Representation of the Third Magic.
The Third Magic (第三魔法, Dai San Mahou?), also referred to as Heaven's Feel: Cup of Heaven (天の杯, Ten no Sakazuki?), is one of the five remaining Magics in the modern Nasuverse. Similarly to the Second and Fourth Magic, the Third was created as a means to reach the Root.[1]
History[]
The Third Magic was originally achieved by the Einzbern family, but its secret was lost one thousand years ago. In relation to the other Five Magics, it is said the Third "showed the future", and that it would have been best if its discovery had been the last.[2] Though the Third Magic actually predates the First, the First Magic is still called the First because of its characteristics.[3] For the next eight centuries, the Einzberns sought to recover it until finally coming up with the concept of Holy Grail War.
An unnamed Magician discovered the Third Magic some time in the Age of Gods before 100 BC.[4] The Magician lost their life at the end of the Age of Gods on the night before the advent of the Common Era.[4] It was also said they disappeared.[5] The Third Magic was considered lost after that,[6] but it was recognized in the modern day that, of the five Magicians, only the Magician of the First Magic was deceased while the other four were considered "still alive."[7]
As of 1 AD, the human students of the Magician, unable to replicate the miracle of the Third Magic themselves, created the Einzbern homunculus factory in an attempt to create a homunculus identical to their master who would be able to reproduce it.[6] While the homunculi possessed minds, knowledge, and purity greater than that of humans, they lacked "true souls" that were unable to achieve materialization through the Third Magic.[4] After 900 years of creating homunculi, Justeaze Lizrich von Einzbern, nearly identical to the Magician, was created, but she possessed several fatal flaws that stopped her from being able to truly reproduce the Third Magic.[4][6] This failure caused the humans to abandon the homunculus factory and others to take their own lives. The homunculi continued to act autonomously under the guidance of golem Jubstacheit von Einzbern in seeking restoration of the Third Magic.[6]
Illyasviel von Einzbern also makes use of it in the Heaven's Feel route of Fate/stay night, although it is an incomplete usage.
In the Fate/Apocrypha timeline, Amakusa Shirou Tokisada was able to wish for Third Magic to be applied to all the souls of humanity through the Greater Grail, which he hoped would bring the annihilation of Angra Mainyu: All the Evils of the World and make Humans live in eternal happiness from the innate goodness in their hearts.[8] However this wish was prevented by Sieg taking the Grail before it could start collecting souls to perform the Third Magic on, and transporting it to the Reverse Side of the World, where no humans exist for the Grail to affect.
In the Fate/strange Fake timeline, the Snowfield Holy Grail Wars were created by an organization of Magi within the American Government with the goal of using the Holy Grail to both achieve the Third Magic and "drag [it] down to the level of magecraft". Moreover, Francesca teases them with the idea that the wars are pointless if it turns out that Touko Aozaki's puppets replicate not only her memories but also her soul perfectly, as this would mean she has achieved the Third Magic they seek.[9]
In the Fate/Extra timeline, with the Great Collapse of the 70s that lead to the global loss of mana, the world suffered a complete loss of magecraft and Magic, making the Third Magic and the materialisation of the soul impossible. In response to this, magi incorporated modern technology and redefined the "soul" with the discovery of Spiritrons, the "true essence" of a soul,[10] and Pseudo-Spiritrons, allowing for the projection of the soul onto a virtual world through the theory of the Third Law (第三法, Dai San-hō?) by Wizards.[11][12][13] In addition, there exists Spiritron Networks (霊子ネットワーク, Ryōshi Nettowāku?) that connect over vast areas of space between different celestial bodies, each generating their own Spiritron Fabricated Worlds (霊子虚構世界, Ryōshi Kyokō Sekai?). It is possible to travel between the networks of different celestial bodies.[14]
Effects[]
The soul contains the memories, mind, and Magic Circuits of a person, and it uses the person's body as an anchor to the World to keep from being dispersed and returning to Akasha. Once the brain and body are destroyed, it is impossible to restore a person's dispersed soul, and even the magical ability of the Holy Grail can't restore a destroyed body. Even if a magus manages to place their soul into a new body, it will either be an inferior copy compared to the original, as in the case of Michael Roa Valdamjong (Remake) and Darius Ainsworth, or the soul itself will eventually begin to rot, as with Zouken Matou.
Heaven's Feel is a Magic that allows for the Materialization of the Soul (魂の物質化, Tamashī no Busshitsu-ka?), which stops the inevitable dispersion of the soul once it no longer has an anchor to the World, and essentially makes it transcend to a higher form of existence.[15] It is a Magic that realizes true immortality by making the soul into a high-dimensional planar being capable of interacting with the material world as a mental body without having to return to Akasha. The practitioner will acquire an unlimited source of Magical Energy due to the soul becoming analogous to a perpetual motion machineWP.[7]
The Greater Grail uses several parts of Heaven's Feel in an attempt to recreate it in its entirety.[15][16] Using an incomplete version, it takes a raw soul, raw energy made from spiritual particles, and copies information of Heroic Spirits in order to generate Servants. Rather than being actual resurrection, it is the temporary formation of a soul that does not require a real body, meaning that they are not truly brought back to life. In fact they are not considered proper Life but merely Ether in the form of past individuals.[17] The World, considering that they should be dead in the present, considers Servants to be a contradiction that must be removed, so they need a constant connection to their Masters' Magical Energy to keep from being erased. After a Servant is killed, the Holy Grail temporarily stores their souls before they are returned to Akasha. In the case of receiving an actual body from the corrupted Grail, they are able to exist for a longer period of time, but they are still considered as not alive and require Magical Energy to remain in the present World.
During Heaven's Feel, Illya uses an incomplete version of the Third Magic in order to keep Shirou's soul from dispersing after his body is destroyed. While it manages to save his soul, the new container, which she calls "cheap", cannot be fully reproduced from Illya's body. It is small enough to be "plucked" out of a river by Rider, so they have to take the time to find a suitable puppet body for him instead. In such a case where the soul gains a new anchor to the World, anything with similar properties to a human, such as a puppet body or anything else with a brain, the soul will reshape the body according to its memories. This means that the person is now alive, and that the body will bleed, get sick, age, and eventually die. While the person is completely anchored to the body, the soul is actually controlling the body by "remote control."
The existence of Angra Mainyu as the root of all evil, his soul having been turned into an "eternal generator", is an example of what the Third Magic is capable of accomplishing, though that was a result of the wish granting aspect of the Grail rather than Third Magic. Existences like Lugh Beowulf, as a materialised soul with an astral body without need of a physical body to remain stable, are similar to what the Third can accomplish but he is a naturally occurring being. This suggests that the Third Magic may have the ability to change the user's shape into the form of any creature on Earth they desire or the most fitting form for the action they require, and even change their body's sex.
According to Chloe von Einzbern, the Skill Independent Manifestation is a mockery and inferior usage of the Third Magic,[18] suggesting that the Third Magic is capable of everything Independent Manifestation can do and more.
Kiara Sessyoin's existence is similar to the rumored Third Magic, Heaven's Feel, which is the physical materialization of the soul.[19] Heaven's Hole is a subtype of the Third Magic.[20]
Dress of Heaven[]
The Mystic Code of the Einzbern family, the Dress of Heaven (天の衣, Ten no Koromo?), is the heart that controls the Greater Grail that is capable of materializing the soul for several seconds.[21] This allows for the transferral of a soul into another container, such as when Illya places Shirou's soul into a doll in a bad ending, or when Illya materializes Shirou's soul incompletely[21] and gives him a portion of her body as his soul's temporary container in the True End of Heaven's Feel.[22]
It has the appearance of a white dress that is made from gold, and is fitted with seven rings that are said to have control over creation and the souls of others. The seven holes on the dress are the transformed rings and with each Servant soul absorbed, one hole is lit. As a person will be turned to gold if in contact with it, its operation must be conducted by Elementals, Demi-Humans or Homunculi.[21]
The Dress of Heaven is transmuted from the ether that forms Illya's personal maid Leysritt. Leysritt was previously a candidate for the Lesser Grail, but was deemed a failure. Despite being a failure, the Einzberns capitalized on Leysritt's lingering innate power as a Grail and converted her to a potential Mystic Code that can augment Illya.[23] The moment that the Dress of Heaven materializes, Leysritt ceases to exist.[24]
In Fate/Grand Order, Illya's mother Irisviel wears the Dress of Heaven. Justeaze Lizrich von Einzbern is also sometimes depicted wearing it.
References[]
- ↑ Mahoutsukai no Yoru - Chapter 12: "Witch on the holy night"
- ↑
Mahou Tsukai no Yoru The beginning first changed everything.
The following second acknowledged many.
The resulting third showed the future.
The linking fourth concealed itself.
And the final fifth had already lost its meaning.
Had it only ended at the third, someone had said. - ↑
[] Fate/stay night [Heaven’s Feel] III. spring song Animation Material - Kinoko and Takashi Q & A, p.34-35[T]
Q: Looking at Case Files Information, it sounds like the First Magic was made later than Third Magic? (Also I seem to like you sleep all day?)Q: Looking at Case Files Information, it sounds like the First Magic was made later than Third Magic? (Also I seem to like you sleep all day?)
Nasu: HOW YOUNG!! Instead of sleeping all day, I spend almost everyday just sleeping!!
To return to the main topic, the situation is somewhat complicated. The Third Magic itself existed before the Common Era, but it disappeared alongside the End of the Gods (It cannot be recreated), and 1000 years later the one who recreated it was Juzteaze. The reason why the First is called the First is a very special reason to its special nature.
Takeuchi: You know for awhile now, this corner have been asking us the Setting Information that we haven't revealed properly yet. How impressive.
Nasu: This is probably the last time for this, so I decided to take all the question without resorting to just jokes, at least the ones I can right now.ロード・エルメロイII世の事件簿のマチリアルによると、第三魔法は紀元前100年ごろから伝わっていたようですが、第一魔法の使い手が誕生したのはAD第一魔法の方があとに成立したといたとでしょうか?？ ＜たまに一日い＞
奈： 若いな!いいコトです!こっちはた。まにどころか毎日1日中眠いです。それはそれとして、ちょいここややこしいのですが、第三魔法そのものは西日以前らあったものの、神代の終わりと共に失(実現不可)になってしまいました。すこれを1000年たって再現可能状態にしたのがユスティーツァとなります。また、一魔法が「第一」と分類されるのは、その特性も関与しています。
武： さっきから知らない設定がどんどん示されていく……このコーナーすげえ……
奈： 最後だからか、みんな遊びのない質が多かったんだよ。こっちも最後だからできるだけ答えています。 - ↑ 4.0 4.1 4.2 4.3 Heaven's Feel III Bluray booklet Q&A
- ↑
[] Fate/Side Material - Encyclopedia: Magic [Miracle], p.075 [T] Magic [Miracle]
A mystery distinct from magecraft. The final destination of magi.
"Magic" is that which makes the impossible into the possible, for a given era. A "result" which can be realized with the application of time and effort is not magic.
In the past, when civilization was young, most magi were also magicians, but currently only five remain.
…Well, that's what they say, but there are actually only four still alive.
The magician that handled the First magic already died a long, long time ago.
Of the remaining four, two have disappeared, and two are bothersome people that pop up all over the place leaving trouble in their wake.魔法【奇蹟】
魔術とは違う神秘。 魔術師たちの最终到達地点。
その時代で実現不可能な出来事を可能とするのが『魔法』であり、時間と資金をかければ実現できる“結果” は魔法とは呼ばれない。
文明が幼かった过去、魔術師たちの大半は魔法使いだったが、現在はもう五人を残すのみとなった。
といっても、生きている魔法使いは四人。
第一魔法と呼ばれるモノを扱った魔法使いはとうに死去している。
残る四人中、二人は姿を眩ましているが、二人は頻繁に現れてはトラブルを起こして立ち去るという、実にはた迷惑な者ども。 - ↑ 6.0 6.1 6.2 6.3
[] Fate/stay night [Unlimited Blade Works] Season 2 DVD Booklet Animation Elements p.19-27 [T] • The origins of Einzbern
A factory originally created by the students of the magician who realized the third magic. Began in the year 1 AD.
They attempted to reproduce their master’s miracle, but couldn’t do it themselves, so as an alternate plan they tried to recreate a specimen identical to their master and have it reproduce the magic.
After nearly 900 years of effort, Justeaze—the homunculus who would come to be called the Winter Saint—was forged.
She was a model that strayed from what the magi had intended, created completely by accident, but her abilities were equal to or above those of their master.
The magi should have been elated about Justeaze, but they couldn’t be happy. After all, she was a mutation that was born regardless of their own techniques or skills.
Even if that specimen was to reproduce the third magic, that conclusion would be harder for them to bear than 900 years of failure.
The magi deperately attempted to create a homunculus that excelled Justeaze by their own techniques.
The artificial intelligence created to act as the castle’s central management—the golem Jubstacheit—was the pinnacle of their craft, and became the father of all homunculi created at Einzbern.
Justeaze succeeded at proving the third magic.
However, it was not cost-effective. Justeaze’s use of the third magic was like careful knitting. It would take several years to save just one person, making the salvation of the entire human race virtually unattainable.
In addition, while Justeaze herself did not age, her body was so frail it would take little to kill her, so she could not leave the castle.
Since her intelligence and mentality were also unaging, she did not develop at all. From an outside perspective, it was as if she was repeating a single day for all eternity.
If she were to leave the castle she would be freed from this “single day,” but the act of leaving the castle signified an easy death for Justeaze.
In the end, they accepted that humans could create something that surpassed humans, but not something that could save humans.
… Or perhaps they would not have failed if a miracle like Justeaze had not occurred.
The magi despaired the limits of their abilities. Some abandoned the castle, while others took their own lives.
The homunculi left at Einzbern were abandoned by their creators, but in their purity, they continued to operate the factory for the sake of the creators’ ideology—the salvation of humankind, the reproduction of a miracle.
From then on, all homunculi created at Einzbern were based off of Justeaze.
Jubstacheit created a humanoid terminal unit, and used it as the manager of Einzbern. Though by the end he operated even Acht (the eighth humanoid terminal), he did not possess a personality.
He only included the necessary “humanity” to operate the castle and reproduce the third magic into each of his humanoid terminals, and made them act like humans.
Jubstacheit is essentially an automaton that cannot progress, but continues operating in perpetuity. His way of existence is just like an old clock ticking away, being forgotten by people before running down.
• The great grail
Five hundred years after the magi departed from Einzbern, a model plan was devised for a wide-area operation device for the third magic using Justeaze.
Einzbern had determined that reproducing Justeaze was impossible.
Their plan of keeping Justeaze safe because she was a unique and valuable model switched to a plan to use that unique model to mass-produce miracles.
(This was not Jubstacheit’s plan, but a consensus of opinion within Einzbern. Because the homunculi were pure, they chose the method with the greatest probability of success. In fact, Jubstacheit was the only intelligence that voted against this.)
Justeaze could only use the third magic on one human over a period of decades. Therefore, using Justeaze as a frame, they would create a “greater” magic formula and save many humans at once.
The plan was to disassemble her magic circuits and replace them with a magic formula, creating a humanoid universe—the great grail.
But Einzbern alone could not start this project.
They were no more than dolls. They had no way to live in the outside world, and they couldn’t handle the complexity of human society.
To create the great grail and reproduce the third magic, they needed understanding and cooperative humans.
Then, in the year 1800, a guest arrived at the winter castle that had continued to produce homunculi.
Makiri Zolken. A magus who had devoted his life to eliminating all the evils of the world, the evils of humanity.
(At this point, Zolken was mostly disillusioned. He knew it was about time to give up, but calling on Einzbern was his last hope. He met Justeaze, and felt a complicated mix of emotions—hope towards fulfilling his ambition, jealousy at her ability to use the third magic, and pity for Justeaze’s eternal youth causing her to “repeat the same day.”)
With Makiri’s understanding and Tōsaka’s cooperation, Einzbern began to create the great grail.
However, once they started, they determined that Justeaze alone was not enough.
They could create a great grail. They could create its core. However, to operate it they would need vast amounts of magical energy, and a lesser grail to control it.
Makiri and Tōsaka devised a ritual to collect magical energy using Justeaze’s ability to connect with the root: the grail war.
Despite being unable to reproduce Justeaze, Einzbern created a lesser grail with similar abilities to hers.
After 10 years, the project was finally complete.
The grail war ritual was successful, and the great grail lit up.
But its first operation ended in dismal failure.
There was no flaw in the great grail itself.
The problem lay in the craftsmen and magi who participated.
Instead of using the precious magic reactor core for the sake of the whole planet, the magi killed each other out of a desire to use it for the sake of their own race or society.
Einzbern had been unable to understand the thought processes of the humans who operated the great grail.
• Irisviel and Illyasviel
Einzbern learned from the failure of the grail war and changed their plans.
Justeaze no longer existed.
While preparing to restart the great grail, they returned to their original goal and focused on creating a perfect homunculus.
As a result, they created Irisviel, a homunculus with the function of a lesser grail. They expanded on her further and Illyasviel, a homunculus that was the pinnacle of Einzbern’s technique, was born.
• Tuners
This is a digression, but separate from the winter castle is the tuners’ building (a small house), inhabited by a family of human magi, not homunculi.
Since the homunculi cannot negotiate with human society, the tuners went into town in their place and barter for needed materials. Traders, essentially.
Still, they are a talented magus family, and possess strong artistry. Humans without strong aesthetic sense could never take care of Einzbern, after all.
The tuner family’s numbers dwindled along with Einzbern’s decline, and in the end only one remained.
It seems he often worked in the castle as a butler, teaching the secluded, medieval-minded homunculi about the outside world.
It’s unknown what kind of conclusion that tuner chose after Illya lost and Jubstacheit shut himself down.
• In summary: so what is Einzbern?
A factory in which homunculi continued operating towards the ideals and goals humans had given them, after the magi had left.
Jubstacheit is something like the factory’s central management program. A monolith. Acht is his terminal.
Even after their creators had given up and died, the homunculi in the winter castle devoted themselves to making their masters’ dream come true.
What lies at the basis of the Einzbern factory and many discarded things is the purity of machines.
Imagine a doll that can speak to its owner, but only a few phrases.
“Hello,” “thank you,” “I’m sorry,” “good night”—“I love you.”
These reactions delight the buyer, but it’s clear that they will soon be disappointed.
“No matter what I say, the doll can only say predetermined phrases. It just keeps repeating that tired old ‘I love you.’ ”
Realizing that the love the doll speaks of is a false emotion, the buyer will likely discard it eventually.
But humans are the ones who see that as empty words and a manufactured fake.
Even if it doesn’t have a “heart,” even if it’s only repeating the same words, there are no lies in the actions of machines.
They innocently carry out the task they were given.
“I love you.”
Though abandoned, forgotten, and scorned as out-of-date dolls, they continue to carry out their mission, unchanged from the time they were designed.
Machines do not lose their worth when a newer model appears.
Their worth (life) ends when humans can no longer bear that purity.■アインツベルンの始まり
もともとは第三魔法を実現化した魔法使いの弟子たちが起こした工房。西暦元年から続く。
彼らは師の奇跡を再現しようと試みるも自分たちの手では叶わず、代案として師と同一の個体を作り、その個体 に魔法を再現させようとした。
九百年近くの徒労の末、後に冬の聖女と呼ばれるホムンクルス、ユスティーツァが鋳造される。
彼女はまったくの偶然で作られた、魔術師たちの思惑とは外れたモデルだったが、その性能は彼らの師と同様か 、それを上回るものだった。
本来なら歓喜で迎えられる筈のユスティーツァだが、魔術師たちは素直には喜べなかった。
なにしろ自分の技術、努力とは関係なく生まれた突然変異だ。
仮にこの個体が第三魔法を再現してしまった時。
それは彼らにとって挫折し続けた九百年の歳月より耐えがたい〃結論〃になってしまう。
魔術師たちはユスティーツアを超えるホムンクルスを自らの技術体系で作りだそうと躍起になった 。
城の中枢制御用に作られた人工知能 …… ゴーレム・ユーブスタクハイトは彼らの技術の結晶であり、アインツベルンで作られるホムンクルスたちすべて の父となった。
ユスティーツァ、第三魔法の証明に成功。
��だしコストが悪い。ユスティーツァの第三魔法は丁寧な編み物に近い。人間一人を救済するのに数年をかける ようなもので、全人類の救済にはとても届かない。
また、ユスティーツァ自身も不老ではあるが体
は脆弱で死にやすく、城の外には出られない。
その知性、精神性も不老である為、まったく成長しない。客観的に見れば「同じ一日を永遠に繰り返している」 ようなもの。
城の外に出れば彼女は「同じ一日」から解放されるが、城の外に出る事はユスティーツァにとって緩やかな死を 意味する。
結局のところ。
人の手で人間を超えるものは作れても、人の手で人間を救えるものは作れない、と彼らは受け入れ た。
.....あるいは。ユスティーツァという奇跡さえ発生しなければ、彼らの挫折は訪れなかったのかもしれな いが。
魔術師たちは自らの才能の限界に膝を折り、あるものは城を捨て、あるものは命を断った。
アインツベルンに残されたホムンクルスたちは創造主に捨てられたものの、その純粋さから彼らの 理念—
人類の救済、奇跡を再現するために工場を回し続ける事になった。
以後、アインツベルンで作られるホムンクルスはすべてユスティーツァをベースにしたものとなる 。
ユーブスタクハイトは人間型の端末筐体を製造し、これをアインツベルンの管理者として使用する。最終的には アハト(八代目の人型端末 )まで稼働するユーブスタクハイトだが、彼に人格は存在しない。
あくまで〃城を動かすもの〃〃第三魔法を再現するもの〃として、その都度、必要な〃人間性〃を人型端末に植 え付け、人間のフリをさせている
にすぎない。
ユーブスタクハイトの本質は〃進歩できないかわりに、永久に稼働し続ける〃オートマトンである。そのあり方 はユツユツと時を刻み、自壊する前に人々の記憶から忘れ去られる古時計そのものだ。
■大聖杯
アインツベルンから魔術師たちが去ってから五百年後。
ユスティーツァを使った第三魔法の広域稼働装置のモデルプランが作られる。
アインツベル���はユスティーツァの再製造は不可能と結論。
一機しかいない貴重なモデルなので保存してお、くという方針から、一機の貴重品を使って奇跡を量産化する、 という方針に切り替えた。
(これはユーブスタクハイトの方針ではなくアインツペルンの総意。ホムンクルスたちは純粋なので、より可能 性のある方法を選んだ。むしろユーブスタクハイトは唯一、反対に票を投じた知性だった)
ユスティーツァでは何十年かけて人間ひとりにしか第三魔法を使用できない。
なのでユスティーツァという機体を使って「より大きな」魔術式を作り、一度に多くの人間を救え ばいい。
彼女の魔術回路を分解し、魔術式に置換した人体宇宙—大聖杯の構想である。
しかしアインツベルンだけではこのプロジェクトを始められない。
彼らは人形にすぎない。外の世界で生きる術を
持たず、また、人間社会の複雑さには耐えきれないからだ。
大聖杯—第三魔法の再現には人間の理解者と協力者がいる。
そして西暦1800年。
延々とホムンクルスを作り続けていた冬の城に来訪者が現れた。
マキリゾォルケン。この世すべての悪人間の悪性、その切除に人生を捧げた魔術師だ。
(ゾォルケンもこの段階でほぼ夢破れている状態。もう諦めるべきだと分かっていながら、最後の希望でアイン ツベルンを訪れた。そうしてユスティーツァに出会い、悲願達成への希望、第三魔法を可能とするユスティーツ ァへの羨望、不老の代償に『一日を永遠に繰り返す』ユスティーツァへの哀れみ等の複雑な感情に とらわれる )
マキリという理解者、遠坂という協力者を経てアインツベルンは大聖杯の建造を開始。
しかし。大聖杯の建造に着手した時、ユスティーツアだけでは足りない事が判明した。
大聖杯は建造できる。炉心は確実に作れる。
しかし、これを動かすには莫大な魔力と、それを制御しうる小聖杯が必要だ。
マキリと遠坂は魔力集め—根源と接続できるユスティーツァの特性を生かした儀式、聖杯戦争を立 案。
アインツベルンはユスティーツァの再現といかずとも、彼女に近い性能を持った小聖杯を作成する 事になった。
十年の歳月を経て計画は成就した。
儀式・聖杯戦争は成功し、大聖杯に灯がともった。
だが一度目の運転は、無残な失敗に終わった。
大聖杯に落ち度があったのではない。
参加した技術者、魔術師たちに問題があったのだ。
せっかくの魔術炉心を魔術師たちは惑星のために使うのではなく民族のため、己が社会のために使おうと殺し合 った。
大聖杯を運営する人間の思惑を、アインツペルンは理解できていなかったのだ。
■アイリスフィール、イリヤスフィールまで
失敗に終わった聖杯戦争を教訓に、アインツベルンは方針を改めた。
もうユスティーツァは存在しない。
彼らは大聖杯の再稼働を進めながら、当初の目的に立ち返った。完成されたホムンクルスの製造に 注力した。
その結果、小聖杯としての機能を持ったホムンクルス・アイリスフィールが作られ、さらにその発展—アインツ ベルンの全技術の最高水準であるホムンクルスであるイリヤスフィールが誕生した。
■調律師
余談ではあるが、冬の城のはずれには調律師たちの離れ(小さな洋館)がある。
ここにはホムンクルスではない人間の魔術師の一族が住んでいる。
彼らは人間社会とうま��交渉できないホムンクルスたちの代わりに町に出て必要な物資を交換してくる、いわば 商人だ。
とはいえ腕の立つ魔術師の一族であり、彼ら自
身も高い芸術性を持っている。優れた美術観を持つ人間でなければアインツベルンの面倒は見られ ないからだ。
調律師の一族もアインツベルンの衰退とともにこ数を減らし、最後には一人を残すのみとなった。
彼は人間社会にうとく中世の感覚のまま暮らしているホムンクルスたちに外の世界を教える執事として城で働く 事も多かったという。
イリヤが失敗し、ユーブスタクハイトが自らの電源を落とした後、この調律師がどのような結末を選んだかは定 かではない。
■まとめつまり,アインツベルンって何?
魔術師がいなくなった後、彼らに作られたホムンクルスたちが、人間の目指した理想と目的のために稼働し続け ている工場。
ユーブスタクハイトは工房の中枢制御プログラムのようなもの。モノリス。アハトはその端末。
ホムンクルスたちは創造主があきらめ死に絶えた後も、冬の城で主が夢見たものを叶えようと研鑽 していた。
アインツベルンの工房、多くの廃棄物たちの根底にあるのは機械の純粋さ。
たとえば「数パターンにすぎないが、持ち主に話しかけられると返事をする人形」があるとする。
『ごきげんよう』 『ありがとう』 『ごめんなさい』 『おやすみなさい』—『あなたを愛しています』その反応に喜ぶ買い主だが、すぐに失望するのは 明白だ。
〃私が何を言おうと人形は決まった台詞しか言わない。愛しています、なんて聞き飽きた言葉を
繰り返す〃
人形が語っていたのは偽物の愛、偽物の感情だ青だと思い知り、買い主はいずれ人形を破棄するだ ろう。
だが、それを空虚な言葉、作られた偽物と感じているのは人間側の事情だ。
たとえそこに『心』がなく、同じ言葉を繰り返すだけだとしても、機械の行いに嘘はない。
彼らは無心に、与えられた仕事をこなし続ける。
『あなたを愛しています』と。
捨てられ、忘れ去られ、時代遅れの人形と蔑まれても、彼女たちは作られた時の制作意図から変わることなく使 命を果たし続ける。
機械がその価値を失うのは次の代用品が現れた時、ではなく。
人問がその純粋さに耐えきれなくなった時、彼らの
いのだ価値は終わるのだ。 - ↑ 7.0 7.1
[] Fate/complete material III: World material - Theory of Magic - Magecraft: "Magic" making the impossible possible, p.048 "Magic" making the impossible possible
True Magic. This is a different mystery than magery. Magi call the events that are unachievable by magery and science in that age True Magic. If that event could be achieved by time and resources, then no matter the difficulty, that event will not be seen as True Magic.
When the civilization of mankind was still young, all magery had been True Magic. But along with the advancement of science, the number of things that "could be done" by people had increased, and in exchange, True Magic diminished. The number of remaining "True Magics" in the modern era are extremely few, only 5. In "Fate/stay night", the achievement of one of these, the "Third True Magic", occupied the portion of the Grail War that could also be said to be its base.
All magi strive to arrive at "True Magic". Even if they can't reach it, the next generation will. Even the next generation can't reach it, then the one after....and like that, thus was weaved the history of trial and error of magery.
True Magic
Explanation
First True Magic One of the oldest True Magics but the details about it are unknown. What it involves appears to be common knowledge to some magi of privileged rank. Though the wielder of the First Magic is already passed from this World, it is said that a personage who is of direct descent narrowly survives.
Second True Magic The True Magic that observes the infinite parallel worlds and travels between alternative worlds. Its user is Kischur Zelretch Schweinorg. With this magic, this man was able to create a jewel sword to absorb mana from the other worlds and a box that could store an immense amount of objects.
Third True Magic Materialization of the soul, in other words, the magic that realizes true immortality. When accomplished, the practitioner will acquire an unlimited source of magical energy due to the soul becoming analogous to a perpetual motion machine. This is the Magic of the Einzbern lineage, and the Holy Grail War was established to acquire this Magic.
Fourth True Magic Like the First True Magic, the details about it are unknown. What it involves hasn't been heard of either. But, the currently existing wizards, when pointing out to the Fourth True Magic, they'll all say "it is there for sure", and will agree that it exists. Also, they don't know the name of the user either.
Fifth True Magic The True Magic that the Traveling Magician Aozaki Aoko inherited from her grandfather. Its nickname is "Magic Blue." The user Aozaki Aoko is average as a magus but displays transcendence with destruction. Because of this trait, there is a rumor that "Magic Blue" is also a True Magic involving destruction.
•The Five Magicians
There are five True Magics left in the current age. Those who use them are called "Magicians". The user of the First Magic, the oldest True Magic, is said to be dead, so the ones that are "still alive" are four. Let's say that "what had been possible only by True Magic" then becomes achievable by developments in magery or scientific technology. True Magic will be lowered to a mere "craft". Many True Magics were lost from the world like that. Then, can the power of "True Magic" only fade out hereon? No. The arrival of magi at existing or as of yet uncharted new Magic can allow new True Magic to be born and the numbers to be increased. Needless to say, this is far more difficult than a camel passing through the eye of a needle and finding one speck of a jewel in a desert. However, it's not impossible. The existence of the Wizards is proof of that. Thus, magi strive for the heights of True Magic. Believing they will one day reach the stars in the skies with their own hands, they continue dedicating themselves to their studies daily.
•Death of True Magic, Death of a Magician
A Magician, just like a magus, has a long life. If one uses life-prolonging magic, it wouldn't be impossible to live a few hundred, a few thousand years either. But, the "end" will come for sure. Then, would the death of a Magician mean the death of the True Magic he uses? No, it would not. True Magic will be passed on to the inheritor of the next generation and will not disappear. If True Magic were to die, it would only be when it could be realized by normal means. - ↑ Fate/Apocrypha Volume 3: Triumphal Return of the Saint -Prologue
- ↑ Fate/strange Fake Volume 3 - Prologue VIII: The Star Performers' Banquet (Part 1)
- ↑
[] Melty Blood Back Alley Alliance Nightmare - Encyclopedia of Rojiura Nightmare: Spiritron, pg. ??? Spiritron
Although they may morph into any variety of shapes and sizes, spiritrons are nonetheless singular units. Defined as the substance that is the “true essence” of the soul, which is thought to reside in a higher dimension.霊子
どのようなカタチ・サイズに変貌しようと変わらないただひとつのモノ。高次元にあるとされる「魂」をもとに定義された「モノの本質」のこと。 - ↑
[] Fate/EXTRA material - Encyclopedia: Virtual Spiritron [Circumstances], p.173 Virtual Spiritrons [Circumstances]
Once, there had been a miracle on the earth able to materialize the soul.
That, however, was lost in the Great Collapse of the 70s. Since then, accepting their downfall, the magi incorporated the modern science they had once tabooed and gave the “soul” a new definition.
It was “the location of where the conscious was being outputted”, the magical theory of virtual spiritrons.
In the past, the conscious could only be manifested through the body.
But the magi pinpointed the location of the “soul” and succeeded in outputting it to the new frontier, projecting it as an avatar in the cyber world.
With this, the magi transferred themselves to the electronic world and became capable of more advanced information acquisition.
After all, the soul was a higher dimensional energy body and it was quite superior as an information medium.
With the announcement of this theory, networking technology if nothing else made significant strides in the new world.
The military industrial complex in exchange for their real world weapons development being suspended devoted their resources in development of weapons that were in the cyber world.疑似霊子【事柄】
ぎじりょうし。
かつて、地上には魂の物質化をはかる奇蹟があったという。しかしそれは1970年代の大崩壊で失われた。以後、自らの終わりを受け入れた魔術師たちは禁忌としていた近代科学を取り入れ、その終わりに、“魂”を新しく定義した。
それが魔術理論・疑似霊子と呼ばれる、“意識の出力先”である。
かつて、意識は肉体を通してしか発露できなかった。
しかし魔術師たちは“魂”の位置を測定し、その出力先を新しい天地───電脳空間の分身[アパター]として写し出す事に成功したのだ。
これによって魔術師は電子世界に己をそのまま転移させ、より高度な情報取得活動を可能とした。
もともと魂は高次元のエネルギー体であり、情報媒体としてもたいへん優れていたのである。
この理論の発表に伴い、新世界ではネットワ:ク技術だけが大きく進展した。
軍事産業は現実世界での兵器開発を凍結された代わりに、電脳世界において有効となる兵器開発にいそしむ事となった。 - ↑ Fate/Extra website
- ↑
[] Fate/EXTRA material - Encyclopedia: The world of EXTRA [Circumstances], p.163-164 [T] The world of EXTRA [Circumstances]
“The minds of people became used to being managed and regulated, and civilization stagnated. There are no great tragedies, however there are also no new discoveries. Everyone is pessimistic in this flavorless world where you can only await death. This is our “reality”.”
Fate/EXTRA is set on Earth in 2030.
The world of EXTRA differs from that of Fate/Stay Night in that it has a different time line and events starting from 1970. History took a different path.
Mana, the energy required to carry out large scale magic, has dried up, and real magic has been lost from Earth.
The magicians of old have disappeared from center stage, and the era of magic has drawn to a complete close.
From then on those who called themselves “Magus” came to represent Spiritron Hackers, a new generation of mankind.EXTRA世界【事柄】
『人々の精神は管理に馴れ、文明も停滞した。
大きな悲劇は起きないが、新たな発見もない。
誰もが非観し、ゆるやかな死を待つ世界。
それが私たちの〝現実”だ。』
Fate/EXTRAの世界は西替２０３０年の地球。
Fate/stay nightとは違う、１９７０年代から異なる歴史を歩んだイフである。
大規模な魔術を成すためのエネルギーとなる犬源が枯渇し、魔術は本格的に地球上から失われた。
古い魔術師たちは表舞台から消之去り、神秘の時代は完全に終わりを迎えた。
以後“魔術師”を名乗るのは、霊子ハッ力ーと呼ばれる新時代の人類となる。 - ↑ Fate/EXTRA CCC - Gilgamesh Route - Chapter 7: The Depths of the Holy Maiden - Anima Ataraxia. -
- ↑ 15.0 15.1 Fate/stay night- Heaven's Feel route - Day 15: limited. - Truth - Antihero Angra Manyu
- ↑ Fate/hollow ataraxia
- ↑ Fate/Grand Order Götterdämmerung translated by Lily Emilio at Beast's Lair.
- ↑ Fate/Grand Order Final Singularity
- ↑
[] Fate/EXTRA material - Encyclopedia: Sesshouin Kiara [Person's name], p.195-196 Kiara Sessyoin [Person's name]
Kiara is a Master that appears in CCC.
She is a Japanese woman in her late 20s. Her name is properly written 殺生院祈荒 [rather than the oft-written 殺生院キアラ].
Her servant is Andersen.
Dressed in a nun’s attire, she is an air-head ero-older-sister type.
Despite her troublesome tendency to brush off what others say, her attitude and behavior is even more suggestive than that of the Alter Egos. Truth be told, her sexual desire is beyond her control.
Although she is wearing a nun’s clothing, it’s still easy to tell from the lines of her body that she is an unmatched beauty of a woman. By the way, she doesn’t cut her hair (tonsure) and instead just keeps it tucked under her nun veil.
She refers to herself using “私” [わたし].
She usually refers to others using “皆さん” [みなさん], and usually adds -san at the end of peoples’ names.
She is essentially a proper lady with a neat and tidy way of speaking.
She has a soft personality, and a chaste set of values, but when she speaks, oddly enough her words carry a hint of sensuality.
Her personality is introverted, timid, and active.
She is very gentle and mild-mannered, but also positive and motivated at the same time. It may seem as though she has a weak constitution, but she is energetic and full of life. She is deeply compassionate toward others. She is deeply considerate and is good at grasping the reason or truth. She can read almost everyone’s feelings and correctly understand their position or suffering.
Both on the outside and the inside, she is a talented woman overflowing with graceful beauty…
She seems wonderful, but at the same time she is a bit absent-minded, and seems to have a lot of knowledge about sex… rather than “Holy Woman” she would be more appropriately labeled as a “kind older sister.”
While she has trouble controlling her poison-tongued servant Andersen, she remains an upright character that never loses her smile.
While she is rather lacking in combat ability, she is a wizard at analyzing the hearts of others, and also excels at healing. In CCC while pretending to obey BB, she diligently supports the protagonist.
It is thanks to her Codecast that the unconquerable Sakura Labyrinth was cleared.
Kiara thinks well of most people, but it seems that she has a distaste for Gatou.
This is just some useless crumbs of info again, but in the fourth round, Gatou Monji uses her [first] name without hesitation.
◆
Kiara is the daughter of a high-ranked monk in the Eternal Heaven Sect, which is a branch of Shingon Mikkyo Tachikawa.
Born and raised in a community located deep in the mountains, when she was young she was afflicted by an untreatable disease, and the doctor said she wouldn’t live to see the age of 14.
Around that time the only thing that supported her and kept her together was a picture book she received from her father’s religious followers when they came to visit her sickbed.
On snowy evenings, this young girl who was headed for a meaningless death would fawn over the book and its story.
Kiara greatly admired the story of the girl who, despite there being a difference in situation as great as the difference between the Earth and the Moon, fell in love at first sight upon seeing a man from a world apart from her own, and then proceeded to trade her voice for the ability to ascend to land.
After that, due to the spread of the Internet, despite being stuck in bed she was able to learn about the world, and using the knowledge she gained she was able to recover from her untreatable disease. Once she was able to move freely again, her memories of the book were relegated to a small dusty corner of her brain.
After becoming an adult Kiara was able to gather many followers due to her great kindness, and as a nun she completely devoted herself to teach them.
However, she ended up being killed by a follower who selfishly wanted to have her all to himself.
…Well even with that being said, at that time she had already transferred herself into spiritron form using Ten Thousand Colored Stagnation, and it was no problem for her to lose her physical body on Earth.
Kiara took it upon herself to continue her religious work in the cyber world, and dedicated herself even more to teaching others how to manage their worldly desires.
Her existence is similar to the rumored Third Magic, Heaven’s Feel which is the physical materialization of the soul.殺生院キアラ【人名】
CCCで登場するマスター。
二十代後半の日本人。正しくは殺生院祈荒と書く。
サーヴァントはアンデルセン。
尼僧服の、天然でエロいお姉さん。
「あらあらまあまあ」とおどけながらも、その仕草はアルターエゴたちより扇情的という困った人。正直、性欲を持て余す。
尼僧服に身を包んでいるものの、服の上からでも分かる体のラインは絶世の美女のもの。ちなみに、髪は剃髪しておらず頭巾の下に納めている。
一人称は「私[わたくし]」。
三人称は「皆さん」、名前にさん付け。
基本的には清楚な女性口調に。
柔らかで貞淑な価値観、言葉遣いでありながら、言葉のはしはしに妙な色っぽさを持つ。
性格は内向的、弱気、能動的。
温厚だが積極的。病弱そうに見えて活発。人情に弱く慈悲に深い。ものの道理をとらえ、万人の心情を読み取り、彼らの立場・苦悩を正しく理解する思慮深さを持っている。
外見も中身も、楚々とした美しさで満ちた才女……なのだが、どこかぽんやりしているというか、耳年増なところがあり、『聖女』というよりは『優しいお姉さん』になってしまう。
毒舌サーヴァント・アンデルセンに手を焼きながらも笑顔をたやさない人格者である。
戦闘能力は乏しいが、心の解析、治療に秀でたウィザード。CCCではBBに従うフリをしながら、主人公たちのサポートに出精する。
本来なら攻略不可能のサクラ迷宮を突破するには彼女のコードキャストが不可欠となる。
たいていの人間を好ましく思うキアラだが、ガトーだけは苦手のようだ。
またどうでもいい豆知識だが、Fate/EXTRA四回戦において、ガトーモンジが彼女の名前をサラッと口にしている。
◆
真言密教立川流の傍流、詠天流の導師の娘。
山奥のコミュニティで生まれ、育ったが、幼少期は不治の病に冒され、十四歳の春は迎えられないと言われていた。
その頃の彼女の唯一の支えだったものは、父の信者たちが見舞いの品として置いていった絵本である。
雪の降る夜、酬われないまま死を迎えた少女の物語に感じ入り、
地上と月ほどの隔たりがありながら、違う世界の異性に一目惚れし、自らの声と引き替えに陸にあがった少女の物語に憧れたという。
その後、ネットによって床についたままでも世界を知るようになり、その知識で不治の病から回復。自由に行動できるようになってから、彼女の中でその思い出は記憶の隅に追いやられた。
成人してからはその人間性から多くの信者を獲得し、聖者として自らの教えに尽くした。
しかし、彼女を独占しようと私欲にかられた信者によって殺される。
……とは言っても、その頃の彼女は万色悠滞によって自身を疑似霊子化させており、地上の肉体が死滅したところで彼女には何の問題もなかった。
キアラは己のフィールドを電脳空間に移行しており、一層、悩める欲望をすくう道に没入した。
その在り方は伝え聞く第三魔法、魂の物質化であるヘブンズフィールに近いものと思われる。 - ↑
[] Fate/Grand Order - Sesshouin Kiara (Beast III/R) Profile Kiara Sesshouin - Beast III/R
Illustrator and Voice actor
Illustrator: Arco Wada
Voice Actor: Rie Tanaka
Parameters
Strength: C
Endurance: EX
Agility: B
Mana: EX
Luck: A
Noble Phantasm: EX
Unlock:
A new deva (god) calling herself Third Heterodoxy Pleasure Deva of Deliberate Overwhelming Joy, and one of the human vices that took shape in “FGO”.
The true boss of “Fate/EXTRA CCC”.
Over there, she used BB to absorb the Mooncell and metamorphose into a genuine demon.
The Mara (horns) growing from her head is that of a heavenly demon. In other words, they indicate that this individual is the antagonist of the enlightened.
Unlock:
A lump of narcissism that prioritizes “pleasure”.
And a calamity to men and animals that exploits・preys upon the lives of others and leads them to ruin in the process.
At first, those who get to know her are touched by her holy mother-like kindness and join her faith as if fascinated.
Afterwards, due an unreasonable need to be loved by her, they earnestly do nothing but pursue their own desires, exposing their foolishness. However, desire is something that ends up growing dull the more you fulfill it.
And this woman does not like dulled pleasures.
At some point, any one of her believers will no longer be of any interest for this woman, and take his own life out of the despair of “she no longer loves me”. Therefore, her victims have both their bodies and assets devoured whole.
Just like a vengeful ghost, this woman insists in perceiving that all her actions are good.
Not lying to herself at all, and yet she preys upon the surroundings with words laced with lies, consuming them for her own sake.
The absoluteness of that ego - her lack of hesitation - would seem like an enlightened mental state for an ordinary person. If there is anything “saint”-like about her, it would be this point alone.
Unlock:
- Banshoku Yuutai(2): EX
The heterodoxy Kiara once employed in a certain virtual world.
It was a medical software that separated others into “body, mind and soul”, laying their souls bare (that is, in a condition that is not being protected by the body and the mind) in order to hear their troubles and remove their pains.
Of course, that was only a front.
Kiara would take these defenseless souls that have been separated from the body and mind and absorb them into her own soul, savoring them while talking about redemption.
The ultimate “fascination”, and also the power to ”turn others into believers”.
Having turned into a Beast, that power became even greater.
Having received a Mara (crown of the beast) on her head and turned into a heavenly demon (bewitching bodhisattva), Kiara’s beauty jolts the sanity・intellect・ethics of those who look at her.
Those who Kiara stared at, or maybe those who saw Kiara must, at that moment, make a check to see if they can maintain “themselves”.
Not a “Sanity Check”, but a “Kiara Check”.
Sight, taste, hearing, smell and touch. A save is performed for each and every single one of them, and you’ll be out if you feel that Kiara is “beautiful” even a little.
You will then lose sight of yourself and, after being stuck by a small dizziness, will then lose your proper sense of reality and balance.
You’ll then end up becoming Kiara’s follower - already standing on the bodhisattva’s palm without even realizing.
Unlock:
- Banshoku Yuutai(2): EX
-Upon opening my eyes, an infinite skin-colored plain was there.
On top of the bewitching bodhisattva’s palm.
Beyond the endlessly distant horizon, Kiara smiled.
“Mankind are all immature animals.
Eating desires, indulging in desires,transient substances melting in desires---”
If there is a goddess that can accept such animal nature like a bodhisattva, who would be able to refuse this great, immeasurable love - and how?
Both enlightenment and nirvana turn into Deliberate Overwhelming Joy with a single move of her fingers.
The final destination is Sesshouin, a heavenly paradise that is like a jaw.-
...just like that, anyone becomes powerless before this heavenly demon - no matter how much power they have. It is difficult for those with intellect, those who know joy, those who know pain to escape this redemption.
Of course, even if you call it redemption, this is by no means salvation. It might sound good to call it receiving the bodhisattva’s mercy and all, but that is merely the opinions of the victims.
Because for Kiara, the followers on top of her palm are nothing but “mobs” who fell down into insect-like existences.
Unlock:
- Authority of the Beast: A
A skill that may also be called “anti-mankind”.
It is A Rank as a Beast, but it drops to D Rank when she changes into an Alterego.
- Logos Eater: EX
A special trait as a Pleasure Deva.
A unique skill derived from the Banshoku Yuutai.
She possesses a strong damage specialty towards all those endowed with intellect (pleasure), no matter what kind of structure・what kind of scale that intelligent life-form may have.
Supposedly, this also receives a drastic Rank DOWN when she becomes an Alterego. If this special trait falls to C Rank, it becomes a mere hindrance. Really, it would be equivalent to foreplay.
- Nega Saver: A
The fate of a beast who, despite possessing the qualifications of a messiah (Saver), wanted to save only her own world.
It negates all the skills possessed by the Saver and Ruler Classes, increases the fascination chances towards targets with A Rank or below in MGI to 300%, and raises up the buff effects applied by Kiara to 200%.
Unlock:
- Karma Phage: EX
Kiara’s five senses... erogenous zones... cut up and distributed to others as skills when she turned her body into a SE.RA.PH.
Appears to be an imitation of the method how BB discarded her love towards humans - having regarded it as redundant - to create the Alteregos.
Abbreviated as KP, they were each designated as Body, Sight, Mouth, Spice and Organ. Because the Sentinels bestowed with these are granted Kiara’s Authority, they become extremely powerful Servants.
- Heaven’s Hole: -
A branch of Magic called Third Magic.
Although it pulls on matter with supergravity - just like a black hole - supposedly, its true nature is that of a disposal hole.
“Something inconvenient for humans to have when attempting to do good”. The “Heaven’s Hole” receives these selfish humans’ malignant data - “all the world’s desires” - and continues to grow.
Evidently an abhorrent deposit, but this hole is a mechanism that society cannot do without, and its scale will keep expanding so long intellectual activities are carried out.
Even while amassing disgusting ambitions that humans cannot allow.
Unlock:
Love is a good thing. And desire is also a good thing.
But one must never turn “love into a pleasure”.
Originally, love and desire are things that ought to be regarded as separate from each other.
However, when the soul of a messiah that loved and wished to please humans reached the Third Magic, Sesshouin Kiara metamorphosed into something not-human.
Saving all animals on Earth by means of pleasure, and also seeking the greatest salvation by becoming a receptacle for that pleasure.
She who attempted to reach the climax by exploiting 7 billion lives just for her own (one’s) sake.
She who attempted to save “humans” with nothing but pleasure, without any goal beyond that nor knowing of satisfaction.
Her Class was determined by this true nature described above.
Pleasure Deva and the likes are nothing but fake names.
This is a great disaster that saves mankind in the most straightforward (shortest) manner, achieved by a single individual.
Its name is Beast III/R.
One of the seven human vices, the beast carrying the principle of “lust(1)”.
(1): can also be translated as ‘passion’
(2): roughly, “all-colored leisured delay”殺生院キアラ - ビーストⅢ／Ｒ
イラストレーター・声優
ILLUST：ワダアルコ
CV：田中理恵
パラメータ
筋力：Ｃ
耐力：ＥＸ
敏捷：Ｂ
魔力：ＥＸ
幸運：Ａ
宝具：ＥＸ
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
ビーストⅢ／Ｒ。
随喜自在第三外法快楽天を名乗る名の新しい天（かみ）であり、
『FGO』では人類悪の一つとして形を成した。
『Fate/EXTRA CCC』における真ボス。
あちらではBBを利用してムーンセルを取り込み、神性悪魔として変生した。
頭に生えた魔羅（つの）は天魔のもの。即ち、この者が覚者の敵対者である事を示している。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
『快楽』を優先する自己愛の塊。
その過程で他人の人生を利用・食い物にし、破滅させる人畜災害。
この女を知った人間はまず彼女の聖母の如き慈愛にふれ、魅了されたように入信。
その後、彼女に愛されたいあまりに自己の欲望のみをひたすらに追及して痴態を晒すが、
欲望は満たせば満たすほど薄くなってしまうもの。
薄くなった快楽をこの女は好まない。
信者たちの誰もが、いずれはこの女に関心を持ってもらえなくなり、「もう愛してもらえない」という絶望から命を断っていく。被害者は体も資産もまるごと食い物にされる訳である。
この女は自分の行い全てを善と捉え、
主張する物の怪である。
自分に何ひとつ嘘はつかず、しかし嘘まみれの言葉で周りを食い物にし、自分のために消費する。
その自我の絶対性、迷いのなさは、常人から見れば悟りの境地だ。彼女に『聖人』と呼べるところがあるとすれば、それはこの一点だろう。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
○万色悠滞：ＥＸ
かつてとある電脳世界でキアラが用いた外法。
余人の『肉体と精神と魂』を分離させ、魂を裸（精神にも肉体にも守られていない）状態にし、悩みを聞き、苦しみを取りのぞくという医療ソフトだった。
無論、そんなものは表向きの話。
キアラは肉体と精神から剥奪された無防備な魂を自らの魂に取り込み、これを済度と語りながら味わい、取り込んできた。
究極の“魅了”であり、また、“信徒化”の力。
ビーストとなってその力はより強大なものとなった。
頭に魔羅（獣の冠）を戴き、天魔（魔性菩薩）となったキアラの美しさは見る者の正気・理性・倫理を揺さぶる。
キアラに見つめられたもの、あるいはキアラを見た者はその時点で“己”を保てるかどうかをチェックしなければならない。
『SAN値セーブ』ならぬ『キアラ値セーブ』である。
視覚、味覚、聴覚、嗅覚、触覚。そのすべてにそれぞれセーブがなされ、少しでもキアラを“美しい”と感じてしまった時点でアウト。
その者は己を見失い、軽い眩暈に襲われた後、既にまっとうな平衡感覚も現実感覚も失われている。
その者は気が付かないままキアラの信者となってしまい、既に菩薩の手のひらの上に立っている。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
○万色悠滞：ＥＸ
『目を開ければ、そこは無限に続く肌色の平原。
魔性菩薩の手のひらの上。
果てしなく遠い地平線の彼方でキアラは微笑む。
“人類とはみな未熟な獣。
欲を食べ、欲に溺れ、欲に溶ける泡沫の実なのです―――”
その獣性を菩薩の如く受け止める女神であれば、誰が、どうやって、この巨大な愛を、無限の愛を拒めよう。
大悟も解脱もその指一つで随喜自在。
行き着く先は殺生院、顎の如き天上楽土』
……このように、どれほどの力があろうと天魔の前では無力となる。理性あるもの、悦びを知るもの、苦しみを知るものはこの済度から逃れるのは困難だ。
無論、済度といってもこんなものは救いでもなんでもない。菩薩の慈悲を受けると言えば聞こえはいいが、それは犠牲者だけの視点。
キアラにとって見れば、手のひらの上にのった信者なぞ、それこそ虫の如き存在に堕ちた“有象無象”にすぎないのだから。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
○獣の権能：Ａ
対人類、とも呼ばれるスキル。
ビースト時はＡだがアルターエゴに変化するとＤランクに落ちるという。
○ロゴスイーター：ＥＸ
快楽天としての特性。
万色悠滞から派生した特殊スキル。
どのような規模・どのような構造の知性体であれ、知性（快楽）を有するもの全てに強力なダメージ特攻を持っている。
これもアルターエゴになると大幅にランクダウンするという。その特性もＣランクまで落ちればさわりのようなものに。まさに前戯に等しい。
○ネガ・セイヴァー：Ａ
救世主（セイヴァー）の資格を持ちながら、自身の世界のみを救世しようとした獣の末路。
セイヴァー、ルーラークラスが持つ全スキルを無効化、魔力ランクＡ以下の対象への魅了確率３００％、キアラの手によるバフ効果２００％アップ。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
○カルマ・ファージ：ＥＸ
キアラが自らの体をSE.RA.PH化した際、その五感……性感帯……をスキルとして切り分け、他者に分け与えたもの。
BBが人間への愛情を余分なものとして切り離し、アルターエゴを作った手法を真似たと思われる。
ＫＰと略され、それぞれボディ・サイト・マウス・スパイス・オルガン、と名付けられた。これらを与えられたセンチネルはキアラの権能を使わされているため、たいへん強力なサーヴァントとなる。
○ヘブンズホール
第三魔法と呼ばれる魔法の亜種。
ブラックホールのように超重力で相手を引き寄せはするものの、その本質は廃棄孔とされる。
『人間が善き行いをする時、持っていては都合の悪いもの』。“天の孔”はこの身勝手な人間の悪性情報―――『この世全ての欲』を受け止め、広がり続ける。
紛れもなく醜悪な淀みだが、社会においてこの孔はなくてはならない機構であり、知性活動が行われるかぎり規模を拡大していく。
人間にとってあってはならない、おぞましい欲望を溜め込みながら。
終幕 刻を裂くパラディオン(２／２)をクリアすると開放
愛は良いものであり、欲も良いものである。
だが『愛を快楽に』してはいけない。
本来、愛と欲は切り離して考えるべきもの。
しかし人を愛し、人を悦ばせようとした救世主の魂が第三魔法に至った時、殺生院キアラは人ならざるものに変生した。
地上のすべての動物を快楽によって救い、またその快楽の受け皿になって最高の救済を求め、七十億の命をただ自分（ひとり）の為に使い、絶頂を迎えようとしたもの。
その先の目的も、満足する果ても知らず、ただ快楽のみで“人間”を救おうとしたもの。
以上の本性をもって彼女のクラスは決定された。
快楽天なぞ偽りの名。
其は個人が到達した、人類を最も端的（最短）に救う大災害。
その名をビーストⅢ／Ｒ。
七つの人類悪のひとり、“愛欲”の理を持つ獣である - Banshoku Yuutai(2): EX
- ↑ 21.0 21.1 21.2
[] Fate/side material - Encyclopedia: Dress of Heaven [Armament], p.067 [T] Dress of Heaven [Armament]
A magical artifact passed down by the Einzberns.
As the heart that governs the Great Holy Grail, it is imbued with sorcery that can materialize the soul for just a few seconds.
Though the dress is pure white, it is actually made of gold. It is inlaid with seven "rings" said to control creation, and the souls of others.
The seven holes in the dress are the seven transformed rings, and they are designed to light up one by one every time a Servant's soul is harvested.
Since any human who touches the dress will be turned to gold, its management must be handled by elementals, demi-humans, or homunculi.天のドレス【武装】
アインツベルンに伝わる魔術兵装。
大聖杯を製御する心臓にして、魂を数秒だけ物質化させる魔術を帯びている。
純白のドレスだが、材質は黄金。万物・他人の魂を支配するといわれる“指輪"を七つはめ込んでいる。
七つの孔は指輪が変形したもので、サーヴァントの 魂が収納される度に一つずつ光を帯びていく仕掛け。
人間が触ると黄金になってしまう為、運営は精霊や小人、ホムンクルスでなければならない。 - ↑
[] Fate/complete material III: World material - FAQ with Nasu: General Questions about Fate, p.130-131
Q: At the end of Sakura Route, the shape of the Shirou resurrected by the Third Magic was not human, correct?Q: At the end of Sakura Route, the shape of the Shirou resurrected by the Third Magic was not human, correct? If his shape was not human, how did they know which object was Shirou?
A: Rider used Rin's pendant as a landmark. As to the state that Shirou was in, I will leave it up to your imagination. Since Shirou was reconstructed from a portion of Illya's body, in terms of size, you would not expect him to be the same as the original. That was my thought process. - ↑ Fate/hollow ataraxia - Other - Einzbern Castle - Ghost Gossip Glamorous
- ↑
[] Fate/complete material II: Character Material - Characters: Leysritt, p.110-111 Leysritt
Character Data 021
Affiliation: Illya's Maid
Gender: Female
Height: 163cm
Weight: 52kg
Three sizes: B92/W58/H84
Image Color: White (Black)
Talents: Great strength, Animal intuition
Likes: Illya, Sella, Berserker, Shirou
Dislike: Sella
Worst enemy: Sella
Origin: Germanyリーゼリット - 人並み外れた戦闘性能を備えるイリヤのお世話係
イリヤの世話係として、セラとともに冬木市郊外の森に建つアインツベルン城に滞在しているメイド。感情に乏しく、ぼんやりした印象を受ける。アインツベルン製のホムンクルスであり、聖杯の役割を与えられる予定だったパ、失敗。廃棄されかけたところをイリヤの メイドとして延命された。
優れた戦闘能力を持つ代わりに、感覚や自我の多くが欠けている。また大聖杯を制御する天のドレスの１パーツでもある。天のドレスをイリヤが装着する時、彼女もまた役割を終 えるのだ。イリヤの予備部品とも言えるので、 イリヤが死ぬと同時に、彼女の生命活動も停止する。
アインツベルン城の料理担当。ほかにも夜の見回りやイリヤの身辺警護など様々な仕事を持つが、１日に１２時間の活動制限があり、それを超えると寿命が削られていく。
主人であるイリヤが大好きで、まるで友達のように接するため、厳格な性格のセラからはいつも怒られてしまう。同型のホムンクルスであるはずのセラとは、なぜかバストサイズに大きな隔たりがある。
Character Data ０２１
所属：イリヤのメイド
性別：女性
身長：１６３ｃｍ
体重：５２ｋｇ
スリーサイズ：Ｂ９２／Ｗ５８／Ｈ８４
イメージカラー：白（黒）
特技：力持ち、動物的直感
好きな物：イリヤ、セラ、バーサーカー、シロウ
苦手な物：セラ
天敵：セラ
出身：ドイツ