La cocina

La cocina
Mexican theatrical release poster
Directed by	Alonso Ruizpalacios
Screenplay by	Alonso Ruizpalacios
Based on	The Kitchen by Arnold Wesker
Produced by	Alonso Ruizpalacios Lauren Mann Gerardo Gatica González Ivan Orlic Ramiro Ruiz
Starring	Raúl Briones Carmona Rooney Mara Anna Diaz Motell Foster Oded Fehr Spenser Granese
Cinematography	Juan Pablo Ramirez[1]
Edited by	Yibran Asuad
Music by	Tomás Barreiro
Production companies	Fifth Season Seine Pictures Astrakan Film AB Filmadora Panorama Global[2]
Distributed by	Willa (United States) Cinépolis Distribución (Mexico)
Release dates	February 16, 2024 (2024-02-16) (Berlinale) October 25, 2024 (2024-10-25) (United States) November 7, 2024 (2024-11-07) (Mexico)
Running time	139 minutes[3]
Countries	United States Mexico
Languages	Spanish English

La cocina (Spanish for 'The Kitchen') is a 2024 drama film written and directed by Alonso Ruizpalacios. The film is based on the 1957 stage play The Kitchen by Arnold Wesker, which was already adapted to the 1961 film "The Kitchen".^[4]. However, while in the play and the earlier film the kitchen staff were continental European immigrants, in the present film they are mostly Latin Americans with some Arabs.

The film stars Raúl Briones Carmona, Rooney Mara, Anna Diaz, Motell Foster, Oded Fehr, Eduardo Olmos and Spenser Granese.

It had its world premiere at the 74th Berlin International Film Festival on February 16, 2024, and was released in the United States on October 25, 2024, by Willa.

Set at a restaurant in Manhattan, New York.^[5]

Rashid, a successful Arab American entrepreneur, runs "The Grill" - a large scale Times Square tourist trap. The kitchen, located deep underground, is staffed by illegal immigrants, mostly Latin Americans with some Arabs, who must work at breakneck speed in the rush hours to fulfill the orders brought to them by the waitresses who are predominantly white Americans. Rashid regularly promises to obtain for the cooks a legal status in the US, but fails to act on such promises.

Estela, a newly arrived Hispanic immigrant who does not speak English, comes to work in "The Grill" as she know Pedro, one of the cooks, and gets introduced at record speed to its staff and the restaurant's rough ways. Pedro - a charming, hot-tempered Mexican cook - and Julia, a white American waitress, quarrel over their relationship, with some accusing Pedro of dating Julia only to get his visa. Relationships between Hispanics and "Gringos" - and specifically, between male Latin American immigrants and female "Gringas" - are a constant subject in the conversations of the kitchen staff. Julia is pregnant and is determined to get an abortion; Pedro, deeply in love with her, wants her to keep the child and engages in a fantasy of the two of them running away to an unspoiled beach in Mexico, where his son could run free on the shore. However, Pedro does get her the 800 Dollars needed for the abortion and she eventually goes through with it, alone.

After an incredibly tense first shift, where the broken soda machine causes the kitchen to flood, the employees take their break. When asked about their dreams by Pedro, Nonzo, the dessert cook, tells the strange story of an handicapped immigrant who was touched twice by an alien green light, the first time saving him from deportation. When asked about the second encounter, Nonzo says he doesn't know what he was saying.

Pedro gets in trouble - first for responding violently to a provocation by a fellow cook, then for generously giving to a hungry homeless vagrant one of the restaurant's treasured lobsters. To cap it all, $823 are reported to have disappeared from a restaurant cash register, and Pedro is suspected of being the thief as it amounts to the cost of Julia's abortion. Eventually, the lost money is discovered under a table and it turns out there was no theft. Weakened after her abortion, Julia faints in the kitchen, and Pedro is shocked to discover that Julia had concealed from him the fact that she is already a mother, raising alone the ten year old Abe.

In the final scene, Pedro goes unhinged after an altercation with a waitress, embarking on a wild rampage in both the underground kitchen and the plush restaurant upstairs - overturning tables, destroying equipment and bringing the restaurant to a standstill. Rashid confronts Pedro, asking repeatedly why he lashed out, but Pedro remains silent, covered in an eerie green light that also engulfs Estela.

• Raúl Briones Carmona as Pedro
• Rooney Mara as Julia
• Anna Diaz as Estela
• Eduardo Olmos as Luis
• Motell Foster as Nonz
• Oded Fehr as Rashid
• Laura Gómez as Laura
• James Waterston as Mark
• Lee Sellars as Chef
• Spenser Granese as Max
• Julia Haltigan as Trisha

In April 2022, it was announced Rooney Mara had joined the cast of the film, with Alonso Ruizpalacios directing from a screenplay he wrote.^[6]

Principal photography took place in Mexico City.^[7]

It had its world premiere in Competition at the 74th Berlin International Film Festival on February 16, 2024.^[8][3] In August 2024, it was announced Willa would distribute the film in the United States on October 25, 2024.^[9] Cinépolis Distribución scheduled a November 7, 2024 theatrical bow in Mexico.^[10]

On the review aggregator website Rotten Tomatoes, 76% of 37 critics' reviews are positive, with an average rating of 6.9/10.^[11]

Robert Daniels of RogerEbert.com called the film "a monumental work of righteous anger" that "aims at the grinding, chewing machinery of not only the American dream but the remnant of the failed egalitarian promise of the industrial commerce".^[12] The Hollywood Reporter's David Rooney wrote "There's a surging life force felt in every scene of Alonso Ruizpalacios' superbly acted La Cocina — at times ebullient but more often on edge, if not careening dangerously toward disaster or violence".^[13] IndieWire's David Ehrlich gave the film a B, writing, "The more that La Cocina alternates between operatic long-takes and grease-stained close-ups, the more you can feel its characters fighting to retain their souls in the face of a parable that’s eager to cast them as collateral damage".^[14] In a more critical review, Screen International's Lee Marshall wrote "This constant striving for symbolic import sums up the issues of a maximalist drama that is full of drive, ideas and ambition, but charts no satisfying dramatic arc, and too often feels simply strident".^[15]

The film was selected in Competition at the 74th Berlin International Film Festival, thus it was nominated to compete for Golden Bear award.

• La cocina at IMDb