A Piece of Literary Art! First of all, the writing, oh my. It shines through spectacularly, pristine in its details. Every letter penned seems forlornA Piece of Literary Art! First of all, the writing, oh my. It shines through spectacularly, pristine in its details. Every letter penned seems forlorn, looking to the next in order to give it proper form; every word appears bleak and unsettling, and every sentence devoid of hope and its happiness utterly eviscerated.
And then...when A.M. Shine has fully succeeded in making me so full of melancholy and sadness, hope and happiness begins to radiate like a much needed ray of sunlight after an eternity spent in the grip of the bleakest winter. And then, just when I'm basking in that warm glow, he goes and dashes my hopes all over again. A true master.
Daniel ran through the forest. Like a wild animal released he didn’t look back. Not once. Toils of ivy snagged his legs. With his hands he fended off barbs of thorns and the wet stems that whipped across his face. He knew the way, but his haste had scattered his bearings. His was a compass spinning in dizzying circles. The trees seemed to shift through the earth, blocking his path, throwing their bodies in front of him as though they had been gifted life and worked their branches like limbs to ensnare him. It was a maze; a darkening, ill-lit labyrinth where decay and dying things ruled supreme. Madeline was still calling his name. She was chasing him, but in that moment – driven by sheer fear – he was faster. His breathing was loud and erratic. He muttered senseless sounds that even he couldn’t understand. Panic had gripped Daniel hard with the intent to break him, but instead it threw him forward. He had veered from the route he knew. Despite everything that stood in his way, still he kept one eye on the ground. Some burrows were wide enough to catch at a glance, but others he wouldn’t see until it was too late; until he slipped from the light and fell within their reach. He fought back his tears, but their coming was inevitable.
The presentation is akin to having your hopes all bundled up in words that inevitably get sucked into an event horizon where all good things meet their frozen end. Therefore, an atmosphere is created that feels listless and claustrophobic; hemmed in from all sides with trepidation, and that's even before the creature feature pops in and ululates its hideous screams.
The pacing and narrative is fast and thrilling, while the plot is creepy and terrifying. Perspective switching is handled masterfully, so much so that the reader keeps anticipating the end of a chapter (which are mercifully short and brief).
A truly talented writer that seamlessly blends the details and monologues of literary horror, cleverly insinuating sly humor to go with the excitement and fast pace of page-turning thrillers. An excellent book, especially being a debut, and I hereby do pronounce it highly recommended. I loved every single bit of it.
The Lesser Dead is about vampires set in the late 70's underground New York, giving it a nice touch; I felt like I was reading the novel through a sepThe Lesser Dead is about vampires set in the late 70's underground New York, giving it a nice touch; I felt like I was reading the novel through a sepia-toned dark glass with lots of physiological bodily matter splattered generously about the surface...The vamps here are of the pathetic, neurotic, depressed, sadistic and not so often, the funny or the intelligent variety. Certainly not the pretty kind á là Twilight. The plot is quite gory, scrunchy and I had a blast and lots of fun while reading it.
A decently short book of about a hundred thousand words approx. which is fast paced, giving a past, future and present omniscient view of events from our narrator. At the 70% mark onwards, the pacing and intrigue of the events get stepped up a notch and real gore pokes its ugly head as all the lesser dead go full on bat shit crazy on our lovely and snarky protagonist, Joseph Hiram Peacock, the quarter Jewish adolescent octogenarian vampire.
Highly recommended for horror fans that enjoy good humor in addition to lots of gore....more
A masterclass in heart pounding, relentlessly scary and utterly horrifying supernatural horror!
The writing is lean, the horrors believable and terrifyA masterclass in heart pounding, relentlessly scary and utterly horrifying supernatural horror!
The writing is lean, the horrors believable and terrifying, the pace frenetic and the characters strong willed while the plot is generic haunting, it retains a unique genius in its execution.
"They’re pounding at the door again. Jiggling the handle. A wrinkled gray hand shot through with wormy purple veins slips through the gap beneath the door; its fingernails click across the tile like the carapace of a trapped insect."
Room 123 is hell and the worst of afterlife imaginable combined in one. It's inhabitants are trapped and to escape they'll need to combine both brains and brawns but then...the horrors without and the human follies within are not content to lie in wait for the inevitable.
A marvelous and short supernatural horror read by an exceptional author and a very good introduction to him for fans yet to sample him.
"I coughed in the black and tried to focus my thoughts. That’s when the first bolt of unease shot up my spine like lightning. I wasn’t supposed to h"I coughed in the black and tried to focus my thoughts. That’s when the first bolt of unease shot up my spine like lightning. I wasn’t supposed to have thoughts. I wasn’t supposed to be aware of anything. I was dead; I should feel…nothing. Why could I think? Why could I feel? I coughed again as the darkness slid across my skin like frozen paste. It coated me, slid around me, engulfed me." A refreshingandunique take on purgatory and the afterlife; savage and vicious but nevertheless full of human carnage, evils and conceits. I would love to talk more about the premise of this one but alas, no, I feel it'd be better for a reader to go into it with minimal info just like I did.
I exhaled slowly, my eyes trained up at the night sky. Stars twinkled down at me like curious crystals and I felt my chest heave. They looked so beautiful. They looked hopeful. They looked like happiness, dragging me towards them, millions of light years away.
The quote above offers us a very 'promising' start to a terribly dark novel that's excellently written. A truly sick experience of the mind.
Please be warned of Extreme Content, "...everyone who entered the Black Farm carried hell with them."I highly highly recommend this and it's sequel.
Every evil you left behind, every wrong, every act of violence...it’s all waiting for you, Nick. A tense and atmospheric, brutal and unflinchingly Every evil you left behind, every wrong, every act of violence...it’s all waiting for you, Nick. A tense and atmospheric, brutal and unflinchingly visceral rendition (full of heart-pounding savagery and graphic violence of the mind and body) of the lengths people can take to confront their deepest nightmares in order to protect the ones they love.
The Black Farm is in ruins and chaos reigns... Nick has been sought to journey back (the first step being that he needs to kill himself) and put things into perspective; restore the fucked up order it used to enjoy or else all hell's gonna break loose (literally) and no one's safe. A lot is riding on his shoulders, from the fates of heaven, hell, earth and all in between, to his wife, Jess, and new born son.
*The Return to the Black Farm is Elias Witherow's continuation of the sick imagination that gave birth to the first book which describes a purgatory that hell has got nothing over. Only recommended for Extreme Horror fans, read at your sanity's peril!
"Tomorrow died on the last morning of May. There were those who saw it happen, who watched the shadow fall, whExcellently written and very engrossing.
"Tomorrow died on the last morning of May. There were those who saw it happen, who watched the shadow fall, who felt the chop of the guillotine as the world lost its head. Everyone else witnessed only the aftermath, for the event itself lasted no longer than a moment. They stepped outside from windowless rooms, they climbed up from crowded subways, they pulled back the blinds to let in the sun, and found the nightmare waiting for them. John Hawthorne saw it happen."
Daniel Barnett has a gift for setting the atmosphere with his words.
"John’s voice had changed, and whatever Nicholas heard in it sent him running—falling—down the embankment. He mounted his bike, sped off without a backwards glance, and was gone. John Hawthorne remained standing on the rise. That was the fact of him, perhaps more than anything else: he remained. He stared down at the marker between his feet, at the name scratched crudely into its iron-gray surface. Theo had been a good dog. They had gotten on well, mostly. But in the end, Theo had been his son’s. Every bone in Theo’s body, and bones were all that was left now, had belonged without question to a sixteen-year old boy named Trevor Hawthorne. John closed his eyes. He could not call up the memory of that night twenty years ago. The memory was gone, had never been. And yet he could feel it all the same. Woods moaning in a howling wind. Branches creaking under a frosted white moon. There are things the brain forgets, but the blood remembers. Oh, the blood remembers. He raised his head, opened his eyes to the day, and the winter he carried inside settled back into his marrow. The sun laid a warm hand on his cheeks, his brow. It was the last time the sun would touch him. He stood there, looking east from his high place in the San Gabriels, breathing in a wind that smelled of last year’s wildfires, of smoke and cinder and destruction. He stood there, at 7:47 a.m., on the precipice of a great and terrible journey that would take him across a hollowed, gutted America, a nightmareland born on the grave of a sane world. He stood there in the light. And then he stood there in the dark."
The characters are well thought out and quite deep with the introspection. The plotline unfurls slowly like a mist gathering at dusk trickling in, leaving the reader wanting more from the terrifying world-building and vision of an apocalypse. The pacing seems feverish and urgent while slow and lumbering in alternating pulses.
Really, the only irreconcilable tidbit was the reaction of most people to the event that happened. I found it hard to accept that many people would react the way they did. Nevertheless, I am eagerly waiting to continue on with this series. I've become a fan! Highly recommended.
"But he had never believed the world to be practical. Earth was a mudball hurtling through space, and all mud had something blind and slithery and rotten under its surface. You only had to dig deep enough to find it. Humans, living under the sun . . . they held onto this conviction that the universe was a warm, benevolent place, that it obeyed some kind of order. That was the real insanity to John. To stand in the light and forget that the dark exists. To convince yourself that, simply because you could not see something, it could not see you. If the universe had a mind, it was fishbelly white and utterly mad. The mind of an angler, raised and nurtured in endless night. Because night was the natural state of the universe, the cold, cold truth behind the bright lie told by the sun as it looked over the horizon. The universe was darkness—that was the truth—and the stars were nothing more than little lanterns floating in the black trench of space. Bright, welcoming lures, hiding daggered jaws."
Amazing storytellingandwriting. I was completely hooked from the very first page! Michael Morrow has done vile things; unspAlso posted on littafi.com
Amazing storytellingandwriting. I was completely hooked from the very first page! Michael Morrow has done vile things; unspeakable and repellent, very typically evil. But still...does innocence and goodness remain within or are one's deeds the determining factor? The Morrow family commit abhorrent and cruel acts as is their norm but then, by which criteria are we to condemn?
Vedic philosophy says that the Vish and Shiv are both aspects of the divine; creative and destructive energies, ying and yang; different sides to the same coin.
Are they destroying (and killing) so that new life may be created or is there no discernable philosophical/metaphysical explanation? Is evil, violence, and destruction inevitable within the context of human societies and living systems as a whole?
Krishnamurti says, "Belief is corruption because behind belief and morality lurks the 'mine', the self... we consider the belief in God, the belief in something, as religion." I'll go further and say that the human mind works to understand the world and its relation to it using belief systems, we believe in good and evil, right, wrong, acceptable, etc. But he continues with, "One society will condemn those who believe in God, and another society will condemn those who do not. They are both the same. So, religion (and other abstract concepts) becomes a matter of belief, and belief acts and has a corresponding influence on the mind; the mind then can never be free. But it is only in freedom that you can find out what is true, what is God,... your very belief projects what you think ought to be".
In so doing, can we finally understand and come to grips with evil? But I digress, Ania Ahlborn has created an atmospheric thriller that's made me think of evil, its effects and consequences; and whether it's possible to be redeemed from it. A literary thriller masterpiece!
"His head was pounding so violently that he literally believed that something might be trying to escape from it. Literally. At this point, why coul"His head was pounding so violently that he literally believed that something might be trying to escape from it. Literally. At this point, why couldn't there be a creature inside there, hammering with its clawed fists, cracking his skull a bit more with each punch? Soon it would shatter his cranium, wriggle its way out, and slither away to wreak havoc. Would it really be so bad if he died now? Yes. He wasn't ready to die. But he wasn't sure he had a choice"
A slowly devolving, fast paced paranormal activity and gorefest of the creepy kind. Excellent read. Had so much fun with this one!
This is a tale that skillfully weaves the combination of a really intriguing, psychologically suspenseful thriller with elements of cosmic horror.
VeryThis is a tale that skillfully weaves the combination of a really intriguing, psychologically suspenseful thriller with elements of cosmic horror.
Very short (reason why I deducted a star) and fast paced with a killer ending. His writing is absolutely fantastic while staying lean at the same time with nary a letter wasted.
I'd highly recommend it. Kudos to Rich Larson; I'm really looking forward to reading his other offerings real soon.
A short and gripping tale that condenses so much within. It is set in the Jazz era of the '20s (last century) where we follow 'Tommy' aka Black Tom, aA short and gripping tale that condenses so much within. It is set in the Jazz era of the '20s (last century) where we follow 'Tommy' aka Black Tom, a hustler as he deals in the arcane and gets a mysterious job offer that seems too good to be true.
"“I bear a hell within me,” Black Tom growled. “And finding myself unsympathized with, wished to tear up the trees, spread havoc and destruction around me, and then to have sat down and enjoyed the ruin.” “You’re a monster, then,” Malone said. “I was made one.”"
The plot is very interesting and it weaves elements of cosmic horror and otherness into a surrealistic narrative (told from two perspectives that keeps the story really fresh) that I found really engaging, enjoyable and highly entertaining to read.
There are interdimensional eldritch gods and mysterious sexagenarian occult sorcerers aplenty. Very good writing. If this is what the sub-genre of 'new weird' has to offer then I'm absolutely in! Highly Recommended.
“Is Lin coming?” I licked the corner of a tooth. “No comment.” You could just about smell the cream on the lip of Phillip’s grin, though. I tried not“Is Lin coming?” I licked the corner of a tooth. “No comment.” You could just about smell the cream on the lip of Phillip’s grin, though. I tried not to cringe, to wince, beset by a zoetrope of sudden emotions. I hadn’t spoken to Lin since before I checked myself into the hospital for terminal ennui, exhaustion so acute it couldn’t be sanitized with sleep, couldn’t be remedied by anything but a twist of rope tugged tight."
A group of frenemies gather together in celebrating a couple among them in an ancient Japanese mansion. The story is short and quite sharp, I loved it! A haunted house trope with a dash of Oriental mythology executed flawlessly. The pace is frenetic, the narrative is intricate, descriptive and witty. I liked that the main protagonist was recovering from mental health issues because when written well, the inner life can be portrayed quite intimately. I thoroughly enjoyed my time with this read so much so that I didn't want it to end. Highly recommended.
"“He’s going to die, Cat. He’s dead. He’s dead. So, don’t look. Don’t.” I did anyway. I shrugged his embrace apart and shambled towards where Phillip lay, bile and blood soaking into the mouldering straw. I read somewhere that it takes about twenty minutes to die from disembowelment, which doesn’t sound long at all but hurt has a way of stretching out a heartbeat into an infinity of going colder, slower, every breath another starburst of too much to cope with, lighting up the cerebrum with constellations of anguish. Phillip’s eyes were rolled up to the whites and he stank of piss. I didn’t know someone else’s pain could have a texture, a bite, a gelatinousness you could hold in your teeth, but I could almost gnaw on Phillip’s dying. "
I've seen the prose employed here by Cassandra Khaw being referred to as overly flowery or even purple but my experience of it was rather more pleasurable than not. It has certainly enhanced my immersion into the story and added quite a few words to my vocabulary.
They breasted a gentle rise and there was Gatlin below them, all three blocks of it, looking like a set from a movie about the Depression.
A short but They breasted a gentle rise and there was Gatlin below them, all three blocks of it, looking like a set from a movie about the Depression.
A short but vivid and lifelike rendering of a somewhat sartorial, humorous and ironic bite sized chunk in the life of a middle-ish aged couple on the road out in the boondocks where they might get much more than what they usually bargain for on this particular trip.
The world-building is phenomenal as per usual with King, and the dialogue really hits close to home in it's prescience and I think their misfortunes might have been greatly reduced if only the advent of GPS navigation had been invented a few decades before the eventful trip through roads bracketed by endless acres of corn and other sinister supernatural happenings.
A masterfully penned story that manages to mesh the best of page turning fun and immersive storytelling with a dash of the religious and supernatural horror splendidly done; I loved it! I've added it to my Favorites Horror shelf. Now I'm off to watch the adaptation...adios....more