Sean Scully: Difference between revisions

Sean Scully
Born	(1945-06-30) June 30, 1945 (age 79)[1] Dublin, Ireland[1]
Nationality	American[2]
Education	St Joan of Arc, Roman Catholic Primary School Highbury Park, 1950-1952 Gillespie Primary School Islington, 1952-1953 Haseltine Primary School Lower Sydenham, 1953-1956 Forest Hill Comprehensive School Dacres Road, 1956-1961 Croydon College of Art 1965-1968 Newcastle University, 1968-1972 Carpenter Center for the Visual Arts at Harvard University 1972-1973 (graduate fellowship)[3]
Known for	Painting and Printmaking

Sean Scully (born 30 June 1945) is an Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. His work is collected in major museums worldwide.

Scully was born in Dublin and raised in South London. He studied at Croydon College of Art and Newcastle University. He was a recipient of a graduate fellowship at Harvard in the early 1970s and subsequently settled in New York.^[3] Scully was nominated for the Turner Prize in 1989 and 1993. He has exhibited widely in Europe and the United States, and is represented in the permanent collections of a number of museums and public galleries, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Guggenheim Museum in New York City, the National Gallery of Art and the Smithsonian American Art Museum in Washington, D.C., The Art Institute of Chicago, the Fine Arts Museum of San Francisco, the National Gallery of Australia, the Tate Gallery, London, the Irish Museum of Modern Art in Dublin, and many other private and public collections worldwide. In 2006 Scully donated eight of his paintings to the Hugh Lane Gallery in Dublin, which opened an extension that year with a room dedicated to Scully's works.^[4]

In 2005 to 2006, Scully's Wall of Light series was displayed at museums across the United States. The work originated in a trip Scully took to Mexico in 1983. He combines abstract works with figures.^[3]

I hold to a very Romantic ideal of what's possible in art, and I hold to the idea of the 'personal universal.' This is a complex agenda. My project is complicated in this way, and in that sense I'm out of fashion. I'm going against the current trend towards bizarreness, oddness; as you just called it, the 'esoteric', which of course was around in the 1930s. That's what is being revisited now. In between the two great wars, there was a very strong period, particularly in Europe, of a strange, bizarre, distorted and perverse kind of figuration, with freaks in the paintings. Very disturbing twins, subjects like that. These paintings were mostly coming out of Italy and Germany. Now we have a return to that—again in a strange period, after the end of Modernism.^[3]

Nowadays Scully lives and works in New York City, Barcelona and Munich. In 2015 he restyled Santa Cecilia Chappel next to Montserrat Abbey in Catalonia.^[5]

He was a professor at the Academy of Fine Arts, Munich

Scully's paintings are often made up of a number of panels and are abstract. Scully paints in oils, sometimes laying the paint on quite thickly to create textured surfaces. After a brief initial period of hard-edge painting Scully abandoned the masking tape while retaining his characteristic motif of the stripe which he has developed and refined over time. His paintings typically involve architectural constructions of abutting walls and panels of painted stripes. In recent years he has augmented his trademark stripes by also deploying a mode of compositional patterning more reminiscent of a checkerboard. He has stated that this style represents the way in which Ireland has moved towards a more chequered society. He stated in 2006, "I remember growing up in Ireland and everything being chequered, even the fields and the people."

• The Museum of Fine Arts, Boston
• Metropolitan Museum of Art, New York
• The Museum of Modern Art, New York
• The Guggenheim Museum, New York
• The Art Institute of Chicago
• The National Gallery of Art, Washington D.C., including
  • 8.10.89 (1989)
• The Smithsonian American Art Museum, Washington D.C.
  • Works in the SAAM collection
• The Corcoran Gallery of Art, Washington D.C.
• The Phillips Collection, Washington, D.C.
• The Albright-Knox Art Gallery, Buffalo
• Minneapolis Institute of Arts, Minneapolis
• Walker Art Center, Minneapolis
• The Modern Art Museum of Fort Worth
  • Catherine Series
• The Fine Arts Museums of San Francisco
• The National Gallery of Australia, Canberra
• Museo Nacional Reina Sofía, Madrid
• Tate Modern, London
  • Works in the Tate collection
• The Irish Museum of Modern Art, Dublin
• The Hugh Lane Gallery, Dublin
  • Works in the Hugh Lane collection
• Crawford Art Gallery, Cork, including
  • East Coast Light I (1973)
• Nagoya City Art Museum, Japan
• Art Gallery of Ontario, Toronto.
• Boca Raton Museum of Art, Boca Raton
• The National Gallery of Victoria, Melbourne
• New Gallery (Kassel)
• Pinakothek der Moderne, Munich
• Lenbachhaus Municipal Gallery, Munich
• Albertina, Vienna
• Wadsworth Atheneum, Hartford
• Kunsthaus Zürich, Zurich

• Dorothy Walker (2002). Scully, Seán in Brian Lalor (Ed.), The Encyclopedia of Ireland. Dublin: Gill and Macmillan. ISBN 0-7171-3000-2.

• Arthur C. Danto (2007). "Architectural Principles in the Art of Sean Scully", Border Crossings: A Magazine of the Arts, vol. 26(3), August 2007, p. 62-67. ISSN 0831-2559.

• Donald Kuspit (2010). "Sacred Sadness: Sean Scully's Abstractions", Psychodrama: Modern Art as Group Therapy. London: Ziggurat. pp. 449-453. ISBN 9780956103895.

• Sean Scully Website
• Kerlin Gallery, representing gallery for Sean Scully
• Sean Scully at Brooke Alexander Gallery
• Scully biography at LA Louver gallery
• Aosdána biographical note
• Galerie Lelong, Paris
• Sean Scully: 'There are no certainties in my paintings' - video The Guardian, February 2011

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