CALIFICACIÓN DE IMDb
7.2/10
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Dos personalidades extremadamente fuertes chocan por la informatización del departamento de investigación de una cadena de televisión.Dos personalidades extremadamente fuertes chocan por la informatización del departamento de investigación de una cadena de televisión.Dos personalidades extremadamente fuertes chocan por la informatización del departamento de investigación de una cadena de televisión.
Pamela Curran
- Bit Part
- (sin créditos)
Bill Duray
- Member of the Board
- (sin créditos)
Harry Evans
- Member of the Board
- (sin créditos)
Jesslyn Fax
- Mrs. Hewitt
- (sin créditos)
Richard Gardner
- Fred
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaImprovised Scene: Sumner is leaving Bunny's apartment, shortly after Mike leaves and Peg arrives, when Bunny and Sumner are recapping the afternoon's events for Peg. Sumner puts on the ruined shoes and grimaces as he tries to walk in them, which causes Bunny to laugh. He hobbles off stage and returns with his hat pulled down over his ears, his shirt dangling out of his pants, staggering as though drunk and talking crazy. This moment, including the women's hysterical laughter and Katharine Hepburn's nearly falling out of her chair, is spontaneous and not in the script.
- ErroresIn the opening shot of the film at Rockefeller Center, the shot begins at ground level and tilts up the building, but it was clearly shot from the top of the building down to ground level and then reversed because all the people on the ground are walking backwards.
- Citas
[Sumner answers the phone while the girls are at a Christmas party]
Richard Sumner: Hello? Santa Claus's reindeer? Uh, why yes I can... let's see, there's Dopey, Sneezy, Grouchy, Happy, Sleepy, uh Rudolph, and Blitzen! You're welcome!
- Créditos curiososOpening credits: "The filmmakers gratefully acknowledge the cooperation and assistance of the International Business Machines Corporation."
- ConexionesFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandas sonorasHark! The Herald Angels Sing
(uncredited)
Music by Felix Mendelssohn
Lyrics by Charles Wesley
Sung by a chorus during the shot of the Rockefeller Center Christmas tree
Opinión destacada
I watched this movie on You Tube and enjoyed it immensely. The fast wit in practically all the lines, the cleverness in the script, the utter elegance of all the women involved in it (even Joan Blondell, quite "developed" by then with several extra pounds), but specially Dina Merrill, absolutely exquisite in her (natural) ice-blond beauty, and Katherine Hepburn, with an unbelievably slender silhouette, all dressed, made up and coiffed to kill (modest employees with an average office job and complaining about their low salaries), changing outfits on practically every scene (and what outfits!!).
But that doesn't matter, it was escapist entertainment to the nth degree, so all that eye candy was completely acceptable, and so were the sets, that confronted with nowadays sets were like the Sistine Chapel Ceiling by Michelangelo.
When you consider that every single setting was painted cardboard you flip!!: The New York street with all that traffic and the heavy rain, the executive office, the girls office, later their office with the immense computer with all its lights and noises, the terrace of the skyscraper!! Fantastic sets!! and then the color palette for the whole movie.
Palette studied to the last detail, so pleasing to the eye in its entirety. Only one example: Hepburn gives Tracy a striped scarf, later on she wears the same scarf momentarily over a dress whose color matches to perfection those on the scarf. Unreal. And then last but not least, we appreciate the way these people interacted with such decent sentiments, so elegant, with such civilized maturity (so adult!!), that we instantly realize to have lost a lot comparing that generation to the present one.
The acting is sublime, by all of them, from Hepburn to the messenger boy. What a sensational movie! Top entertainment.
But that doesn't matter, it was escapist entertainment to the nth degree, so all that eye candy was completely acceptable, and so were the sets, that confronted with nowadays sets were like the Sistine Chapel Ceiling by Michelangelo.
When you consider that every single setting was painted cardboard you flip!!: The New York street with all that traffic and the heavy rain, the executive office, the girls office, later their office with the immense computer with all its lights and noises, the terrace of the skyscraper!! Fantastic sets!! and then the color palette for the whole movie.
Palette studied to the last detail, so pleasing to the eye in its entirety. Only one example: Hepburn gives Tracy a striped scarf, later on she wears the same scarf momentarily over a dress whose color matches to perfection those on the scarf. Unreal. And then last but not least, we appreciate the way these people interacted with such decent sentiments, so elegant, with such civilized maturity (so adult!!), that we instantly realize to have lost a lot comparing that generation to the present one.
The acting is sublime, by all of them, from Hepburn to the messenger boy. What a sensational movie! Top entertainment.
- davidtraversa-1
- 3 jul 2011
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Detalles
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Cosas de mujeres (1957) officially released in India in English?
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