die of emphysema in 1971.
- GaffesNear the end of the movie, Sergeant Allan fires 7 shots from a single-action pistol without reloading.
- Citations
Inspector Quennell: The only time we have a witness to one of these murders and he's out of his mind.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: The Blood Beast Terror (1974)
Tigon was always seen as a cut-rate Hammer and this film was clearly inspired by the latter's THE REPTILE (1966; one of the Bray Studio outfit's best of the decade, and which THE BLOOD BEAST TERROR can't hope to match) - where, again, we find a female monster 'created' by her eminent but misguided entomologist father (Robert Flemyng). The monster design (we're dealing with a giant Death's Head Moth here) isn't too bad, actually, and it's thankfully not over-exposed during the course of the film: besides, Wanda Ventham's character is interesting in that she doesn't bemoan her fate as usually happens in such genre efforts - rather, she's single-minded in seeking out her prey among Flemyng's naïve students and rugged helpers around the estate, all of whom are easily swayed by her attractiveness!
Aided by a fine score from resident Tigon composer Paul Ferris, the film creates a reasonable Gothic atmosphere throughout (with, at one point, even an amateur rendition/parody of a typical Grand Guignol performance set up by the students - and also featuring Ventham - in Flemyng's house). The script, incidentally, is by Hammer alumnus Peter Bryan (THE HOUND OF THE BASKERVILLES [1959], THE BRIDES OF Dracula [1960] and THE PLAGUE OF THE ZOMBIES [1966]) and, while offering no real surprises, it's quite enjoyable for what it is - certainly better than its reputation would suggest! That said, the monster's come-uppance in an unconvincing and abrupt fiery ending is one of the lamest of its kind I've ever come across...
Cushing - with his customary fastidiousness and dry wit intact - is always a pleasure to watch; Flemyng, too, offers his unhinged medico routine - and it's interesting, to say the least, to witness this clash of Hammer and Italian horror acting styles! Notable among the supporting cast is Roy Hudd as a scurrilous morgue attendant.
At this stage, I don't know whether I'll eventually spring for the R2 DVD - since it contains a 25-minute career overview with Ventham - but, if it's ever discounted again by one of my British retailers of choice (and provided that it hasn't gone out-of-print by then!), it's worth considering. Another DD Video title I've long neglected is THE DEVIL'S MEN (1976), incidentally, also starring Peter Cushing - and, even though it's an equally maligned horror effort, I have to admit that I'm a sucker for such things...
- Bunuel1976
- 1 avr. 2007
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Blood Beast Terror
- Lieux de tournage
- Grim's Dyke House, Old Redding, Harrow Weald, Middlesex, Angleterre, Royaume-Uni(Clare House-exterior)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 28 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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