Bathsheba Okwenje: Ọdịiche dị n'etiti nyochagharị

Bathsheba Okwenje (omumu 1973^[1]) bu onye ntinye na nkà ana ahụ anya, bu onye sinyere onye chọpụtara ma bụrụ kwa onye otu nchịkọta nka Radha May.^[2] Ọ mere Masters ya na nka esere ese site na Ulo akwukwo íshí mma Rhode Island .^[2] Prior to concentration on her artistic career, Okwenje worked for the United Nations for fifteen years.^[1] Her work engages with themes of migration,^[2] feminism,^[3] and conflict.^[4] She uses photography as part of her installation style,^[5][6] as well as engaging with the intersections between archive and art.^[7]

Bathsheba Okwenje (born 1973^[1]) is a Ugandan visual and installation artist, who is a co-founder and member of the artist collective Radha May.^[2] She has a Masters in Fine Art from Rhode Island School of Design.^[2] Prior to concentration on her artistic career, Okwenje worked for the United Nations for fifteen years.^[1] Her work engages with themes of migration,^[2] feminism,^[8] and conflict.^[9] She uses photography as part of her installation style,^[10][11] as well as engaging with the intersections between archive and art.^[12]

• Kara Blackmore & Bathsheba Okwenje (2021) Nkwado Mmerụ Ihe Nnọchiteanya: Ụzọ Nkà na Nchịkọta maka Mgbanwe Mgbe Agha gasịrị, Nkà Nkà, 35:4, 103-122^[13]
• Papa, Elisa Giardina, Nupur Mathur, na Bathsheba Okwenje. "N'ajụjụ ọnụ na onye na-ese ihe Radha May: A Global Collective with a Single Identity. " Camera Obscura: Feminism, Culture, and Media Studies 31.3 (2016): 177-183.^[14]

1. ↑ ^{1.0 1.1 1.2 1.3} Science. Bathsheba Okwenje (en-GB). London School of Economics and Political Science. Retrieved on 2023-09-23.Science, London School of Economics and Political. "Bathsheba Okwenje". London School of Economics and Political Science. Retrieved 2023-09-23. Kpọpụta njehie: Invalid <ref> tag; name ":0" defined multiple times with different content
2. ↑ ^{2.0 2.1 2.2 2.3 2.4 2.5} Bathsheba Okwenje — entreebergen.no (en). entreebergen.no. Retrieved on 2023-09-23."Bathsheba Okwenje — entreebergen.no". entreebergen.no. Retrieved 2023-09-23. Kpọpụta njehie: Invalid <ref> tag; name ":1" defined multiple times with different content
3. ↑ Foundation. Njabala Foundation & Kampala, Uganda (en-US). njabala.com. Retrieved on 2023-09-23.
4. ↑ "It's a hard sell but Africa must invest in art and imagination", The Guardian, 2021-05-03. Retrieved on 2023-09-23. (in en-GB)
5. ↑ Ugandan female artists fight patriarchy in exhibition (en). The East African (2022-03-24). Retrieved on 2023-09-23.
6. ↑ The Apollo 40 Under 40 Africa in focus: Teesa Bahana (en-US). Apollo Magazine (2020-12-04). Retrieved on 2023-09-23.
7. ↑ Bruce-Lockhart (2022). Decolonising State and Society in Uganda: The Politics of Knowledge and Public Life (in en). Boydell & Brewer, 220. ISBN 978-1-84701-297-5. 
8. ↑ Foundation. Njabala Foundation & Kampala, Uganda (en-US). njabala.com. Retrieved on 2023-09-23.
9. ↑ "It's a hard sell but Africa must invest in art and imagination", The Guardian, 2021-05-03. Retrieved on 2023-09-23. (in en-GB)
10. ↑ Ugandan female artists fight patriarchy in exhibition (en). The East African (2022-03-24). Retrieved on 2023-09-23.
11. ↑ The Apollo 40 Under 40 Africa in focus: Teesa Bahana (en-US). Apollo Magazine (2020-12-04). Retrieved on 2023-09-23.
12. ↑ Bruce-Lockhart (2022). Decolonising State and Society in Uganda: The Politics of Knowledge and Public Life (in en). Boydell & Brewer, 220. ISBN 978-1-84701-297-5. 
13. ↑ Blackmore (2021-07-04). "Repairing Representational Wounds: Artistic and Curatorial Approaches to Transition After War" (in en). Critical Arts 35 (4): 103–122. DOI:10.1080/02560046.2021.1998174. ISSN 0256-0046. 
14. ↑ Papa (2016-12-01). "An Interview with the Artist Radha May: A Global Collective with a Single Identity" (in en). Camera Obscura: Feminism, Culture, and Media Studies 31 (3): 177–183. DOI:10.1215/02705346-3662084. ISSN 0270-5346.