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448 pages, Hardcover
First published May 9, 2023
For all the actors in the cast and every member of the crewAs the title indicates, the novel tells the story of the making of a movie. But the stars of the novel are not the stars of the movie. The stars of the novel are a kid Robbie Andersen who draws comic books, an associate producer Al (short for Allicia) Mac-Teer, a PONY (think Uber or Lyft) driver, Ynez Gonzalez-Cruz, and the writer-director of the film Bill Johnson. Now, there are also actors, two of them the stars of the film, and they are important characters, but if this book were to be nominated for Oscars, they would be up for Best Supporting Actor/Actress.
Imagine a jet plane, the funds for which were held up by Congress, designed by poets, riveted together by musicians, supervised by executives fresh out of business school, to be piloted by wannabes with attention deficiencies. What are the chances that such an aeroplane is going to soar? There you have the making of a movie, ...The heart of the experience is "Principal Photography", known informally as "The Shoot", when the the film is actually recorded. At the beginning of the shoot Al explains to Ynez what it will be like. She calls it "The Blur". It is intense and chaotic and like nothing else.
It's no surprise that an award-winning actor would write a book about moviemaking – you write what you know, right? This is Tom Hanks' first novel and it's all about something he's an expert in.
Bill Johnson is an acclaimed director and screenwriter. So when someone asks whether he'll direct a superhero film in a massive MCU-like universe, he's dismissive, until he looks at the pitch and decides he can put his own stamp on it. He's partly inspired by a character in a decades-old comic book, a soldier fighting in World War II, a flamethrower who struggles to come to terms with what he's seen, named Firefall.
Flashback to 1947 when a five-year-old boy – Bobby – who loves to draw comics meets his uncle – an ex-soldier – for the first time. The man isn't around for very long but leaves a lasting impression on his nephew, so much so that the adult Bobby draws a comic book about him called Firefall. Bill combines the Firefall character with another superhero character – a woman with superpowers who suffers from incurable insomnia, creating a script that is pure gold.
The book explores the search for the perfect cast, the intricacies and minutia of actually making a motion picture, how the stress of filmmaking takes a toll on relationships and also the beauty of creating something that takes forever to make, and only a couple of hours to consume.
There are some great characters in this book, particularly Bill's super-efficient assistant, Al Mac-Teer, and her ride-share driver, Inez, who also comes to play a part in making the film. And then there is Bobby and his uncle... I wanted so much more from that arc. In fact, I felt like their story was the best part of this novel, rather than the filmmaking itself.
My biggest complaint about the book is that it gets bogged down by too much detail. There is a plethora of footnotes explaining a bunch of incredibly irrelevant and excruciatingly boring technicalities about moviemaking and the backgrounds of VERY minor and almost irrelevant characters. The NetGalley format was also so poor that the footnotes would appear several pages later so I constantly had to jump back and forth on my Kindle to read them.
I felt like the book needed a different editor – just like in the movies, a good editor can make a BIG difference. I would have cut the majority of the footnotes and incorporated the rest into the main plot. The annotations distracted me from the main story, which is, mostly, highly enjoyable. Is it the kind of book you'd enjoy with a bowl of popcorn? Yes. Is it a masterpiece? I don't think so.