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0425281426
| 9780425281420
| 0425281426
| 4.22
| 17,948
| Oct 02, 2018
| Oct 02, 2018
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it was amazing
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Originally reviewed here @ Angieville This series. My feelings for it are fierce and tangled, much like the ties that bind its protagonists. Charlotte, Originally reviewed here @ Angieville This series. My feelings for it are fierce and tangled, much like the ties that bind its protagonists. Charlotte, Lord Ingram, Livia, Inspector Treadles, Bancroft, Lady Ingram . . . characterize them each how you will, but there is nothing equivocal about them. While there is infinite room for every sort of gray area in their circumstances, their histories, and their difficult presents, the feelings that they engender (at least in me) are nothing if not strong one way or the other. And really, I wouldn't have it any other way. Who wants to feel the least bit milk-soppy about the people who inhabit their wonderfully complicated Victorian mysteries? Not me. That is who. Which is to say that I was prepared for a tumult of emotions as I embarked on this the third volume in Sherry Thomas's Lady Sherlock series. Just, as it turns out, nowhere near prepared enough. Be warned: unavoidable spoilers for the first two books abound. Death has finally found its way to Lord Ingram's door. Though it may have seemed to him and to those who know him best that he was already bearing one man's fair share of suffering in his life, the term takes on new meaning when the body of his estranged wife is found on the grounds of his country estate. He is already playing impromptu host to a number of his neighbors who were forced to flee their house party nearby, and the group just happens to include Charlotte Holmes's sister, Miss Livia Holmes. All hell breaks loose in a matter of a few short hours, and both the London gossips and Scotland Yard are calling for his blood in short order. And Charlotte, the only person who can really help him, the only person he actually wants at his side throughout this ghoulish ordeal, is forced to do so in disguise. Unable to disclose her identity for fear of betraying her oldest friend, Charlotte enters a race against time and the mysteriously related Moriarty to clear Lord Ingram's name and uncover the true culprit. "Charlotte Holmes. I thought I might see you here." A complicated pleasure, this book. I knew it would be far more personal than either of the previous adventures. But I had no real comprehension of just how grave this tale would be, when the danger comes calling at the very door of the one character who deserves it the least. Because it's Ash. It's Ash. And from the moment Charlotte turns in his orchard and says, "Hullo," I was full of fear. I mean, I was flooded with anxiety for all three hundred and twenty-nine pages. Every last one of them. And so while I might have reasonably expected to enjoy the larger quantities of page time in which these two dear characters are actually together, the whole thing was neatly sideswiped by the terror of the unknown and of what they both actually stood to lose. Being somewhat conversant with Ms. Thomas's willingness to put her characters through their paces, as it were, I felt no sense of assurance that the pain would not be too much to bear. In point of fact, every single thing about The Hollow of Fear felt very nearly too much to bear. And while that may sound dire, and it is, this book is also threaded through with small and perfect moments, with Thomas's trademark empathy and insight. As always with this series, many of my favorite moments involve the realities of the lives of women and the truths that are so difficult to speak. Lady Ingram hadn't been angry because she'd wished to marry a different man, as Mrs. Watson had thought at the time, but because her life hadn't been her own. My, what empathy. Even the lady monsters. My Circe-loving heart all but exploded at that particular moment. And then this between Lord Ingram and Charlotte: "Is it true, what I once heard your sister say, that you don't like to be embraced?" Ah, Ash. It's untenable, the whole situation. But I shall continue to hope. And while I was pleased with how things played out on nearly every level, there was a part of me that felt a twinge of disappointment at how one aspect of their relationship developed. As I reflect on it, my reaction may be simply that it felt somewhat abrupt, that I would have appreciated a more measured progression, given how restrained and private these two individuals are. I value those two qualities in them so very much, not the least because I know I recognize them in myself. That was my one qualm. But honestly, the writing. It continues to slay me. The complexity of emotion redolent in every word is a joy to read. Sherry Thomas absolutely nails it, and I am nothing if not dying for the next book. A final favorite passage: She wasn't sure that she wanted to understand the full spectrum of human emotions―everything that remained seemed dire to one degree or another. But this warm, silly mutual delight, this she wouldn't mind experiencing until she comprehended its place in the world....more |
Notes are private!
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1
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not set
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Oct 2018
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Dec 21, 2018
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Paperback
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4.22
| 216,174
| Oct 20, 2015
| Oct 22, 2015
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really liked it
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Originally reviewed here @ Angieville No joke, I'm a little shaky right now. I just finished a headlong binge―scratch that, I just paused three books i Originally reviewed here @ Angieville No joke, I'm a little shaky right now. I just finished a headlong binge―scratch that, I just paused three books into a headlong binge of Robert Galbraith's (aka J.K. Rowling's) Cormoran Strike crime series. I say paused because I downed the first three books back to back to back, and the fourth book is due out September 18th. How is that for lucky?? I never get that lucky with my reading timing! And even so. I'm still severely uncertain of my ability to actually survive until Lethal White comes out. Because this series grabbed me by the throat and has not let go. From the opening prologue to The Cuckoo's Calling, I was wide-eyed and ravenous. I felt positively giddy to be reading a series by Rowling again. After all this time. I couldn't stop myself long to enough to write up true reviews of the first two books, but given the imposed wait for book four, I felt I had to talk about Career of Evil, the third book in the series. And yes, many of you have kept current on this series and sang its praises loudly. And yes, I have no excuse for waiting as long as I did. "You know four men who'd send you a severed leg? Four?" Cormoran Strike's business has picked up nicely since the addition of one Robin Ellacott, assistant extraordinaire, to say nothing of the massive press coverage that unavoidably surrounded his previous two high profile cases. And if Robin's impending wedding is approaching faster than either of them might be strictly comfortable with, well, neither of them have anything they'd like to say on that matter. And if Strike's latest "girlfriend" is more interested in educating him in classical music than she is actually knowing anything real about him, well, neither of them have anything they're willing to say on that score either. But just when the two unlikely partners feel like they're settling into a more secure routine, the body parts start arriving with Robin's name on the tags. And suddenly all that press attention turns on their small business, as no one in London is interested in hiring a private detective who receives pieces of dead bodies on a regular basis. And so not only are they back to scraping by financially, but they're tracking a serial killer who has clearly placed Robin on his list. And all of this is set against the background of new revelations on their individual complicated backgrounds, as well as the looming inevitability of painful changes in their working and personal relationships once Robin marries. Robin was a decade younger than Strike. She had arrived in his office as a temporary secretary, unsought and unwelcome, at the lowest point of his professional life. He had only meant to keep her on for a week, and that because he had almost knocked her to her death down the metal stairs when she arrived, and he felt he owed her. Somehow she had persuaded him to let her stay, firstly for an extra week, then for a month and, finally, forever. This third installment in the series is complete and utter bibliocrack. I mean, the entire series qualifies as such for me. But at this point, I'm so invested that the thought of being without Robin and Strike is physically painful to me. Hence the current three-week-long agony. I can't even bear to think about the years-long wait for the fifth book (I'm just telling myself there will be a fifth book; I'm quite deaf to any other outcome). It's just that they're so well-matched, are Robin and Strike. So complementary. As professionals, as partners, as investigators, and yes, of course, I am hoping as a couple. But the burn in this series, my friends? It is sloooooooooooow. It is the slowest of slow, slow burns. And there are other people. But even that is perfect. Because they're so dashed real. Their lives are messy, especially Strike's. And they can be maddening. They've made mistakes and been hurt and developed appalling habits and learned to cope, not always in extremely (or even remotely) healthy ways. Which means nothing happens easily or moves along quickly. And so very much is unsaid. But their wonderful regard for one another just kills me. They frequently put me in mind of Patrick and Angie from Dennis Lehane's Kenzie & Gennaro noir series, which is the highest of praise in my book. Almost angrily, he added together those things he knew and had observed that marked her as profoundly different from him, as embodying a safer, more cloistered, more conventional world. She had had the same pompous boyfriend since sixth form (although he understood that a little better now), a nice middle-class family back in Yorkshire, parents married for decades and apparently happy, a Labrador and a Land Rover and a pony, Strike reminded himself. A bloody pony! Ah, Strike. The struggle is real. Which brings me to the mystery/crime aspect of these novels. Though I will always spend time talking (and thinking) about the relationship, it takes a decided backseat in this series. These books are first and foremost murder mysteries and they are dark ones. I cannot emphasize enough how grisly these crimes are and how unsavory so many of the characters. Though, in true Rowling style, the entire motley casts in each volume are so downright Dickensian in their depiction that it's difficult not to feel the magnetic pull despite the grim trappings. I'll admit, I had to let my eyes gloss over a few murder scene descriptions (most notably in The Silkworm). And in Career of Evil we get a number of short chapters from the killer's POV. I was forced to tread lightly there as well. Because serial killer. And body parts. And extreme misogyny. But. That said. And noted. Robin's wonderfully strong arc is a balm and a balance for the darkness that surrounds them. And, in the end, these two humans? I just want to watch them solve crimes and not talk about their feelings for the foreseeable future. And that is my plan. "At least you didn't punch her," said Robin. "In her wheelchair. In front of all the art lovers."...more |
Notes are private!
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1
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Aug 30, 2018
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Sep 05, 2018
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Aug 30, 2018
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Paperback
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0316206873
| 9780316206877
| 0316206873
| 4.05
| 278,523
| Jun 19, 2014
| Jun 19, 2014
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really liked it
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That was dark. My love for Robin and Strike continues to grow. Poncy Matthew can pack his bags, if you please. Favorite line: "I wouldn't worry. Lightn That was dark. My love for Robin and Strike continues to grow. Poncy Matthew can pack his bags, if you please. Favorite line: "I wouldn't worry. Lightning doesn't strike twice." Excelsior. ...more |
Notes are private!
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1
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not set
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Aug 2018
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Aug 30, 2018
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Hardcover
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1408704005
| 9781408704004
| 1408704005
| 3.89
| 597,044
| Apr 18, 2013
| Apr 18, 2013
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really liked it
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So good. I'm just a bit giddy to be reading a series by Rowling again. After all this time.
So good. I'm just a bit giddy to be reading a series by Rowling again. After all this time.
...more
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1
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Aug 27, 2018
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Aug 28, 2018
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Aug 27, 2018
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Paperback
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4.21
| 672
| Jul 25, 2017
| Jul 25, 2017
|
really liked it
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Originally reviewed here @ Angieville It has been a very lovely year thus far when it comes to new-to-me authors. Some years are like that, while other Originally reviewed here @ Angieville It has been a very lovely year thus far when it comes to new-to-me authors. Some years are like that, while others (I'm thinking of last year in particular) are often quieter and filled with familiar voices. Both are wonderful. But I confess to being rather thrilled that this year has held so many new authors. As part of my previously mentioned (and apparently ongoing) historical binge, I recently ran across the work of Jillian Eaton by way of her Bow Street Brides series. Side note: I find myself reading about many brides this year. Brides are positively in abundance, especially around Bow Street and Belgravia. A Dangerous Proposal is the second book in the series and my clear favorite so far. The third book just released in March and is sitting on my Kindle waiting to be started as I type this. This series involves a number of mysteries featuring interlocking characters, and I very much enjoyed that aspect of it all. Felicity Atwood does not recognize her life. The whole of it went so suddenly and so irrevocably south that she and her two young children are still struggling to pick up the pieces. Though she remains Lady Ashworth, she is no longer married to Lord Ashworth. The divorce took care of that. Now he lives with his new wife (and former mistress), while Felicity and the children he no longer wants anything to do with are forced to get by on their own in the decidedly dodgier part of town. Enter one Mr. Felix Spencer, former jewel thief turned Bow Street Runner. Felix and Felicity first met months ago as part of a theft in the home of Scarlett―Felicity's sole remaining friend. Felix was naturally doing the thieving and managed to nick one quick kiss off a very startled Felicity on his way out the window. Neither would be able to forget the incident. Now he is reformed (somewhat) and determined to keep the young single mother safe now that her circumstances have been so drastically reduced. And if Felix has his way, he'll also be able to convince her to give love (and him) another chance as well. What an unexpectedly sweet story. It's quiet and thoughtful and ever so genuine. Felicity is so easy to feel for. She has had nothing but bad experiences with the men in her life, from a terrifying and damaging encounter years ago with Scarlett's dissolute husband to her own husband's omnipresent coldness and eventual blank betrayal. I didn't once question her reticence in the face of even Felix's determined charm. And he is nothing if not charming. Felix is a delight from cover to cover. Full of roguish, persistent kindness, he is the perfect person to quietly enter their lives when Felicity is at the end of a long and wearying road. And so a gentle courtship commences against the backdrop of the Runners' investigation into a series of murders around Felicity's new home, one that stretches its tentacles back into both of their pasts. The balance between mystery and relationship development was just right, and I hoped and feared equally for these eminently likable characters. "What are ye afraid of?" he murmured, the bristle on his jaw scraping against her cheek as he rested his chin on the sloping curve of her shoulder. This level of gentle sweetness runs throughout the novel, and I found it (and them) utterly disarming. Felicity's children, Henry and Anne, their interactions with her mother, the intriguing crew of Bow Street Runners, and Felix's way with the whole lot of them are engaging and lively. I heartily recommend A Dangerous Proposal for your next cozy night in. ...more |
Notes are private!
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1
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not set
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Apr 2018
|
May 10, 2018
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Kindle Edition
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0698196368
| 9780698196360
| B01NCU2EEP
| 4.10
| 22,476
| Sep 05, 2017
| Sep 05, 2017
|
it was amazing
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Originally reviewed here @ Angieville It's been a full year of delicious anticipation, this waiting for the second volume in Sherry Thomas' delightful Originally reviewed here @ Angieville It's been a full year of delicious anticipation, this waiting for the second volume in Sherry Thomas' delightful Lady Sherlock series. I thoroughly enjoyed A Study in Scarlet Women last year, and I had just a really good gut feeling about where the sequel would take my favorite characters—from the absolutely flawlessly rendered Charlotte Holmes and the impenetrable Lord Ingram, to Mrs. Watson, Livia and Bernadine Holmes, and poor, beleaguered Inspector Treadles. I was so pleased to be back in their company once more when I finally cracked open my copy of A Conspiracy in Belgravia and commenced reading. It took her awhile, but now Charlotte is living in something more akin to the manner she would prefer. Together with her companion Mrs. Watson (and Mrs. Watson's irrepressible niece and aspiring physician Miss Redmayne), Charlotte is becoming extremely well-versed in the solving of all things mysterious around London. The only black marks on her new life are the distance she is forced to maintain from her sisters Livia and Bernadine and the mutual distance she and Lord Ingram force themselves to maintain from each other. The entire delicate balance is thoroughly upended, however, when none other than Lady Ingram herself requests a consultation with the increasingly infamous Sherlock Holmes. It is a matter of some delicacy, according to Lady Ingram, concerning a young man she once loved. A man she passes once every year at an agreed upon time and place to assure one another of the other's continued safety and devotion from afar. But the man missed their silent rendezvous this year, and Lady Ingram will know the reason why. And so Charlotte finds herself in the most untenable position of investigating on behalf of her oldest and dearest friend's estranged wife, and doing so behind his back. And just when she thinks this case cannot possibly get more personal, it does, and there is absolutely no hope of turning back. Charlotte rarely resorted to imagination—observation yielded far better results. And while the world was made up of innumerable moving parts, in her own personal life she saw no reason why decisions shouldn't be simple, especially since most choices were binary: more butter on the muffin or not, run away from home or not, accept a man's offer of marriage or not. I love Charlotte a little beyond reason. She is everything I could have wanted in a female incarnation of the inimitable Holmes. As a matter of face, every single character was in fine form in this their second adventure together, particularly Livia—who is an absolute treasure. Her relationship with Charlotte, the ways in which they are each hobbled by the most personal and daunting aspects of their lives, and the ways in which they quietly reach out to each other as sisters were extremely affecting. The longing and the loyalty between these two sisters who have dealt with their nightmarish parents in such drastically different ways played out in beautiful contrast. And, okay, while we're on the subject of longing, can I just say that I thought the quiet moments between Charlotte and Lord Ingram in the first book were exquisite. The scenes between them in this one sent me careening over the emotional edge. Just one of the impossibly poignant interactions between Charlotte and Lord Ingram: Soundlessly his fingers tapped the crest rail on which they rested, each one by turn. "Years ago, you said something to me. I don't remember it word for word, but in essence, you told me that men, even otherwise sensible men, fall under the illusion that they will be able to find a perfect woman. That the problem lies not in the search so much as in the definition of perfection, which is a beautiful female who will integrate seamlessly into a man's life, bringing with her exactly the right amount of intelligence, wit, and interests to align with his, in order to brighten every aspect of his existence." I could have cried at them, you guys. Over and over again, I could have. But I chose to wait until this small moment to actually let the tears slip out: "Thank you for listening to me, by the way," she said, "when you didn't wish to hear a single word." I feel compelled to note just how emotionally astute this novel is. It is one of its most important qualities. The ring of quiet truth kept rolling over me in waves throughout my reading experience. And, yes, much of it Charlotte's undeniable acumen. But much of it is Ms. Thomas' ability to let a scene unfold in its own time. No moments are rushed. No dialogue is off in the slightest. As Charlotte notes at a certain point, "The old silence threatened to descend." An ever-present sense of the weight of one's personal history, of the quiet, but inexorable accumulation of a life's worth of decisions, their provenance, and their consequences, pervades this story in achingly beautiful ways. The different levels of haunting are delicately explored, in both the coils of the investigation and the ties that bind each character together. I so appreciated this book's subtlety and its increasingly nuanced ruminations on what it means to know someone and to be known by them, to see as we are seen. Sherry Thomas carries the whole thing off just splendidly. This is a sequel to behold. A sequel for the books, as it were. Never think of missing it. ...more |
Notes are private!
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1
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not set
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Nov 2017
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Nov 10, 2017
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Kindle Edition
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1770497722
| 9781770497726
| 1770497722
| 3.99
| 3,446
| Sep 05, 2013
| Oct 14, 2014
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really liked it
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Originally reviewed here @ Angieville Teenage Sherlock Holmes, Watson is a girl, and the story is told from her perspective. This is essentially all th Originally reviewed here @ Angieville Teenage Sherlock Holmes, Watson is a girl, and the story is told from her perspective. This is essentially all the information I needed in order to make the decision to dive into Every Breath at the earliest opportunity. But in case you're wavering, it's also fun to know that this is Australian author Ellie Marney's debut novel, that it is a YA contemporary mystery, and the first in a series to boot. Next up, I think we should just take a moment to talk covers. I have yet to purchase my own copy (that's earmarked for the next paycheck), but both the US and Aussie covers have a lot going for them. The Aussie one gets tons of points for having Watts actually on the cover, for one thing. But in a very rare move, I'm leaning US if only because it's not a photo of actual people (never works out well for me) and because, well, his throat. Also his hair and his entire posture. But his throat. That's Mycroft. I love Rachel Watts' friendship with her neighbor James Mycroft is something of a full time job. Newly (and unwillingly) arrived from the countryside, Rachel struggles to find a place for herself in Melbourne. Unused to navigating city life after the loss of the family farm, she and her older brother and parents find themselves acting almost like strangers as they adjust to their new home and environment. But then Mycroft enters her life, with his jittery brilliance, his obsession with forensics, and his ongoing allergy to school. And soon her days are not quite as numb, filled as they are with contributing her powers of observation (and cooking skills) to the latest in a long line of Mycroft's investigations. But this most recent involves a murder. And not just any stranger, but that of Homeless Dave—a man they both knew. Unable to accept the official police verdict, Mycroft and Watts set themselves to the task of tracking down the truth behind Dave's violent death and bringing the mysterious killer to justice. I'll admit, I was a little nervous at first. I was nervous the high school setting, and possibly the nature of the relationship between Watts and Mycroft, would pall too quickly or somehow not resonate with me in just the right way. As nerves go, basically your run of the mill stuff. But I've read one fantastic Sherlock Holmes adaptation and I was so keen to find another. Happily, Rachel herself was the first to set me at ease. Her transition to the city has been a particularly difficult one, and the dry but upfront way in which she expressed that difficulty struck a chord of sympathy within me: I like it in his room—the starry lights, the feeling of sanctuary. I'm still not used to dealing with a lot of other people. I've known Mycroft, and Mai and her boyfriend, Gus, since last November, and they still feel like "a lot of other people." Actually, Mycroft alone could probably qualify as seeming like "a lot of other people." He does so much crazy stuff you could imagine more than a single offender. That passage could just as easily been an entry from one of my high school journals. Other people, man. Not for the faint of heart. I love that the story is told from Watts' perspective. She has very honed powers of observation, though she herself might decry that claim. But it means that not only is she vital to Mycroft's ongoing efforts, she also does an incredibly effective job of introducing the reader to her singular friend. And if her focus is more frequently drawn to to Mycroft than it is anyone else in the room, it isn't any wonder as his magnetism and zaniness and pain fairly claw their way off the page. Gratefully, his presence never overshadows Watts. Not even a little bit, as we are firmly grounded inside her viewpoint and know just how hard she works to keep everyone in her life afloat and not lose track of her own needs, even if she is reticent about voicing them aloud. The mystery itself makes for a fun, often dark ride, and I enjoyed sitting back and accompanying them in their rounds. But the heart of Every Breath is, without question, the chemistry between Watts and Mycroft. Ms. Marney quite simply nails their need on the head. The pacing and development of Watts-and-Mycroft is one long and delicious thread running alongside the unfolding of the murder investigation. As the precarious hold they each have on their lives begins to unravel against the backdrop of Watts' uncertainty and Mycroft's desperation, the solace they take in being together, the rightness of their fit, is so soothing it is tangible. I currently have the sequel on order from Australia and am sitting here feeling antsy just thinking about what these two might be getting up to without me. ...more |
Notes are private!
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1
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not set
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Jan 2015
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Mar 12, 2017
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Hardcover
| |||||||||||||||
1770497757
| 9781770497757
| 1770497757
| 4.21
| 1,754
| Jun 01, 2014
| Sep 08, 2015
|
it was amazing
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Originally reviewed here @ Angieville One of the most pleasurable reviews I've written this year was the one I wrote in January for Every Breath—the f Originally reviewed here @ Angieville One of the most pleasurable reviews I've written this year was the one I wrote in January for Every Breath—the first book in Ellie Marney's spectacularly good teen Sherlock Holmes series. I enjoyed the book so much and was so blasted eager to spread the word. Now I'm even more over the moon to tell you I've read Every Word, and it is every bit as good as the first. In fact, it's better. Everything that was good in Every Breath is essentially ratcheted up in this sophomore entry, and there isn't one misstep along the way. I was on the edge of my seat for every page. I was that worried about my beloved Watts and Mycroft. And with excellent reason. Ms. Marney spends zero time beating about the bush and jumps right into pulse-pounding action and gut-wrenching emotion. Which, as you know, basically means I was in heaven from start to finish. It's not that Rachel Watts would have preferred to have been able to say goodbye to her sometime partner/accomplice James Mycroft before he left for parts unknown. It's that she absolutely cannot believe he left without her, let alone without telling her. Knowing he's still on the trail of unraveling his parents' tragic deaths, she doesn't trust him at all on his own in London investigating an eerily similar car crash to the one that orphaned him. And so it's not a question of if, but when she will hare off after him. She's prepared for the supreme lack of welcome she'll receive when he finds out she's followed him. But she can't let him face that many demons alone and is determined to back him up in whatever capacity he needs. What she doesn't expect is how thorny a "simple" forensics investigation becomes once it expands to include additional murders and the disappearance of a copy of Shakespeare's First Folio. Together, the two dogged investigators must navigate the increasingly treacherous waters of a multifaceted mystery as well as their own knotty relationship. But in that second, in his face, I see the whole world. I finally understand something crucial. I'm such a worrier. I always worry when I know an installment in a series is going to switch up locations on me, even when that means spending the majority of the story in London. I should learn to just roll with the punches, but I never seem to. So I was apprehensive that Watts-and-Mycroft might not translate as well in a new locale, and I was even more concerned about the obstacles they would encounter and how Mycroft would handle Watts flagrantly disobeying his wishes and inserting herself (even farther) into his most private pain. Of course, none of it turned out to be a problem whatsoever. I mean, it's far from smooth sailing. There's pain and anger galore, and everyone gets hurts and alternately holds it in and has it out with the objects of their pain and anger. But it's all so gloriously done that it only endeared these characters and their story to me further. Watts is spectacularly direct when it comes to Mycroft and his massive issues. When he throws out another wild pitch, she doesn't even flinch but watches it sail by and then raises a metaphorical eyebrow at his display. It was hugely gratifying, watching them negotiate one another, to say nothing of the brilliance that is their combined deductive exploits. Truly, together they are a force to be reckoned with. Which is not to say that they don't struggle mightily (and on every front) in this book. Because if ever a book was fraught, it's this one. I was prepared for a lot of things, but I wasn't prepared for how dire it got in the end, for just how far through the fire Marney was going to drag her two protagonists. It was incredibly effective in ensuring that I was with them. The peril felt almost unbearably real. But the wonderful bit is that through all the anxiety and grim darkness are woven the most beautiful threads of love and hope. Along with a downright explosive amount of chemistry. These two, you guys. Seriously. I want to quote each of my favorite exchanges here, but they are all far too spoilery. So I will content myself with assuring you of the excellence of the storytelling and imploring you to read it, too, so that Watts and Mycroft will have more of us on their side when they confront the fallout of what they've done in the next volume. I, for one, am terrified. Deliciously so. ...more |
Notes are private!
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1
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not set
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Sep 2015
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Mar 07, 2017
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Hardcover
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0451476158
| 9780451476159
| 0451476158
| 4.10
| 29,646
| Jan 10, 2017
| Jan 10, 2017
|
it was ok
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Originally reviewed here @ Angieville I decided to start off the year with a read I felt was sure to satisfy. That's the space I'm occupying right now, Originally reviewed here @ Angieville I decided to start off the year with a read I felt was sure to satisfy. That's the space I'm occupying right now, guys. I need something new and I need something that's going to just make it right. Tall order, I know. But I've been a fan of the first Veronica Speedwell mystery for awhile now, and I was definitely eager to rejoin Veronica and Stoker's company to see what adventure they might find next. Deanna Raybourn has been my go-to author when it comes to Victorian mysteries for awhile now. Together with Sherry Thomas, Anna Lee Huber, and Laurie R. King, she brings the nuanced character development and effortless charm that I so enjoy to historical shenanigans and foul play. Veronica Speedwell has been thwarted in her latest plans for further world exploration when her host trips over a tortoise (truly) and sustains a compound fracture, the likes of which make their journey to the South Pacific impossible for the foreseeable future. And so she and Stoker are stuck cooling their heels in the back gardens, cataloging museum items and generally trying not to get on each other's nerves. But their pasts (most definitely plural) and murder do tend to find them. Before long, Veronica has accepted a most mysterious request from a very royal source to investigate the grisly murder of a local artist and exonerate the man who is set to hang for the crime. Stoker (as per usual) is less than thrilled with Veronica's audacity on his behalf. But not so much that he isn't soon along for the ride. A Perilous Undertaking starts off at just a cracking good pace. It was immediately excellent to be back with our intrepid leads, and I was intrigued by the ongoing exploration of Veronica's royal connection woven into this second mystery. Veronica is at her best, in my humble opinion, when she is at her most acerbic. Thus, her early interactions with both Scotland Yard and the mysterious Lady Sundridge assured me all would be well. The other genuine attraction of this series lies in the tempestuous but true relationship between Veronica and Stoker. And when it is just the two of them, things do feel right. He shook his head. "You are mad. And I am madder still for letting you talk me into this." You see? And begin well it does. The problem for me arose soon after, once investigations truly got underway. Things simply . . . slowed down. Not that they weren't out and about in pursuit of their goal, but nothing truly seemed to progress. Not their relationship, not their roles within the larger picture, not the complexity of the mystery itself. I have always loved allowing mysteries to unfold in their own time, but the secret at the heart of this one was sort of glaringly obvious from the start. No matter how many players joined the fray, I knew who it was and why. And the problem wasn't so much that but the fact that they were tired reasons. In fact, so many of the elements of this jaunt felt tired to me. Every one of Stoker's actions was "lavish." Every new character on the scene remarked upon the very same set of Veronica's characteristics. Every new bit of "shocking" evidence hailed from a sort of laundry list of standard Victorian tropes. Opium den, check. Den of iniquity, check. Jealous wives, check. My dismay grew with each passing page. The thing is, we readers are already one book in at this point. We know the specific ways in which our heroine gleefully flaunts her society. We already love her for them. We do not need to be bashed over the head every other paragraph with why they make her unusual. We would like more in the way of introspection. And that is how it felt. Like all of the labels and the general exclaiming over them stood in for actual character development. Even between Veronica and Stoker, I felt cheated out of more depth. They bantered. They aided and abetted each other. But they never grew. There were a couple of moments that were clearly meant to accomplish this, but to me they felt manufactured in the extreme, particularly their timing and the way in which they were presented. I finished, but I finished disappointed on the whole. Mine is, I realize, a very personal reaction to this book. So if you enjoyed A Curious Beginning (as I very much did), you might give A Perilous Undertaking a try. It could be your cuppa. ...more |
Notes are private!
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1
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not set
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Jan 2017
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Jan 03, 2017
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Hardcover
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042528140X
| 9780425281406
| 042528140X
| 3.87
| 37,778
| Oct 18, 2016
| Oct 18, 2016
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it was amazing
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Originally reviewed here @ Angieville This is the first installment in Sherry Thomas' Lady Sherlock series—a gender-swapped retelling of Sherlock Holm Originally reviewed here @ Angieville This is the first installment in Sherry Thomas' Lady Sherlock series—a gender-swapped retelling of Sherlock Holmes. So basically, my catnip. We are living in an excellent age when it comes to Holmes retellings. From Laurie King's Mary Russell books to Ellie Marney's Every series to the BBC's Sherlock, it's a feast of delights. And since I have been a Sherry Thomas fan for awhile now, I could hardly contain my excitement when I heard she was working on a female Holmes. The glowing cover blurb from Deanna Raybourn certainly didn't hurt. Charlotte Holmes has taken the mother of all calculated risks and successfully gotten herself thrown out. It all started . . . well, ages ago, really. The youngest of four daughters, with parents who seem to hold nothing but disdain for one another, Charlotte isn't precisely the oddest one in the family. But that's not saying much. She is, however, the most determined to leave her parents' (and society's) expectations behind and embark on the kind of life she has always wanted. The devil, of course, is in the details. And it isn't long before the grim reality of life as a woman alone on the streets of London and in search of respectable work begins to take its toll, particularly as Charlotte is determined to support not only herself but her two sisters as well. However, her sharp intellect and dispassionate approach to humans in general see her in good stead. And if an old friend (and longtime sparring partner) occasionally has her followed for his own reasons, Charlotte can handle it. But when a series of mysterious deaths begin to resemble a connection of sorts, and when her beloved sister Livia's name gets dragged into the mix, Charlotte immediately steps in to clear her sister's name and solve the mystery. Woven through the hunt for the killer are the enigmatic Mrs. Watson, the dogged Inspector Treadles, and the old friend who is never far from her thoughts. I'll just go ahead and start by saying A Study in Scarlet Women was not at all what I expected! And that is by no means a bad thing. I enjoyed every bit of this twisty, dense, and unconventional tale. I think I just happened to go in with certain assumed parameters, and Sherry Thomas happily conformed to none of them. The story's timeline is quite fluid, and the reader is definitely expected to keep up on several levels. The narrative hops around at will from one point of view to the next, and it is up to Charlotte (when we are with her) and the reader to tease apart and piece back together the many tangled threads. Charlotte herself was a revelation, if an incredibly self-contained one: Charlotte left her seat and walked to a window. It gave onto the same street where Miss Hartford's carriage had been parked, waiting for her return. The carriage was gone, but in its place, a man stood underneath a streetlamp, reading a newspaper. And that's it right there—perhaps the most affecting aspect of this winding novel—the honest way that it portrays the realities of the lives of the many different women that walk its pages. Like air slowly leaking from their lungs. I was fascinated by (and sympathetic to) each one. Charlotte herself is so quiet. Brisk and concise when she is rattling off a litany of her deductions, yes. But quiet. And quietly perplexed by the injustices and inanities perpetrated by and inherent in the people around her. I loved her for that perplexity, for her fierce loyalty to her sisters, for her continual expectations of fairness and opportunity, and for her adamant refusal to leave a certain distant someone well enough alone. We are treated to a few precious, and yes, quiet, exchanges between Charlotte and her old friend. They are enigmatic in the extreme and endlessly complicated, even if we only have the merest sliver of the whole picture at this point in time. She had very much looked forward to a word in private with him. But she forgot, as she usually did, the silence that always came between them in these latter years, whenever they found themselves alone. These two. I have to hold myself back from despairing of them. For how little page time they're actually together, I love them rather a lot. And I don't even really know him. But I hold out hope for more ever-so-gradual unraveling in the coming tales. In the end, this is the most unusual of beginnings—an introduction that requires every ounce of focus its readers have to give, even as it grudgingly reveals a paltry few of its own secrets. My kind of mystery. ...more |
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1
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not set
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Oct 2016
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Oct 25, 2016
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Paperback
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0451476026
| 9780451476029
| 0451476026
| 3.96
| 51,815
| Sep 01, 2015
| Jul 12, 2016
|
really liked it
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Originally reviewed here @ Angieville A new Victorian mystery series from Deanna Raybourn is no small treat. I was basically beside myself with joy wh Originally reviewed here @ Angieville A new Victorian mystery series from Deanna Raybourn is no small treat. I was basically beside myself with joy when I found out she would be returning to my favorite of her settings with an all new intrepid protagonist and (word had it) a broody hero to boot. Nobody broods like Brisbane broods (say that five times fast), and I was eager to make the acquaintance of this Veronica Speedwell and this natural historian by the name of Stoker. I did love the original hardcover for the heroine's dress and the misty fog drifting up the cobblestones. But I have to say, I'm more partial to this lovely new trade paperback edition. The butterflies! The silhouette of Veronica with her net! The typeface! I love it all. When a copy arrived in the mail for review, I could not have been more pleased. Veronica Speedwell is used to being on her own. She is used to striking out for locales unknown and obscure butterfly species heretofore undiscovered. What she is not used to is abduction attempts on her person. Particularly not after she has just buried her last remaining relative and is about to wash her hands of the ties that bind in general and embark on her next adventure. But foil an abduction she does, and it's off to London with a mysterious (but kindly) German baron and into the highly unexpected laboratory of one Stoker. Covered in tattoos and dripping with disdain, Stoker is not interested in a lepidopterist no matter how well-informed on the natural sciences she may be. But it seems solitude is not in the cards for either of them, as murder continues to dog Veronica's heels and the two mutually suspicious partners are drawn into a mystery involving Veronica's parents, Stoker's past, and one memorable traveling circus. I stared down into the open grave and wished I could summon a tear. Deanna Raybourn always has me at hello. I've been quoting the first line of Silent in the Grave aloud regularly for going on eight years now, and the opening lines of A Curious Beginning continue the excellence. Veronica is a giant breath of fresh air from the word go, and I was more than content to follow her wherever her wandering soul led. Of course, once she and I fell into Stoker's looming warehouse of a laboratory, it was love at first sight. Stoker is every bit as wary and scarred and recalcitrant as I could hope for. Together, they are marvelously witty and biting and perfect. Veronica's parentage is one of the central mysteries of the novel, and the ever-present (if quiet) longing she feels to know where she comes from is palpable. Stoker's past is rife with pain and secrets as well, and the reader is privileged to accompany them as they traipse through their checkered histories in search of answers. The trip through Stoker's includes a very memorable stay with a traveling circus and its various and sundry denizens. I absolutely loved watching Veronica catch a glimpse of what makes him tick, and their banter throughout this section (and the entire novel) is off the charts enjoyable. I am a fan of the slow burn romance, and this one takes its time, developing in extremely endearing increments. Stoker, for all his ragged exterior, is honorable to the core. His rigid reluctance and decency is beautifully set off by Veronica's levity and refusal to be cowed or dictated to. They have a definite Holmes/Watson air about them as they unravel the threads of their tale. Veronica will always be (among other things) a bit of a gorgeous trial for Stoker. But I am convinced he will never let her fall. If you couldn't tell, I'm in love with them both and eagerly await their future adventures. ...more |
Notes are private!
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1
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not set
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Sep 2015
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Jul 07, 2016
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Paperback
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1503952037
| 9781503952034
| 1503952037
| 3.86
| 316
| Mar 22, 2016
| Mar 22, 2016
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really liked it
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Originally reviewed here @ Angieville I've been truly impatient to read Evelyn Pryce's sophomore novel ever since I thoroughly enjoyed her debut A Ma Originally reviewed here @ Angieville I've been truly impatient to read Evelyn Pryce's sophomore novel ever since I thoroughly enjoyed her debut A Man Above Reproach a couple of years ago. And so it was with utter delight that I opened my mail a few days ago to find a copy of The Thirteenth Earl, complete with wax-sealed note. It's the charming little things, guys, that just make my little world go round. Montlake has gifted this novel with another gorgeous cover in the same vein as the first one that initially caught my eye. They're just slightly refined in a way that appeals to me, and I love seeing their spines on my shelf. If you haven't tried any of Evelyn's work yet, I highly recommend snagging a copy of both of these. She writes lovely historical romance with characters I feel for that make me laugh. Just what the doctored ordered for the doldrums before spring arrives full stop. Jonathan Vane's title is Viscount Thaxton, but he is better known to all and sundry as the Ghost. The product of a long line of earls with an unfortunate predilection for running mad, Thaxton is determined he will be the last. The curse will end with him. As such, he's ready to live out his days unattached, unmourned, and decidedly unmarried. This decision is put into mortal peril when he makes the acquaintance of one Miss Cassandra Seton at the house party of his one (possibly only) friend. Cassie (to her very best friends) is about to be reunited with her longtime fiancé Miles Markwick after a separation of nine years. It follows that Miles is Thaxton's cousin and that the two are on most unpleasant terms. It's more than Thaxton can do to not needle the lovely Cassie about her upcoming nuptials. She responds delightfully in kind, and it's not long before the two are traipsing about the manor at all hours of the night, egged on by the eerie wails of a potentially real ghost. But even as their relationship deepens, neither one can discount the troubling strain that runs through Jonathan's family, or the fact that Markwick is bound and determined to finally make good on his vows. "My very best friends call me Cassie." From the opening mock duel in the middle of the library, The Thirteenth Earl is the most delightful of romps. Much like a game of Clue, the principal characters get up to all sorts of shenanigans, slinking about the atmospheric estate investigating the nefarious events at the party. I was altogether charmed and wanted very much for Cassie and Thaxton to find a way of overcoming the admittedly real barriers between them to find a vein of happiness. I love how Ms. Pryce manages to inject wonderful levity into her story at the same time as she infuses both her protagonists with achingly complicated backstories and throws them together to tackle their demons. Cassie is a lodestone of forthrightness and intelligence. She had my allegiance from page one. She sees every one of Thaxton's flaws, but she also sees the light peeking out behind his mountain of burden. Thaxton is beating a path to his grave until he meets Cassie. And to his credit, he sees her for what she is, too, and cannot abide the thought of all her light and intelligence being thrown away on a beetle like Markwick. Their midnight rambles, their middle-of-the-maze assignations, crept into my affections in no time. I believed how they felt about one another. I trusted them to find a way out of the labyrinth. "It is a consistent worry of mine how little you value your life," she said. The novel's ongoing themes of what it means to truly be alive and how certain ways of going about one's life can actually be a kind of slow death were thoughtfully explored, the forays into nineteenth century spiritualism fascinating and amusing. I find my only complaint with Evelyn Pryce novels is that I wish them longer, so that I can spend more time unraveling the threads of the tale along with the characters I've fallen in love with. But this one does work itself up to a properly smashing conclusion, complete with pistols at dawn and Cassie at her most brilliant. Neither Thaxton nor I could look away. ...more |
Notes are private!
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1
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not set
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Mar 2016
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Mar 18, 2016
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Paperback
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0425253287
| 9780425253281
| 0425253287
| 3.96
| 17,515
| Nov 06, 2012
| Nov 06, 2012
|
really liked it
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Originally reviewed here @ Angieville I have Allison over at The Allure of Books to thank for this recommendation. I believe I had heard the title of t Originally reviewed here @ Angieville I have Allison over at The Allure of Books to thank for this recommendation. I believe I had heard the title of this Victorian mystery bandied about some and never did chase it down on account of the title itself. Something to do with a proliferation of the so-and-so's wife titles at the time, I would imagine. But. I'm so very glad I listened to Allie and gave it a shot. Anna Lee Huber's series (which stands at three novels at the present time with a fourth due out this summer) is excellent. As you might have guessed, this series is a straight shot for you Deanna Raybourn and Tasha Alexander fans out there. While the Lady Julia Grey series is a touch more dramatic and the Lady Emily Ashton one quite a bit lighter, Kiera Darby is compelling entirely on her own merits and I can't wait to further my exploits with her in future installments. Lady Kiera Darby wants only to hide away and lick her wounds. Gone to her sister's estate in Scotland to recuperate from the tumultuous events of her husband's death and her own criminal trial, Kiera takes refuge in her painting and in the satisfactory distance she's finally put between herself and the prying eyes of London society. Unfortunately, her well-meaning sister and brother-in-law have planned a house party and invited some of the very elite members of society she so longs to escape. Knowing what they think of her and her role (albeit unwilling) in her husband's distasteful profession, each day becomes an endless struggle. But when a murder takes place on the premises, Kiera's skill is called upon by private inquiry agent Sebastian Gage. At first put off by Gage's somewhat pedestrian talent and clear suspicion of her, Lady Darby is reluctant to pursue the increasingly disturbing events at the estate. But determined to prove her own innocence, she concedes to work with Gage and the two fall into a competent and intriguing partnership. How I love Kiera. I love that the story opens after the horrible spectacle has taken place. The whole opening has an exhausted, almost gun shy feel to it as we come to know Kiera and gradually find out just what led to her ostracizing from society and the slow death she suffered at the hands of the most indifferent and cruel of husbands. The entirety of The Anatomist's Wife is quiet. In the best sense. Quietly affecting. Quietly horrific. Quietly strong and hopeful. I was immediately fond of it and its occupants. Which brings us to Gage. I found him engaging (forgive me) from the beginning, though he does initially come off a bit of the fop to both Kiera and the reader. While unerringly confident, he doesn't ooze brooding arrogance in quite the same way that others of his ilk do. I wasn't sure which way the wind would blow with Gage. But I appreciated the healthy dose of skepticism that flourished between he and Kiera. And I unquestionably relished the accompanying slow, slow burn as their eyes were opened to how effective they could be as an investigative team, as well as how close they were growing as friends. Such partners they were. Such kindred spirits. I am with them. To the end. ...more |
Notes are private!
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1
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not set
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Dec 2014
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Dec 29, 2014
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Paperback
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1616203536
| 9781616203535
| 1616203536
| 3.83
| 31,350
| Sep 16, 2014
| Sep 16, 2014
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really liked it
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Originally reviewed here @ Angieville First of all, that cover. I love everything about that cover. And, as such, deciding whether or not to read Jacka Originally reviewed here @ Angieville First of all, that cover. I love everything about that cover. And, as such, deciding whether or not to read Jackaby involved me sitting on my hands, dithering about whether or not the insides would match the outsides. As I am wont to do. But the truth is the mash-up of historical fantasy and the Doctor Who-meets-Sherlock Holmes teaser made it no kind of question at all as to whether or not I'd be picking it up. This is William Ritter's debut novel and the first in a series (happy day) as the ending clearly indicates. I picked it up a few weeks back on vacation and read it through in one big swallow. And while my body may have been sitting on the beach, my mind was far away tramping down a cold, winter street in New Fiddleham. The whole experience was deliciously dark and dreary. Of course, it was also ineluctably charming and smart. Which is to say I didn't stand a chance and cannot wait for the next one to come out. The year is 1892. The place: New England. Abigail Rook has fled her staid life. Leaving her disbelieving parents behind in England, she has sailed to the new world, specifically to the dockside town of New Fiddleham in search of . . . she knows not what. Gifted with the ability to parse the importance of ordinary details, she is sure that with a little fortitude (and a lot of luck), she will be able to make a place for herself in this unfamiliar clime. And it turns out, she's right. Her first night in town, she runs across an extraordinary personage who appears to carry an unholy amount of bits and bobs on his person and who goes by the unlikely moniker of R.F. Jackaby. Jackaby, it turns out, is a private investigator of the unusual variety. He takes cases that involve the inexplicable, the paranormal, the ones that regularly stymie the local constabulary. Stumbling into Jackaby's latest case, Abigail is intrigued and finds herself following the odd man home and inserting herself into his daily routine as an investigative assistant. She is, of course, not the first to fill that role (the fate of the last one remains a bit murky) and she fears she will not be the last. But for the present, she can think of nothing else she would rather be doing. And so the two are off as they trace the footsteps of an increasingly erratic serial killer. Abigail and Jackaby are immediate magic. I say that acknowledging that there is not a romantic note between them, though there are a couple of jokes along that vein and their reactions are priceless. There is a lovely hint of romantic potential for Abigail and a certain young detective who is not as disbelieving in Jackaby's ability as his supervisors are. But the hint dances around, remaining in the realm of potential for this volume at least. And that is all to the good, because this entertaining and absorbing debut is a charming and twisty mystery at heart. Chock full of Celtic mythology and regularly terrifying glimpses of the macabre, Jackaby is a recipe for a ripping good romp. I loved how excellently Abigail and Jackaby complemented each other and how quietly but firmly they came to respect and care for one another as colleagues and as accomplices (only when the occasion required, of course). Every scene that features them rambling around Jackaby's home is a delight, as the house itself constitutes one of my favorite characters. The hysterical fate of Jackaby's former assistant, along with the mysterious and heretofore lonely fates of a few of his other lodgers captured my affections. I know why Jackaby chose Abigail, but I was so pleased Abigail chose him. They needed each other. Their enjoyable banter and madcap dashes through the seedy underbelly of New Fiddleham kept me on my toes all the way to the exciting conclusion. As I believe a good book never reveals all its secrets, I know there is much more just waiting to unfurl in the sequel. I am all anticipation. ...more |
Notes are private!
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1
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not set
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Oct 2014
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Oct 31, 2014
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Hardcover
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1459237951
| 9781459237957
| B008X4BIII
| 3.82
| 4,334
| Nov 01, 2012
| Nov 01, 2012
|
liked it
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Short, sweet glimpse into what the gang have been up to since last we saw them.
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Notes are private!
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1
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not set
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Dec 2012
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Jan 01, 2013
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ebook
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0763640670
| 9780763640675
| 0763640670
| 3.79
| 17,792
| Apr 06, 2009
| Mar 09, 2010
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None
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Notes are private!
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1
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not set
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Jan 2010
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Mar 16, 2012
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Hardcover
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0312303785
| 9780312303785
| 0312303785
| 3.75
| 13,993
| Aug 31, 2010
| Aug 31, 2010
|
really liked it
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Originally published here. In the mood for a cozy, post-holiday read? I suggest you give MAYBE THIS TIME a try. I first discovered Jennifer Crusie thro Originally published here. In the mood for a cozy, post-holiday read? I suggest you give MAYBE THIS TIME a try. I first discovered Jennifer Crusie through the insanely entertaining Bet Me. I then immediately went on a Crusie binge. And though I enjoyed several of them, none quite matched up to that first one. So I'd been kind of avoiding another Crusie read, even after hearing very positive reviews of her newest. The fact that it was categorized as a mystery/romantic suspense piqued my interest, but when I received it as a gift awhile back, I placed it on my nightstand and promptly forgot about it. Sometimes you have to wait until the right time for a certain book rolls around, you know? I've made my mistakes trying to force a book at the wrong time, and it never accomplishes anything but driving a rift between us. So I waited on this one. And the right time rolled around (as it almost always does) a few nights back. I'd been bouncing around from book to book for awhile, searching for the one I needed. What a relief and a surprise to find it was the unassuming little ghost story that had been patiently sitting on my nightstand lo these many months. Andie Miller is trying to do the right thing. Walking into her ex-husband North Archer's law office to sever all remaining ties seems to be, by all accounts, the right thing to do. Even if it is almost impossibly hard. After all, they have been divorced for ten years. And the single torrential year they were married ended so spectacularly badly it almost crushed Andie. They've both moved on since, and it's time for some closure. But when she sits down with North, the man who never asked anything of her while they were married now has a favor to ask. Will she travel down to one of the family estates where his two young wards are living? Their aunt died not long after their parents did, and it seems there's some trouble keeping a reliable caregiver in the house. Could she possibly go down and check on them, see if she can get them ready to attend school? Then in just a few weeks' time they'll be done with each other for good. She can go off and marry her fiance and start that calm and peaceful life she's been looking for. In the face of the hefty wad of cash North is offering her in exchange for her efforts, Andie agrees, overrules her own doubts as well as her fiance Will's objections, and packs her bags. Of course, circumstances at the old house are far grimmer than North suspected. Twelve-year-old Carter and six-year-old Alice are unusual, to say the least. And desperately unhappy. Creepy old Mrs. Crumb, the housekeeper, seems to encourage Alice's tantrums and Carter's increasing isolation. And the longer Andie stays there, the more convinced she becomes that the whole place is haunted. She tries to convey the extent of the weird in her sporadic calls to North, but it's clear that saving these children from whatever dark force is lurking will be up to her and her alone. I started making a list of my favorite things about MAYBE THIS TIME on page one, and I quickly lost count. A retelling of Henry James' The Turn of the Screw complete with all my favorite Gothic trappings and a leading lady and man with a history with a capital H? I was instantly in heaven. From the first page, which has just two lines on it: This book takes place in 1992. And you know the slightly odd, not-so-very-far in the past setting is perfectly suited to this wacky, atmospheric, romantic tale. I was charmed by the sartorial, cultural, and musical references throughout. In fact, the song "Somebody's Baby" plays a significant role in the book, and I could not get it out of my head (in a good way) the entire time I was reading it. I love it when that happens, when an author successfully accesses a specific cultural artifact that I as the reader have experience with. And so we both bring a set of emotions to the table, creating a wholly new, vibrant experience through the act of reading. I hadn't thought of or heard that song in years. But suddenly I'm singing it in the shower and humming it while I'm driving. And from now on I will associate it with this story and these characters. Speaking of these characters, here's a representative phone conversation between Andie and North which shows a hint of why I keyed into this thing going on between them so quickly: She sounded worried, and North tried to think of a way to make her feel better and then realized that was ridiculous. She was doing a job for him, she hadn't called for comfort, they weren't married anymore no matter what lies she was telling down there, he had Mrs. Nash waiting, and there was nothing he could do anyway . . . "Do you need me to come down there?" There's a lot going on behind those words, and one of the highlights of this book was tracking down those hidden histories, following the progress of this relationship that ignited, flared out, and is trying to find its way back to normal. Another highlight was far and away Andie's relationship with the two kids. Alice and Carter are just barely hanging on. I loved them immediately, and if North did nothing else admirable in this book, I would love him for sending them Andie. She's strong and mouthy, and without blinking an eye she sets herself up as their protector, promising she won't leave until she sets things right. I lapped it up right along with them. Truthfully, I was glad she was there, because this book effectively creeped me out. The roaming spirits and the eerie, bloody history of the house's inhabitants slipped their icy fingers under my skin. And, while the last third of the story got a little too crazy, and I started wishing it had gone back to the restrained tension it mastered in the first two-thirds, I thoroughly enjoyed it for taking me away from it all, giving me characters I could root for, and sending chills down my spine. ...more |
Notes are private!
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1
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not set
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Dec 2011
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Jan 09, 2012
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Hardcover
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0380820757
| 9780380820757
| 0380820757
| 4.03
| 6,360
| 1959
| Dec 04, 2001
|
it was amazing
|
Originally published here. I've been dreaming of Greece. I've never been there myself, much to my continual dismay, and so it remains at the very top o Originally published here. I've been dreaming of Greece. I've never been there myself, much to my continual dismay, and so it remains at the very top of my list when it comes to countries I need to visit next. Lately, I've been doing some research on the country for work. Hence the dreams. And whenever I dream of Greece, I remember my original copy of Edith Hamilton's Mythology that I read cover to cover several times over. And I remember Mary Stewart and the wonderful mysteries she set there. From The Moon-Spinners to This Rough Magic to MY BROTHER MICHAEL, I read them and drift from Crete to Corfu to Delphi in a haze of lemon trees, windswept isles, and footprints of the gods. I've been in love with this place for a long time, and I fervently hope I get to travel there someday. But for now I shall have to be content with my battered copies of Mary Stewart's novels and the adventures her heroines take in this place I long to see. It's so hard for me to choose which of her three Greek books I prefer. They're all splendid and it most likely depends on my mood at the time. The Moon-Spinners has, perhaps, the best mystery, This Rough Magic the swooniest male lead (and all that Shakespeare), and MY BROTHER MICHAEL my favorite title and lady. And, of course, Delphi. So today, you get Delphi, Michael, and Miss Camilla Haven. Not necessarily in that order. Camilla Haven is sitting alone in a cafe in Athens, bemoaning the lack of action in her life. Having recently broken off her engagement to larger-than-life Phillip, she goes ahead on holiday to Greece all by her lonesome hoping it will be good for her. All that sun and history and good food. But it turns out it's just lonely, albeit in a spectacular setting. Until a stranger approaches her with a set of car keys and a whispered message of urgency. Someone named Simon is in Delphi in need of the car. It is, the man assures her, a matter of life and death. She must take it to him. Several rounds of language-stilted protests ensue. And before she knows it, Camilla is behind the wheel of the big black car and on the road to Delphi. On her way there, she does, in fact, meet a man named Simon, who is in Delphi trying to decipher the mysterious circumstances surrounding the death of his brother Michael more than a decade earlier during World War II. Armed with Michael's last letter and three gold sovereigns, Camilla and Simon set out for the site of his brother's death. Simon is convinced Michael was on the track of something important, and before long they begin to realize they're not the only ones who are still looking for whatever Michael found. Lady Stewart is so great at first lines and openings. The first passage of MY BROTHER MICHAEL: "Nothing ever happens to me." Within the space of two paragraphs I not only feel for the main character, but I feel as though I'm sitting there with her. I can hear it and smell it and taste it. I'm in Athens wondering how in the world I got there. This is one of Ms. Stewart's most atmospheric and action-packed novels. From negotiating the hairpin turns to Delphi, to wandering through ancient amphitheaters with handsome Classics teachers, to scrambling through caves, enough happens to Camilla within the space of these 240 pages to last a lifetime, let alone one brief holiday. I love Camilla's audacity. She's always lived in other people's shadows. And yet she goes on the trip to Greece. She takes the car keys. She cares about this Simon she does not know. And speaking of Simon? I'm excessively fond of him. For his part, he never casts Camilla in shadow, his or anything else's. He quotes Euripides and courts death in the name of his brother, and he accepts Camilla's strange story at face value and the two of them are off like a shot in no time. So much about this novel is based on mistaken identities, years of subterfuge, and bad blood. And I eat it up with a spoon every time I re-read it. I am fairly swept away at the richness of it all. And, as I return to it, the romance in this one appeals more and more. Hints of it are established from glance one. But hints is all they are at first. This is a relationship that builds slowly and surely and to great effect. Truly all of Mary Stewart's strengths, from intrepid women to mouth-watering locales to heart-pounding suspense, come together in this exciting tale. Withe one crazy, climactic ending to top it off. Whenever I return to MY BROTHER MICHAEL, it almost comes as a bit of a shock that I've never actually been to Delphi, that I'm not returning to a place I know so well and people whose hands I've held in mine. A classy, perennial favorite. ...more |
Notes are private!
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1
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not set
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Aug 1997
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Sep 02, 2011
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Mass Market Paperback
| |||||||||||||||
0778312372
| 9780778312376
| 0778312372
| 4.04
| 10,581
| Jun 21, 2011
| Jun 28, 2011
|
it was amazing
|
Oh, how I love this series. I'm sure you all know very well just how much I love this series. I look forward to the new installment in Lady Julia's an
Oh, how I love this series. I'm sure you all know very well just how much I love this series. I look forward to the new installment in Lady Julia's and Mr. Nicholas Brisbane's adventures all the year long. And by the time I get my hands on the latest book, I feel justified engaging in a little happy dancing as I have exhibited uncommon patience going so long without their inimitable company. And that's essentially what I did when I saw THE DARK ENQUIRY pop up on NetGalley. They came through for me last year with Dark Road to Darjeeling and they came through once again this year. Speaking of titles, I'm liking the new page the series has turned with the inclusion of "dark" in the titles. I liked how the first three "silent" titles reflected what the reader would find in those installments, and I'm enjoying the darker turn the tone of books four and five have taken. Also--the covers. I got a particular kick when I ran across the passage where Julia wears this exact dress in the book. Peacock feathers and all. It gives me a little thrill whenever the cover gods get little things like that right. A Warning: If you have not read the previous four books, please proceed with the utmost caution. Beyond this point, there be unavoidable spoilers. I highly recommend doing yourself a favor you won't regret and procuring a copy of the first book and applying yourself assiduously to plumbing its marvelous depths. Go on, now. Quick like a bunny! Lady Julia and Brisbane are finally returned home to London from their harrowing adventure abroad. For awhile their attentions and faculties are occupied setting up house in their new home and puttering about Brisbane's private enquiry office. Julia has taken up a number of new interests and hobbies, including explosives and photography, in the manner only she can. That is to say, with both striking verve and incendiary results. But it isn't long before real life comes back to haunt them both in the form of Julia's oldest (and stuffiest) brother Bellmont. It is only by the merest chance that Julia discovers the scintillating fact that Bellmont has become Brisbane's latest client. And when both Brisbane and Bellmont warn her off in no uncertain terms, she becomes even more determined to ferret out which of Brisbane's various and sundry skills Monty could possibly be in such desperate need of. And so, quite literally following in her husband's footsteps, she goes undercover herself and follows him to the popular (if somewhat questionable) Spirit Club. It is there that she finds a little more than she bargained for in the form of a disturbing séance, a number of powerful and colorful patrons, and--of course--a dead body. Forced to combine their powers of deduction in order to survive, Julia and Brisbane are thrown into an investigation so serpentine it may prove their undoing. THE DARK ENQUIRY was exactly the book I was hoping it would be. I found myself instantly involved at its inception, wildly satisfied at its conclusion, and utterly absorbed with everything in between. It was surprisingly soothing to be back in London once more, back where it all began, yet with two such changed, yet familiar protagonists. I was fascinated to see how Julia and Brisbane handled their still evolving relationship in the midst of their old turf, their old friends, and especially their old ghosts. The results were both beautiful and painful. My heart felt squeezed on both ends of the spectrum. You see, the nature of this particular mystery was very personal. And not just in that it involved Julia's brother. The reach of its twisty tentacles stretched across several Marches as well as back quite a ways into Brisbane's murky past. More private details come out into the light of day than anyone is comfortable with, and the whole array is so deftly handled that I simply sat back and applauded such consummate storytelling at work. It's an emotional experience following your favorite characters as they are put through such subtle and refining paces. I find myself holding my breath, never quite certain whether or not they will emerge intact. I thoroughly enjoyed Plum's involvement in this case and continue to get enormous enjoyment from his fledgling working relationship with Brisbane in general. It was, as always, a delight to spend any time at all with Lord March. And I can never see too much of Aquinas or Fleur or Portia. But, in the end, it's always about Julia and Brisbane. It was from that first arresting sentence of Silent in the Grave, and it will be for as long as this superb and sophisticated series continues. I ached for them and was proud of them in this book and I will read about them for as long as the talented Deanna Raybourn cares to write about them. Finest kind and an instant entry on my Best of 2011 list. THE DARK ENQUIRY is due out June 21st. ...more |
Notes are private!
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1
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not set
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May 2011
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May 17, 2011
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Paperback
| |||||||||||||||
B004USSPN2
| 3.76
| 2,158
| Mar 31, 2011
| Mar 31, 2011
|
really liked it
|
I've been a fan of Linda Gillard's books ever since I read Star Gazing and Emotional Geology last year. I will never understand why her books aren't m
I've been a fan of Linda Gillard's books ever since I read Star Gazing and Emotional Geology last year. I will never understand why her books aren't more available here in the States (and just in general), and I love talking them up so that more readers can find and enjoy them just as I do. So when Linda alerted me to the imminent publication of HOUSE OF SILENCE, I knew I would have to get my hands on it. It sounded deliciously fun. The story of this book's publication is very interesting indeed. Linda's been trying to get it published for more than three years, but publishers seemed reluctant to attempt to market this cross-genre novel. Linda describes it as Cold Comfort Farm meets Atonement. And, of course, I'm sitting here thinking to myself, who in their right mind wouldn't want to read that book? Sometimes the publishing process mystifies me. So finally Linda decided to publish the book herself as an e-book. I applaud the move, and I was lucky enough to receive a copy for review. My friends describe me as frighteningly sensible, not at all the sort of woman who would fall for an actor. And his home. And his family. Gwen Rowland is precisely that--frighteningly sensible--though she has shockingly good reason to be. Raised (and I use the term incredibly loosely) by the unholy triumvirate of her drug addict mother, her nymphomaniac uncle, and her alcoholic aunt, Gwen's life has been one long exercise in pure anxiety, solitude, and longing for someone--anyone--she can trust. Orphaned and alone by the age of sixteen, she's since grown up and made a life for herself as a costume mistress. One day, while working on set for a BBC period drama, she meets the charming and offbeat Alfie Donovan, an actor playing a supporting role in the production. They strike up a friendship, which eventually leads to romance, and by the time Christmas rolls around Gwen feels it only natural Alfie might invite her to his home for Christmas. Seeing as she has no family to speak of. The usually composed and dapper Alfie is oddly reluctant, but he eventually agrees, and the two set off for his family manor in Norfolk. Though Alfie has prepped her for the eccentricities of his four sisters and mother, the reality is much more than Gwen expected. And soon she finds herself entangled in the unfolding drama surrounding the hapless and disturbing inhabitants of the Creake Hall. What an absorbing read HOUSE OF SILENCE is. I will admit to a slight case of nerves as I sat down to read Linda Gillard's fourth novel. I had loved Emotional Geology so much, and I suppose I was somewhat worried about the self-publishing aspect, etc. But my mind was immediately set at ease as I found myself intensely fond of the characters right off the bat. I chuckled aloud at least a handful of times within the first few pages, and the writing was decidedly assured and the pacing even and extremely smooth. I loved the setup. Gwen (short for Guinevere, much to her distress), is a wonderfully sympathetic character, and I thoroughly enjoyed watching her work her way into the hearts and lives of Alfie's family. A favorite passage early on: We were kindred spirits in a way. Detached, self-centred, yet both obsessed with the past. Our past. The difference was, I had no family and Alfie did. He had a family-- a large one --but mostly he behaved as if he didn't, as if he wanted no part of them, however much they might want a piece of him. The comparison to Cold Comfort Farm and, I think, to Rebecca is very apt. I was amused, touched, and effectively creeped out in turns. And I had a very good time attempting to decipher the mystery, to figure out just exactly what dark secret lay lurking under the quirky surface. The answer, by the way, doesn't disappoint. And I would be remiss if I didn't mention the touch of romance in this book. I've loved that aspect of Ms. Gillard's previous books, and she comes through once again here in an extremely moving, tasteful, and unexpected way. The elusive and so often painful threads of our lives--happiness, family, grief, most of all, perhaps, forgiveness, as well as the daily struggle to hold them all together within one's consciousness--are at the heart of this engaging story. HOUSE OF SILENCE is a perfect choice for a rainy day or an evening in front of the fireplace. It has a little bit of everything and I definitely recommend it. ...more |
Notes are private!
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1
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not set
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Apr 2011
|
Apr 19, 2011
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Kindle Edition
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|
|
|
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my rating |
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|
||
---|---|---|---|---|---|---|---|---|---|
4.22
|
it was amazing
|
Oct 2018
|
Dec 21, 2018
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||||||
4.22
|
really liked it
|
Sep 05, 2018
|
Aug 30, 2018
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||||||
4.05
|
really liked it
|
Aug 2018
|
Aug 30, 2018
|
||||||
3.89
|
really liked it
|
Aug 28, 2018
|
Aug 27, 2018
|
||||||
4.21
|
really liked it
|
Apr 2018
|
May 10, 2018
|
||||||
4.10
|
it was amazing
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Nov 2017
|
Nov 10, 2017
|
||||||
3.99
|
really liked it
|
Jan 2015
|
Mar 12, 2017
|
||||||
4.21
|
it was amazing
|
Sep 2015
|
Mar 07, 2017
|
||||||
4.10
|
it was ok
|
Jan 2017
|
Jan 03, 2017
|
||||||
3.87
|
it was amazing
|
Oct 2016
|
Oct 25, 2016
|
||||||
3.96
|
really liked it
|
Sep 2015
|
Jul 07, 2016
|
||||||
3.86
|
really liked it
|
Mar 2016
|
Mar 18, 2016
|
||||||
3.96
|
really liked it
|
Dec 2014
|
Dec 29, 2014
|
||||||
3.83
|
really liked it
|
Oct 2014
|
Oct 31, 2014
|
||||||
3.82
|
liked it
|
Dec 2012
|
Jan 01, 2013
|
||||||
3.79
|
Jan 2010
|
Mar 16, 2012
|
|||||||
3.75
|
really liked it
|
Dec 2011
|
Jan 09, 2012
|
||||||
4.03
|
it was amazing
|
Aug 1997
|
Sep 02, 2011
|
||||||
4.04
|
it was amazing
|
May 2011
|
May 17, 2011
|
||||||
3.76
|
really liked it
|
Apr 2011
|
Apr 19, 2011
|